Delphi Complete Works of Ann Radcliffe (Illustrated) (177 page)

“It is said,” resumed the Marchese, “that there is a young woman, who is called Ellena Rosalba, — I think that is the name; — do you know any person of the name?”

“Do I know!” exclaimed Vivaldi, “but pardon me, pray proceed, my Lord.”

The Marchese paused, and regarded his son with sternness, but without surprize.

“It is said, that a young person of this name has contrived to fascinate your affections, and” —

“It is most true, my Lord, that Signora Rosalba has won my affections,” interrupted Vivaldi with honest impatience, “but without contrivance.”

“I will not be interrupted,” said the Marchese, interrupting in his turn. “It is said that she has so artfully adapted her temper to yours, that, with the assistance of a relation who lives with her, she has reduced you to the degrading situation of her devoted suitor.”

“Signora Rosalba has, my Lord, exalted me to the honour of being her suitor,” said Vivaldi, unable longer to command his feelings. He was proceeding, when the Marchese abruptly checked him, “You avow your folly then!”

“My Lord, I glory in my choice.”

“Young man,” rejoined his father, “as this is the arrogance and romantic enthusiasm of a boy, I am willing to forgive it for once, and observe me, only for once. If you will acknowledge your error, instantly dismiss this new favourite.” —

“My Lord!”

“You must instantly dismiss her,” repeated the Marchese with sterner emphasis; “and, to prove that I am more merciful than just, I am willing, on this condition, to allow her a small annuity as some reparation for the depravity, into which you have assisted to sink her.”

“My Lord!” exclaimed Vivaldi aghast, and scarcely daring to trust his voice, “my Lord! — depravity?” struggling for breath. “Who has dared to pollute her spotless fame by insulting your ears with such infamous falsehood? Tell me, I conjure you, instantly tell me, that I may hasten to give him his reward. Depravity! — an annuity — an annuity! O Ellena! Ellena!” As he pronounced her name tears of tenderness mingled with those of indignation.

“Young man,” said the Marchese, who had observed the violence of his emotion with strong displeasure and alarm, “I do not lightly give faith to report, and I cannot suffer myself to doubt the truth of what I have advanced. You are deceived, and your vanity will continue the delusion, unless I condescend to exert my authority, and tear the veil from your eyes. Dismiss her instantly, and I will adduce proof of her former character which will stagger even your faith, enthusiastic as it is.”

“Dismiss her!” repeated Vivaldi, with calm yet stern energy, such as his father had never seen him assume; “My Lord, you have never yet doubted my word, and I now pledge you that honourable word, that Ellena is innocent. Innocent! O heavens, that it should ever be necessary to affirm so, and, above all, that it should ever be necessary for me to vindicate her!”

“I must indeed lament that it ever should,” replied the Marchese coldly. “You have pledged your word, which I cannot question. I believe, therefore, that you are deceived; that you think her virtuous, notwithstanding your midnight visits to her house. And grant she is, unhappy boy! what reparation can you make her for the infatuated folly, which has thus stained her character? What” —

“By proclaiming to the world, my Lord, that she is worthy of becoming my wife,” replied Vivaldi, with a glow of countenance, which announced the courage and the exultation of a virtuous mind.

“Your wife!” said the Marchese, with a look of ineffable disdain, which was instantly succeeded by one of angry alarm.— “If I believed you could so far forget what is due to the honour of your house, I would for ever disclaim you as my son.”

“O! why,” exclaimed Vivaldi, in an agony of conflicting passions, “why should I be in danger of forgetting what is due to a father, when I am only asserting what is due to innocence; when I am only defending her, who has no other to defend her! Why may not I be permitted to reconcile duties so congenial! But, be the event what it may, I will defend the oppressed, and glory in the virtue, which teaches me, that it is the first duty of humanity to do so. Yes, my Lord, if it must be so, I am ready to sacrifice inferior duties to the grandeur of a principle, which ought to expand all hearts and impel all actions. I shall best support the honour of my house by adhering to its dictates.”

