Read Disney's Most Notorious Film Online
Authors: Jason Sperb
.
Disney TV
. Detroit: Wayne State University Press, 2004.
.
The Mouse Machine: Disney and Technology
. Urbana: University of Illinois Press, 2008.
Wallace, Michael. “Mickey Mouse History: Portraying the Past at Disney World.”
Radical History Review
32 (March 1985): 32–57.
Ward, Annalee.
Mouse Morality: The Rhetoric of Disney Animated Film
. Austin: University of Texas Press, 2002.
Wasko, Janet.
Understanding Disney: The Manufacture of Fantasy
. Malden, MA: Blackwell, 2001.
Wasko, Janet, Mark Phillips, and Eileen R. Meehan, eds.
Dazzled by Disney? The Global Disney Audiences Report
. London: Leicester University Press, 2001.
Watts, Steven.
The Magic Kingdom: Walt Disney and the American Way of Life
. Columbia: University of Missouri Press, 1997.
RECEPTION STUDIES
Ang, Ien.
Watching “Dallas”: Soap Opera and the Melodramatic Imagination
. Translated by Della Couling. New York: Methuen, 1985.
Biel, Steven.
Down with the Old Canoe: A Cultural History of the “Titanic” Disaster
. New York: Norton, 2003.
Cohan, Steven. “Judy on the Net: Judy Garland Fandom and ‘the Gay Thing’ Revisited.”
Keyframes: Popular Cinema and Cultural Studies
, edited by Matthew Tinkcom and Amy Villarejo, 119–136. New York: Routledge, 2001.
Collins, Jim.
Architectures of Excess: Cultural Life in the Information Age
. New York: Routledge, 1995.
Dyer, Richard.
Only Entertainment
. New York: Routledge, 1992.
Gomery, Douglas.
Shared Pleasures: A History of Movie Presentation in the United States
. Madison: University of Wisconsin Press, 1992.
Gray, Jonathan. “New Audiences, New Textualities: Anti-Fans and Non-Fans.”
International Journal of Cultural Studies
6.1 (2003): 64–81.
Gwenllian-Jones,
Sara. “The Sex Lives of Cult Television Characters.”
Screen
43.1 (2002): 79–90.
Hall, Stuart. “Encoding, Decoding.” In
The Cultural Studies Reader
, edited by Simon During, 90–103. New York: Routledge, 1993.
Hilderbrand, Lucas.
Inherent Vice: Bootleg Histories of Video and Copyright
. Durham, NC: Duke University Press, 2009.
Hills, Matt.
Fan Cultures
. New York: Routledge, 2002.
Jenkins, Henry.
Textual Poachers: Television Fans and Participatory Cultures
. New York: Routledge, 1992.
.
The Wow Climax: Tracing the Emotional Impact of Popular Culture
. New York: New York University Press, 2006.
Klinger, Barbara.
Beyond the Multiplex: Cinema, New Technologies, and the Home
. Berkeley: University of California Press, 2006.
. “Film History Terminable and Interminable: Discovering the Past in Reception Studies.”
Screen
38.2 (1997): 107–128.
Morley, David.
Television, Audiences and Cultural Studies
. London: Routledge, 1992.
Plantinga, Carl.
Moving Viewers: American Film and the Spectator’s Experience
. Berkeley: University of California Press, 2009.
Radway, Janice.
Reading the Romance: Women, Patriarchy, and Popular Culture
. Chapel Hill: University of North Carolina Press, 1991.
Ray, Robert.
A Certain Tendency of the Hollywood Cinema, 1930–1980
. Princeton, NJ: Princeton University Press, 1985.
Sobchack, Vivian.
Carnal Thoughts: Embodiment and Moving Image Culture
. Berkeley: University of California Press, 2004.
Staiger, Janet.
Interpreting Films: Studies in the Historical Reception of American Cinema
. Princeton, NJ: Princeton University Press, 1992.
.
Media Reception Studies
. New York: New York University Press, 2005.
Studlar, Gaylyn, and Kevin Sandler, eds.
“Titanic”: Anatomy of a Blockbuster
. New Brunswick, NJ: Rutgers University Press, 1999.
Wasko, Janet.
Hollywood in the Information Age: Beyond the Silver Screen
. Austin: University of Texas Press, 1994.
