Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (223 page)

THE WEDDING-KNELL.

There is a certain church, in the city of New York which I have always regarded with peculiar interest on account of a marriage there solemnized under very singular circumstances in my grandmother's girlhood. That venerable lady chanced to be a spectator of the scene, and ever after made it her favorite narrative. Whether the edifice now standing on the same site be the identical one to which she referred I am not antiquarian enough to know, nor would it be worth while to correct myself, perhaps, of an agreeable error by reading the date of its erection on the tablet over the door. It is a stately church surrounded by an enclosure of the loveliest green, within which appear urns, pillars, obelisks, and other forms of monumental marble, the tributes of private affection or more splendid memorials of historic dust. With such a place, though the tumult of the city rolls beneath its tower, one would be willing to connect some legendary interest.

The marriage might be considered as the result of an early engagement, though there had been two intermediate weddings on the lady's part and forty years of celibacy on that of the gentleman. At sixty-five Mr. Ellenwood was a shy but not quite a secluded man; selfish, like all men who brood over their own hearts, yet manifesting on rare occasions a vein of generous sentiment; a scholar throughout life, though always an indolent one, because his studies had no definite object either of public advantage or personal ambition; a gentleman, high-bred and fastidiously delicate, yet sometimes requiring a considerable relaxation in his behalf of the common rules of society. In truth, there were so many anomalies in his character, and, though shrinking with diseased sensibility from public notice, it had been his fatality so often to become the topic of the day by some wild eccentricity of conduct, that people searched his lineage for a hereditary taint of insanity. But there was no need of this. His caprices had their origin in a mind that lacked the support of an engrossing purpose, and in feelings that preyed upon themselves for want of other food. If he were mad, it was the consequence, and not the cause, of an aimless and abortive life.

The widow was as complete a contrast to her third bridegroom in everything but age as can well be conceived. Compelled to relinquish her first engagement, she had been united to a man of twice her own years, to whom she became an exemplary wife, and by whose death she was left in possession of a splendid fortune. A Southern gentleman considerably younger than herself succeeded to her hand and carried her to Charleston, where after many uncomfortable years she found herself again a widow. It would have been singular if any uncommon delicacy of feeling had survived through such a life as Mrs. Dabney's; it could not but be crushed and killed by her early disappointment, the cold duty of her first marriage, the dislocation of the heart's principles consequent on a second union, and the unkindness of her Southern husband, which had inevitably driven her to connect the idea of his death with that of her comfort. To be brief, she was that wisest but unloveliest variety of woman, a philosopher, bearing troubles of the heart with equanimity, dispensing with all that should have been her happiness and making the best of what remained. Sage in most matters, the widow was perhaps the more amiable for the one frailty that made her ridiculous. Being childless, she could not remain beautiful by proxy in the person of a daughter; she therefore refused to grow old and ugly on any consideration; she struggled with Time, and held fast her roses in spite of him, till the venerable thief appeared to have relinquished the spoil as not worth the trouble of acquiring it.

The approaching marriage of this woman of the world with such an unworldly man as Mr. Ellenwood was announced soon after Mrs. Dabney's return to her native city. Superficial observers, and deeper ones, seemed to concur in supposing that the lady must have borne no inactive part in arranging the affair; there were considerations of expediency which she would be far more likely to appreciate than Mr. Ellenwood, and there was just the specious phantom of sentiment and romance in this late union of two early lovers which sometimes makes a fool of a woman who has lost her true feelings among the accidents of life. All the wonder was how the gentleman, with his lack of worldly wisdom and agonizing consciousness of ridicule, could have been induced to take a measure at once so prudent and so laughable. But while people talked the wedding-day arrived. The ceremony was to be solemnized according to the Episcopalian forms and in open church, with a degree of publicity that attracted many spectators, who occupied the front seats of the galleries and the pews near the altar and along the broad aisle. It had been arranged, or possibly it was the custom of the day, that the parties should proceed separately to church. By some accident the bridegroom was a little less punctual than the widow and her bridal attendants, with whose arrival, after this tedious but necessary preface, the action of our tale may be said to commence.

The clumsy wheels of several old-fashioned coaches were heard, and the gentlemen and ladies composing the bridal-party came through the church door with the sudden and gladsome effect of a burst of sunshine. The whole group, except the principal figure, was made up of youth and gayety. As they streamed up the broad aisle, while the pews and pillars seemed to brighten on either side, their steps were as buoyant as if they mistook the church for a ball-room and were ready to dance hand in hand to the altar. So brilliant was the spectacle that few took notice of a singular phenomenon that had marked its entrance. At the moment when the bride's foot touched the threshold the bell swung heavily in the tower above her and sent forth its deepest knell. The vibrations died away, and returned with prolonged solemnity as she entered the body of the church.

“Good heavens! What an omen!” whispered a young lady to her lover.

“On my honor,” replied the gentleman, “I believe the bell has the good taste to toll of its own accord. What has she to do with weddings? If you, dearest Julia, were approaching the altar, the bell would ring out its merriest peal. It has only a funeral-knell for her.”

The bride and most of her company had been too much occupied with the bustle of entrance to hear the first boding stroke of the bell — or, at least, to reflect on the singularity of such a welcome to the altar. They therefore continued to advance with undiminished gayety. The gorgeous dresses of the time — the crimson velvet coats, the gold-laced hats, the hoop-petticoats, the silk, satin, brocade and embroidery, the buckles, canes and swords, all displayed to the best advantage on persons suited to such finery — made the group appear more like a bright-colored picture than anything real. But by what perversity of taste had the artist represented his principal figure as so wrinkled and decayed, while yet he had decked her out in the brightest splendor of attire, as if the loveliest maiden had suddenly withered into age and become a moral to the beautiful around her? On they went, however, and had glittered along about a third of the aisle, when another stroke of the bell seemed to fill the church with a visible gloom, dimming and obscuring the bright-pageant till it shone forth again as from a mist.

