Read Dzur Online

Authors: Steven Brust

Tags: #Fantasy - General, #Horror, #Fiction - Fantasy, #Fiction, #Fantasy, #General, #Science Fiction & Fantasy, #Historical, #Science Fiction And Fantasy, #Epic, #Fantasy fiction, #Horror - General, #Science fiction, #Fantasy - Epic, #Taltos; Vlad (Fictitious character), #Fiction - Horror

Dzur (8 page)

"No, at some point she changed back. I didn't notice either change. The sheath changed as well."

"The sheath changed?"

"Yes, to fit the new shape of the weapon."

"Where did you get the sheath?"

"The Jenoine gave me the knife in the sheath." She considered. "The most obvious explanation . . . would you mind removing your amulet for a moment?"

"Uh, sure." I did so. "What are you doing?" What she was doing was making small, subtle gestures in my direction. Then she shook her head.

"No," she said. "So far as I can tell, you've had no illusion cast on you."

"Well, that's good." I replaced the amulet.

"I don't know what to tell you, Vlad."

"Okay."

"Well, I can tell you one thing, as a piece of advice."

"Oh?"

"Keep that amulet on."

"Uh, I do."

"During those few seconds you just had it off, someone at-tempted a sighting."

"Oh, good. Did it succeed?"

"I can't be sure, but I think so."

"Great. So they know where I am.

"They'll not find it easy to get to you while you're here, you know."

"That's something, anyway."

"But-"

"Yes?"

"Vlad, consider what it means that, just in those few seconds, they found you. They are very, very determined."

"Yeah. Well, that just brightens the hell out of my life." She let a smile flick over her lips, probably for form's sake. "What could you tell about the sighting?"

"It was sorcerous." She shrugged. "Fairly straight-forward."

"Dzur Mountain has no protections against that sort of thing?"

"I've never needed any."

"Uh. I suppose not."

"I've never seen you do that before, Vlad."

"What?"

"Chew on your thumb."

"Oh. I must have picked up the habit from my friend Kiera. She does that when she's thinking."

"Ah," said Sethra. "I see."

That was utterly untrue, and Sethra knew it, but she couldn't admit she knew it.

"You're a real bastard, Boss."

"Uh huh."

"Speaking of the amulet ..."

"Yes?"

"How strong is it?"

"What do you mean?"

"How much protection does it give me? I mean, could you blast through it, with sheer strength?"

She frowned. "I'm not sure. Shall I try?"

"Uh, no thanks."

"All right."

I cleared my throat. "We were discussing Lady Teldra."

"We were?"

"I was. Or, rather, Great Weapons in general. It's slowly dawning on me that I have one."

"Yes, you do indeed."

"Ummm . . . what can they do?"

She frowned. "They are different, of course."

"Yes, but they have certain things in common." She nodded. "They can all kill Jenoine. Also, gods."

"Right. Well, killing gods and Jenoine is not a big priority in my life. What else?"

"They will act to preserve your soul, and possibly your life."

"Possibly?"

"Possibly. But, in your position, with what the Jhereg wants to do to you, a weapon that will preserve your soul should be of some comfort."

"True enough. You said àct to preserve.' There's an implication there it will try."

"Yes."

"How reliable is that? I mean, can I count on it?"

"Well, if you know it's coming, and the weapon has time to prepare, it's more likely. You remember the incident with Aliera in Castle Black."

"It would be hard to forget."

"But don't bet your life on it. I know of at least three times when the wielder of a Great Weapon had his soul taken by a Morganti weapon."

"All right."

"Also . . . I'm not certain exactly how to say this." She chewed on her lower lip. I keep forgetting how sharp her teeth are. "Also, by possessing a Great Weapon, you have a connection, if you will, to something that goes beyond this world. Does that make any sense?"

"I'm not sure. You mean, another world in the sense that the Necromancer means it?"

"Do you understand how the Necromancer means it?"

"Well, no."

"I mean something that you might term `fate.' "

"I hate that word," I said.

"I'll try to find another, if you like. It refers-"

"I hate the whole concept behind it, so another word won't help. It implies that I'm not free to do as I wish."

"It isn't that simple," said Sethra.

"Nothing ever is." I sighed. "I really just want to know what I can expect from Lady Teldra. What she might do, what I can try with her that I couldn't before, what chances it might be reason-able to take with her that I wouldn't have taken before."

