Delphi Complete Works of Ann Radcliffe (Illustrated) (171 page)

It was over some of the last pathetic letters of the Marchioness, that St. Aubert was weeping, when he was observed by Emily, on the eve of her departure from La Vallee, and it was her picture, which he had so tenderly caressed. Her disastrous death may account for the emotion he had betrayed, on hearing her named by La Voisin, and for his request to be interred near the monument of the Villerois, where her remains were deposited, but not those of her husband, who was buried, where he died, in the north of France.

The confessor, who attended St. Aubert in his last moments, recollected him to be the brother of the late Marchioness, when St. Aubert, from tenderness to Emily, had conjured him to conceal the circumstance, and to request that the abbess, to whose care he particularly recommended her, would do the same; a request, which had been exactly observed.

Laurentini, on her arrival in France, had carefully concealed her name and family, and, the better to disguise her real history, had, on entering the convent, caused the story to be circulated, which had imposed on sister Frances, and it is probable, that the abbess, who did not preside in the convent, at the time of her noviciation, was also entirely ignorant of the truth. The deep remorse, that seized on the mind of Laurentini, together with the sufferings of disappointed passion, for she still loved the Marquis, again unsettled her intellects, and, after the first paroxysms of despair were passed, a heavy and silent melancholy had settled upon her spirits, which suffered few interruptions from fits of phrensy, till the time of her death. During many years, it had been her only amusement to walk in the woods near the monastery, in the solitary hours of night, and to play upon a favourite instrument, to which she sometimes joined the delightful melody of her voice, in the most solemn and melancholy airs of her native country, modulated by all the energetic feeling, that dwelt in her heart. The physician, who had attended her, recommended it to the superior to indulge her in this whim, as the only means of soothing her distempered fancy; and she was suffered to walk in the lonely hours of night, attended by the servant, who had accompanied her from Italy; but, as the indulgence transgressed against the rules of the convent, it was kept as secret as possible; and thus the mysterious music of Laurentini had combined with other circumstances, to produce a report, that not only the chateau, but its neighbourhood, was haunted.

Soon after her entrance into this holy community, and before she had shewn any symptoms of insanity there, she made a will, in which, after bequeathing a considerable legacy to the convent, she divided the remainder of her personal property, which her jewels made very valuable, between the wife of
Mons.
Bonnac, who was an Italian lady and her relation, and the nearest surviving relative of the late Marchioness de Villeroi. As Emily St. Aubert was not only the nearest, but the sole relative, this legacy descended to her, and thus explained to her the whole mystery of her father’s conduct.

The resemblance between Emily and her unfortunate aunt had frequently been observed by Laurentini, and had occasioned the singular behaviour, which had formerly alarmed her; but it was in the nun’s dying hour, when her conscience gave her perpetually the idea of the Marchioness, that she became more sensible, than ever, of this likeness, and, in her phrensy, deemed it no resemblance of the person she had injured, but the original herself. The bold assertion, that had followed, on the recovery of her senses, that Emily was the daughter of the Marchioness de Villeroi, arose from a suspicion that she was so; for, knowing that her rival, when she married the Marquis, was attached to another lover, she had scarcely scrupled to believe, that her honour had been sacrificed, like her own, to an unresisted passion.

Of a crime, however, to which Emily had suspected, from her phrensied confession of murder, that she had been instrumental in the castle of Udolpho, Laurentini was innocent; and she had herself been deceived, concerning the spectacle, that formerly occasioned her so much terror, and had since compelled her, for a while, to attribute the horrors of the nun to a consciousness of a murder, committed in that castle.

