DR08 - Burning Angel (28 page)

”His mother didn't come home. I'm taking him to the shelter. Now, y'all get the fuck out of here.“

I squatted down on my haunches and looked into the little boy's face.

His upper lip was beaded with sweat.

”Where do you live, podna?“ I asked.

”In the trailer, up yonder on the road.“

”What's your mama's name?“

”Gloria Dumaine. They call her “Glo' where she work.”

“Does she work at the juke?” I said.

“Yes, suh. That's where she gone last night. She ain't been back.”

I stood erect and put my fingers lightly on Rufus's arm, turned him toward the trees. I saw the skin stretch tight at the corners of his eyes.

“Walk over here with me,” I said.

“What .. .”

“I know his mother,” I said. “She knew something about the decapitated floater we pulled out of the slough in Vermilion Parish. I think she was in the car with Sweet Pea.”

He removed his sunglasses, his eyes looking from the burned Caddy to the little boy. His mouth was a tight seam, hooked downward at the corners, his expression wary, as though a trap were being set for him.

“Take the little boy to the shelter. I'll call the sheriff and tell him what I told you,” I said.

“I'll handle it from here,” he said.

I walked over to Clete's convertible and got inside.

“Let's hit it,” I said.

As we drove across the field toward the gravel road, I looked back toward the oak grove. Rufus was squatting on his haunches, smoking a cigarette, staring at the scorched hulk in the trees, a man whose keen vision could snap the twine off Gordian knots. The little boy stood unnoticed and unattended in the sunlight, like a black peg tamped into the weeds, one hand trying to hide the wetness in his jeans.

They had killed Sweet Pea and Gloria. Who was next? I didn't want to think about it.

I drove to the office on Main with Clete, then walked down to Moleen Bertrand's law offices across from the Shadows. His secretary told me he had gone home for lunch. I drove across the drawbridge, past the old gray stone convent, which was now closed and awaiting the wrecking ball, and followed the winding drive through City Park to Moleen's deep, oak-shaded lawn and rambling white house on Bayou Teche.

Julia was spading weeds out of a rose bed by the driveway, a conical straw hat on her head. She looked up and smiled at me as I drove by.

Her shoulders were tan and covered with freckles and the skin above her halter looked dry and coarse in the sunlight. Behind her, balanced in the St. Augustine grass, was a tall highball glass wrapped with a napkin and rubber band.

2) O

Moleen was eating a tuna fish sandwich on a paper plate inside the Plexiglas-enclosed back porch. He looked rested, composed, his eyes clear, almost serene. Outside, blue hydrangeas bloomed as big as cantaloupes against the glass. “I'm sorry to bother you at home,” I said. “It's no bother. Sit down. What can I do for you? You want something to eat?”

“You're looking good.”

“I'm glad you approve.”

“I'm not here to give you a bad time, Moleen.”

“Thank you.”

“Did you hear about a guy named Sweet Pea Chaisson getting whacked out by Cade?”

“I'm afraid not.”

“A black woman died with him.” He nodded, the sandwich in his mouth. His eyes were flat. Against the far wall was a mahogany-and-glass case full of shotguns and bolt-action rifles. “Call it off,” I said. “What?”

“I think you have influence with certain people.”

“I have influence over no one, my friend.”

“Where's Ruthie Jean?”

“You're abusing my hospitality, sir.”

“Give it up, Moleen.

Change your life. Get away from these guys while there's time.” His eyes dropped to his plate; the ball of one finger worked at the corner of his mouth. When he looked at me again, I could see a nakedness in his face, a thought translating into words, a swelling in the voice box, the lips parting as though he were about to step across a line and clasp someone's extended hand. Then it disappeared. “Thanks for dropping by,” he said. “Yeah, you bet, Moleen. I don't think you picked up on my purpose, though.”

“I didn't?” he said, wiping his chin with a linen napkin, his white shirt as crinkly and fresh as if he had just put it on.

“I have a feeling me and Clete Purcel might be on somebody's list.

Don't let me be right.”

He looked at something outside, a butterfly hovering in a warm air current against the glass.

“Read Faust, Moleen. Pride's a pile of shit,” I said.

“I was never theologically inclined.”

