Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (463 page)

The vicissitudes and mischances of sublunary affairs, however, have not ceased to attend upon these marble inhabitants; for I saw the upper fragment of a sculptured lady, in a very old-fashioned garb, the lower half of whom had doubtless been demolished by Cromwell's soldiers when they took the Minster by storm. And there lies the remnant of this devout lady on her slab, ever since the outrage, as for centuries before, with a countenance of divine serenity and her hands clasped in prayer, symbolizing a depth of religious faith which no earthly turmoil or calamity could disturb. Another piece of sculpture (apparently a favorite subject in the Middle Ages, for I have seen several like it in other cathedrals) was a reclining skeleton, as faithfully representing an open-work of bones as could well be expected in a solid block of marble, and at a period, moreover, when the mysteries of the human frame were rather to be guessed at than revealed. Whatever the anatomical defects of his production, the old sculptor had succeeded in making it ghastly beyond measure. How much mischief has been wrought upon us by this invariable gloom of the Gothic imagination; flinging itself like a death-scented pall over our conceptions of the future state, smothering our hopes, hiding our sky, and inducing dismal efforts to raise the harvest of immortality out of what is most opposite to it, — the grave!

The Cathedral service is performed twice every day at ten o'clock and at four. When I first entered, the choristers (young and old, but mostly, I think, boys, with voices inexpressibly sweet and clear, and as fresh as bird-notes) were just winding up their harmonious labors, and soon came thronging through a side-door from the chancel into the nave. They were all dressed in long white robes, and looked like a peculiar order of beings, created on purpose to hover between the roof and pavement of that dim, consecrated edifice, and illuminate it with divine melodies, reposing themselves, meanwhile, on the heavy grandeur of the organ-tones like cherubs on a golden cloud. All at once, however, one of the cherubic multitude pulled off his white gown, thus transforming himself before my very eyes into a commonplace youth of the day, in modern frock-coat and trousers of a decidedly provincial cut. This absurd little incident, I verily believe, had a sinister effect in putting me at odds with the proper influences of the Cathedral, nor could I quite recover a suitable frame of mind during my stay there. But, emerging into the open air, I began to be sensible that I had left a magnificent interior behind me, and I have never quite lost the perception and enjoyment of it in these intervening years.

A large space in the immediate neighborhood of the Cathedral is called the Close, and comprises beautifully kept lawns and a shadowy walk bordered by the dwellings of the ecclesiastical dignitaries of the diocese. All this row of episcopal, canonical, and clerical residences has an air of the deepest quiet, repose, and well-protected though not inaccessible seclusion. They seemed capable of including everything that a saint could desire, and a great many more things than most of us sinners generally succeed in acquiring. Their most marked feature is a dignified comfort, looking as if no disturbance or vulgar intrusiveness could ever cross their thresholds, encroach upon their ornamented lawns, or straggle into the beautiful gardens that surround them with flower-beds and rich clumps of shrubbery. The episcopal palace is a stately mansion of stone, built somewhat in the Italian style, and bearing on its front the figures 1637, as the date of its erection. A large edifice of brick, which, if I remember, stood next to the palace, I took to be the residence of the second dignitary of the Cathedral; and, in that case, it must have been the youthful home of Addison, whose father was Dean of Lichfield. I tried to fancy his figure on the delightful walk that extends in front of those priestly abodes, from which and the interior lawns it is separated by an open-work iron fence, lined with rich old shrubbery, and overarched by a minster-aisle of venerable trees. This path is haunted by the shades of famous personages who have formerly trodden it. Johnson must have been familiar with it, both as a boy, and in his subsequent visits to Lichfield, an illustrious old man. Miss Seward, connected with so many literary reminiscences, lived in one of the adjacent houses. Tradition says that it was a favorite spot of Major Andre, who used to pace to and fro under these trees waiting, perhaps, to catch a last angel-glimpse of Honoria Sueyd, before he crossed the ocean to encounter his dismal doom from an American court-martial. David Garrick, no doubt, scampered along the path in his boyish days, and, if he was an early student of the drama, must often have thought of those two airy characters of the “Beaux' Stratagem,” Archer and Aimwell, who, on this very ground, after attending service at the cathedral, contrive to make acquaintance with the ladies of the comedy. These creatures of mere fiction have as positive a substance now as the sturdy old figure of Johnson himself. They live, while realities have died. The shadowy walk still glistens with their gold-embroidered memories.

