Authors: Malcolm Bradbury
Things, I thought, might look a little clearer when I got to the years of Criminale’s rising fame. Unfortunately, you couldn’t say they did. Criminale was now elected to various
academies; he ran a great many congresses, in various fields ranging from world peace to experimental film; he joined the committee of various international writers’ associations linked with
‘progressive’ views. He became a regular traveller, came to know Sartre and Simone de Beauvoir, met Castro and Madame Mao. Various international prizes came his way – for
philosophy, economics, fiction. From time to time, in several different countries, he was offered political posts and even, once, ministerial office; he always refused. Apparently he preferred to
concentrate on his articles and books, some of which were refused publication here, but managed to appear there. Codicil’s book, which predated by four years the coming down of the Berlin
Wall, still talked about some of his books being held in reserve for ‘better times’. Attacked for his progressive attitudes in the West, he had also fallen foul of various bitter
disputes in the Marxist citadel; yet all the while his reputation grew. His lectures drew large crowds, and foreign universities began to summon him. He spoke at Bologna, lectured at Yale,
attracted large audiences in Brazil, received an honorary degree in Tokyo. He commented freely on political regimes. He also advised Walter Ulbricht on human rights and Nicolae Ceauses¸cu on
architecture – two items in his dossier that must have embarrassed him considerably.
So came the years of international fame, when he, and his books, appeared everywhere. His sales were said to rival Lenin’s in Russia, Confucius’s in China, Jacqueline Susann’s
in the United States. When by the end of the Seventies ideological hostilities began to soften, and the certainties of the left began to fade, Criminale grew not less but more influential. Now he
was going everywhere, meeting everyone. When the world, or just some particular philosophical congress, needed someone who stood in advance of Marxism, or bridged Materialism, Subjectivity and
Deconstruction, they went, it seems, for Bazlo Criminale. He travelled as if frontiers were abolished; his books crossed the East–West divide as if it had never been there. He became a master
of the conference lapel badge, a virtuoso of the plenary address. He consulted for the great international institutions: Comecon and UNESCO, the Stalin Peace Prize and the Nobel Peace Prize, the
World Bank and the European Community. He became friend to presidents. He took vacations with Gorbachev, went to the opera with Mitterrand, played golf with Reagan, drank beer with Helmut Kohl,
scoffed tea and scones with Margaret Thatcher. When he lectured at Stanford in California, three thousand people turned out to hear him conduct an obscure discussion of Mandelbrot’s Fractals.
Honorary degrees and other state honours came his way; he also became fame itself at its most serious level. One week he was photographed with Shevardnadze at the Bolshoi, the next with Madonna at
the Brown Derby, the next in an argonaut’s cap on the steam yacht of some Italian socialite, arm carelessly tossed round some topless nymph or other, Aegean in the background.
So he had become the philosopher of the Nineties, the charismatic metaphysician of the age of the laptop and Chaos Theory, the philosopher who survived after the end of the old thinking.
Finally, one evening, I put down Codicil’s difficult book, and reflected on what I’d more or less read. The more I thought about Bazlo Criminale, I realized, the more obscure and
mysterious he now seemed. Upstairs Ros sat in the bath watching old videotapes. I climbed the stairs and went and spoke to her. ‘How can anyone please everyone all the time?’ I asked.
‘Get in, sonny, I’ll show you,’ said Ros. ‘I’m talking about Criminale,’ I said, ‘The man who is always praised for his devastating sense of order, his
powers of logic. But I can’t say his life makes all that much sense to me.’ ‘Just forget Criminale for half an hour,’ said Ros, ‘Climb in, there’s plenty of
room.’ ‘How can I forget Criminale?’ I asked, sitting down on the lavatory seat, ‘I’ve been living with this man for what seems like years.’ ‘A few
days,’ said Ros. ‘And the more I think about him, the more I find out about him, the more he turns into a mystery.’ ‘What’s so mysterious?’ asked Ros,
‘He’s just a famous world intellectual and a hot-shot thinker of the Age of Glasnost.’
‘Fine, but what about the times before glasnost?’ I said, ‘This is a man who comes out of the old Marxist world, where they didn’t mess about, believe me. There was right
thinking and there was wrong thinking. If you started on the wrong kind they took your head off to make sure they stopped it.’ ‘It must have been more complicated than that,’ said
Ros, ‘They always had hardliners and dissidents.’ ‘All right, which of them was Criminale?’ I asked, ‘This is a man who’s friends with Brezhnev and mates with
Honecker. At the same time he’s hanging around with Kissinger and giving big lectures in the West.’ ‘I expect he was useful to both sides,’ said Ros. ‘Okay,
how?’ I asked, ‘Was he an international emissary, a spy, what?’ ‘You’re overloading it, Francis,’ said Ros, ‘He was a famous philosopher who was above all
those things. Like Jean-Paul Sartre. He went everywhere.’ ‘This is a man who likes high living,’ I said, ‘He stays at some of the best hotels in the West. The
Badrutt’s Palace in Saint Moritz, for instance. Where they charge you a monkey for just letting you turn the revolving doors.’
