Delphi Complete Works of Ann Radcliffe (Illustrated) (320 page)

From Manchester to Lancaster the road leads through a pleasant and populous country, which rises gradually as it approaches the huge hills we had noticed in the distance from the brow of Cheshire, and whose attitudes now resembled those of the Rheingau as seen from Mentz. From some moors on this side of Lancaster the prospects open very extensively over a rich tract fading into blue ridges; while, on the left, long lines of distant sea appear, every now and then, over the dark woods of the shore, with vessels sailing as if on their summits. But the view from a hill descending to Lancaster is preeminent for grandeur, and comprehends an extent of sea and land, and a union of the sublime in both, which we have never seen equalled. In the green vale of the Lune below lies the town, spreading up the side of a round hill overtopped by the old towers of the castle and the church. Beyond, over a ridge of gentle heights, which bind the west side of the vale, the noble inlet of the sea, that flows upon the Ulverston and Lancaster sands, is seen at the feet of an amphitheatre formed by nearly all the mountains of the Lakes; an exhibition of alpine grandeur, both in form and colouring, which, with the extent of water below, compose a scenery perhaps faintly rivalling that of the Lake of Geneva. To the south and west, the Irish Channel finishes the view.

The antient town and castle of Lancaster have been so often and so well described, that little remains to be said of them. To the latter considerable additions are building in the Gothic style, which, when time shall have shaded the stone, will harmonize well with the venerable towers and gate-house of the old structure. From a turret rising over the leads of the castle, called John o’ Gaunt’s Chair, the prospect is still finer than from the terrace of the church-yard below. Overlooking the Lune and its green slopes, the eye ranges to the bay of the sea beyond, and to the Cumberland and Lancashire mountains. On an island near the extremity of the peninsula of Low Furness, the double point of Peel Castle starts up from the sea, but is so distant that it resembles a forked rock. This peninsula, which separates the bay of Ulverston from the Irish Channel, swells gradually into a pointed mountain called Blackcomb, thirty miles from Lancaster, the first in the amphitheatre, that binds the bay. Hence a range of lower, but more broken and forked summits, extends northward to the fells of High Furness, rolled behind each other, huge, towering and dark; then, higher still, Langdale Pikes, with a confusion of other fells, that crown the head of Windermere and retire towards Keswick, whose gigantic mountains, Helvelyn and Saddleback, are, however, sunk in distance below the horizon of the nearer ones. The top of Skiddaw may be discerned when the air is clear, but it is too far off to appear with dignity. From Windermere-Fells the heights soften towards the Vale of Lonsdale, on the east side of which Ingleborough, a mountain in Craven, rears his rugged front, the loftiest and most majestic in the scene. The nearer country, from this point of the landscape, is intersected with cultivated hills, between which the Lune winds its bright but shallow stream, falling over a weir and passing under a very handsome stone bridge at the entrance of the town, in its progress towards the sea. A ridge of rocky eminences shelters Lancaster on the east, whence they decline into the low and uninteresting country, that stretches to the Channel.

The appearance of the northern Fells is ever changing with the weather and shifting lights. Sometimes they resemble those evening clouds on the horizon, that catch the last gleams of the sun; at others, wrapt in dark mist, they are only faintly traced, and seem like stormy vapours rising from the sea. But in a bright day their appearance is beautiful; then, their grand outlines are distinctly drawn upon the sky, a vision of Alps; the rugged sides are faintly marked with light and shadow, with wood and rock, and here and there a cluster of white cottages, or farms and hamlets, gleam at their feet along the water’s edge. Over the whole landscape is then drawn a softening azure, or sometimes a purple hue, exquisitely lovely, while the sea below reflects a brighter tint of blue.

4.2. FROM LANCASTER TO KENDAL
.

LEAVING Lancaster, we wound along the southern brow of the vale of the Lune, which there serpentizes among meadows, and is soon after shut up between steep shrubby banks. From the heights we had some fine retrospects of Lancaster and the distant sea; but, about three miles from the town, the hills open forward to a view as much distinguished by the notice of Mr. GRAY, as by its own charms. We here looked down over a woody and finely broken foreground upon the Lune and the vale of Lonsdale, undulating in richly cultivated slopes, with Ingleborough, for the background, bearing its bold promontory on high, the very crown and paragon of the landscape. To the west, the vale winds from sight among smoother hills; and the gracefully falling line of a mountain, on the left, forms, with the wooded heights, on the right, a kind of frame for the distant picture.

The road now turned into the sweetly retired vale of Caton, and by the village church-yard, in which there is not a single gravestone, to Hornby, a small straggling town, delightfully seated near the entrance of the vale of Lonsdale. Its thin toppling castle is seen among wood, at a considerable distance, with a dark hill rising over it. What remains of the old edifice is a square grey building, with a slender watchtower, rising in one corner, like a feather in a hat, which joins the modern mansion of white stone, and gives it a singular appearance, by seeming to start from the centre of its roof.