“See you,” I said, and walked out into the humidity and the acrid reek of the chemical fertilizer Julia was feverishly working into her rosebushes.

But my conversation with him was not over. Two hours later he called me at the bait shop.

“I don't want to see you or your friend harmed. That's God's honest truth,” he said.

“Then tell me what you're into.”

“Dave, take the scales off your eyes. We don't serve flags or nations anymore. It's all business today. The ethos of Robert E. Lee is as dead as the world we grew up in.”

“Speak for yourself.”

He slammed the receiver down.

It was hot and dry that night, and through the bedroom I could see veins of heat lightning crawl and flicker through the clouds high above the swamp. Bootsie woke and turned toward me. The window fan made revolving shadows on her face and shoulders.

“Can't you sleep?” she said.

“I'm sorry, I didn't mean to wake you.”

“Are you worried about our finances?”

“Not really. We're doing okay.”

She placed one arm across my side.

“The department did you wrong, Dave. Accept it and let it go. We don't need them. What do you call that in AA?”

“Working the Third Step. But that's not it, Boots. I think Johnny

Giacano or these military guys are starting to take people off the board.”

“They'd better not try it around here,” she said. I looked into her face. It was calm, without anger or any display of self-manufactured feeling. Then she said, “If one of those sons of-bitches tries to harm anyone in this family, he's going to think the wrath of God walked into his life.” I started to smile, then looked at the expression in her eyes and thought better of it. “I believe you, kiddo,” I said. “Kiddo, yourself,” she answered. She tilted her head slightly on the pillow and moved her fingers on my hip. I kissed her mouth, then her eyes and hair and ran my hands down her back. Bootsie never did anything in half measures. She closed the door that gave onto the hallway-in case Alafair got up from bed and went into the kitchen for a drink of water-then pulled off her nightgown and stepped out of her panties in front of the window. She had the smoothest complexion of any woman I'd ever known, and in the spinning shadows of the window fan's blades the curves and surfaces of her body looked like those of a perfectly formed statue coming to life against a shattering of primordial light. I moved on top of her and she hooked her legs inside mine and pressed her palms into the small of my back, buried her mouth in my neck, ran her fingers up my spine into my hair, rolled her rump in a slow circle as her breath grew louder in my ear and her words became a single, heart-twisting syllable: “Dave .. . Dave .. . Dave …

oh Dave …” It started to rain outside, unexpectedly, the water sluicing hard off the roof, splaying in front of the window fan. The wind-stiffened branches of the oak tree seemed to drip with a wet light, and I felt Bootsie lock her arms around my rib cage and draw me deeper inside her, into coral caves beneath the sea where there was neither thought nor fear, only an encompassing undulating current that rose and fell as warmly as her breast.

I had wired my house with a burglar alarm system that I couldn't afford and had taught my thirteen-year-old daughter how to use a weapon that could turn an intruder into potted meat product.

I also had dragged “my insomnia and worry into the nocturnal world of my wife.

Who was becoming the prisoner of fear? Or, better put, who was allowing himself to become a spectator while others wrote his script?

Early Saturday morning Clete took one of my outboards down the bayou, with his spinning rod and a carton of red wigglers, and came back with a stringer of bream and sun perch that he lifted out of his cooler like a heavy, gold-green ice-slick chain. He knelt on the planks in the lee of the bait shop and began cleaning them in a pan of bloody water, neatly half-mooning the heads off at the gills.

”You should have gone out with me,“ he said.

”That's like inviting the postman for a long walk on his day off,“ I said.

He put an unlit cigarette in his mouth and smiled. The fish blood on his fingers made tiny prints on the cigarette paper.

”You look sharp, big mon. How about I take y'all to Possum's for lunch?“ he said.

”Not today .. . I'm going to New Orleans in a few minutes. I told Bootsie you might hang around a little bit.“

He got to his feet and washed his hands under a faucet by the rail.

”What are you up to, Streak?“

”I'm tired of living in a bull's-eye.“

”Who's going to cover your back, mon?“ he said, drying his hands on a rag.