Seeking for Johnson's birthplace, I found it in St. Mary's Square, which is not so much a square as the mere widening of a street. The house is tall and thin, of three stories, with a square front and a roof rising steep and high. On a side-view, the building looks as if it had been cut in two in the midst, there being no slope of the roof on that side. A ladder slanted against the wall, and a painter was giving a livelier line to the plaster. In a corner-room of the basement, where old Michael Johnson may be supposed to have sold books, is now what we should call a dry-goods store, or, according to the English phrase, a mercer's and haberdasher's shop. The house has a private entrance on a cross-street, the door being accessible by several much-worn stone steps, which are bordered by an iron balustrade. I set my foot on the steps and laid my hand on the balustrade, where Johnson's hand and foot must many a time have been, and ascending to the door, I knocked once, and again, and again, and got no admittance. Going round to the shop-entrance, I tried to open it, but found it as fast bolted as the gate of Paradise. It is mortifying to be so balked in one's little enthusiasms; but looking round in quest of somebody to make inquiries of, I was a good deal consoled by the sight of Dr. Johnson himself, who happened, just at that moment, to be sitting at his case nearly in the middle of St. Mary's Square, with his face turned towards his father's house.

Of course, it being almost fourscore years since the Doctor laid aside his weary bulk of flesh, together with the ponderous melancholy that had so long weighed him down, the intelligent reader will at once comprehend that he was marble in his substance, and seated in a marble chair, on an elevated stone pedestal. In short, it was a statue, sculptured by Lucas, and placed here in 1838, at the expense of Dr. Law, the reverend chancellor of the diocese.

The figure is colossal (though perhaps not much more so than the mountainous Doctor himself) and looks down upon the spectator from its pedestal of ten or twelve feet high, with a broad and heavy benignity of aspect, very like in feature to Sir Joshua Reynolds's portrait of Johnson, but calmer and sweeter in expression. Several big books are piled up beneath his chair, and, if I mistake not, he holds a volume in his hand, thus blinking forth at the world out of his learned abstraction, owllike, yet benevolent at heart. The statue is immensely massive, a vast ponderosity of stone, not finely spiritualized, nor, indeed, fully humanized, but rather resembling a great stone-bowlder than a man. You must look with the eyes of faith and sympathy, or, possibly, you might lose the human being altogether, and find only a big stone within your mental grasp. On the pedestal are three bas-reliefs. In the first, Johnson is represented as hardly more than a baby, bestriding an old man's shoulders, resting his chin on the bald head which he embraces with his little arms, and listening earnestly to the High-Church eloquence of Dr. Sacheverell. In the second tablet, he is seen riding to school on the shoulders of two of his comrades, while another boy supports him in the rear.

The third bas-relief possesses, to my mind, a great deal of pathos, to which my appreciative faculty is probably the more alive, because I have always been profoundly impressed by the incident here commemorated, and long ago tried to tell it for the behoof of childish readers. It shows Johnson in the market-place of Uttoxeter, doing penance for an act of disobedience to his father, committed fifty years before. He stands bareheaded, a venerable figure, and a countenance extremely sad and woebegone, with the wind and rain driving hard against him, and thus helping to suggest to the spectator the gloom of his inward state. Some market-people and children gaze awe-stricken into his face, and an aged man and woman, with clasped and uplifted hands, seem to be praying for him. These latter personages (whose introduction by the artist is none the less effective, because, in queer proximity, there are some commodities of market-day in the shape of living ducks and dead poultry) I interpreted to represent the spirits of Johnson's father and mother, lending what aid they could to lighten his half-century's burden of remorse.

