“So it does,” said the boy.
Glawen looked at him sharply, but decided that the remark had been made innocently. “Very well,” said Glawen austerely. “You may go." In the end, so he told himself, it was impossible to defeat the kitchen; they served as they saw fit and the customer must consume whatever he found on his plate, regardless of his own suspicions or better judgment.
His attention was taken by the corning of a ramshackle vehicle along the avenue: a great box, painted in garish designs, forty feet long and fourteen feet high. It rode on six tall wheels, all affixed independently to the chassis, so that they tilted, wobbled and canted as the vehicle lurched along the avenue. It was guided by a fat round-faced man with a bushy black mustache and a wide-brimmed black hat, who sat on a bench on top of the vehicle from where he manipulated the controls. Behind him a low fence enclosed the top surface; within this area a half dozen urchins of indeterminate sex, wearing ragged gowns which sometimes exposed their bottoms, sometimes not. Other folk leaned through the windows, waving and saluting the onlookers. The fat man with the black mustache heaved at his controls; the vehicle careened to a halt; a side panel dropped aside and folded open to become a stage twelve feet wide running the length of the vehicle. Out upon the stage came a small man with a droll face, nose splayed, eyes drooping and melancholy, mouth sagging into dewlaps: the face of an unhappy pug dog. He wore a blue garment bedizened by a hundred tags and tassels, with a low narrow-brimmed hat. He came forward to the front of the stage, seated himself into empty air, but just in time a hand reached from within and thrust a stool under the descending fundament. He grimaced and leered at the folk watching from the cafe, reached an arm into the air apparently without purpose, but another arm from within placed a stringed instrument into his grasp. The clown struck a set of chords, plucked a fragment of a tune in an upper register, then sang a plaintive ballad which told the tribulations of a vagabonds life. As he played a coda, a pair of fat women rushed out on the stage, to jig and jump and tumble while the clown played a quick-step. He was joined at the other side of the stage by a younger man with a concertina the women redoubled their exertions, their great breasts bouncing, arms flailing. They kicked so high that they seemed to fall over backwards but instead turned amazing back somersaults which showed flashes of fat haunch and rocked the stage when they alighted. Finally they seized the sad-faced clown and hurled him out over the onlookers who screamed and ducked, but he had been attached by a wire to a long pole which took him, never missing a beat on his instrument, orbiting out and around in a great swing and safely back to the stage.
The fat ladles were replaced by three girls in full black skirts and golden-brown blouses who were joined by a burly youth masked and costumed as a demon of demented lust. He chased the girls about the stage in a frenzy of acrobatic exercises during which he attempted to disrobe the girls, and bear them to the ground. As the cavorting’s came to a climax, with two of the girls bare breasted and the demon tugging at their skirt of the third, Glawen felt the most minuscule stir. He looked quickly around and reached to seize the wrist of a girl eight or nine years old. Her hand was already in his pocket; her face was only a foot away from his own. He stared into her slate-gray eyes, and squeezed at her wrist. She released what she had fixed upon. Glawen saw that she was preparing to spit into his face. He released his grip and she walked away without haste, turning a single scornful glance over her shoulder.
On the stage a juggler was busy with a dozen rings. He was followed by an aged woman who blew on a heavy bass horn and played a plectrum with her bare feet, chording with one set of toes, striking with the other. She was presently joined by a raunchy clown as old as herself who played two bagpipes and a nose-flute simultaneously to produce music of three parts. The finale consisted of ten adults forming an orchestra while six small children danced jigs and circlets and rounds and finally ran out among the audience holding trays for offerings. The girl who approached Glawen was the same who had tried to pick his pocket. Without comment he dropped some coins into the tray; without comment she moved on. A moment later the vehicle rumbled away to play before another café at the far side of the Cansaspara Hotel.
Glawen looked up toward Pharisse, which had edged somewhat down the sky. He returned to the guidebook and read about the vagabond entertainers who roamed Nion in their lumbering vehicles. There were, so it was estimated, perhaps two hundred such vehicles, each with its own traditions and special repertory.