"Oh? Are there chances you wouldn't have taken before?"

"Funny, Sethra."

She shrugged. "As for your weapon, well, there are stories and legends, but I don't actually know anything."

"Leaving me pretty much where I was before."

"I'm afraid so. Although-"

"Yes?"

"I've never heard anything that would account for the strange behavior you referred to."

"Wonderful. Well, would you care to let me in on the stories and legends?"

"Are you sure you want to know? The things I've heard all have to do with destiny."

"Wonderful. Yeah, I guess I'd like to know anyway."

"Very well. The weapon is supposed to destroy Verra." I nodded. What with one thing and another, that didn't surprise me.

"Hmmm. Sethra, could the Jenoine know about that?"

"Certainly, Vlad."

"Okay, that would explain a couple of things. Anyway, what else?"

"There is also something I heard years ago, all wrapped in metaphor, that implies Godslayer is designed to, uh, cut out the diseased flesh in the world."

"Okay, well, that's clear enough. Any idea what it means?"

"Not really."

I sighed. "Okay, mind if I change the subject?"

"Go ahead."

"Do you know anything about the Left Hand of the Jhereg?"

"I thought you wanted to change the subject."

"Eh?"

"Never mind; it was a joke." She considered. "I've had a few encounters with the Left Hand over the years."

"What can you tell me?"

"They're very secretive, as you probably know."

"Yes."

"They do have magic no one else has. I know that the Athyra in particular are always attempting to insinuate someone into their organization, just to discover how some of their spells operate."

"Attempting?"

"They haven't had much success, so far."

"So far is a long time, Sethra."

"Well, yes. From what I've picked up, those in the Jheregthat is, the Left Hand-rarely even tell each other how to per-form some of the more obscure and difficult magics."

"I think I might have seen one of those."

"Oh?"

"You know how much I know of sorcery, so I could be wrong, but the one who attacked me, when she appeared, well, it didn't look like any teleport I've seen before."

"Interesting. What was different about it?"

I described what I'd seen, and what I hadn't seen, as best I could. Sethra looked thoughtful.

"I don't know what that could be. I wish I did."

"If you ask nicely, maybe she'll teach you."

"I'll keep that in mind. Would you like to sleep here tonight?"

"Please, and thank you. And, yeah, I'm pretty tired. It's been quite a day."

She nodded. "Tukko will show you to your room." Tukko appeared and led me to a room where once I had awoken after death; he left a candle burning and shut the door. I laid myself down in a very soft bed-the kind that wraps you up like a blanket. Not my favorite sort of bed, but I appreciated the feeling just then.

The only decoration in the room was a painting, which showed a battle between a jhereg and a dzur, in which they both looked pretty banged up. I'd never seen a jhereg like that in real life; it was smaller than the giant ones that hover near Deathgate Falls, but much larger than any of those that scavenge in the jungles and forests and even sometimes in Adrilankha. Maybe the nameless artist had never seen a real one. I couldn't say about the dzur, I'd never seen one close up. Nor was I in any special hurry to; they were larger than the tiassa, black, wingless, and, by all reports, very fast. And they had claws and teeth and were reputed to fear nothing.

Things that fear nothing scare me.

When I'd studied the painting before, I had been pulling for the jhereg to win. Now I wasn't sure. Now maybe I was for the dzur. I blew out the candle, and let a good night's sleep clear my mind the way a good shamy will clear the tongue.

4

MUSHROOM-BARLEY SOUP

There were several different soups that could have appeared at this point, of which I passionately enjoyed all except the beet soup. Today was one of my favorites; I smelled the mushroom-barley before Mihi arrived with it. The bowls were wide, white, and there was wonderful steam coming out of them.

Valabar's mushroom-barley soup is something I can almost build. At least, I can come closer to achieving the right effect than I can with most of their menu.

First, I quarter a whole chicken. Then I throw the carcass into a pot with onion, garlic, celery, salt, pepper, and a bit of saffron. I clean the stock and dust it with powdered saffron. I cook the barley in the same pot (which took me a bit to figure out) , and throw in some chopped garlic and shallots that I've sauteed in rendered goose fat until they're clear, and wood mushrooms, nefetha mushrooms, or long mushrooms, whatever looked good at the market that day. Then I just cook it until it reduces. That's almost like Valabar's. I've never quite identified the difference. I mean, I've found some of it. I tried sea-salt instead of mined salt, and got closer. Then I used white pepper instead of black pepper, and that helped too. I had to play with the amount of saffron, and I think I finally got it about right. But there's still something that isn't quite the same. It might be how they saute the onions: a subtle difference in time there can change a lot.