CRITICAL RACE STUDIES IN THE MEDIA
Avila, Eric.
Popular Culture in the Age of White Flight
. Berkeley: University of California Press, 2006.
Bernardi, Daniel, ed.
The Birth of Whiteness: Race and the Emergence of U.S. Cinema
. New Brunswick, NJ: Rutgers University Press, 1996.
Bogle, Donald.
Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretative History of Blacks in American Films
. 4th ed. New York: Continuum, 2003.
Cripps,
Thomas.
Black Film as Genre
. Bloomington: Indiana University Press, 1979.
.
Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era
. New York: Oxford University Press, 1993.
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Slow Fade to Black: The Negro in American Film, 1900–1942
. New York: Oxford University Press, 1986.
Diawara, Manthia. “Black Spectatorship: Problems of Identification and Resistance.”
Screen
29.4 (1988): 66–79.
Doherty, Thomas.
Projections of War: Hollywood, American Culture, and World War II
. New York: Columbia University Press, 1999.
Dunne, Michael. “Bing Crosby’s Cinematic ‘Song of the South.’
”
Journal of Popular Film and Television
32.1 (2004): 30–38.
Dyer, Richard. “Paul Robeson: Crossing Over.” In
Heavenly Bodies: Film Stars and Society
, 2nd ed., 64–136. New York: Routledge, 2004.
.
White: Essays on Race and Culture
. New York: Routledge, 1997.
Ellison, Mary. “Blacks in American Film.” In
Cinema, Politics and Society in America
, edited by Philip Davies and Brian Neve, 176–194. Manchester: Manchester University Press, 1981.
Ely, Marvin Patrick.
The Adventures of Amos ’n’ Andy: A Social History of an American Phenomenon
. Charlottesville: University of Virginia Press, 1991.
Erb, Cynthia.
Tracking “King Kong”: A Hollywood Icon in World Culture
. 2nd ed. Detroit: Wayne State University Press, 2009.
Gaines, Jane. “White Privilege and Looking Relations: Race and Gender in Feminist Film Theory.”
Screen
29.4 (1988): 12–27.
Gevinson, Alan, ed.
Within Our Gates: Ethnicity in American Feature Films, 1911–1960
. Berkeley: University of California Press, 1997.
Gillespie, Michael Boyce. “Significations of Blackness: American Cinema and the Idea of a Black Film.” PhD diss., New York University, 2007.
Gray, Herman.
Watching Race: Television and the Struggle for Blackness
. Minneapolis: University of Minnesota Press, 2004.
Guerrero, Ed.
Framing Blackness: The African American Image in Film
. Philadelphia: Temple University Press, 1993.
Haskell, Molly.
Frankly, My Dear: “Gone with the Wind” Revisited
. New Haven, CT: Yale University Press, 2009.
Jeffords, Susan.
Hard Bodies: Hollywood Masculinity in the Reagan Era
. New Brunswick, NJ: Rutgers University Press, 1993.
kydd, Elspeth. “
‘The Ineffaceable Curse of Cain’: Racial Marking and Embodiment in
Pinky
.”
Camera Obscura
15.1 (2000): 94–121.
McAdam, Doug.
Political Process and the Development of Black Insurgency, 1930–1970
. 2nd ed. Chicago: University of Chicago Press, 1999.
McPherson, Tara.
Reconstructing Dixie: Race, Gender, and Nostalgia in the Imagined South
. Durham, NC: Duke University Press, 2003.
Naremore,
James. “Uptown Folk:
Cabin in the Sky
(1943).” In
The Films of Vincente Minnelli
, 51–70. New York: Cambridge University Press, 1993.
Nesteby, James R.
Black Images in American Films, 1896–1954: The Interplay Between Civil Rights and Film Culture
. Washington, DC: University Press of America, 1982.
Richards, Larry.
African American Films Through 1959: A Comprehensive, Illustrated Filmography
. Jefferson, NC: McFarland, 1998.
Robinson, Eugene.
Disintegration: The Splintering of Black America
. New York: Doubleday, 2010.
Snead, James.
White Screens, Black Images: Hollywood from the Dark Side
. New York: Routledge, 1994.
