With the exception of a small life study in pencil, drawn during her Byam Shaw days, none of her work was hung on our walls, and that was because I found them impossible to live with.
And yet, surprisingly, I was able to live happily with the artist.
For a long while I had worried about her state of mind but it was as if Claudia placed all her dark thoughts into her paintings, and there they stayed, leaving her to exist outside her work in a world of brightness and color.
She herself had no real explanation for why she painted as she did and denied that it was due to the sudden death of her parents when she'd been a child. She said it was just how things turned out when her brushes stroked the canvas.
I had often thought of taking a selection of her weirdest paintings to be seen by an analyst to see if there might be some sort of psychological disturbance present, but I hadn't liked to do so without her consent and I'd been too apprehensive to ask in case she had objected.
So I had done nothing. I had always tried to avoid personal confrontation, not least because I had grown up with it all around me from my parents, who had fought each other tooth and nail for more than thirty years until they had finally divorced in their late fifties.
“But it says here,” I said to Claudia, pointing at the newspaper, “that the murder had all the characteristics of a gangland killing. Now, surely I would have known if Herb had been involved in that sort of thing.”
“I bet my friends have all sorts of skeletons in their cupboards we'll never hear about.”
“You're such a cynic,” I said, but she did have some strange friends.
“A realist,” she replied. “It saves being disappointed.”
“Disappointed?”
“Yes,” she said. “If I believe the worst of people, then I'm not disappointed when it turns out to be accurate.”
“And do you believe the worst of me?”
“Don't be silly,” she said, coming over and stroking my hair with flour-covered hands. “I know the worst of you.”
“And are you disappointed?”
“Always!” She laughed.
But I began to wonder if it was true.
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I
arrived at the offices of Lyall & Black on the fourth floor of 64 Lombard Street at eight-fifteen a.m. on Monday morning to find the door blocked by a burly-looking police constable in full uniform complete with anti-stab vest and helmet.
“Sorry, sir,” he said in an official tone as I tried to push past him, “no one is allowed into these offices without permission from my superior officer.”
“But I work here,” I said.
“Your name, sir?” he asked.
“Nicholas Foxton.”
He consulted a list that he had removed from his trouser pocket.
“Mr. N. Foxton,” he read. “Very well, sir, you may go in.” He moved slightly to one side while I passed, but then he stepped quickly back into his former spot as if expecting to prevent a rush from those not on his list.
The offices of Lyall & Black had never seen such activity so early on a Monday morning.
Both the senior partners, Patrick Lyall and Gregory Black, were in the client waiting area leaning on the chest-high reception desk.
“Oh hi, Nicholas,” said Patrick as I entered. “The police are here.”
“So I see,” I said. “Is it to do with Herb?”
They nodded.
“We've both been here since seven,” Patrick said. “But they won't let us along into our offices. We've been told not to go beyond here.”
“Have they said what they are looking for, exactly?” I asked.
“No,” Gregory said sharply with irritation. “I presume they are hoping to find some clue as to who killed him. But I'm not happy about it. There may be sensitive client material on his desk that I wouldn't want them to see. It's highly confidential.”
I thought it was unlikely that the police would accept that anything was in the least bit confidential if it could have a bearing on unmasking a murderer.
“When did you find out he was dead?” I asked them. I knew that Herb's name had finally been included in the late news on Sunday evening.
“Yesterday afternoon,” said Patrick. “I received a call from the police asking us to meet them here this morning. How about you?”
“I did try and call you on Saturday, but there was no reply,” I said. “I was actually with Herb when he was shot.”
“My God,” said Patrick, “that's right. You were going to the races together.”
“And I was standing right next to him when he was killed,” I said.
“How awful,” Patrick said. “Did you see who killed him?”
“Well, sort of,” I said. “But I was looking mostly at his gun.”
“I just don't understand it.” Patrick shook his head. “Why would anyone want to kill Herb Kovak?”
“Dreadful business,” said Gregory, also shaking his head. “Not good for the firm. Not good at all.”
It wasn't too hot for Herb either, I thought, but decided not to say so. Lyall & Black, although very small, had risen to be one of the significant players in the financial services industry solely due to the single-mindedness of both Patrick Lyall and Gregory Black. Where Lyall & Black led, others usually followed. They took an innovative approach to their clients' investments, often recommending opportunities that more traditional advisers might classify as too risky.
All independent financial advisers are required to determine and grade their clients' attitudes to risk. Low-risk investments, such as fixed-interest bank accounts or triple-A-rated government bonds, tended to give only a small rate of return but the capital sum was safe. Medium-risk might include stocks in major companies or unit trusts and mutual funds, where the return should be greater but there was a chance of losing some of the capital due to a drop in the stock market price. High-risk investments, including venture capital trusts and foreign currency dealings, gave the opportunity to make big returns but could also result in large losses.
Lyall & Black, however, also advised on investments for which the risk level could only be described as extreme, such as the financing of films or plays, buying shares in wine funds, in foreign property portfolios or in works of art. Returns could be vast, but so were the chances of losing everything.
It was the attitude that had first attracted me to them.
Kicking a horse hard in the belly to ask it to lengthen its stride, to make it right for a jump, was also an extreme-risk strategy that could so easily result in a crashing fall. An alternative, safer approach might be to take a pull, to ask the animal to shorten and to put in an extra stride. It may have been safer, but it was slower, much slower. A great deal better in my mind to crash to the turf trying to win than to be satisfied with second place.
“How much longer are they going to keep us waiting here?” Gregory Black demanded. “Don't they realize we have work to do?”
No one answered.