“They are almost like wild creatures, so strong are their nomadic instincts!”' declared the guidebook. “Nothing could persuade them to limit their freedom. Their status is low; other folk consider them mad and treat them with tolerant contempt, quite ignoring the fact that some of the performances display efforts of great creativity, not to mention a high degree of technical virtuosity.”
“For all the zest and vivacity of their performances, the vagabond life is far from a romantic idyll. After a long journey they arrive at a destination jubilant mood. Before long they become restless and fretful and once more strike out across the wilderness to a new destination. They are not a frivolous people but, rather, as if obeying the universal tradition, would seem to be ordinary melancholy. As children they learn to perform as soon as they can talk. Their adult lives are marred by petty jealousies and the pressure to excel; their old age is anything but tranquil. As soon as the old man or woman fails at his performance, or plays sour notes at his music, he loses the respect of his fellows and is graven only grudging and perfunctory recognition. Now, when he or she performs the audiences will still marvel at their amazing energy and abnormal agility as they drive themselves to amazing new levels of performance, until they totter and fall, or play an embarrassing luxuriance of sour notes. Then it is over and they become apathetic. During the next journey the vehicle stops briefly in the middle of the night, with the moons spilling across the dark sky. The oldster is thrust from the vehicle and given a bottle of wine. The vehicle departs, and the old buffoon is left alone. He will sit upon the ground; perhaps he will watch the moons slide past for a time, or perhaps he will sing the song he has prepared just for this occasion; then he drinks the bottle of wine and stretches out to sleep a sleep from which he will never awake, for the wine is drugged with a soft Gangril poison.”
Glawen pushed the book aside; he had learned as much as, or more than, he cared to know. He leaned back in the chair, glanced up at Pharisse and wondered whether he should order an item of pastry from the cart now being wheeled among the tables. To the other side of the cafe a young man, tall and of good physique, rose from the table at which he had been sitting, his back half-turned toward Glawen who watched him depart with no more than idle attention. By the time Glawen s interest was aroused the young man was walking away. Glawen still managed to see that he wore dark green trousers cut to a close fit, a cobalt blue cape, and a small loose-crowned brimless hat.
The figure disappeared up the avenue, his gait easy, confident, almost a swagger. Glawen tried to recall what he had glimpsed, and thought to recapture the image of a well-shaped head with a neat cap of thick dark hair a clear skin and classically regular features. Despite the lack of distortion or deviation, Glawen was half-convinced that he had seen the man before.
Glawen settled back into his chair. He consulted his watch; there was time for a nap before his rendezvous with Keebles. He rose, departed the cafe, and returned to the Novial Hotel.
A different clerk was on duty: an older man with sparse gingery hair and a prim beard. Glawen asked that he be called without fall at twenty-seven o'clock since he had an important engagement. The clerk gave a curt nod, made a note, then resumed his study of a fashion journal. Glawen went to his room, removed his outer garments, threw himself down upon the bed and soon fell asleep.
Tine passed. Glawen’s slumber was disturbed by a tingle of pain at the side of his hip. He turned on the light, and found that he had been stung by a black insect.
Outside the window the sky was dim with dusk. The time was twenty-eight o'clock. He jumped up, destroyed such insects as were conveniently to hand, splashed water into his face, dressed and left the room. As he strode through the lobby the clerk jumped to his feet and leaned forward over the counter. He caned out in aggrieved voice: ”Mr. Clattuc I was about to call you, but it seems that you have taken matters into your own hands.”
“Not quite,” said Glawen. “I was awakened by an insect. The room is infested. I will be out for a few hours; please make sure that the room is fumigated in my absence.”
The clerk resumed his seat. “The janitor evidently forgot to use insecticide when he cleaned your room. I will make sure that your complaint is received in the proper quarters.”
“That is not enough. You must deal with these insects now.”
The clerk said stiffly: “Unfortunately, the janitor has gone off duty. I can only assure you that the matter will be resolved to your complete satisfaction tomorrow.”
Glawen spoke in a careful voice: “When I return from my business, I shall look about the room. If I find any insects, I shall capture them and bring them here, and you will not enjoy what use I make of hem.”
“That is intemperate language, Mr. Clattuc.”
“I was not awakened by a temperate insect. Heed my warning!"
