Death of a Scriptwriter (11 page)

After the first week, she drove to the police station.

‘There’s that blonde calling on Hamish Macbeth,’ said Jessie Currie to her sister, Nessie. ‘He can’t keep his hands off them.’

Sheila, all too aware of two pairs of eyes scrutinizing her from behind thick glasses, knocked at the kitchen door of the police station.

‘Come in,’ said Hamish Macbeth cheerfully. ‘Nothing wrong, is there?’

‘No, I just got bored with television chatter.’

She followed him into the kitchen.

‘Filming going all right?’ asked Hamish.

‘Oh, like clockwork, good script, everyone pulling together. It’s as if Jamie had never existed.’

Hamish put a battered old kettle on top of the wood burning stove. ‘It’s a warm evening,’ said Sheila, who was wearing a T-shirt with the Strathclyde Television logo and a pair
of cut-off jeans and large boots. ‘Do you always have that burning?’

‘I was just about to put on my dinner. Want to join me? It’s only chicken casserole.’

‘If you’re sure . . . That would be nice.’

‘All right. We’ll have coffee first . . . So Jamie’s conveniently dead and everyone is happy. Fiona’s kept her job and Angus Harris has come into money and Penelope Gates
has lost a husband she didn’t much like anyway. How’s Penelope bearing up?’

‘Remarkably well,’ said Sheila drily. ‘In fact, she’s becoming a bit starry.’

‘Meaning?’

‘She’s beginning to queen about a bit. It’s odd, that. When Jamie was alive, she was very pleasant and subdued and only really came to life on the set. A hardworking actress,
not all that great, but she has the looks. Now she seems to fly off the handle over every little thing and has to be coaxed back into a good temper.’

There was a silence while the kettle boiled. Hamish put instant coffee in two mugs and then carried them to the table and sat down next to Sheila.

‘So were you surprised when you found out the murderer was Josh?’ he asked.

Sheila took a sip of coffee and wrinkled her smooth brow. She was a very pretty girl, reflected Hamish, and almost immediately, Down, Hamish, you’ve had enough rejections to last you a
lifetime!

‘I was,’ said Sheila. ‘Just a feeling.’

‘Why?’ asked Hamish curiously.

‘Well, the only proof it was Josh was the blood on his hands.’

‘I thought of that,’ said Hamish. ‘He could have been skulking about up on the mountain and found Jamie dead. The body had been turned over.’

‘Did they ever find out what struck him?’

‘A rock. They found infinitesimal traces of rock in his skull. But all the murderer had to do was throw it away. Just below that bit of heather where he was lying is a whole expanse of
scree. If the rock had been hurled down there, well, it could be anywhere.’

‘Did they look?’

‘Yes, they had a team o’ coppers crawling over the mountain like ants.’ Hamish suddenly froze, his mouth a little open.

‘What’s the matter?’ asked Sheila sharply.

‘I’ve chust remembered something,’ he muttered. He could feel sweat trickling down from under his armpits. ‘Excuse me,’ he said.

He went through to the bathroom and stripped off his shirt and sponged himself down, then went through to the bedroom and put on a clean shirt. What sort of policeman was he? He had put all the
bits and pieces he had picked up off the heather into his backpack and, after finding the body, had forgotten all about them. The plastic bag he had put them in and the cellophane packet with those
two threads of cloth were still in the backpack, which he had thrown in the bottom of the wardrobe. When Jimmy had called to tell him that the case was all wrapped up, he had forgotten all about
them. He should have handed them over to the forensic team when he left the mountain.

He returned to the kitchen. ‘I’ll chust put the casserole in the oven and we’ll move to the living room. It’s hot in here.’

Sheila looked curiously at him as she sat down in the living room. ‘Are you sure you haven’t had a shock?’ she asked. ‘Was it something I said?’

‘No, no? I chust remembered I had a report to type up.’

‘Am I holding you back?’

‘Och, I can do it tomorrow.’

There was a knock at the kitchen door. Hamish went to answer it. The Currie sisters pushed past him and went straight through to the living room.

‘We didn’t know anyone was here, didn’t know anyone was here,’ said Jessie, who had an irritating habit of repeating everything. ‘We dropped by to bring you a
lettuce from the garden, the garden. And this is . . .?’

‘Miss Sheila Burford, who is with the television company,’ said Hamish. ‘Sheila, the Misses Currie, Nessie and Jessie.’

