Read Delphi Complete Works of H. P. Lovecraft (Illustrated) Online
Authors: H. P. Lovecraft
And then the matter of that phonograph record, which I could not but believe he had obtained in the way he said. It must mean something; whether animal noises deceptively like human speech, or the speech of some hidden, night-haunting human being decayed to a state not much above that of lower animals. From this my thoughts went back to the black hieroglyphed stone, and to speculations upon what it might mean. Then, too, what of the photographs which Akeley said he was about to send, and which the old people had found so convincingly terrible?
As I re-read the cramped handwriting I felt as never before that my credulous opponents might have more on their side than I had conceded. After all, there might be some queer and perhaps hereditarily misshapen outcasts in those shunned hills, even though no such race of star-born monsters as folklore claimed. And if there were, then the presence of strange bodies in the flooded streams would not be wholly beyond belief. Was it too presumptuous to suppose that both the old legends and the recent reports had this much of reality behind them? But even as I harboured these doubts I felt ashamed that so fantastic a piece of bizarrerie as Henry Akeley’s wild letter had brought them up.
In the end I answered Akeley’s letter, adopting a tone of friendly interest and soliciting further particulars. His reply came almost by return mail; and contained, true to promise, a number of kodak views of scenes and objects illustrating what he had to tell. Glancing at these pictures as I took them from the envelope, I felt a curious sense of fright and nearness to forbidden things; for in spite of the vagueness of most of them, they had a damnably suggestive power which was intensified by the fact of their being genuine photographs — actual optical links with what they portrayed, and the product of an impersonal transmitting process without prejudice, fallibility, or mendacity.
The more I looked at them, the more I saw that my serious estimate of Akeley and his story had not been unjustified. Certainly, these pictures carried conclusive evidence of something in the Vermont hills which was at least vastly outside the radius of our common knowledge and belief. The worst thing of all was the footprint — a view taken where the sun shone on a mud patch somewhere in a deserted upland. This was no cheaply counterfeited thing, I could see at a glance; for the sharply defined pebbles and grass-blades in the field of vision gave a clear index of scale and left no possibility of a tricky double exposure. I have called the thing a “footprint”, but “claw-print” would be a better term. Even now I can scarcely describe it save to say that it was hideously crab-like, and that there seemed to be some ambiguity about its direction. It was not a very deep or fresh print, but seemed to be about the size of an average man’s foot. From a central pad, pairs of saw-toothed nippers projected in opposite directions — quite baffling as to function, if indeed the whole object were exclusively an organ of locomotion.
Another photograph — evidently a time-exposure taken in deep shadow — was of the mouth of a woodland cave, with a boulder of rounded regularity choking the aperture. On the bare ground in front of it one could just discern a dense network of curious tracks, and when I studied the picture with a magnifier I felt uneasily sure that the tracks were like the one in the other view. A third picture shewed a druid-like circle of standing stones on the summit of a wild hill. Around the cryptic circle the grass was very much beaten down and worn away, though I could not detect any footprints even with the glass. The extreme remoteness of the place was apparent from the veritable sea of tenantless mountains which formed the background and stretched away toward a misty horizon.
But if the most disturbing of all the views was that of the footprint, the most curiously suggestive was that of the great black stone found in the Round Hill woods. Akeley had photographed it on what was evidently his study table, for I could see rows of books and a bust of Milton in the background. The thing, as nearly as one might guess, had faced the camera vertically with a somewhat irregularly curved surface of one by two feet; but to say anything definite about that surface, or about the general shape of the whole mass, almost defies the power of language. What outlandish geometrical principles had guided its cutting — for artificially cut it surely was — I could not even begin to guess; and never before had I seen anything which struck me as so strangely and unmistakably alien to this world. Of the hieroglyphics on the surface I could discern very few, but one or two that I did see gave me rather a shock. Of course they might be fraudulent, for others besides myself had read the monstrous and abhorred
Necronomicon
of the mad Arab Abdul Alhazred; but it nevertheless made me shiver to recognise certain ideographs which study had taught me to link with the most blood-curdling and blasphemous whispers of things that had had a kind of mad half-existence before the earth and the other inner worlds of the solar system were made.
Of the five remaining pictures, three were of swamp and hill scenes which seemed to bear traces of hidden and unwholesome tenancy. Another was of a queer mark in the ground very near Akeley’s house, which he said he had photographed the morning after a night on which the dogs had barked more violently than usual. It was very blurred, and one could really draw no certain conclusions from it; but it did seem fiendishly like that other mark or claw-print photographed on the deserted upland. The final picture was of the Akeley place itself; a trim white house of two stories and attic, about a century and a quarter old, and with a well-kept lawn and stone-bordered path leading up to a tastefully carved Georgian doorway. There were several huge police dogs on the lawn, squatting near a pleasant-faced man with a close-cropped grey beard whom I took to be Akeley himself — his own photographer, one might infer from the tube-connected bulb in his right hand.
From the pictures I turned to the bulky, closely written letter itself; and for the next three hours was immersed in a gulf of unutterable horror. Where Akeley had given only outlines before, he now entered into minute details; presenting long transcripts of words overheard in the woods at night, long accounts of monstrous pinkish forms spied in thickets at twilight on the hills, and a terrible cosmic narrative derived from the application of profound and varied scholarship to the endless bygone discourses of the mad self-styled spy who had killed himself. I found myself faced by names and terms that I had heard elsewhere in the most hideous of connexions — Yuggoth, Great Cthulhu, Tsathoggua, Yog-Sothoth, R’lyeh, Nyarlathotep, Azathoth, Hastur, Yian, Leng, the Lake of Hali, Bethmoora, the Yellow Sign, L’mur-Kathulos, Bran, and the Magnum Innominandum — and was drawn back through nameless aeons and inconceivable dimensions to worlds of elder, outer entity at which the crazed author of the
Necronomicon
had only guessed in the vaguest way. I was told of the pits of primal life, and of the streams that had trickled down therefrom; and finally, of the tiny rivulet from one of those streams which had become entangled with the destinies of our own earth.