It may be remembered, that, in a chamber of Udolpho, hung a black veil, whose singular situation had excited Emily’s curiosity, and which afterwards disclosed an object, that had overwhelmed her with horror; for, on lifting it, there appeared, instead of the picture she had expected, within a recess of the wall, a human figure of ghastly paleness, stretched at its length, and dressed in the habiliments of the grave. What added to the horror of the spectacle, was, that the face appeared partly decayed and disfigured by worms, which were visible on the features and hands. On such an object, it will be readily believed, that no person could endure to look twice. Emily, it may be recollected, had, after the first glance, let the veil drop, and her terror had prevented her from ever after provoking a renewal of such suffering, as she had then experienced. Had she dared to look again, her delusion and her fears would have vanished together, and she would have perceived, that the figure before her was not human, but formed of wax. The history of it is somewhat extraordinary, though not without example in the records of that fierce severity, which monkish superstition has sometimes inflicted on mankind. A member of the house of Udolpho, having committed some offence against the prerogative of the church, had been condemned to the penance of contemplating, during certain hours of the day, a waxen image, made to resemble a human body in the state, to which it is reduced after death. This penance, serving as a memento of the condition at which he must himself arrive, had been designed to reprove the pride of the Marquis of Udolpho, which had formerly so much exasperated that of the Romish church; and he had not only superstitiously observed this penance himself, which, he had believed, was to obtain a pardon for all his sins, but had made it a condition in his will, that his descendants should preserve the image, on pain of forfeiting to the church a certain part of his domain, that they also might profit by the humiliating moral it conveyed. The figure, therefore, had been suffered to retain its station in the wall of the chamber, but his descendants excused themselves from observing the penance, to which he had been enjoined.

This image was so horribly natural, that it is not surprising Emily should have mistaken it for the object it resembled, nor, since she had heard such an extraordinary account, concerning the disappearing of the late lady of the castle, and had such experience of the character of Montoni, that she should have believed this to be the murdered body of the lady Laurentini, and that he had been the contriver of her death.

The situation, in which she had discovered it, occasioned her, at first, much surprise and perplexity; but the vigilance, with which the doors of the chamber, where it was deposited, were afterwards secured, had compelled her to believe, that Montoni, not daring to confide the secret of her death to any person, had suffered her remains to decay in this obscure chamber. The ceremony of the veil, however, and the circumstance of the doors having been left open, even for a moment, had occasioned her much wonder and some doubts; but these were not sufficient to overcome her suspicion of Montoni; and it was the dread of his terrible vengeance, that had sealed her lips in silence, concerning what she had seen in the west chamber.

Emily, in discovering the Marchioness de Villeroi to have been the sister of
Mons.
St. Aubert, was variously affected; but, amidst the sorrow, which she suffered for her untimely death, she was released from an anxious and painful conjecture, occasioned by the rash assertion of Signora Laurentini, concerning her birth and the honour of her parents. Her faith in St. Aubert’s principles would scarcely allow her to suspect that he had acted dishonourably; and she felt such reluctance to believe herself the daughter of any other, than her, whom she had always considered and loved as a mother, that she would hardly admit such a circumstance to be possible; yet the likeness, which it had frequently been affirmed she bore to the late Marchioness, the former behaviour of Dorothee the old housekeeper, the assertion of Laurentini, and the mysterious attachment, which St. Aubert had discovered, awakened doubts, as to his connection with the Marchioness, which her reason could neither vanquish, or confirm. From these, however, she was now relieved, and all the circumstances of her father’s conduct were fully explained: but her heart was oppressed by the melancholy catastrophe of her amiable relative, and by the awful lesson, which the history of the nun exhibited, the indulgence of whose passions had been the means of leading her gradually to the commission of a crime, from the prophecy of which in her early years she would have recoiled in horror, and exclaimed — that it could not be! — a crime, which whole years of repentance and of the severest penance had not been able to obliterate from her conscience.

CHAPTER XVIII

Then, fresh tears

Stood on her cheek, as doth the honey-dew

Upon a gather’d lily almost wither’d

After the late discoveries, Emily was distinguished at the chateau by the Count and his family, as a relative of the house of Villeroi, and received, if possible, more friendly attention, than had yet been shewn her.