”Thanks for watching the house,“ I said, and walked back up the dock to my truck. When I looked in the rearview mirror, he was leaning against the dock rail, his face shadowed by his hat, one hand propped on his hip. The wind was hot blowing across the swamp

2)4

and smelled of beached gars and humus drying in the sunlight. Just as I started my truck, the shadows of large birds streaked across the surface of the bayou. I looked into the sky and saw a circle of buzzards descending out of their pattern into the cypress, their wings clattering for balance just before they lighted on their prey. There are a lot of ways to see New Orleans. At the right time of day the Quarter is wonderful. A streetcar ride up St. Charles Avenue through the Garden District, past Audubon Park and Tulane, is wonderful anytime. Or you can try it another way, which I don't recommend. Those who feed at the bottom of the food chain-the hookers, pimps, credit card double-billers, Murphy artists, stalls and street dips-usually work out of bars and strip joints and do a relatively minor amount of damage. They're given to the classical hustle and con and purloined purse rather than to physical injury. One rung up are the street dealers. Not all of them, but most, are black, young, dumb, and carry a Jones themselves. The rock they deal in the projects almost guarantees drug-induced psychosis; anything else they sell has been stepped on so many times you might as well try to get high huffing baby laxative or fixing with powdered milk. In another category are people who simply deal in criminal finance. They're usually white, older, have few arrests and own legitimate businesses of some kind. They fence stolen property, operate chop shops, and wash stolen and counterfeit money, which sells for ten to twenty cents on the dollar, depending on its origins or quality. Then there is the edge of the Quarter, where, if you're drunk or truly unlucky, you can wander out of a controlled and cosmetic libertine environment into a piece of moral moonscape-Louis Armstrong Park or the St. Louis cemeteries will do just fine-where kids will shoot a woman through the face at point-blank range for amounts of money you could pry out of a parking meter with a screwdriver. The murders receive national attention when the victim is a foreign tourist. Otherwise, they go on with unremarkable regularity, to the point that Louisiana now has the highest murder rate per capita in the United States.

Those at the top of the chain-dealers who form the liaison between Colombia and the wetlands, casino operators who front points for a Mafia-owned amusement company in Chicago-seldom do time or even have their names publicly connected with the forces they serve. They own newspaper people and literally employ the governor's children. Floating casino owners with state legislators on a pad work their shuck on morning television shows like good-natured Rotarians; Mafiosi who some think conspired to kill John Kennedy tend their roses and dine unnoticed in downtown restaurants.

It's not exaggeration.

I took the tour, thinking I could find information in the streets of New Orleans that had eluded me at home, and came up empty. But what should I have expected? Back alley hypes, graduates of City Prison, and prostitutes with AIDS (one of whom, with a haunted look in her eyes, asked me if the stories were true about this place called Lourdes) were people whose idea of a successful scam was to drill holes in their electric meters and pour honey inside so ants would foul and retard the mechanism or, more indicatively of the fear that defined their lives, wondered daily if the Mexican tar and water they watched bubbling in a heated spoon was not indeed the keyhole to the abyss where all the hungry gargoyles and grinding sounds of their childhoods awaited them.

It rained at dusk and I sat under the pavilion at the Cafe du Monde and ate a plate of beignets with powdered sugar and drank coffee au lait. I was tired and wet and there was a hum, a pinging sound in my head, the way your eardrums feel when you've stayed under water too long at a depth beyond your tolerance. St. Louis Cathedral and the park in Jackson Square were gray in the rain, and a cold mist was blowing under the eaves of the pavilion. A young college couple with a portable stereo crossed against the light and ran breathlessly out of the rain into the cafe and sat at a table next

to me. They ordered, and the boy peeled the cellophane off a musical tape and stuck it in his machine. Anybody who grew up in south Louisiana during the fifties would remember those songs: ”Big Blue Diamond,“

”Shirley Jean,“

”Lawdy Miss Clawdy,“

”I Need Somebody Bad Tonight,“

”Mathilda,“

”Betty and Dupree,“ and ”I Got the Rockin'

Pneumonia and the Boogie Woogie, Too.“ I hadn't realized I was staring. ”You like those songs?“ the boy said. ”Sure, you bet,“ I said. ”They're hard to beat.“

”We bought them over on the corner. It's great stuff,“ he said. ”I saw those guys. Cookie and the Cupcakes, Lloyd Price, Warren Storm. They used to play around here.“