One by one, all the other staff had turned up, and the client waiting area was now full to overflowing. For most of them, they had only heard of Herb's demise as they had arrived, and the last thing they wanted to do was to start work. The two ladies who doubled as receptionists and admin assistants were both in tears. Herb had been popular and much loved, and not least because he'd been a change from the usual rather straitlaced, pin-stripedsuited City financier.
Herb had loved being the American abroad, turning up on the Fourth of July with gifts of candy sticks and apple pie, hosting an office Thanksgiving lunch of turkey and all the trimmings in November, and drawling “Yee-haw!” at the top of his voice like a cowboy when he'd managed to lasso a new client. Herb had been fun, and life in the office was going to be a lot less cheerful for his passing.
Finally, around nine-thirty, a middle-aged man in an ill-fitting gray suit came into the reception and addressed the waiting faces.
“Ladies and gentlemen,” he began formally. “I am Detective Chief Inspector Tomlinson of the Merseyside Police. Sorry for the inconvenience, but, as you will be aware, my colleagues and I are investigating the murder of Herbert Kovak at Aintree races on Saturday afternoon. I expect we will be here for some time and I ask for your patience. However, I must ask you to remain here as I will want to speak to each of you individually.”
Gregory Black didn't look pleased. “Can't we work in our offices while we wait?”
“I'm afraid that won't be possible,” replied the policeman.
“And why not?” demanded Gregory.
“Because I do not want any of you,” he looked around the room, “having any access to your computers.”
“But that's outrageous.” Gregory was building up a head of steam. “Are you accusing one of us of having something to do with Mr. Kovak's death?”
“I'm not accusing anyone,” Chief Inspector Tomlinson replied in a more conciliatory tone. “I just need to cover every avenue. If evidence does exist on Mr. Kovak's computer, then I am sure you will all understand that it has to be free from any possible contamination due to any of you accessing the files through the company server.”
Gregory was hardly placated. “But all our files are remotely saved and can be viewed directly as they were at any time. This is completely ridiculous.”
“Mr. Black.” The policeman turned to face him directly. “You are wasting my time, and the sooner I get back to work, the sooner you will be able to get into your office.”
I looked at Gregory Black. I suspected that no one had spoken to him like that since he was at school, if then. There was absolute silence in the room as we all waited for the explosion, but it didn't come. He just muttered something under his breath and turned away.
But in one respect Gregory was absolutely right: the restriction on using our computers was ridiculous. Our system allowed for remote access so that certain members of the firm could access the company files from their laptops when away from the office. If any of us had wanted to “contaminate” the files since Herb's death, we'd had most of the weekend to have done so.
“Can we go out for a coffee?” asked Jessica Winter, the firm's Compliance Officer. The photocopy room, which also doubled as the small kitchen where we made all our hot drinks, was beyond the offices and hence currently out-of-bounds.
“Yes,” said the chief inspector, “but not all of you at once. I will be starting the interviews soon. And if you do go, please be back by ten o'clock.”
Jessica stood up quickly and made for the door. Half a dozen more made a move in the same direction, including me. Clearly none of us exactly relished the prospect of being confined in close proximity to Gregory Black for the next half hour.
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I
had to wait until after eleven before I was interviewed and, much to Gregory Black's annoyance, I was second on the policeman's list after Patrick Lyall.
I don't know whether the policeman did it on purpose to further antagonize Gregory, but the interviews were carried out in
his
office and at
his
desk, with Chief Inspector Tomlinson sitting in the high-backed leather executive chair in which Gregory usually rested his ample frame. That wouldn't go down well, I thought, especially during a certain Gregory Black's interview.
“Now then, Mr. Foxton,” said the chief inspector while studying his papers, “I understand you were at Aintree races on Saturday afternoon and were interviewed there by one of my colleagues.”
“Yes,” I replied. “By Detective Inspector Matthews.”
He nodded. “Have you anything further you wish to add to what you said in that interview?”
“Yes, I have,” I said. “I tried to call Inspector Matthews yesterday. In fact, I left a message for him to call me back, but he didn't. It was about this.”
I removed from my pocket the folded piece of paper I had found in Herb's coat and spread it out on the desk, rotating it so the chief inspector could read the words. I knew them now by heart: YOU SHOULD HAVE DONE WHAT YOU WERE TOLD. YOU MAY SAY YOU REGRET IT, BUT YOU WONT BE REGRETTING IT FOR LONG.
After quite a few moments, he looked up at me. “Where did you find this?”
“In Mr. Kovak's coat pocket. He'd left his coat in my car when we arrived at the races. I found it only yesterday.”
The chief inspector studied the paper once more but without touching it.
“Do you recognize the handwriting?” he asked.
“No,” I replied. But I wouldn't, the note had been written carefully in capital letters, each one very precise and separate.
“And you have handled this paper?” I assumed it was a rhetorical question as he had clearly seen me remove the paper from my pocket and spread it out. I remained silent.
“Did you not think this might be evidence?” he asked. “Handling it may jeopardize the chances of recovering any forensics.”
“It was screwed up in his coat pocket,” I said in my defense. “I didn't know what it was until I'd opened it up and by then it was too late.”
He studied it once more.
“And what do you think it means?”
“I've no idea,” I said. “But I think it might be a warning.”
“A warning? Why a warning?”
“I've spent much of the night thinking about it,” I said. “It's clearly not a threat or it would say âDo as you are told or else' and not âYou should have done what you were told.'”
“OK,” the policeman said slowly, “but that doesn't make it a warning.”
“I know,” I said. “But think about it. If you wanted to kill someone, you'd hardly ring them up and tell them, now would you? It would do nothing except put them on their guard and make it more difficult for you. They might even ask for police protection. There is absolutely nothing to be gained and everything to lose. Surely you would just do it, unannounced.”