‘Well, wouldn’t you, if you could?’ asked Ros. ‘Of course,’ I said, ‘The point is I couldn’t. This is a man from a poor world who lives like a prince.
It’s almost as if some great international foundation had been set up especially for him.’ ‘Lecture fees, royalties from his books,’ said Ros. ‘All right, let’s
take his books,’ I said, ‘Half of them were banned in Russia, but they still managed to appear all over the place.’ ‘He had to publish them abroad,’ said Ros.
‘But if they didn’t like them, why didn’t they freeze his bank accounts, take away his citizenship, put him in jail?’ ‘Maybe he was too famous abroad,’ said Ros.
‘You can always stop someone becoming famous abroad,’ I said, ‘Forbid him to travel, for one thing. They never did that.’ ‘Maybe he had friends in high places,’
said Ros, ‘Maybe they liked him to have a high reputation abroad but were careful of what he said back home. The Cold War was filled with these funny games. Or maybe they did forbid him to
travel, put him in prison, and you just haven’t found out about it.’
‘All right, but it doesn’t say so in Codicil,’ I said. ‘Why should Codicil know all that much about it?’ asked Ros, ‘He’s just some Austrian prof.
Anyway, you may not have read it right. You know your German’s hopeless.’ ‘It was, it’s been getting better by the minute,’ I said, ‘I still think the whole
thing is pretty damn strange.’ ‘It’s just the same as Brecht and Mann and Lukacs,’ said Ros, ‘All those great figures who tried to be on both sides of the fence. They
were survivors, Francis. They learned how to play the political game and still stay serious. Maybe that’s what a modern master really is. Someone who learns to swim with the flow, turn with
the tide. But still bends history to his own advantage, so he can still do something. I want to do something. Let’s go to bed.’ ‘I’m sorry, Ros,’ I said, ‘I
still haven’t done the treatment. And Lavinia needs it tomorrow. I’m going to have to work all night.’ ‘I want you in bed,’ said Ros. ‘I’m sorry, Ros,
really,’ I said, ‘But for a man’s whole life, what’s one night?’ ‘You bastard,’ said Ros.
And so, right through the night, full to the brim and more with Bazlo Criminale, I tried to put his life into some sort of shape, his story into some sort of order. From time to time Ros thumped
angrily on the floor of the room above, but I bravely resisted all sexual temptation. Everything Lavinia had asked for I tried to provide: the life, the loves, the friends, the enemies, the peaks,
the troughs, the history, the settings, the fleshy human being from whom the thought emerged. I plotted and planned it, topped and tailed it, edited and word-processed it, bound and ribboned it.
And whatever I explored, wherever I looked, Criminale seemed more obscure and enigmatic than ever. So, the job done at last, I labelled it on the cover ‘The Mystery of Doctor
Criminale’, and handed it to Ros when she descended to breakfast in the morning, in a very testy mood.
‘You didn’t come to bed at all,’ she said. ‘No, but I finished it,’ I said. ‘This is it?’ she said, glancing it over, ‘It’s a very full
treatment.’ ‘It’s a very full life,’ I said. ‘More than thirty pages,’ said Ros, not reading but simply turning over the sheets, ‘Lavinia said no more than
ten.’ ‘You try getting a remarkable man like Criminale down to ten,’ I said, ‘Aren’t you going to read it?’ ‘Haven’t time,’ said Ros, ‘I
just hope you made it all perfectly understandable. Arts commissioning editors don’t know about ideas, only noise and pictures. All they do is listen to pop groups and go to art openings all
the time.’ ‘I’ve cut down on most of the ideas,’ I said, ‘It’s nearly all about his mysterious life.’ ‘Does he have a mysterious life?’ asked
Ros. ‘Yes, I told you last night,’ I said, ‘A life of contradictions, blanks, and deceptions.’ ‘Okay, Francis, I don’t have time to argue,’ said Ros,
‘Just call me a taxi and I’ll take it to the bitch. Oh, and since you haven’t anything to do today, could you chop the courgettes for when I get back?’
The courgettes were as dry as macadamia nuts, the armadillo was gasping, by the time Ros got back three days later, two bottles of Frascati in her hands and an erotic grin on her face.
‘Brilliant,’ she said. ‘What? We did it?’ I asked. ‘You did it, I did it, mostly Lavinia did it,’ said Ros, ‘She went to the commissioning editor at
Eldorado and came back with a two-hour arts feature special.’ ‘Two hours?’ I said, ‘I thought it was only one.’ ‘Yes, but they fell in love with it,
Francis,’ said Ros. ‘What, with my treatment?’ I asked. ‘I don’t know about the treatment,’ said Ros, ‘I’m not sure they exactly read the treatment.
It’s far too long. No, the title. The Mystery of Doctor Criminale, that really pulled them in.’ ‘Oh, that’s terrific,’ I said.
‘Anyway,’ said Ros, ‘They’ve given us twice the development money, they’ve hooked in PBS in the USA, and they think the Europeans are interested. I told them
Criminale was a European, he is, isn’t he?’ ‘Oh, definitely,’ I said, ‘As European as they come. So it’s good after all?’ ‘Brilliant,’ said
Ros, ‘And when I say brilliant, I really mean brilliant. We’ll get a major slot, major budget, major production values. So come on, let’s celebrate. Up the stairs, Francis.’