Count De Villefort’s surprise at the delay of an answer to his letter, which had been directed to Valancourt, at Estuviere, was mingled with satisfaction for the prudence, which had saved Emily from a share of the anxiety he now suffered, though, when he saw her still drooping under the effect of his former error, all his resolution was necessary to restrain him from relating the truth, that would afford her a momentary relief. The approaching nuptials of the Lady Blanche now divided his attention with this subject of his anxiety, for the inhabitants of the chateau were already busied in preparations for that event, and the arrival of
Mons.
St. Foix was daily expected. In the gaiety, which surrounded her, Emily vainly tried to participate, her spirits being depressed by the late discoveries, and by the anxiety concerning the fate of Valancourt, that had been occasioned by the description of his manner, when he had delivered the ring. She seemed to perceive in it the gloomy wildness of despair; and, when she considered to what that despair might have urged him, her heart sunk with terror and grief. The state of suspense, as to his safety, to which she believed herself condemned, till she should return to La Vallee, appeared insupportable, and, in such moments, she could not even struggle to assume the composure, that had left her mind, but would often abruptly quit the company she was with, and endeavour to sooth her spirits in the deep solitudes of the woods, that overbrowed the shore. Here, the faint roar of foaming waves, that beat below, and the sullen murmur of the wind among the branches around, were circumstances in unison with the temper of her mind; and she would sit on a cliff, or on the broken steps of her favourite watchtower, observing the changing colours of the evening clouds, and the gloom of twilight draw over the sea, till the white tops of billows, riding towards the shore, could scarcely be discerned amidst the darkened waters. The lines, engraved by Valancourt on this tower, she frequently repeated with melancholy enthusiasm, and then would endeavour to check the recollections and the grief they occasioned, and to turn her thoughts to indifferent subjects.

One evening, having wandered with her lute to this her favourite spot, she entered the ruined tower, and ascended a winding staircase, that led to a small chamber, which was less decayed than the rest of the building, and whence she had often gazed, with admiration, on the wide prospect of sea and land, that extended below. The sun was now setting on that tract of the Pyrenees, which divided Languedoc from Rousillon, and, placing herself opposite to a small grated window, which, like the wood-tops beneath, and the waves lower still, gleamed with the red glow of the west, she touched the chords of her lute in solemn symphony, and then accompanied it with her voice, in one of the simple and affecting airs, to which, in happier days, Valancourt had often listened in rapture, and which she now adapted to the following lines.

Spirit of love and sorrow — hail!

Thy solemn voice from far I hear,

Mingling with ev’ning’s dying gale:

Hail, with this sadly-pleasing tear!

O! at this still, this lonely hour,

Thine own sweet hour of closing day,

Awake thy lute, whose charmful pow’r

Shall call up Fancy to obey:

To paint the wild romantic dream,

That meets the poet’s musing eye,

As, on the bank of shadowy stream,

He breathes to her the fervid sigh.

O lonely spirit! let thy song

Lead me through all thy sacred haunt;

The minister’s moonlight aisles along,

Where spectres raise the midnight chaunt.

I hear their dirges faintly swell!

Then, sink at once in silence drear,

While, from the pillar’d cloister’s cell,

Dimly their gliding forms appear!

Lead where the pine-woods wave on high,

Whose pathless sod is darkly seen,

As the cold moon, with trembling eye,

Darts her long beams the leaves between.

Lead to the mountain’s dusky head,

Where, far below, in shade profound,

Wide forests, plains and hamlets spread,

And sad the chimes of vesper sound,

Or guide me, where the dashing oar

Just breaks the stillness of the vale,

As slow it tracks the winding shore,

To meet the ocean’s distant sail:

To pebbly banks, that Neptune laves,

With measur’d surges, loud and deep,

Where the dark cliff bends o’er the waves,

And wild the winds of autumn sweep.

There pause at midnight’s spectred hour,

And list the long-resounding gale;

And catch the fleeting moonlight’s pow’r,

O’er foaming seas and distant sail.