Glawen left the hotel. Pharisse had dropped from the sky and twilight had come to Tanjaree, working a wonderful transformation. Across the lake, Old Town, illuminated by the glow of soft white lights, seemed only half-real: a city of fairy-tale palaces. A dozen moons drifted across the sky, showing subtle variations of color: creamy-grey through white and silver-white, the palest of pinks and equally soft violet, each moon reflecting its image in the lake. Nion, according to the guidebook, was often known as ‘The World of the Nineteen Moons’. Each of the moons was named and every inhabitant of the planet knew these names as well as he knew his own.
Glawen turned into Crippet Alley, and was surprised to find that, by virtue of its illumination, the street now seemed charming and gay. Apparently every householder had been required to hang out a light globe to his own taste, resulting in a welter of colored globes set as if in celebration of a festival. Glawen knew that aesthetic impulse had been far from anyone’s mind: the lights were as they were because it was easier than a more uniform arrangement.
Many folk were still abroad, though not the previous crowds. Some were natives; others were tourists strolling at their leisure, pausing to look into the shop windows, or patronizing the little café. Glawen, an hour late for his appointment with Keebles, pressed along the street as rapidly as possible. He stopped short. A man wearing a blue cape had passed him by; Glawen glimpsed a pale preoccupied face, features set in a mask. Glawen turned and looked back, but the dark blue cloak was lost in the welter of lights and moving shapes. Glawen continued along Crippet Alley and presently arrived at the Argonaut Art Import and Export Company. There were lights on within the shop; as before, the door was unlocked, even though the posted closing hour was twenty-seven o'clock and the clerk was no longer on duty behind the counter.
Glawen entered, closed the door behind him. He stood a moment looking around the cluttered interior. Everything was as he had left it earlier in the day. He heard nothing and there was no sign of Keebles.
Glawen went to the passage leading back to Keebles' office. He halted, listened: no sound. He called out: “Mr. Keebles! I'm here – Glawen Clattuc!”
The silence seemed more profound than ever.
Glawen grimaced. He looked behind him, up the stairs, then ventured forward along the passage. Once agent he called: “Mr. Keebles?”
As before: no response. Glawen peered into the back office. A corpse lay on the floor. It was Keebles. His arms and ankles had been bound; blood oozed from his mouth. His eyes were open and bulged enormously in horror. His trousers had been cut open and it was clear that Keebles had been tortured.
Glawen bent and touched Keebles' neck with his knuckles. Still warm Keebles had been dead only a short time. If the clerk had not forgotten to call Glawen, Keebles might still be alive.
Glawen stared unhappily down at the corpse, and the mouth which now would never reveal the information he had come so far to learn.
Why had Keebles been killed? There were no overt signs of pillage. The desk drawers were closed, as was the cabinet. In a nook at the far end of the room, a door opened on a makeshift, porch and the yard beyond. The door was bolted from the inside; the murderer had not used it in his operation.
Glawen returned his attention to the desk. He searched in vain for a notebook or an address file or something similar which might identify Keebles' associate. Careful to leave no fingerprints, Glawen searched the desk drawers. He came upon nothing of interest. He looked into the cabinet, where he discovered a small safe, the doors of which swung open. The contents, again, were of no immediate interest.
Glawen stood thinking. Keebles had intended to make a telephone call. On the desk was the telephone screen and the keyboard. Using a pencil Glawen punched the 'Options' button, and then the code for ‘Listing of Recent Calls’.
The most recent call had been made to the Moonway Hotel, at Moonway. The others were local calls, made earlier in the day, and impossible to identify.
From the front of the premises came a soft sound: a rattling at the door which evidently had locked itself after Glawen had closed it.
Glawen peered cautiously down the passage. Against the lights of the street he saw a pair of constables who were trying to open the door in silence.
For a second Glawen stood transfixed. Then, on long swift strides he ran to the back door. He slid back the bolt, opened the door and stepped out upon the porch. He closed the door and stood listening, then he went to stand in the shadow of a shed. A moment later a pair of constables rushed around the structure, gave the yard a perfunctory scrutiny, then entered Keebles' office by the back door.