‘Surely we can drink Frascati down here,’ I said. ‘I have better things to do with Frascati than just drink it,’ said Ros, ‘Oh, and Lavinia thinks you’re
brilliant too.’ No sooner were we standing there naked in the shower, pouring Frascati all over each other for some reason, when the porta-phone rang. ‘It’s her, I know it,’
said Ros, popping out of the shower to get it, ‘That bloody bitch Lavinia. Darling!’ Ros talked a moment and then put down the phone. ‘Bitch, she wants to celebrate too.
She’s coming round right away.’ ‘Oh, not Lavinia too,’ I said. ‘No, let’s be quick, honey,’ said Ros, ‘You can have too much of Lavinia at
times.’
Well, there’s no doubt about it – television arts documentary is a fast and furious world. No sooner were we dry and dressed again than the doorbell rang and there was Lavinia on the
step, a code-locked briefcase in her hand and a gratified grin on her wide face. ‘Not celebrating?’ she asked. ‘No, Lav, we just finished,’ said Ros, ‘But we can give
you a drink instead.’ ‘It’s Francis I’ve come for,’ said Lavinia, ‘Francis, listen, I’ve put out a contract on your life, okay?’ ‘What do you
mean?’ I asked. ‘This is it,’ she said, taking a long and legal-seeming document from her bag, headed with the distinctive, indeed weird, logo of Nada Productions, ‘Just
sign at the bottom, please.’ ‘What’s this?’ I asked. ‘Just a sort of paper thing that assigns us the rights in your glorious treatment, darling,’ said Lavinia,
‘I just wanted to do the right thing and regularize your position. You do like a regular position, don’t you?’
‘I don’t know, I haven’t been in one for ages,’ I said, ‘I’d better talk to my agent.’ ‘Does he have an agent?’ Lavinia asked Ros,
‘Isn’t he too young?’ ‘No, he doesn’t,’ said Ros, ‘I’ll be your agent, Francis. Sign it.’ ‘Shouldn’t I get a lawyer to check it
out?’ I asked. ‘Listen to him,’ said Lavinia, scratching her way into a bottle of wine, ‘This is a cracked-up out-of-work journo who lives off women and he’s just been
offered the best TV deal in town.’ ‘Have I really?’ I asked. ‘Take a look, darling,’ said Lavinia, ‘You see? Researcher credit. Writer credit. Presenter credit.
Three credits on one programme.’ ‘And the money?’ I asked. ‘That’s credit too,’ said Lavinia, ‘If we ever make this thing, and remember, TV is a very
tricky world, you’ll get yours, dearie. Especially after Ros and I have got ours. Sign it, Francis.’ I looked at Ros. ‘Sign it,’ she said, ‘Everyone signs for
Lavinia.’ I looked at Lavinia, bigger and bolder and rounder than ever. I signed it.
‘That’s terrific,’ said Lavinia, shoving the contract into her briefcase and then taking from it a plastic wallet, ‘Now you need this.’ ‘What is it?’ I
asked. ‘It’s an air ticket, darling,’ said Lavinia, ‘Austrian Airlines, economy class, check in seven o’clock tomorrow morning, Terminal Two, Heathrow, flight to
Vienna. No upgrades allowed, by the way.’ ‘Why are you giving me this, Lavinia?’ I asked. ‘Just sit down here with me, darling, and I’ll explain,’ said Lavinia,
‘It may be a great treatment, God knows, I haven’t had time to read all of it, it’s very long.’ ‘Thirty pages,’ I said. ‘But it’s all questions and
no answers,’ said Lavinia, ‘Now we actually have to make this programme. Our work isn’t done. The writing time’s over, recce time starts. You see?’ ‘I
don’t see why I’m going to Vienna,’ I said. ‘Because, honey, you’ve only got one lead, haven’t you?’ asked Lavinia, ‘This man Otto Codicil. You have
to go and talk to him. Nestle in his bosom like a viper. And get him to tell you all the mysterious secrets of our enigmatic Doctor Criminale.’
‘How do we know there are any secrets?’ I asked. ‘Because it says so in your treatment, darling,’ said Lavinia, ‘That’s why they bought it. The Mystery of
Doctor Criminale.’ ‘I only meant he seemed a bit of a mystery to me,’ I said. ‘Let me quote one bit, darling, if I can find it,’ said Lavinia, putting on glasses and
opening my document, ‘It struck me forcibly. “Criminale has evidently led a life of contradictions and obscurities, of blanks and deceptions, of fragments and evasions, slippages
and,” what’s this word here, darling?’ ‘Aporias,’ I said. ‘What’s that?’ asked Lavinia, ‘Is he sick or something?’ ‘No, what it
means is that there are gaps,’ I said, ‘To me, the reader, his presence is obscure, his sign is occluded. He’s hard to read and interpret.’ Lavinia stared at me. ‘What
do you mean, hard to read?’ she asked. ‘I mean, he’s an incomplete text, difficult to deconstruct, yet for that reason requiring to be deconstructed,’ I said.