Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (607 page)

Certainly the house is admirably fitted up; and there must have been something very excellent and comprehensive in the domestic arrangements of the monks, since they adapt themselves so well to a state of society entirely different from that in which they originated. The library is a very comfortable room, and provocative of studious ideas, though lounging and luxurious. It is long, and rather low, furnished with soft couches, and, on the whole, though a man might dream of study, I think he would be most likely to read nothing but novels there. I know not what the room was in monkish times, but it was waste and ruinous in Lord Byron's. Here, I think, the housekeeper unlocked a beautiful cabinet, and took out the famous skull which Lord Byron transformed into a drinking-goblet. It has a silver rim and stand, but still the ugly skull is bare and evident, and the naked inner bone receives the wine. I should think it would hold at least a quart, — enough to overpower any living head into which this death's-head should transfer its contents; and a man must be either very drunk or very thirsty, before he would taste wine out of such a goblet. I think Byron's freak was outdone by that of a cousin of my own, who once solemnly assured me that he had a spittoon made out of the skull of his enemy. The ancient coffin in which the goblet-skull was found was shown us in the basement of the Abbey.

There was much more to see in the house than I had any previous notion of; but except the two chambers already noticed, nothing remained the least as Byron left it. Yes, another place there was, — his own small dining-room, with a table of moderate size, where, no doubt, the skull-goblet has often gone its rounds. Colonel Wildman's dining-room was once Byron's shooting-gallery, and the original refectory of the monks. It is now magnificently arranged, with a vaulted roof, a music-gallery at one end, suits of armor and weapons on the walls, and mailed arms extended, holding candelabras. There are one or two painted windows, commemorative of the Peninsular war, and the battles in which the Colonel and his two brothers fought, — for these Wildmen seem to have been mighty troopers, and Colonel Wildman is represented as a fierce-looking mustachioed hussar at two different ages. The housekeeper spoke of him affectionately, but says that he is now getting into years, and that they fancy him failing. He has no children. He appears to have been on good terms with Byron, and had the latter ever returned to England, he was under promise to make his first visit to his old home, and it was in such an expectation that Colonel Wildman had kept Byron's private apartments in the same condition in which he found them. Byron was informed of all the Colonel's fittings up and restorations, and when he introduces the Abbey in Don Juan, the poet describes it, not as he himself left it, but as Colonel Wildman has restored it. There is a beautiful drawing-room, and all these apartments are adorned with pictures, the collection being especially rich in portraits by Sir Peter Lely, — that of Nell Gwynn being one, who is one of the few beautiful women whom I have seen on canvas.

We parted with the housekeeper, and I with a good many shillings, at the door by which we entered; and our next business was to see the private grounds and gardens. A little boy attended us through the first part of our progress, but soon appeared the veritable gardener, — a shrewd and sensible old man, who has been very many years on the place. There was nothing of special interest as concerning Byron until we entered the original old monkish garden, which is still laid out in the same fashion as the monks left it, with a large, oblong piece of water in the centre, and terraced banks rising at two or three different stages with perfect regularity around it; so that the sheet of water looks like the plate of an immense looking-glass, of which the terraces form the frame. It seems as if, were there any giant large enough, he might raise up this mirror and set it on end. In the monks' garden, there is a marble statue of Pan, which, the gardener told us, was brought by the “Wicked Lord” (great-uncle of Byron) from Italy, and was supposed by the country people to represent the Devil, and to be the object of his worship, — a natural idea enough, in view of his horns and cloven feet and tail, though this indicates, at all events, a very jolly devil. There is also a female statue, beautiful from the waist upward, but shaggy and cloven-footed below, and holding a little cloven-footed child by the hand. This, the old gardener assured us, was Pandora, wife of the above-mentioned Pan, with her son. Not far from this spot, we came to the tree on which Byron carved his own name and that of his sister Augusta. It is a tree of twin stems, — a birch-tree, I think, — growing up side by side. One of the stems still lives and flourishes, but that on which he carved the two names is quite dead, as if there had been something fatal in the inscription that has made it forever famous. The names are still very legible, although the letters had been closed up by the growth of the bark before the tree died. They must have been deeply cut at first.