It was a bit of an annoyance, but not enough to prevent me from enjoying what was in front of me. That first taste just hits you, you know, and as the aroma fills your nose, the broth just the tiniest bit oily from the goose fat-rolls around on your tongue.

It's wonderful.

"This is really good," said Telnan. "How do they make it?"

"I have no idea," I said. "Glad you like it, though."

"So, you live around here?"

"I used to. Why?"

"Well, just because it seems like you know this place?'

"Ah. Yes, I've eaten here many, many times."

"Where do you live now?"

"Hmm. An interesting question. I own some land around Lake Szurke, but I don't live there. I live ... uh, nowhere, really."

"Nowhere?"

"I've been doing some traveling."

"Oh, I see. I've always wanted to do that?'

"Much joy may it bring you?'

"Thank you."

"You're welcome."

"Where is Lake Szurke?"

"East. Near the Forbidden Forest."

"I've heard of that place. Why is it called the Forbidden Forest?"

"I asked Sethra about that once. She said it used to be owned by a duke who was especially snotty about poachers."

Àren't they all?"

"I guess he was particularly determined about finding and prosecuting them."

He nodded.

"But then," I added, "Sethra might have been lying." The point of the soup, at this stage, is, I guess, like the final setup. You aren't in desperate need of food, because you've had the platter and the bread. And then you've prepared yourself for what is to come with the shamy. Now the soup appears, and as you linger over it, it just starts to dawn on you what sort of experience you have entered into. You are simultaneously anticipating more than ever what is to comenext, and are able to await it more patiently. The soup is warm, and it's, if I may, sensual, and it provides a certain amount of comfort.

And as it vanishes, spoonful by happy spoonful, you discover that you are in the perfect condition for whatever might come next. All is now ready. Vili brought us a bottle of wine, showed it to me, opened it, and poured us each a glass. We hadn't made more than a dent in the last bottle, but I learned long ago that it is a mistake to try to finish all the wine. Sometimes, a certain amount of waste is just a necessary part of maximizing one's pleasure.

While I slept, I had a confusing dream, in which Valabar's was all mixed up with the Left Hand, and parts of Six Corners appeared in the courtyard of Castle Black. Other than a general feeling that I was in danger, with no specific cause that I noticed, or at least that I remembered after waking, there wasn't anything to connect the dream to what I was involved with. And if the dream in-tended to let me know I was in danger, it was a wasted effort; I'd already figured that part out.

I woke up and blinked away the dream. The painting reminded me that I was at Dzur Mountain, and I gradually recalled what I had agreed to do. I thought about getting up, decided I'd rather he there and plan the day, realized I couldn't make plans without some klava in me, and grumbled to myself about the necessity of finding klava in someone else's house.

I am, you see, a lousy houseguest, mostly because I have a terror of being a lousy houseguest. I worry about whether I'm going to dirty a towel unnecessarily, or move someone's footstool, or empty someone's boiler, or use the last of the kerosene. I can't really relax. Once, I found myself traveling with a young Dragaeran, and when I returned him to his family they insisted I stay with them for a few days on the floor of their little cottage, and I hated the experience more than I've hated several attempts on my life, including one or two successful ones. This was Sethra, whom I called a friend, but I still dreaded the thought of getting up and rummaging through her kitchen for klava.

So I remained in bed for a bit, giving myself a few minutes to remember yesterday's meal, which put me in a better mood. Then I rose, dressed, and shuffled off through the corridors of Dzur Mountain, in search of the elusive Tukko, which was known to dwell near klava nests.

"You're really weird when you wake up, Boss."

Other books

Borstal Slags by Graham, Tom
Deep Water by Corris, Peter
The Divinity Student by Michael Cisco
What The Heart Wants by Gadziala, Jessica
Heligoland by George Drower
Mending Michael by J.P. Grider
Stand Into Danger by Alexander Kent
Waters of Versailles by Kelly Robson