Read Enon Online

Authors: Paul Harding

Enon (3 page)

When that instant passed, whether it was between us or in my mind alone, Susan said, “Let me get some clothes on,” and rushed back to the bedroom.

Susan drove me to the regional hospital and sat with me in the emergency room for two hours, crying. My hand hurt terribly and I was exhausted and I felt humiliated for us. Not only did we have to bear our only child’s death, but we had to do so in front of a room full of miserable strangers. I tried to comfort myself by looking at the faces of the other people in the emergency room. There was an old couple holding hands. The wife had a mask over her face, with a tube running from it to an oxygen tank. Her skin was gray. Her husband held her hand and stared at the floor. There was a young kid, maybe fourteen years old, with what looked like his older brother, or maybe a young uncle, who was holding a bloody dish towel to the top of the boy’s head. The brother or uncle kept asking the boy how he was doing, saying the doctor was going to see him soon. The boy was woozy and said “All right” every time his brother or uncle spoke to him. I tried to think about whom it was these people had lost. What mothers and sisters and best friends. Susan was slouched in her chair, her clenched left fist pushed up against her mouth. Her breathing was rapid and shallow, like she was trying to breathe fast enough to keep ahead of sobbing. She gazed across the emergency room through the glass doors to the roundabout where people were dropping patients off. She shook her head as if she were saying no, no, no over and over. Tears drained from the corners of her eyes. She wiped
her face and looked at me. I smiled at her but she didn’t smile back. She shook her head no again and put her fist back to her mouth.

I
T TOOK THREE MORE
hours at the hospital to have X-rays and get my hand set in a cast. I spent the next day lying on the living room couch, trying to sleep but unable to. I could not sleep that night, either, despite the painkillers the doctor had prescribed, and left our bed for the couch, where I sat semiconscious in the dark, having nightmares from which I periodically started, only to find the waking world worse than my dreams.

Susan’s older sister called at nine the next morning and they talked for half an hour. When the call ended, Susan came into the living room.

“How do you feel?” she asked.

“Oh, you know,” I said. “Awful.”

“Do you think you can get up today and maybe help me with some things?”

“I’ll try. I didn’t sleep at all. My hand is killing me. What’d your sister have to say?”

“She—they—my family—wants us to go out there and visit.”

“What’d you say?”

“I said I’d talk about it with you.”

It was Tuesday morning, when I normally would have been mowing lawns and Sue would have been at the elementary school in Salem, where she taught reading. A heavy wind rumbled outside, through the trees, and broke against
the house in gusts. The mailman came up the walkway and I heard the squeak of the mailbox opening and closing.

I knew it was all wrong, that I was snipping the single, thin thread by which our marriage was barely still suspended. But I felt it was my obligation. I’d spent the week since the funeral lying on the couch in a daze. I’d lost my mind and punched a hole in the wall and broken my hand so that I couldn’t work or do much of anything that needed doing. I thought, Poor Sue. She shouldn’t have to deal with me. I’m no good for her, I thought. She’s being loving and gracious because she has a good heart, but I just can’t ask her to stick this out.

“Well,” I said. “How about you go? I can’t. I feel like I have to stay here. But you’ve got another week’s leave. Why don’t you go?”

Sue stared at me for a moment. It’s the last time I remember the two of us looking each other in the eye.

She said, “I need to think about it.”

The teakettle whistled in the kitchen. Susan went to make herself tea. I remained on the couch and listened to the cupboard door open and the mugs clink against each other as Susan took one out and the door slap shut and another door open and the rustle and scrape of her opening the box of tea bags and that door slap shut and then the utensil drawer opening and Susan getting a spoon.

“Sue, I think that’s good,” I called to her. “Your sisters and your mom, and your dad.”

S
USAN HAD A BENIGN
aloofness that made her irresistible from the moment I saw her. She was a mystery and remained that
way for the duration of our marriage. We were at school the first time we met. She and three of her friends visited the house I had just moved into with four other guys because she knew one of them. We all sat across from one another in old flea market chairs and a couch left out on the curb that we’d carried home. It was a rainy, late, luminescent August afternoon and I chain-smoked cigarettes and we talked about music and art and books and I exaggerated my enthusiasm for anything Susan mentioned that I liked, too. She poured red wine from a green jug into a blue glass. When she raised the glass to her mouth, the daylight lit the glass purple and it seemed as if her eyes turned the same color. When she lowered the glass, her eyes returned to the silvery turquoise of her scarf. She wiped the wine from her top lip and smiled at what I’d just said, but more to herself than me, and I knew that I’d never get through to her, really, fully, and that if I did it’d dispel what was already enchanting me anyway, and that made everything impossible, but it also—or especially—made her all the more attractive. When she stood up to leave with her friends a couple hours later, she stretched her arms over her head and looked out the window and her eyes turned the gray blue of the thunderclouds gathering over the vacant fairgrounds across the street.

Since I’d been a young kid I’d loved books and read constantly. I loved mysteries and horror stories and books on history and art and science and music, everything. The bigger the book, the better; I deliberately found the thickest novels I could, for the pleasure of lingering in other worlds and other people’s lives for as long as possible. I borrowed six books a week, the limit, from the library and devoured potboilers and war stories
and histories of the Apollo space program and Russian novels I could make neither heads nor tails of and it was all thrilling. What I loved most was how the contents of each batch of books mixed up with one another in my mind to make ideas and images and thoughts I’d never have imagined possible.