The soft tranquillity of the scene below, where the evening breeze scarcely curled the water, or swelled the passing sail, that caught the last gleam of the sun, and where, now and then, a dipping oar was all that disturbed the trembling radiance, conspired with the tender melody of her lute to lull her mind into a state of gentle sadness, and she sung the mournful songs of past times, till the remembrances they awakened were too powerful for her heart, her tears fell upon the lute, over which she drooped, and her voice trembled, and was unable to proceed.

Though the sun had now sunk behind the mountains, and even his reflected light was fading from their highest points, Emily did not leave the watchtower, but continued to indulge her melancholy reverie, till a footstep, at a little distance, startled her, and, on looking through the grate, she observed a person walking below, whom, however, soon perceiving to be
Mons.
Bonnac, she returned to the quiet thoughtfulness his step had interrupted. After some time, she again struck her lute, and sung her favourite air; but again a step disturbed her, and, as she paused to listen, she heard it ascending the staircase of the tower. The gloom of the hour, perhaps, made her sensible to some degree of fear, which she might not otherwise have felt; for, only a few minutes before, she had seen
Mons.
Bonnac pass. The steps were quick and bounding, and, in the next moment, the door of the chamber opened, and a person entered, whose features were veiled in the obscurity of twilight; but his voice could not be concealed, for it was the voice of Valancourt! At the sound, never heard by Emily, without emotion, she started, in terror, astonishment and doubtful pleasure, and had scarcely beheld him at her feet, when she sunk into a seat, overcome by the various emotions, that contended at her heart, and almost insensible to that voice, whose earnest and trembling calls seemed as if endeavouring to save her. Valancourt, as he hung over Emily, deplored his own rash impatience, in having thus surprised her: for when he had arrived at the chateau, too anxious to await the return of the Count, who, he understood, was in the grounds, he went himself to seek him, when, as he passed the tower, he was struck by the sound of Emily’s voice, and immediately ascended.

It was a considerable time before she revived, but, when her recollection returned, she repulsed his attentions, with an air of reserve, and enquired, with as much displeasure as it was possible she could feel in these first moments of his appearance, the occasion of his visit.

‘Ah Emily!’ said Valancourt, ‘that air, those words — alas! I have, then, little to hope — when you ceased to esteem me, you ceased also to love me!’

‘Most true, sir,’ replied Emily, endeavouring to command her trembling voice; ‘and if you had valued my esteem, you would not have given me this new occasion for uneasiness.’

Valancourt’s countenance changed suddenly from the anxieties of doubt to an expression of surprise and dismay: he was silent a moment, and then said, ‘I had been taught to hope for a very different reception! Is it, then, true, Emily, that I have lost your regard forever? am I to believe, that, though your esteem for me may return — your affection never can? Can the Count have meditated the cruelty, which now tortures me with a second death?’

The voice, in which he spoke this, alarmed Emily as much as his words surprised her, and, with trembling impatience, she begged that he would explain them.

‘Can any explanation be necessary?’ said Valancourt, ‘do you not know how cruelly my conduct has been misrepresented? that the actions of which you once believed me guilty (and, O Emily! how could you so degrade me in your opinion, even for a moment!) those actions — I hold in as much contempt and abhorrence as yourself? Are you, indeed, ignorant, that Count de Villefort has detected the slanders, that have robbed me of all I hold dear on earth, and has invited me hither to justify to you my former conduct? It is surely impossible you can be uninformed of these circumstances, and I am again torturing myself with a false hope!’

The silence of Emily confirmed this supposition; for the deep twilight would not allow Valancourt to distinguish the astonishment and doubting joy, that fixed her features. For a moment, she continued unable to speak; then a profound sigh seemed to give some relief to her spirits, and she said,

‘Valancourt! I was, till this moment, ignorant of all the circumstances you have mentioned; the emotion I now suffer may assure you of the truth of this, and, that, though I had ceased to esteem, I had not taught myself entirely to forget you.’

‘This moment,’ said Valancourt, in a low voice, and leaning for support against the window— ‘this moment brings with it a conviction that overpowers me! — I am dear to you then — still dear to you, my Emily!’