I had never heard of the above-described piece of sculpture before; it appears to have no reputation as a work of art, nor am I at all positive that it deserves any. For me, however, it did as much as sculpture could, under the circumstances, even if the artist of the Libyan Sibyl had wrought it, by reviving my interest in the sturdy old Englishman, and particularly by freshening my perception of a wonderful beauty and pathetic tenderness in the incident of the penance. So, the next day, I left Lichfield for Uttoxeter, on one of the few purely sentimental pilgrimages that I ever undertook, to see the very spot where Johnson had stood. Boswell, I think, speaks of the town (its name is pronounced Yuteoxeter) as being about nine miles off from Lichfield, but the county-map would indicate a greater distance; and by rail, passing from one line to another, it is as much as eighteen miles. I have always had an idea of old Michael Johnson sending his literary merchandise by carrier's wagon, journeying to Uttoxeter afoot on market-day morning, selling books through the busy hours, and returning to Lichfield at night. This could not possibly have been the case.

Arriving at the Uttoxeter station, the first objects that I saw, with a green field or two between them and me, were the tower and gray steeple of a church, rising among red-tiled roofs and a few scattered trees. A very short walk takes you from the station up into the town. It had been my previous impression that the market-place of Uttoxeter lay immediately roundabout the church; and, if I remember the narrative aright, Johnson, or Boswell in his behalf, describes his father's book-stall as standing in the market-place, close beside the sacred edifice. It is impossible for me to say what changes may have occurred in the topography of the town, during almost a century and a half since Michael Johnson retired from business, and ninety years, at least, since his son's penance was performed. But the church has now merely a street of ordinary width passing around it, while the market-place, though near at hand, neither forms a part of it nor is really contiguous, nor would its throng and bustle be apt to overflow their boundaries and surge against the churchyard and the old gray tower. Nevertheless, a walk of a minute or two brings a person from the centre of the market-place to the church-door; and Michael Johnson might very conveniently have located his stall and laid out his literary ware in the corner at the tower's base; better there, indeed, than in the busy centre of an agricultural market. But the picturesque arrangement and full impressiveness of the story absolutely require that Johnson shall not have done his penance in a corner, ever so little retired, but shall have been the very nucleus of the crowd, — the midmost man of the market-place, — a central image of Memory and Remorse, contrasting with and overpowering the petty materialism around him. He himself, having the force to throw vitality and truth into what persons differently constituted might reckon a mere external ceremony, and an absurd one, could not have failed to see this necessity. I am resolved, therefore, that the true site of Dr. Johnson's penance was in the middle of the market-place.

That important portion of the town is a rather spacious and irregularly shaped vacuity, surrounded by houses and shops, some of them old, with red-tiled roofs, others wearing a pretence of newness, but probably as old in their inner substance as the rest. The people of Uttoxeter seemed very idle in the warm summer-day, and were scattered in little groups along the sidewalks, leisurely chatting with one another, and often turning about to take a deliberate stare at my humble self; insomuch that I felt as if my genuine sympathy for the illustrious penitent, and my many reflections about him, must have imbued me with some of his own singularity of mien. If their great-grandfathers were such redoubtable starers in the Doctor's day, his penance was no light one. This curiosity indicates a paucity of visitors to the little town, except for market purposes, and I question if Uttoxeter ever saw an American before. The only other thing that greatly impressed me was the abundance of public-houses, one at every step or two Red Lions, White Harts, Bulls' Heads, Mitres, Cross Keys, and I know not what besides. These are probably for the accommodation of the farmers and peasantry of the neighborhood on market-day, and content themselves with a very meagre business on other days of the week. At any rate, I was the only guest in Uttoxeter at the period of my visit, and had but an infinitesimal portion of patronage to distribute among such a multitude of inns. The reader, however, will possibly be scandalized to learn what was the first, and, indeed, the only important affair that I attended to, after coming so far to indulge a solemn and high emotion, and standing now on the very spot where my pious errand should have been consummated. I stepped into one of the rustic hostelries and got my dinner, — bacon and greens, some mutton-chops, juicier and more delectable than all America could serve up at the President's table, and a gooseberry pudding; a sufficient meal for six yeomen, and good enough for a prince, besides a pitcher of foaming ale, the whole at the pitiful small charge of eighteen-pence!