Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (627 page)

We might have dined at the table d'hote, but preferred the restaurant connected with and within the hotel. All the dishes were very delicate, and a vast change from the simple English system, with its joints, shoulders, beefsteaks, and chops; but I doubt whether English cookery, for the very reason that it is so simple, is not better for men's moral and spiritual nature than French. In the former case, you know that you are gratifying your animal needs and propensities, and are duly ashamed of it; but, in dealing with these French delicacies, you delude yourself into the idea that you are cultivating your taste while satisfying your appetite. This last, however, it requires a good deal of perseverance to accomplish.

In the cathedral at Amiens there were printed lists of acts of devotion posted on the columns, such as prayers at the shrines of certain saints, whereby plenary indulgences might be gained. It is to be observed, however, that all these external forms were necessarily accompanied with true penitence and religious devotion.

Hotel de Louvre, January 8th. — It was so fearfully cold this morning that I really felt little or no curiosity to see the city. . . . Until after one o'clock, therefore, I knew nothing of Paris except the lights which I had seen beneath our window the evening before, far, far downward, in the narrow Rue St. Honore, and the rumble of the wheels, which continued later than I was awake to hear it, and began again before dawn. I could see, too, tall houses, that seemed to be occupied in every story, and that had windows on the steep roofs. One of these houses is six stories high. This Rue St. Honore is one of the old streets in Paris, and is that in which Henry IV. was assassinated; but it has not, in this part of it, the aspect of antiquity.

After one o'clock we all went out and walked along the Rue de Rivoli. . . . We are here, right in the midst of Paris, and close to whatever is best known to those who hear or read about it, — the Louvre being across the street, the Palais Royal but a little way off, the Tuileries joining to the Louvre, the Place de la Concorde just beyond, verging on which is the Champs Elysees. We looked about us for a suitable place to dine, and soon found the Restaurant des Echelles, where we entered at a venture, and were courteously received. It has a handsomely furnished saloon, much set off with gilding and mirrors; and appears to be frequented by English and Americans; its carte, a bound volume, being printed in English as well as French. . . .

It was now nearly four o'clock, and too late to visit the galleries of the Louvre, or to do anything else but walk a little way along the street. The splendor of Paris, so far as I have seen, takes me altogether by surprise: such stately edifices, prolonging themselves in unwearying magnificence and beauty, and, ever and anon, a long vista of a street, with a column rising at the end of it, or a triumphal arch, wrought in memory of some grand event. The light stone or stucco, wholly untarnished by smoke and soot, puts London to the blush, if a blush could be seen on its dingy face; but, indeed, London is not to be mentioned, nor compared even, with Paris. I never knew what a palace was till I had a glimpse of the Louvre and the Tuileries; never had my idea of a city been gratified till I trod these stately streets. The life of the scene, too, is infinitely more picturesque than that of London, with its monstrous throng of grave faces and black coats; whereas, here, you see soldiers and priests, policemen in cocked hats, Zonaves with turbans, long mantles, and bronzed, half-Moorish faces; and a great many people whom you perceive to be outside of your experience, and know them ugly to look at, and fancy them villanous. Truly, I have no sympathies towards the French people; their eyes do not win me, nor do their glances melt and mingle with mine. But they do grand and beautiful things in the architectural way; and I am grateful for it. The Place de la Concorde is a most splendid square, large enough for a nation to erect trophies in of all its triumphs; and on one side of it is the Tuileries, on the opposite side the Champs Elysees, and, on a third, the Seine, adown which we saw large cakes of ice floating, beneath the arches of a bridge. The Champs Elysees, so far as I saw it, had not a grassy soil beneath its trees, but the bare earth, white and dusty. The very dust, if I saw nothing else, would assure me that I was out of England.

We had time only to take this little walk, when it began to grow dusk; and, being so pitilessly cold, we hurried back to our hotel. Thus far, I think, what I have seen of Paris is wholly unlike what I expected; but very like an imaginary picture which I had conceived of St. Petersburg, — new, bright, magnificent, and desperately cold.