There are old yew-trees of unknown antiquity in this garden, and many other interesting things; and among them may be reckoned a fountain of very pure water, called the “Holy Well,” of which we drank. There are several fountains, besides the large mirror in the centre of the garden; and these are mostly inhabited by carp, the genuine descendants of those which peopled the fish-ponds in the days of the monks. Coming in front of the Abbey, the gardener showed us the oak that Byron planted, now a vigorous young tree; and the monument which he erected to his Newfoundland dog, and which is larger than most Christians get, being composed of a marble, altar-shaped tomb, surrounded by a circular area of steps, as much as twenty feet in diameter. The gardener said, however, that Byron intended this, not merely as the burial-place of his dog, but for himself too, and his sister. I know not how this may have been, but this inconvenience would have attended his being buried there, that, on transfer of the estate, his mortal remains would have become the property of some other man.

We had now come to the empty space, — a smooth green lawn, where had once been the Abbey church. The length had been sixty-four yards, the gardener said, and within his remembrance there had been many remains of it, but now they are quite removed, with the exception of the one ivy-grown western wall, which, as I mentioned, forms a picturesque part of the present front of the Abbey. Through a door in this wall the gardener now let us out. . . .

In the evening our landlady, who seems to be a very intelligent woman, of a superior class to most landladies, came into our parlor, while I was out, and talked about the present race of Byrons and Lovelaces, who have often been at this house. There seems to be a taint in the Byron blood which makes those who inherit it wicked, mad, and miserable. Even Colonel Wildman comes in for a share of this ill luck, for he has almost ruined himself by his expenditure on the estate, and by his lavish hospitality, especially to the Duke of Sussex, who liked the Colonel, and used often to visit him during his lifetime, and his Royal Highness's gentlemen ate and drank Colonel Wildman almost up. So says our good landlady. At any rate, looking at this miserable race of Byrons, who held the estate so long, and at Colonel Wildman, whom it has ruined in forty years, we might see grounds for believing in the evil fate which is supposed to attend confiscated church property. Nevertheless, I would accept the estate, were it offered me.

. . . . Glancing back, I see that I have omitted some items that were curious in describing the house; for instance, one of the cabinets had been the personal property of Queen Elizabeth. It seems to me that the fashion of modern furniture has nothing to equal these old cabinets for beauty and convenience. In the state apartments, the floors were so highly waxed and polished that we slid on them as if on ice, and could only make sure of our footing by treading on strips of carpeting that were laid down.

June 7th. — We left Nottingham a week ago, and made our first stage to Derby, where we had to wait an hour or two at a great, bustling, pell-mell, crowded railway station. It was much thronged with second and third class passengers, coming and departing in continual trains; for these were the Whitsuntide holidays, which set all the lower orders of English people astir. This time of festival was evidently the origin of the old “Election” holidays in Massachusetts; the latter occurring at the same period of the year, and being celebrated (so long as they could be so) in very much the same way, with games, idleness, merriment of set purpose, and drunkenness. After a weary while we took the train for

MATLOCK,

via Ambergate, and arrived of the former place late in the afternoon. The village of Matlock is situated on the banks of the Derwent, in a delightful little nook among the hills, which rise above it in steeps, and in precipitous crags, and shut out the world so effectually that I wonder how the railway ever found it out. Indeed, it does make its approach to this region through a long tunnel. It was a beautiful, sunny afternoon when we arrived, and my present impressions are, that I have never seen anywhere else such exquisite scenery as that which surrounds the village. The street itself, to be sure, is commonplace enough, and hot, dusty, and disagreeable; but if you look above it, or on either side, there are green hills descending abruptly down, and softened with woods, amid which are seen villas, cottages, castles; and beyond the river is a line of crags, perhaps three hundred feet high, clothed with shrubbery in some parts from top to bottom, but in other places presenting a sheer precipice of rock, over which tumbles, as it were, a cascade of ivy and creeping plants. It is very beautiful, and, I might almost say, very wild; but it has those characteristics of finish, and of being redeemed from nature, and converted into a portion of the adornment of a great garden, which I find in all English scenery. Not that I complain of this; on the contrary, there is nothing that delights an American more, in contrast with the roughness and ruggedness of his native scenes, — to which, also, he might be glad to return after a while.