‘Pleased to meet you,’ said Sheila, recognizing the two who had stared at her so fiercely on her arrival at the police station.

‘Is there any trouble at Drim?’ asked Nessie.

‘Trouble at Drim,’ echoed Jessie.

‘No, this is just a social call.’

‘Is there any news of Miss Halburton-Smythe coming up here soon?’ asked Nessie.

‘I have not heard from Miss Halburton-Smythe,’ said Hamish stiffly.

‘Such a beautiful girl,’ said Nessie.

‘Beautiful,’ said Jessie.

‘Was engaged to Hamish here, but he didnae appreciate her.’

‘Appreciate her.’

‘And went to foreign parts.’

‘Foreign parts.’

‘To hide a broken heart.’

‘Broken heart.’

‘Havers!’ shouted Hamish, exasperated. ‘I thank you kindly for the lettuce, but I am chust about to prepare dinner.’

‘We’re going, going,’ said Jessie huffily.

Hamish ushered them out.

‘Sorry about that,’ he said.

Sheila grinned. ‘Who is this Miss Halburton-Smythe? Anything to do with the Tommel Castle Hotel?’

‘Her father owns it, we were engaged once, didn’t work, end of story. I’ll get the food.’

When they were seated in the kitchen with the stove now damped down and the door and window open to the evening air, Sheila said, ‘It amazes me that it hardly ever gets dark up
here.’

‘The nights are beginning to draw in all the same,’ said Hamish. ‘In June it’s light all night.’

‘At least we’ll be finished and out of here by the winter,’ said Sheila with a reminiscent shiver.

‘It wass unusual, all that snow,’ said Hamish, but thinking uneasily instead of that plastic bag at the bottom of his wardrobe. His accent, as usual, increased in sibilancy when he
was upset. ‘To get back to Penelope Gates, she’s employed by the television company. Why doesn’t the director or whateffer chust tell her to do her job and cut the
histrionics?’

‘She’s the star of the show, and stars, however small they might be, can rule the roost.’

‘Is she on anything?’ asked Hamish, remembering the pot-smoking Fiona. ‘Uppers or anything?’

‘No, I think she was kept down by Josh, and now he’s gone, she’s bursting out all over the place.’

‘In every sense of the word, I suppose,’ said Hamish. ‘Unless the naughty scenes have been cut.’

‘No, they’re still in. She seduces the chief inspector tomorrow. They’ve built a bedroom set in the castle, four-poster and all that. But it’ll be away from the eyes of
the villagers.’

‘A good thing, too,’ said Hamish. ‘The minister would have something to say about it.’

‘I gather the minister’s wife, Eileen, is making a film of her own.’

‘That crushed wee woman! I don’t believe it.’

‘Fact. One of the village women told me. Eileen wrote a play when she was at university. They’re performing that, and Eileen’s filming it with her camcorder.’

‘And what does the minister have to say?’

‘He seems pleased. He doesn’t like us TV people being back, but Fiona gave him a generous donation to the church. This chicken is very good. Just as a matter of interest,
what’s Patricia doing?’

‘She’s writing again.’

‘Where was she on the day Jamie got killed?’

‘Out walking, she says.’

‘I had her down as the murderess,’ said Sheila. ‘She was so outraged. She’s got a medieval kind of face. I could imagine her being quite ruthless.’

‘If she was ruthless,’ said Hamish, ‘she would have found some hot-shot lawyer to try to break the terms of her contract.’

‘You may be right.’

Hamish surveyed her. ‘You definitely don’t think Josh murdered Jamie.’

‘I’m fantasizing,’ said Sheila. ‘Read too many detective stories. I suppose the police know what they’re doing.’

Hamish said nothing, but he wondered whether Strathbane police, because of pressure from the media, had not jumped too thankfully to the easiest conclusion.

‘I’m sorry I havenae any wine to go with the meal,’ he said.

‘That’s why I’m here,’ said Sheila. ‘The dinners at the hotel get a bit boozy.’

‘So tell me about yourself. How did you get into the television business?’

‘I went to college in New York, in Washington Square in the Village, to learn all about filming. I did a short film and won the Helena Rubinstein prize. I was homesick, so as soon as I
finished the course, I returned to Glasgow and applied for a job on Strathclyde Television. They said I should start at the bottom and learn the ropes. I’ve been there two years and I’m
still at the bottom, fetching and carrying and making coffee, fixing hotels, driving that minibus around.’

‘So why don’t you try the BBC or ITV or maybe one of the cable channels?’