A great part of this architectural splendor is due to the present Emperor, who has wrought a great change in the aspect of the city within a very few years. A traveller, if he looks at the thing selfishly, ought to wish him a long reign and arbitrary power, since he makes it his policy to illustrate his capital with palatial edifices, which are, however, better for a stranger to look at, than for his own people to pay for.

We have spent to-day chiefly in seeing some of the galleries of the Louvre. I must confess that the vast and beautiful edifice struck me far more than the pictures, sculpture, and curiosities which it contains, — the shell more than the kernel inside; such noble suites of rooms and halls were those through which we first passed, containing Egyptian, and, farther onward, Greek and Roman antiquities; the walls cased in variegated marbles; the ceilings glowing with beautiful frescos; the whole extended into infinite vistas by mirrors that seemed like vacancy, and multiplied everything forever. The picture-rooms are not so brilliant, and the pictures themselves did not greatly win upon me in this one day. Many artists were employed in copying them, especially in the rooms hung with the productions of French painters. Not a few of these copyists were females; most of them were young men, picturesquely mustached and bearded; but some were elderly, who, it was pitiful to think, had passed through life without so much success as now to paint pictures of their own.

From the pictures we went into a suite of rooms where are preserved many relics of the ancient and later kings of France; more relics of the elder ones, indeed, than I supposed had remained extant through the Revolution. The French seem to like to keep memorials of whatever they do, and of whatever their forefathers have done, even if it be ever so little to their credit; and perhaps they do not take matters sufficiently to heart to detest anything that has ever happened. What surprised me most were the golden sceptre and the magnificent sword and other gorgeous relics of Charlemagne, — a person whom I had always associated with a sheepskin cloak. There were suits of armor and weapons that had been worn and handled by a great many of the French kings; and a religious book that had belonged to St. Louis; a dressing-glass, most richly set with precious stones, which formerly stood on the toilet-table of Catherine de' Medici, and in which I saw my own face where hers had been. And there were a thousand other treasures, just as well worth mentioning as these. If each monarch could have been summoned from Hades to claim his own relics, we should have had the halls full of the old Childerics, Charleses, Bourbons and Capets, Henrys and Louises, snatching with ghostly hands at sceptres, swords, armor, and mantles; and Napoleon would have seen, apparently, almost everything that personally belonged to him, — his coat, his cocked hats, his camp-desk, his field-bed, his knives, forks, and plates, and even a lock of his hair. I must let it all go. These things cannot be reproduced by pen and ink.

Hotel de Louvre, January 9th. — . . . . Last evening Mr. Fezaudie called. He spoke very freely respecting the Emperor and the hatred entertained against him in France; but said that he is more powerful, that is, more firmly fixed as a ruler, than ever the first Napoleon was. We, who look back upon the first Napoleon as one of the eternal facts of the past, a great bowlder in history, cannot well estimate how momentary and insubstantial the great Captain may have appeared to those who beheld his rise out of obscurity. They never, perhaps, took the reality of his career fairly into their minds, before it was over. The present Emperor, I believe, has already been as long in possession of the supreme power as his uncle was. I should like to see him, and may, perhaps, do — so, as he is our neighbor, across the way.

This morning Miss —
 
—
 
— , the celebrated astronomical lady, called. She had brought a letter of introduction to me, while consul; and her purpose now was to see if we could take her as one of our party to Rome, whither she likewise is bound. We readily consented, for she seems to be a simple, strong, healthy-humored woman, who will not fling herself as a burden on our shoulders; and my only wonder is that a person evidently so able to take care of herself should wish to have an escort.