My brain whirled; and where before I had attempted to explain things away, I now began to believe in the most abnormal and incredible wonders. The array of vital evidence was damnably vast and overwhelming; and the cool, scientific attitude of Akeley — an attitude removed as far as imaginable from the demented, the fanatical, the hysterical, or even the extravagantly speculative — had a tremendous effect on my thought and judgment. By the time I laid the frightful letter aside I could understand the fears he had come to entertain, and was ready to do anything in my power to keep people away from those wild, haunted hills. Even now, when time has dulled the impression and made me half question my own experience and horrible doubts, there are things in that letter of Akeley’s which I would not quote, or even form into words on paper. I am almost glad that the letter and record and photographs are gone now — and I wish, for reasons I shall soon make clear, that the new planet beyond Neptune had not been discovered.
With the reading of that letter my public debating about the Vermont horror permanently ended. Arguments from opponents remained unanswered or put off with promises, and eventually the controversy petered out into oblivion. During late May and June I was in constant correspondence with Akeley; though once in a while a letter would be lost, so that we would have to retrace our ground and perform considerable laborious copying. What we were trying to do, as a whole, was to compare notes in matters of obscure mythological scholarship and arrive at a clearer correlation of the Vermont horrors with the general body of primitive world legend.
For one thing, we virtually decided that these morbidities and the hellish Himalayan
Mi-Go
were one and the same order of incarnated nightmare. There were also absorbing zoölogical conjectures, which I would have referred to Professor Dexter in my own college but for Akeley’s imperative command to tell no one of the matter before us. If I seem to disobey that command now, it is only because I think that at this stage a warning about those farther Vermont hills — and about those Himalayan peaks which bold explorers are more and more determined to ascend — is more conducive to public safety than silence would be. One specific thing we were leading up to was a deciphering of the hieroglyphics on that infamous black stone — a deciphering which might well place us in possession of secrets deeper and more dizzying than any formerly known to man.
III.
Toward the end of June the phonograph record came — shipped from Brattleboro, since Akeley was unwilling to trust conditions on the branch line north of there. He had begun to feel an increased sense of espionage, aggravated by the loss of some of our letters; and said much about the insidious deeds of certain men whom he considered tools and agents of the hidden beings. Most of all he suspected the surly farmer Walter Brown, who lived alone on a run-down hillside place near the deep woods, and who was often seen loafing around corners in Brattleboro, Bellows Falls, Newfane, and South Londonderry in the most inexplicable and seemingly unmotivated way. Brown’s voice, he felt convinced, was one of those he had overheard on a certain occasion in a very terrible conversation; and he had once found a footprint or claw-print near Brown’s house which might possess the most ominous significance. It had been curiously near some of Brown’s own footprints — footprints that faced toward it.
So the record was shipped from Brattleboro, whither Akeley drove in his Ford car along the lonely Vermont back roads. He confessed in an accompanying note that he was beginning to be afraid of those roads, and that he would not even go into Townshend for supplies now except in broad daylight. It did not pay, he repeated again and again, to know too much unless one were very remote from those silent and problematical hills. He would be going to California pretty soon to live with his son, though it was hard to leave a place where all one’s memories and ancestral feelings centred.
Before trying the record on the commercial machine which I borrowed from the college administration building I carefully went over all the explanatory matter in Akeley’s various letters. This record, he had said, was obtained about
Unlike most of the overheard forest voices, the substance of the record was quasi-ritualistic, and included one palpably human voice which Akeley had never been able to place. It was not Brown’s, but seemed to be that of a man of greater cultivation. The second voice, however, was the real crux of the thing — for this was the accursed
buzzing
which had no likeness to humanity despite the human words which it uttered in good English grammar and a scholarly accent.
The recording phonograph and dictaphone had not worked uniformly well, and had of course been at a great disadvantage because of the remote and muffled nature of the overheard ritual; so that the actual speech secured was very fragmentary. Akeley had given me a transcript of what he believed the spoken words to be, and I glanced through this again as I prepared the machine for action. The text was darkly mysterious rather than openly horrible, though a knowledge of its origin and manner of gathering gave it all the associative horror which any words could well possess. I will present it here in full as I remember it — and I am fairly confident that I know it correctly by heart, not only from reading the transcript, but from playing the record itself over and over again. It is not a thing which one might readily forget!
(INDISTINGUISHABLE SOUNDS)
(A CULTIVATED MALE HUMAN VOICE)
. . . is the Lord of the Woods, even to . . . and the gifts of the men of Leng . . . so from the wells of night to the gulfs of space, and from the gulfs of space to the wells of night, ever the praises of Great Cthulhu, of Tsathoggua, and of Him Who is not to be Named. Ever Their praises, and abundance to the Black Goat of the Woods. Iä! Shub-Niggurath! The Goat with a Thousand Young!
(A BUZZING IMITATION OF HUMAN SPEECH)
Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young!
(HUMAN VOICE)
And it has come to pass that the Lord of the Woods, being . . . seven and nine, down the onyx steps . . . (tri)butes to Him in the Gulf, Azathoth, He of Whom Thou hast taught us marv(els) . . . on the wings of night out beyond space, out beyond th . . . to That whereof Yuggoth is the youngest child, rolling alone in black aether at the rim. . . .