‘Because I’m suddenly sick of the whole business. I think I might take a computing course. I’m interested in computer graphics.’

‘All the beautiful girls end up studying computers,’ said Hamish.

‘Is that what took Miss Halburton-Smythe away?’

‘Yes,’ he said curtly. ‘More coffee?’

Sheila wished she hadn’t made that remark. There was a certain chill in the air which had nothing to do with the weather.

When she had finished her coffee, Hamish said, ‘Now if you don’t mind, I’d better get on with that report.’

‘Thanks for dinner. You must let me take you out.’

‘Aye, that would be grand.’

‘What about tomorrow?’

Hamish hesitated. ‘Give me the number of your mobile and I’ll phone you.’

Which you won’t, thought Sheila sadly as she walked to her car.

When she had gone, Hamish went through to the bedroom, hauled out the backpack and took out the plastic bag and emptied the contents on the floor. Nothing much here, he thought
with relief: old Coke cans, cigarette ends, a book of matches, but with no advertising on it, no sinister nightclub or sleazy bar such as they were always finding in detective novels. Then there
was the little envelope with the two threads of cloth. Bluish tweed. What had Josh been wearing?

He should throw this lot away and forget about it.

Case closed.

Patricia Martyn-Broyd received a letter from her publishers. She weighed the large buff envelope in her hand and then slit it open. She pulled out book jackets and a letter
from her editor, Sue Percival.

‘Dear Patricia,’ Sue had written. ‘As you will see, we have changed the book jackets, feeling the original ones might not have been too tasteful in view of the murder. We hope
you like them.’

The new cover showed Penelope Gates dressed in tweed hacking jacket, knee breeches, lovat stockings and brogues, standing on a heathery hillside, looking down at the village of Drim.
Patricia’s name was larger and more prominent this time.

She heaved a sigh of relief. Everything was working out quite well. Harry Frame had called to tell her they had cut out the commune scenes. She smiled.

It was time she visited the location and saw what they were doing. She was pleased with the new covers,
very
pleased.

‘This coffee tastes like filth,’ said Penelope Gates, throwing the contents against the wall of her caravan. ‘Get me a decent one.’

‘Get it yourself,’ said Sheila. ‘Who the hell do you think you are? You’ve started to behave like a maniac.’

Penelope looked at her with narrowed eyes. ‘You have just got yourself out of a job, Sheila. I’ll speak to Harry Frame today.’

Sheila opened the door of the caravan and walked out. Then she shouted through the open door, ‘I hope you break your bloody neck!’

‘Here, what’s all this about?’ demanded the director, Giles Brown, coming up to her.

‘It’s that bitch,’ said Sheila. ‘I can’t take any more of her prima donna tantrums.’

‘You’ll just have to put up with it,’ said Giles. ‘We have to keep her in a good mood. We can’t get anyone else at this late date. We’ve already lost a lot of
money over Jamie’s death. Think of all the publicity we’ve put out about Penelope. I know, I know, we’re all beginning to realize why her husband beat her. I’ll have a word
with her.’

He went into the caravan. Penelope surveyed him with baleful blue eyes. ‘I want that bitch fired,’ she said.

‘I’ll see about it,’ said Giles wearily. ‘Look, luv, it’s all been going well. Don’t we all run around and look after you?’

‘Let me know when you’ve fired her,’ said Penelope coldly. ‘You want this sex scene to work, don’t you? Well, just see that no one else upsets me and get me a
decent cup of coffee.’

‘Sure, Penelope. Anything you say.’

Penelope smiled to herself. She took out a packet of amphetamines and swallowed two. They would give her the necessary buzz she needed for the filming. It had been wonderful since Josh died. She
had been bullied by her parents, bullied by schoolteachers and bullied by Josh. She hardly ever saw her parents now and Josh was dead and she was her own woman and free to take revenge on every
bastard who tried to push her around. She had been feeling very exhausted since Josh’s death, what with the shock of it all, and a friend had introduced her to ‘uppers’. Penelope
felt strong and in command of every situation for the first time in her life.

‘No funny business now,’ said Giles Brown to Gervase Hart, the leading man, or rather the anti-leading man, in that he was playing the part of the brutish chief
inspector. ‘You’re only playing a sex scene, not performing it. I’m having trouble enough with Penelope as it is. I don’t want her screaming rape.’

‘I couldn’t get it up for that nasty creature who thinks she’s God’s gift,’ sneered Gervase.