“Where is the principle,” said the Marchese, impatiently, “which shall teach you to disobey a father; where is the virtue which shall instruct you to degrade your family?”

“There can be no degradation, my Lord, where there is no vice,” replied Vivaldi; “and there are instances, pardon me, my Lord, there are some few instances in which it is virtuous to disobey.”

“This paradoxical morality,” said the Marchese, with passionate displeasure, “and this romantic language, sufficiently explain to me the character of your associates, and the innocence of her, whom you defend with so chivalric an air. Are you to learn, Signor, that you belong to your family, not your family to you; that you are only a guardian of its honour, and not at liberty to dispose of yourself? My patience will endure no more!”

Nor could the patience of Vivaldi endure this repeated attack on the honor of Ellena. But, while he yet asserted her innocence, he endeavoured to do so with the temper, which was due to the presence of a father; and, though he maintained the independence of a man, he was equally anxious to preserve inviolate the dutie of a son. But unfortunately the Marchese and Vivaldi differed in opinion concerning the limits of these duties; the first extending them to passive obedience, and the latter conceiving them to conclude at a point, wherein the happiness of an individual is so deeply concerned as in marriage. They parted mutually inflamed; Vivaldi unable to prevail with his father to mention the name of his infamous informant, or to acknowledge himself convinced of Ellena’s innocence; and the Marchese equally unsuccessful in his endeavours to obtain from his son a promise that he would see her no more.

Here then was Vivaldi, who only a few short hours before had experienced a happiness so supreme as to efface all impressions of the past, and to annihilate every consideration of the future; a joy so full that it permitted him not to believe it possible that he could ever again taste of misery; he, who had felt as if that moment was as an eternity, rendering him independent of all others, — even he was thus soon fallen into the region of time and of suffering.

The present conflict of passion appeared endless; he loved his father, and would have been more shocked to consider the vexation he was preparing for him, had he not been resentful of the contempt he expressed for Ellena. He adored Ellena; and, while he felt the impractability of resigning his hopes, was equally indignant of the slander, which affected her name, and impatient to avenge the insult upon the original defamer.

Though the displeasure of his father concerning a marriage with Ellena had been already foreseen, the experience of it was severer and more painful than he had imagined; while the indignity offered to Ellena was as unexpected as intolerable. But this circumstance furnished him with an additional argument for addressing her; for, if it had been possible that his love could have paused, his honour seemed now engaged in her behalf; and, since he had been a means of sullying her fame, it became his duty to restore it. Willingly listening to the dictates of a duty so plausible, he determined to persevere in his original design. But his first efforts were directed to discover her slanderer, and recollecting, with surprize, those words of the Marchese, which had confessed a knowledge of his evening visits to the villa Altieri, the doubtful warnings of the monk seemed explained. He believed that this man was at once the spy of his steps, and the defamer of his love, till the inconsistency of such conduct with the seeming friendliness of his admonitions, struck Vivaldi and compelled him to believe the contrary.

Meanwhile, the heart of Ellena had been little less tranquil. It was divided by love and pride; but had she been acquainted with the circumstances of the late interview between the Marchese and Vivaldi, it would have been divided no longer, and a just regard for her own dignity would instantly have taught her to subdue, without difficulty, this infant affection.

Signora Bianchi had informed her niece of the subject of Vivaldi’s visit; but she had softened the objectionable circumstances that attended his proposal, and had, at first, merely hinted that it was not to be supposed his family would approve a connection with any person so much their inferior in rank as herself. Ellena, alarmed by this suggestion, replied, that, since she believed so, she had done right to reject Vivaldi’s suit; but her sigh, as she said this, did not escape the observation of Signora Bianchi, who ventured to add, that she had not absolutely rejected his offers.

