Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (578 page)

After a slight lunch and a glass of wine, we walked out, along Piccadilly, and to Hyde Park, which already looks very green, and where there were a good many people walking and driving, and rosy-faced children at play. Somehow or other the shine and charm are gone from London, since my last visit; and I did not very much admire, nor feel much interested in anything. We returned (and I, for my part, was much wearied) in time for dinner at five. The evening was spent at home in various talk, and I find Mr. —
 
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— a very agreeable companion, and a young man of thought and information, with a self-respecting character, and I think him a safe person to live with.

This St. James's Place is in close vicinity to St. James's Palace, the gateway and not very splendid front of which we can see from the corner. The club-houses and the best life of the town are near at hand. Addison, before his marriage, used to live in St. James's Place, and the house where Mr. Rogers recently died is up the court, not that this latter residence excites much interest in my mind. I remember nothing else very noteworthy in this first day's experience, except that on Sir Watkins Williams Wynn's door, not far from this house, I saw a gold knocker, which is said to be unscrewed every night lest it should be stolen. I don't know whether it be really gold; for it did not look so bright as the generality of brass ones. I received a very good letter from J —
 
— - this morning. He was to go to Mr. Bright's at Sandhays yesterday, and remain till Monday.

After writing the above, I walked along the Strand, Fleet Street, Ludgate Hill and Cheapside to Wood Street, — a very narrow street, insomuch that one has to press close against the wall to escape being grazed when a cart is passing. At No. 77 I found the place of business of Mr. Bennoch, who came to see me at Rock Ferry with Mr. Jerdan, not long after my arrival in England. I found him in his office; but he did not at first recognize me, so much stouter have I grown during my residence in England, — a new man, as he says. Mr. Bennoch is a kindly, frank, very good man, and was bounteous in his plans for making my time pass pleasantly. We talked of —
 
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— , from whom he has just received a letter, and who says he will fight for England in case of a war. I let Bennoch know that I, at least, should take the other side.

After arranging to go to Greenwich Fair, and afterwards to dine with Bennoch, I left him and went to Mr. —
 
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— 's office, and afterwards strayed forth again, and crossed London Bridge. Thence I rambled rather drearily along through several shabby and uninteresting streets on the other side of the Thames; and the dull streets in London are really the dullest and most disheartening in the world. By and by I found my way to Southwark Bridge, and so crossed to Upper Thames Street, which was likewise very stupid, though I believe Clenman's paternal house in “Little Dorrit” stands thereabouts. . . . Next, I got into Ludgate Hill, near St. Paul's, and being quite foot-weary, I took a Paddington omnibus, and rode up into Regent Street, whence I came home.

March 24th. — Yesterday being a clear day for England, we determined upon an expedition to Hampton Court; so walked out betimes towards the Waterloo station; but first crossed the Thames by Westminster Bridge, and went to Lambeth Palace. It stands immediately on the bank of the river, not far above the bridge. We merely walked round it, and saw only an old stone tower or two, partially renewed with brick, and a high connecting wall, within which appeared gables and other portions of the palace, all of an ancient plan and venerable aspect, though evidently much patched up and restored in the course of the many ages since its foundation. There is likewise a church, part of which looks old, connected with the palace. The streets surrounding it have many gabled houses, and a general look of antiquity, more than some other parts of London.

We then walked to the Waterloo station, on the same side of the river; and at twenty minutes past one took the rail for Hampton Court, distant some twelve or fifteen miles. On arriving at the terminus, we beheld Hampton Palace, on the other side of the Thames, — an extensive structure, with a front of red brick, long and comparatively low, with the great Hall which Wolsey built rising high above the rest. We crossed the river (which is here but a narrow stream) by a stone bridge. The entrance to the palace is about half a quarter of a mile from the railway, through arched gates, which give a long perspective into the several quadrangles. These quadrangles, one beyond another, are paved with stone, and surrounded by the brick walls of the palace, the many windows of which look in upon them. Soldiers were standing sentinel at the exterior gateways, and at the various doors of the palace; but they admitted everybody without question and without fee. Policemen, or other attendants, were in most of the rooms, but interfered with no one; so that, in this respect, it was one of the pleasantest places to visit that I have found in England. A good many people, of all classes, were strolling through the apartments.

We first went into Wolsey's great Hall, up a most spacious staircase, the walls and ceiling of which were covered with an allegorical fresco by Verrio, wonderfully bright and well preserved; and without caring about the design or execution, I greatly liked the brilliancy of the colors. The great Hall is a most noble and beautiful room, above a hundred feet long and sixty high and broad. Most of the windows are of stained or painted glass, with elaborate designs, whether modern or ancient I know not, but certainly brilliant in effect. The walls, from the floor to perhaps half their height, are covered with antique tapestry, which, though a good deal faded, still retains color enough to be a very effective adornment, and to give an idea of how rich a mode of decking a noble apartment this must have been. The subjects represented were from Scripture, and the figures seemed colossal. On looking closely at this tapestry, you could see that it was thickly interwoven with threads of gold, still glistening. The windows, except one or two that are long, do not descend below the top of this tapestry, and are therefore twenty or thirty feet above the floor; and this manner of lighting a great room seems to add much to the impressiveness of the enclosed space. The roof is very magnificent, of carved oak, intricately and elaborately arched, and still as perfect to all appearance as when it was first made. There are banners, so fresh in their hues, and so untattered, that I think they must be modern, suspended along beneath the cornice of the hall, and exhibiting Wolsey's arms and badges. On the whole, this is a perfect sight, in its way.