In front, a steep lawn descends between avenues of old wood, and the park extends along the skirts of the craggy hill, that towers above. At its foot, is a good stone bridge over the Wenning, now shrunk in its pebbly bed, and, further on, near the castle, the church, shewing a handsome octagonal tower, crowned with battlements. The road then becomes extremely interesting, and, at Melling, a village on a brow some miles further, the view opens over the whole vale of Lonsdale. The eye now passes, beneath the arching foliage of some trees in the foreground, to the sweeping valley, where meadows of the most vivid green and dark woods, with white cottages and villages peeping from among them, mingle with surprising richness, and undulate from either bank of the Lune to the feet of hills. Ingleborough, rising from elegantly swelling ground, overlooked this enchanting vale, on the right, clouds rolling along its broken top, like smoke from a cauldron, and its hoary tint forming a boundary to the soft verdure and rich woodlands of the slopes, at its feet. The perspective was terminated by the tall peeping heads of the Westmoreland fells, the nearer ones tinged with faintest purple, the more distant with light azure; and this is the general boundary to a scene, in the midst of which, enclosed between nearer and lower hills, lies the vale of Lonsdale, of a character mild, delicate and reposing, like the countenance of a Madona.

Descending Melling brow, and winding among the perpetually-changing scenery of the valley, we approached Ingleborough; and it was interesting to observe the lines of its bolder features gradually strengthening, and the shadowy markings of its minuter ones becoming more distinct, as we advanced. Rock and grey crags looked out from the heath, on every side; but its form on each was very different. Towards Lonsdale, the mountain is bold and majestic, rising in abrupt and broken precipices, and often impending, till, at the summit, it suddenly becomes flat, and is level for nearly a mile, whence it descends, in a long gradual ridge, to Craven in Yorkshire. In summer, some festivities are annually celebrated on this top, and the country people, as they ‘“drink the freshness of the mountain breeze
^*
,”’ look over the wild moorlands of Yorkshire, the rich vales of Lancashire, and to the sublime mountains of Westmoreland.

Crossing a small bridge, we turned from Ingleborough, and passed very near the antient walls of Thirlham Castle, little of which is now remaining. The ruin is on a green broken knoll, one side of which is darkened with brush-wood and dwarf-oak. Cattle were reposing in the shade, on the bank of a rivulet, that rippled through what was formerly the castle ditch. A few old trees waved over what was once a tower, now covered with ivy.

Some miles further, we crossed the Leck, a shrunk and desolate stream, nearly choked with pebbles, winding in a deep rocky glen, where trees and shrubs marked the winter boundary of the waters. Our road, mounting a green eminence of the opposite bank, on which stands Overborough, the handsome modern mansion of Mr. FENWICK, wound between plantations and meadows, painted with yellow and purple flowers, like those of spring. As we passed through their gentle slopes, we had, now and then, sweet views between the foliage, on the left, into the vale of Lonsdale, now contracting in its course, and winding into ruder scenery. Among these catches, the best picture was, perhaps, where the white town of Kirby Lonsdale shelves along the opposite bank, having rough heathy hills immediately above it, and, below, a venerable Gothic bridge over the Lune, rising in tall arches, like an antient aqueduct; its grey tint agreeing well with the silvery lightness of the water and the green shades, that flourished from the steep margin over the abutments.

The view from this bridge, too, was beautiful. The river, foaming below among masses of dark rock, variegated with light tints of grey, as if touched by the painter’s pencil, withdrew towards the south in a straight channel, with the woods of Overborough on the left. The vale, dilating, opened a long perspective to Ingleborough and many blue mountains more distant, with all the little villages we had passed, glittering on the intervening eminences. The colouring of some low hills, on the right, was particularly beautiful, long shades of wood being overtopped with brown heath, while, below, meadows of soft verdure fell gently towards the river bank.

Kirby Lonsdale, a neat little town, commanding the whole vale, is on the western steep. We staid two hours at it, gratified by witnessing, at the first inn we reached, the abundance of the country and the goodwill of the people. In times, when the prices of necessary articles are increasing with the taste for all unnecessary display, instances of cheapness may be to persons of small incomes something more than mere physical treasures; they have a moral value in contributing to independence of mind.

Here we had an early and, as it afterwards appeared, a very exaggerated specimen of the dialect of the country. A woman talked, for five minutes, against our window, of whose conversation we could understand scarcely a word. Soon after, a boy replied to a question, ‘“
I do na ken,
”’ and ‘“
gang
”’ was presently the common word for
go;
symptoms of nearness to a country, which we did not approach, without delighting to enumerate the instances of genius and worth, that adorn it.