While in this and future conversations, Ellena was pleased to perceive her secret admiration thus justified by an approbation so indisputable as that of her aunt, and was willing to believe that the circumstance, which had alarmed her just pride, was not so humiliating as she at first imagined, Bianchi was careful to conceal the real considerations, which had induced her to listen to Vivaldi, being well assured that they would have no weight with Ellena, whose generous heart and inexperienced mind would have revolted from mingling any motives of interest with an engagement so sacred as that of marriage. When, however, from further deliberation upon the advantages, which such an alliance must secure for her niece, Signora Bianchi determined to encourage his views, and to direct the mind of Ellena, whose affections were already engaged on her side, the opinions of the latter were found less ductile than had been expected. She was shocked at the idea of entering clandestinely the family of Vivaldi. But Bianchi, whose infirmities urged her wishes, was now so strongly convinced of the prudence of such an engagement for her niece, that she determined to prevail over her reluctance, though she perceived that this must be by means more gradual and persuasive than she had believed necessary. On the evening, when Vivaldi had surprised from Ellena an acknowledgment of her sentiments, her embarrassment and vexation, on her returning to the house, and relating what had occurred, sufficiently expressed to Signora Bianchi the exact situation of her heart. And when, on the following morning, his letter arrived, written with the simplicity and energy of truth, the aunt neglected not to adapt her remarks upon it, to the character of Ellena, with her usual address.

Vivaldi, after the late interview with the Marchese, passed the remainder of the day in considering various plans, which might discover to him the person, who had abused the credulity of his father; and in the evening he returned once more to the villa Altieri, not in secret, to serenade the dark balcony of his mistress, but openly, and to converse with Signora Bianchi, who now received him more courteously than on his former visit. Attributing the anxiety in his countenance to the uncertainty, concerning the disposition of her niece, she was neither surprised or offended, but ventured to relieve him from a part of it, by encouraging his hopes. Vivaldi dreaded lest she should enquire further respecting the sentiments of his family, but she spared both his delicacy and her own on this point; and, after a conversation of considerable length, he left the villa Altieri with a heart somewhat soothed by approbation, and lightened by hope, although he had not obtained a sight of Ellena. The disclosure she had made of her sentiments on the preceding evening, and the hints she had received as to those of his family, still wrought upon her mind with too much effect to permit an interview.

Soon after his return to Naples, the Marchesa, whom he was surprised to find disengaged, sent for him to her closet, where a scene passed similar to that which had occurred with his father, except that the Marchesa was more dexterous in her questions, and more subtle in her whole conduct; and that Vivaldi, never for a moment, forgot the decorum which was due to a mother. Managing his passions, rather than exasperating them, and deceiving him with respect to the degree of resentment she felt from his choice, she was less passionate than the Marchese in her observations and menaces, perhaps, only because she entertained more hope than he did of preventing the evil she contemplated.

Vivaldi quitted her, unconvinced — by her arguments, unsubdued by her prophecies, and unmoved in his designs. He was not alarmed, because he did not sufficiently understand her character to apprehend her purposes. Despairing to effect these by open violence, she called in an auxiliary of no mean talents, and whose character and views well adapted him to be an instrument in her hands. It was, perhaps, the baseness of her own heart, not either depth of reflexion or keenness of penetration, which enabled her to understand the nature of his; and she determined to modulate that nature to her own views.

There lived in the Dominican convent of the Spirito Santo, at Naples, a man called father Schedoni; an Italian, as his name imported, but whose family was unknown, and from some circumstances, it appeared, that he wished to throw an impenetrable veil over his origin. For whatever reason, he was never heard to mention a relative, or the place of his nativity, and he had artfully eluded every enquiry that approached the subject, which the curiosity of his associates had occasionally prompted. There were circumstances, however, which appeared to indicate him to be a man of birth, and of fallen fortune; his spirit, as it had sometimes looked forth from under the disguise of his manners, seemed lofty; it shewed not, however, the aspirings of a generous mind, but rather the gloomy pride of a disappointed one. Some few persons in the convent, who had been interested by his appearance, believed that the peculiarities of his manners, his severe reserve and unconquerable silence, his solitary habits and frequent penances, were the effect of misfortunes preying upon a haughty and disordered spirit; while others conjectured them the consequence of some hideous crime gnawing upon an awakened conscience.