Next to the hall there is a withdrawing-room, more than seventy feet long, and twenty-five feet high. The walls of this apartment, too, are covered with ancient tapestry, of allegorical design, but more faded than that of the hall. There is also a stained-glass window; and a marble statue of Venus on a couch, very lean and not very beautiful; and some cartoons of Carlo Cignani, which have left no impression on my memory; likewise, a large model of a splendid palace of some East Indian nabob.

I am not sure, after all, that Verrio's frescoed grand staircase was not in another part of the palace; for I remember that we went from it through an immensely long suite of apartments, beginning with the Guard-chamber. All these rooms are wainscoted with oak, which looks new, being, I believe, of the date of King William's reign. Over many of the doorways, or around the panels, there are carvings in wood by Gibbons, representing wreaths of flowers, fruit, and foliage, the most perfectly beautiful that can be conceived; and the wood being of a light hue (lime-wood, I believe), it has a fine effect on the dark oak panelling. The apartments open one beyond another, in long, long, long succession, — rooms of state, and kings' and queens' bedchambers, and royal closets bigger than ordinary drawing-rooms, so that the whole suite must be half a mile, or it may be a mile, in extent. From the windows you get views of the palace-grounds, broad and stately walks, and groves of trees, and lawns, and fountains, and the Thames and adjacent country beyond. The walls of all these rooms are absolutely covered with pictures, including works of all the great masters, which would require long study before a new eye could enjoy them; and, seeing so many of them at once, and having such a nothing of time to look at them all, I did not even try to see any merit in them. Vandyke's picture of Charles I., on a white horse beneath an arched gateway, made more impression on me than any other, and as I recall it now, it seems as if I could see the king's noble, melancholy face, and armed form, remembered not in picture, but in reality. All Sir Peter Lely's lewd women, and Kneller's too, were in these rooms; and the jolly old stupidity of George III. and his family, many times repeated; and pictures by Titian, Rubens, and other famous hands, intermixed with many by West, which provokingly drew the eye away from their betters. It seems to me that a picture, of all other things, should be by itself; whereas people always congregate them in galleries. To endeavor really to see them, so arranged, is like trying to read a hundred poems at once, — a most absurd attempt. Of all these pictures, I hardly recollect any so well as a ridiculous old travesty of the Resurrection and Last Judgment, where the dead people are represented as coming to life at the sound of the trumpet, — the flesh re-establishing itself on the bones, one man picking up his skull, and putting it on his shoulders, — and all appearing greatly startled, only half awake, and at a loss what to do next. Some devils are dragging away the damned by the heels and on sledges, and above sits the Redeemer and some angelic and sainted people, looking complacently down upon the scene!

We saw, in one of the rooms, the funeral canopy beneath which the Duke of Wellington lay in state, — very gorgeous, of black velvet embroidered with silver and adorned with escutcheons; also, the state bed of Queen Anne, broad, and of comfortable appearance, though it was a queen's, — the materials of the curtains, quilt, and furniture, red velvet, still brilliant in hue; also King William's bed and his queen Mary's, with enormously tall posts, and a good deal the worse for time and wear.

The last apartment we entered was the gallery containing Raphael's cartoons, which I shall not pretend to admire nor to understand. I can conceive, indeed, that there is a great deal of expression in them, and very probably they may, in every respect, deserve all their fame; but on this point I can give no testimony. To my perception they were a series of very much faded pictures, dimly seen (for this part of the palace was now in shadow), and representing figures neither graceful nor beautiful, nor, as far as I could discern, particularly grand. But I came to them with a wearied mind and eye; and also I had a previous distaste to them through the medium of engravings.

But what a noble palace, nobly enriched, is this Hampton Court! The English government does well to keep it up, and to admit the people freely into it, for it is impossible for even a Republican not to feel something like awe — at least a profound respect — for all this state, and for the institutions which are here represented, the sovereigns whose moral magnificence demands such a residence; and its permanence, too, enduring from age to age, and each royal generation adding new splendors to those accumulated by their predecessors. If one views the matter in another way, to be sure, we may feel indignant that such dolt-heads, rowdies, and every way mean people, as many of the English sovereigns have been, should inhabit these stately halls, contrasting its splendors with their littleness; but, on the whole, I readily consented within myself to be impressed for a moment with the feeling that royalty has its glorious side. By no possibility can we ever have such a place in America.

Leaving Hampton Court at about four o'clock, we walked through Bushy Park, — a beautiful tract of ground, well wooded with fine old trees, green with moss, all up their twisted trunks, — through several villages, Twickenham among the rest, to Richmond. Before entering Twickenham, we passed a lath-and-plaster castellated edifice, much time-worn, and with the plaster peeling off from the laths, which I fancied might be Horace Walpole's toy-castle. Not that it really could have been; but it was like the image, wretchedly mean and shabby, which one forms of such a place, in its decay. From Hampton Court to the Star and Garter, on Richmond Hill, is about six miles. After glancing cursorily at the prospect, which is famous, and doubtless very extensive and beautiful if the English mistiness would only let it be seen, we took a good dinner in the large and handsome coffee-room of the hotel, and then wended our way to the rail-station, and reached home between eight and nine o'clock. We must have walked not far from fifteen miles in the course of the day.

March 25th. — Yesterday, at one o'clock, I called by appointment on Mr. Bennoch, and lunched with him and his partners and clerks. This lunch seems to be a legitimate continuation of the old London custom of the master living at the same table with his apprentices. The meal was a dinner for the latter class. The table was set in an upper room of the establishment; and the dinner was a large joint of roast mutton, to which ten people sat down, including a German silk-merchant as a guest besides myself. Mr. Bennoch was at the head of the table, and one of his partners at the foot. For the apprentices there was porter to drink, and for the partners and guests some sparkling Moselle, and we had a sufficient dinner with agreeable conversation. Bennoch said that G. G —
 
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— used to be very fond of these lunches while in England.