We put up at the old Bath Hotel, — an immense house, with passages of such extent that at first it seemed almost a day's journey from parlor to bedroom. The house stands on a declivity, and after ascending one pair of stairs, we came, in travelling along the passageway, to a door that opened upon a beautifully arranged garden, with arbors and grottos, and the hillside rising steep above. During all the time of our stay at Matlock there was brilliant sunshine, and, the grass and foliage being in their freshest and most luxuriant phase, the place has left as bright a picture as I have anywhere in my memory.

The morning after our arrival we took a walk, and, following the sound of a church-bell, entered what appeared to be a park, and, passing along a road at the base of a line of crags, soon came in sight of a beautiful church. I rather imagine it to be the place of worship of the Arkwright family, whose seat is in this vicinity, — the descendants of the famous Arkwright who contributed so much towards turning England into a cotton manufactory. We did not enter the church, but passed beyond it, and over a bridge, and along a road that ascended among the hills and finally brought us out by a circuit to the other end of Matlock village, after a walk of three or four miles. In the afternoon we took a boat across the Derwent, — a passage which half a dozen strokes of the oars accomplished, — and reached a very pleasant seclusion called “The Lovers' Walk.” A ferriage of twopence pays for the transit across the river, and gives the freedom of these grounds, which are threaded with paths that meander and zigzag to the top of the precipitous ridge, amid trees and shrubbery, and the occasional ease of rustic seats. It is a sweet walk for lovers, and was so for us; although J —
 
— -, with his scramblings and disappearances, and shouts from above, and headlong scamperings down the precipitous paths, occasionally frightened his mother. After gaining the heights, the path skirts along the precipice, allowing us to see down into the village street, and, nearer, the Derwent winding through the valley so close beneath us that we might have flung a stone into it. These crags would be very rude and harsh if left to themselves, but they are quite softened and made sweet and tender by the great deal of foliage that clothes their sides, and creeps and clambers over them, only letting a stern face of rock be seen here and there, and with a smile rather than a frown.

The next day, Monday, we went to see the grand cavern. The entrance is high up on the hillside, whither we were led by a guide, of whom there are many, and they all pay tribute to the proprietor of the cavern. There is a small shed by the side of the cavern mouth, where the guide provided himself and us with tallow candles, and then led us into the darksome and ugly pit, the entrance of which is not very imposing, for it has a door of rough pine boards, and is kept under lock and key. This is the disagreeable phase-one of the disagreeable phases — of man's conquest over nature in England, — cavern mouths shut up with cellar doors, cataracts under lock and key, precipitous crags compelled to figure in ornamented gardens, — and all accessible at a fixed amount of shillings or pence. It is not possible to draw a full free breath under such circumstances. When you think of it, it makes the wildest scenery look like the artificial rock-work which Englishmen are so fond of displaying in the little bit of grass-plot under their suburban parlor windows. However, the cavern was dreary enough and wild enough, though in a mean sort of way; for it is but a long series of passages and crevices, generally so narrow that you scrape your elbows, and so low that you hit your head. It has nowhere a lofty height, though sometimes it broadens out into ample space, but not into grandeur, the roof being always within reach, and in most places smoky with the tallow candles that have been held up to it. A very dirty, sordid, disagreeable burrow, more like a cellar gone mad than anything else; but it served to show us how the crust of the earth is moulded. This cavern was known to the Romans, and used to be worked by them as a lead-mine. Derbyshire spar is now taken from it; and in some of its crevices the gleam of the tallow candles is faintly reflected from the crystallizations; but, on the whole, I felt like a mole, as I went creeping along, and was glad when we came into the sunshine again. I rather think my idea of a cavern is taken from the one in the Forty Thieves, or in Gil Blas, — a vast, hollow womb, roofed and curtained with obscurity. This reality is very mean.