‘Is it necessary that I should tell you so?’ she replied, ‘is it necessary, that I should say — these are the first moments of joy I have known, since your departure, and that they repay me for all those of pain I have suffered in the interval?’

Valancourt sighed deeply, and was unable to reply; but, as he pressed her hand to his lips, the tears, that fell over it, spoke a language, which could not be mistaken, and to which words were inadequate.

Emily, somewhat tranquillized, proposed returning to the chateau, and then, for the first time, recollected that the Count had invited Valancourt thither to explain his conduct, and that no explanation had yet been given. But, while she acknowledged this, her heart would not allow her to dwell, for a moment, on the possibility of his unworthiness; his look, his voice, his manner, all spoke the noble sincerity, which had formerly distinguished him; and she again permitted herself to indulge the emotions of a joy, more surprising and powerful, than she had ever before experienced.

Neither Emily, or Valancourt, were conscious how they reached the chateau, whither they might have been transferred by the spell of a fairy, for any thing they could remember; and it was not, till they had reached the great hall, that either of them recollected there were other persons in the world besides themselves. The Count then came forth with surprise, and with the joyfulness of pure benevolence, to welcome Valancourt, and to entreat his forgiveness of the injustice he had done him; soon after which,
Mons.
Bonnac joined this happy group, in which he and Valancourt were mutually rejoiced to meet.

When the first congratulations were over, and the general joy became somewhat more tranquil, the Count withdrew with Valancourt to the library, where a long conversation passed between them, in which the latter so clearly justified himself of the criminal parts of the conduct, imputed to him, and so candidly confessed and so feelingly lamented the follies, which he had committed, that the Count was confirmed in his belief of all he had hoped; and, while he perceived so many noble virtues in Valancourt, and that experience had taught him to detest the follies, which before he had only not admired, he did not scruple to believe, that he would pass through life with the dignity of a wise and good man, or to entrust to his care the future happiness of Emily St. Aubert, for whom he felt the solicitude of a parent. Of this he soon informed her, in a short conversation, when Valancourt had left him. While Emily listened to a relation of the services, that Valancourt had rendered
Mons.
Bonnac, her eyes overflowed with tears of pleasure, and the further conversation of Count De Villefort perfectly dissipated every doubt, as to the past and future conduct of him, to whom she now restored, without fear, the esteem and affection, with which she had formerly received him.

When they returned to the supper-room, the Countess and Lady Blanche met Valancourt with sincere congratulations; and Blanche, indeed, was so much rejoiced to see Emily returned to happiness, as to forget, for a while, that
Mons.
St. Foix was not yet arrived at the chateau, though he had been expected for some hours; but her generous sympathy was, soon after, rewarded by his appearance. He was now perfectly recovered from the wounds, received, during his perilous adventure among the Pyrenees, the mention of which served to heighten to the parties, who had been involved in it, the sense of their present happiness. New congratulations passed between them, and round the supper-table appeared a group of faces, smiling with felicity, but with a felicity, which had in each a different character. The smile of Blanche was frank and gay, that of Emily tender and pensive; Valancourt’s was rapturous, tender and gay alternately;
Mons.
St. Foix’s was joyous, and that of the Count, as he looked on the surrounding party, expressed the tempered complacency of benevolence; while the features of the Countess, Henri, and
Mons.
Bonnac, discovered fainter traces of animation. Poor
Mons.
Du Pont did not, by his presence, throw a shade of regret over the company; for, when he had discovered, that Valancourt was not unworthy of the esteem of Emily, he determined seriously to endeavour at the conquest of his own hopeless affection, and had immediately withdrawn from Chateau-le-Blanc — a conduct, which Emily now understood, and rewarded with her admiration and pity.

The Count and his guests continued together till a late hour, yielding to the delights of social gaiety, and to the sweets of friendship. When Annette heard of the arrival of Valancourt, Ludovico had some difficulty to prevent her going into the supper-room, to express her joy, for she declared, that she had never been so rejoiced at any ACCIDENT as this, since she had found Ludovico himself.