This time the party wavered, stopped and huddled closer together, while a slight scream was heard from some of the ladies and a confused whispering among the gentlemen. Thus tossing to and fro, they might have been fancifully compared to a splendid bunch of flowers suddenly shaken by a puff of wind which threatened to scatter the leaves of an old brown, withered rose on the same stalk with two dewy buds, such being the emblem of the widow between her fair young bridemaids. But her heroism was admirable. She had started with an irrepressible shudder, as if the stroke of the bell had fallen directly on her heart; then, recovering herself, while her attendants were yet in dismay, she took the lead and paced calmly up the aisle. The bell continued to swing, strike and vibrate with the same doleful regularity as when a corpse is on its way to the tomb.

“My young friends here have their nerves a little shaken,” said the widow, with a smile, to the clergyman at the altar. “But so many weddings have been ushered in with the merriest peal of the bells, and yet turned out unhappily, that I shall hope for better fortune under such different auspices.”

“Madam,” answered the rector, in great perplexity, “this strange occurrence brings to my mind a marriage-sermon of the famous Bishop Taylor wherein he mingles so many thoughts of mortality and future woe that, to speak somewhat after his own rich style, he seems to hang the bridal-chamber in black and cut the wedding-garment out of a coffin-pall. And it has been the custom of divers nations to infuse something of sadness into their marriage ceremonies, so to keep death in mind while contracting that engagement which is life's chiefest business. Thus we may draw a sad but profitable moral from this funeral-knell.”

But, though the clergyman might have given his moral even a keener point, he did not fail to despatch an attendant to inquire into the mystery and stop those sounds so dismally appropriate to such a marriage. A brief space elapsed, during which the silence was broken only by whispers and a few suppressed titterings among the wedding-party and the spectators, who after the first shock were disposed to draw an ill-natured merriment from the affair. The young have less charity for aged follies than the old for those of youth. The widow's glance was observed to wander for an instant toward a window of the church, as if searching for the time-worn marble that she had dedicated to her first husband; then her eyelids dropped over their faded orbs and her thoughts were drawn irresistibly to another grave. Two buried men with a voice at her ear and a cry afar off were calling her to lie down beside them. Perhaps, with momentary truth of feeling, she thought how much happier had been her fate if, after years of bliss, the bell were now tolling for her funeral and she were followed to the grave by the old affection of her earliest lover, long her husband. But why had she returned to him when their cold hearts shrank from each other's embrace?

Still the death-bell tolled so mournfully that the sunshine seemed to fade in the air. A whisper, communicated from those who stood nearest the windows, now spread through the church: a hearse with a train of several coaches was creeping along the street, conveying some dead man to the churchyard, while the bride awaited a living one at the altar. Immediately after, the footsteps of the bridegroom and his friends were heard at the door. The widow looked down the aisle and clenched the arm of one of her bridemaids in her bony hand with such unconscious violence that the fair girl trembled.

“You frighten me, my dear madam,” cried she. “For heaven's sake, what is the matter?”

“Nothing, my dear — nothing,” said the widow; then, whispering close to her ear, “There is a foolish fancy that I cannot get rid of. I am expecting my bridegroom to come into the church with my two first husbands for groomsmen.”

“Look! look!” screamed the bridemaid. “What is here? The funeral!”

As she spoke a dark procession paced into the church. First came an old man and woman, like chief mourners at a funeral, attired from head to foot in the deepest black, all but their pale features and hoary hair, he leaning on a staff and supporting her decrepit form with his nerveless arm. Behind appeared another and another pair, as aged, as black and mournful as the first. As they drew near the widow recognized in every face some trait of former friends long forgotten, but now returning as if from their old graves to warn her to prepare a shroud, or, with purpose almost as unwelcome, to exhibit their wrinkles and infirmity and claim her as their companion by the tokens of her own decay. Many a merry night had she danced with them in youth, and now in joyless age she felt that some withered partner should request her hand and all unite in a dance of death to the music of the funeral-bell.

While these aged mourners were passing up the aisle it was observed that from pew to pew the spectators shuddered with irrepressible awe as some object hitherto concealed by the intervening figures came full in sight. Many turned away their faces; others kept a fixed and rigid stare, and a young girl giggled hysterically and fainted with the laughter on her lips. When the spectral procession approached the altar, each couple separated and slowly diverged, till in the centre appeared a form that had been worthily ushered in with all this gloomy pomp, the death-knell and the funeral. It was the bridegroom in his shroud.

No garb but that of the grave could have befitted such a death-like aspect. The eyes, indeed, had the wild gleam of a sepulchral lamp; all else was fixed in the stern calmness which old men wear in the coffin. The corpse stood motionless, but addressed the widow in accents that seemed to melt into the clang of the bell, which fell heavily on the air while he spoke.

“Come, my bride!” said those pale lips. “The hearse is ready; the sexton stands waiting for us at the door of the tomb. Let us be married, and then to our coffins!”

How shall the widow's horror be represented? It gave her the ghastliness of a dead man's bride. Her youthful friends stood apart, shuddering at the mourners, the shrouded bridegroom and herself; the whole scene expressed by the strongest imagery the vain struggle of the gilded vanities of this world when opposed to age, infirmity, sorrow and death.