Stam, Robert. “Bakhtin, Polyphony, and Ethnic/Racial Representation.” In
Unspeakable Images: Ethnicity and the American Cinema
, edited by Lester Friedman, 67–85. Urbana: University of Illinois Press, 1991.
Stam, Robert, and Louise Spence. “Colonialism, Racism, and Representation.”
Screen
24.2 (1983): 2–20.
Stewart, Jacqueline.
Migrating to the Movies: Cinema and Black Urban Modernity
. Berkeley: University of California Press, 2005.
Taylor, Helen.
Scarlett’s Women: “Gone with the Wind” and Its Female Fans
. New Brunswick, NJ: Rutgers University Press, 1989.
Turner, Patricia.
Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture
. New York: Anchor, 1994.
Williams, Linda.
Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson
. Princeton, NJ: Princeton University Press, 2002.
TRANSMEDIA STUDIES
Balides, Connie. “Jurassic Post-Fordism: Tall Tales of Economics in the Theme Park.”
Screen
41.2 (2000): 139–160.
Barlow, Aaron.
The DVD Revolution: Movies, Technology, and Culture
. Westport, CT: Praeger, 2005.
Bolter, Jay David, and Richard Grusin.
Remediation: Understanding New Media
. Cambridge, MA: MIT Press, 2000.
Grainge, Paul.
Brand Hollywood: Selling Entertainment in a Global Media Age
. New York: Routledge, 2008.
Gray, Jonathan.
Show Sold Separately: Promos, Spoilers, and Other Media Paratexts
. New York: New York University Press, 2010.
Jenkins, Henry.
Convergence Culture: Where Old and New Media Collide
. New York: New York University Press, 2006.
.
Fans, Bloggers, and Gamers: Media Consumers in a Digital Age
. New York: New York University Press, 2006.
Johnson,
Derek.
Creative License: Media Franchising and the Collaborative Production of Culture
. New York: New York University Press, forthcoming.
Ndalianis, Angela.
Neo-Baroque Aesthetics and Contemporary Entertainment
. Cambridge, MA: MIT Press, 2005.
Smith, Jacob.
Spoken Word: Postwar American Phonograph Cultures
. Berkeley: University of California Press, 2010.
FILM AND NOSTALGIA
Boym, Svetlana.
The Future of Nostalgia.
New York: Basic, 2001.
Burgin, Victor.
The Remembered Film
. London: Reaktion, 2004.
Combs, James.
The Reagan Range: The Nostalgic Myth in American Culture
. Bowling Green, OH: Bowling Green University Press, 1993.
Cook, Pam.
Screening the Past: Memory and Nostalgia in Cinema
. New York: Routledge, 2005.
Deming, Barbara.
Running Away from Myself: A Dream Portrait of America Drawn from the Films of the Forties
. New York: Grossman, 1969.
Dika, Vera.
Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia
. Cambridge: Cambridge University Press, 2003.
Jameson, Fredric.
Postmodernism, or, The Cultural Logic of Late Capitalism
. Durham, NC: Duke University Press, 1992.
Kuhn, Annette.
Dreaming of Fred and Ginger: Cinema and Cultural Memory
. New York: New York University Press, 2002.
Sperb, Jason. “Islands of Detroit: Affect, Nostalgia and Whiteness.”
Culture, Theory and Critique
49.2 (2008): 183–201.
Sprengler, Christine.
Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film
. New York: Berghahn, 2011.
I
NDEX
101 Dalmatians
(1961),
86
13 Rue Madeleine
(1947),
82
20,000 Leagues under the Sea
(1954),
10
,
26
,
52
,
108
Abie’s Irish Rose
(1946),
68
Academy Awards (Oscars),
82
,
89
,
93
,
95
,
96
,
97
,
182
,
189
,
197
affect,
4
,
39
,
58
,
59
,
62
,
119
,
162
,
164
,
166
,
172
,
173
,
175
,
176
,
179
,
182
,
205
,
209
,
210
,
212
,
215
,
217
,
220
,
221
,
222
,
223
,
225
,
226
,
228
,
229
,
232
African Queen, The
(1951),
229
Age of Anxiety: McCarthyism to Terrorism
,
144
Aladdin
(1992),
161
Alice in Wonderland
(1951),
120
,
183
Alice’s Wonderland
(1923),
192
Amblin Entertainment,
191