We issued forth at about eleven, and went down the Rue St. Honore, which is narrow, and has houses of five or six stories on either side, between which run the streets like a gully in a rock. One face of our hotel borders and looks on this street. After going a good way, we came to an intersection with another street, the name of which I forget; but, at this point, Ravaillac sprang at the carriage of Henry IV. and plunged his dagger into him. As we went down the Rue St. Honore, it grew more and more thronged, and with a meaner class of people. The houses still were high, and without the shabbiness of exterior that distinguishes the old part of London, being of light-colored stone; but I never saw anything that so much came up to my idea of a swarming city as this narrow, crowded, and rambling street.

Thence we turned into the Rue St. Denis, which is one of the oldest streets in Paris, and is said to have been first marked out by the track of the saint's footsteps, where, after his martyrdom, he walked along it, with his head under his arm, in quest of a burial-place. This legend may account for any crookedness of the street; for it could not reasonably be asked of a headless man that he should walk straight.

Through some other indirections we at last found the Rue Bergere, down which I went with J —
 
— - in quest of Hottinguer et Co., the bankers, while the rest of us went along the Boulevards, towards the Church of the Madeleine. . . . This business accomplished, J —
 
— - and I threaded our way back, and overtook the rest of the party, still a good distance from the Madeleine. I know not why the Boulevards are called so. They are a succession of broad walks through broad streets, and were much thronged with people, most of whom appeared to be bent more on pleasure than business. The sun, long before this, had come out brightly, and gave us the first genial and comfortable sensations which we have had in Paris.

Approaching the Madeleine, we found it a most beautiful church, that might have been adapted from Heathenism to Catholicism; for on each side there is a range of magnificent pillars, unequalled, except by those of the Parthenon. A mourning-coach, arrayed in black and silver, was drawn up at the steps, and the front of the church was hung with black cloth, which covered the whole entrance. However, seeing the people going in, we entered along with them. Glorious and gorgeous is the Madeleine. The entrance to the nave is beneath a most stately arch; and three arches of equal height open from the nave to the side aisles; and at the end of the nave is another great arch, rising, with a vaulted half-dome, over the high altar. The pillars supporting these arches are Corinthian, with richly sculptured capitals; and wherever gilding might adorn the church, it is lavished like sunshine; and within the sweeps of the arches there are fresco paintings of sacred subjects, and a beautiful picture covers the hollow of the vault over the altar; all this, besides much sculpture; and especially a group above and around the high altar, representing the Magdalen smiling down upon angels and archangels, some of whom are kneeling, and shadowing themselves with their heavy marble wings. There is no such thing as making my page glow with the most distant idea of the magnificence of this church, in its details and in its whole. It was founded a hundred or two hundred years ago; then Bonaparte contemplated transforming it into a Temple of Victory, or building it anew as one. The restored Bourbons remade it into a church; but it still has a heathenish look, and will never lose it.

When we entered we saw a crowd of people, all pressing forward towards the high altar, before which burned a hundred wax lights, some of which were six or seven feet high; and, altogether, they shone like a galaxy of stars. In the middle of the nave, moreover, there was another galaxy of wax candles burning around an immense pall of black velvet, embroidered with silver, which seemed to cover, not only a coffin, but a sarcophagus, or something still more huge. The organ was rumbling forth a deep, lugubrious bass, accompanied with heavy chanting of priests, out of which sometimes rose the clear, young voices of choristers, like light flashing out of the gloom. The church, between the arches, along the nave, and round the altar, was hung with broad expanses of black cloth; and all the priests had their sacred vestments covered with black. They looked exceedingly well; I never saw anything half so well got up on the stage. Some of these ecclesiastical figures were very stately and noble, and knelt and bowed, and bore aloft the cross, and swung the censers in a way that I liked to see. The ceremonies of the Catholic Church were a superb work of art, or perhaps a true growth of man's religious nature; and so long as men felt their original meaning, they must have been full of awe and glory. Being of another parish, I looked on coldly, but not irreverently, and was glad to see the funeral service so well performed, and very glad when it was over. What struck me as singular, the person who performed the part usually performed by a verger, keeping order among the audience, wore a gold-embroidered scarf, a cocked hat, and, I believe, a sword, and had the air of a military man.