Leaving Kirby-Lonsdale by the Kendal road, we mounted a steep hill, and, looking back from its summit upon the whole vale of Lonsdale, perceived ourselves to be in the mid-way between beauty and desolation, so enchanting was the retrospect and so wild and dreary the prospect. From the neighbourhood of Caton to Kirby the ride was superior, for elegant beauty, to any we had passed; this from Kirby to Kendal is of a character distinctly opposite. After losing sight of the vale, the road lies, for nearly the whole distance, over moors and perpetually succeeding hills, thinly covered with dark purple heath flowers, of which the most distant seemed black. The dreariness of the scene was increased by a heavy rain and by the flowness of our progress, jostling amongst coal carts, for ten miles of rugged ground. The views over the Westmoreland mountains were, however, not entirely obscured; their vast ridges were visible in the horizon to the north and west, line over line, frequently in five or six ranges. Sometimes the intersecting mountains opened to others beyond, that fell in deep and abrupt precipices, their profiles drawing towards a point below and seeming to sink in a bottomless abyss.

On our way over these wilds, parts of which are called Endmoor and Cowbrows, we overtook only long trains of coal carts, and, after ten miles of bleak mountain road, began to desire a temporary home, somewhat sooner than we perceived Kendal, white-smoking in the dark vale. As we approached, the outlines of its ruinous castle were just distinguishable through the gloom, scattered in masses over the top of a small round hill, on the right. At the entrance of the town, the river Kent dashed in foam down a weir; beyond it, on a green slope, the gothic tower of the church was half hid by a cluster of dark trees; gray fells glimmered in the distance.

We were lodged at another excellent inn, and, the next morning, walked over the town, which has an air of trade mingled with that of antiquity. Its history has been given in other places, and we are not able to discuss the doubt, whether it was the Roman
Brocanonacio,
or not. The manufacture of cloth, which our statute books testify to have existed as early as the reign, in which
Falstaff
is made to allude to it, appears to be still in vigour, for the town is surrounded, towards the river, with dying grounds. We saw, however, no shades of ‘“Kendal green,”’ or, indeed, any but bright scarlet.

The church is remarkable for three chapels, memorials of the antient dignity of three neighbouring families, the Bellinghams, Stricklands and Parrs. These are inclosures, on each side of the altar, differing from pews chiefly in being large enough to contain tombs. Mr. Gray noticed them minutely in the year 1769. They were then probably entire; but the wainscot or railing, which divided the chapel of the Parrs from the aisle, is now gone. Of two stone tombs in it one is inclosed with modern railing, and there are many remnants of painted arms on the adjoining windows. The chapel of the Stricklands, which is between this and the altar, is separated from the church aisle by a solid wainscot, to the height of four feet, and after that by a wooden railing with broken fillagree ornaments. That of the Bellinghams contains an antient tomb, of which the brass plates, that bore inscriptions and arms, are now gone, but some traces of the latter remain in plaistered stone at the side. Over it, are the fragments of an helmet, and, in the roof, those of armorial bearings, carved in wood. On a pillar, near this, is an inscription, almost obliterated, in which the following words may yet be traced:

“Dame Thomasim Thornburgh

Wiffe of Sir William Thornburgh Knyght

Daughter of Sir Robert Bellingham

Gentle Knyght: the ellventhe of August

On thousand fyue hundreth eightie too.”

The Saxon has been so strongly engrafted on our language, that, in reading old inscriptions, especially those, which are likely to have been spelt, according to the pronunciation, one is frequently reminded by antient English words of the modern German synonyms. A German of the present day would say for eleven, eilf, pronounced long like eilve, and for five, funf, pronounced like fuynf.

Over the chief seat in the old pew of the Bellinghams is a brass plate, engraved with the figure of a man in armour, and, on each side of it, a brass escutcheon, of which that on the right has a motto thus spelled
Ains. y L’est.
Under the figure is the following inscription, also cut in brass:’Heer lyeth the bodye of Alan Bellingham esquier
who maryed Catheryan daughter of Anthonye
Ducket esquier by whom he had no children
after whose decease he maryed Dorothie daughter
of Thomas Sanford esquier of whom he had —
sonnes & eight daughters, of which five sonnes & 7
daughters with the said Dorothie ar yeat lyving, he
was threscore and one yares of age & dyed y
^e
7 of Maye
Ao dni
1577.’

The correctness of inserting the unpronounced consonants in the words Eight and Daughters, notwithstanding the varieties of the other orthography in this inscription, is a proof of the universality of the Saxon mode of spelling, with great abundance and even waste of letters; a mode, which is so incorporated with our language, that those, who are for dispensing with it in some instances, as in the final k in ‘“publick”’ and other words, should consider what a general change they have to effect, or what partial incongruities they must submit to.

Kendal is built on the lower steeps of a hill, that towers over the principal street, and bears on one of its brows a testimony to the independence of the inhabitants, an obelisk dedicated to liberty and to the memory of the Revolution in 1688. At a time, when the memory of that revolution is reviled, and the praises of liberty itself endeavoured to be suppressed by the artifice of imputing to it the crimes of anarchy, it was impossible to omit any act of veneration to the blessings of this event. Being thus led to ascend the hill, we had a view of the country, over which it presides; a scene simple, great and free as the spirit revered amidst it.