School was another matter. I was a terrible student and regularly failed assignments and wrote pathetic essays and missed due dates. The only college I was accepted to was the state university, and that just barely. When I met Susan, I’d been on academic probation for a semester, and I dropped out the following fall. Susan and I moved in together while she finished her degree and I painted houses and mowed lawns and shoveled snow.

We moved to Enon when Sue graduated. By then, she was already three months pregnant. I went to work painting houses full-time for one of my grandfather’s neighbors, a guy named Louis, who’d hired me for summers in high school. Louis had moved into a converted boardinghouse across the street from my grandparents with his wife and four kids a few years earlier. My grandparents had been friends for decades with the woman who’d lived there and let rooms before, mostly to Enon’s bachelor civil servants: firemen, cops, mail carriers. When she died and Louis bought the house, he renovated and repainted it by himself. My grandfather liked to stand around in the side yard and pass the time talking about the neighborhood while Louis replaced shingles or primed the doors. Louis always called my grandfather “Mr. Crosby” and shoveled his driveway and the footpath to the front door whenever it snowed, “Because we’re neighbors now, Mr. Crosby, and that’s what neighbors do.”

Louis paid me well, but I had to work with an old ex-con named Gus, who bragged and complained and spewed vulgarity without pause all day, each day, and nearly drove me mad.

“Shit, Louie’s a dumb wop, but I owe him,” he’d say. “You don’t know fuck-all, kid. I
killed
a guy down in Florida. I bought his old lady some fancy drink with a fucking
umbrella
in it and he pulled a knife. On
me
? You got to be
kidding
. You pull a knife on Gus and you are
fucked
, pal; you got that? I threw him right through a plate-glass window and the glass went right through his neck and he bled out like a fucking
pig
. Ha! And you? Are you
kidding
? I’ll kill you right here, right now, no fuck. I’ll drown you in this bucket of
paint
. You
look
at me funny and I’ll throw you right off this roof, and then I’ll
laugh
. And then you know what? I’ll take a big drink of paint and go back to work and whistle a little tune called ‘I Just Killed That Little College Prick Louie Stuck Me With All Fucking Summer.’ I will because what do I have to lose? What? I’ll tell you what I have to lose—
fuck-all
, that’s what. And
I
love paint. It’s in my blood, you little shit. My
blood
. If you cut me open right now,
paint
would come out. Do it; cut me. I’d like to
see
you try. That would be funny, you college
fuck
. You do not know fucking
shit
about paint, kid. I love the way it smells; I love the way it feels; I love the way it
tastes
. I used to paint fourteen hours a day, seven days a week, and then I’d go home and me and my old lady would hop into the sack and smoke a joint and watch dirty movies until dawn, because
I do not fucking care
. Shit, it’s hot up here. I’m not going to bust my balls and have a heart attack for
Loo-ee-gee
, that dago dick squeezer. Fuck it; I’m taking five.”

Gus would work himself up into fits about Louis, that “skinny guinea who knows
fuck-all
,” and we’d climb down off the plank we’d run between two ladders across the front of the house we were painting, and Gus would cover his head with a wet towel and complain and threaten me. (Later, we painted with a guy named Frankie Shuey, who got paint all over people’s roofs and driveways, and Gus took to threatening to murder him instead of me.) I’d smoke a cigarette and think about the envelope of cash I’d get at the end of the week, and about Kate being on the way, and how strange it was to think of her, a little newborn girl, and Gus over there, all greasy and sweaty and decrepit, and to try to picture him as having been someone’s baby, once, to try to think of him as a newborn infant. I imagined Kate at about ten years old, wondering about me at work and what I actually spent my time doing and with whom I worked. I used to do that with my grandfather, when I was in school. Instead of paying attention to geometry, I’d wonder about what he was doing at that exact same moment—whether he was in the basement, in his workshop coat, dipping clockworks into an ammonia bath by a wire hanger, or in his black windbreaker and black Greek fisherman’s cap, driving one of his station wagons (he and my grandmother always had two matching station wagons, for which he always paid with cash that he took from one of the deposit boxes he had around the North Shore) to different banks, so he could cash the checks his customers paid him with where they had their accounts, so he didn’t have to report the income, a practice one of his neighbors, an accountant for the IRS, had taught him.

I used to think about Susan, at the room we rented then,
in Matt Gray’s house. Matt Gray was the chief of the Enon police. My grandfather and grandmother knew him well because they had been friends for many years with his father, Matt Senior, who had been the police chief before Matt. I used to sit on the lawns of the houses I painted, smoking cigarettes, drinking cans of soda, Gus spewing his dreadful jive talk, and try to think about what Susan was doing at that very moment. I imagined her, in the cool, damp summer morning light, maybe doing the couple of dishes we hadn’t got to the night before, maybe folding some clothes and putting them away in the bureau we shared, maybe deciding to take a walk to the library to see if there were any books that interested her. She liked to read mysteries while she was pregnant with Kate. I’d get worried sometimes, thinking about what she was doing, because here she was, living with me, in a single room, in the police chief’s house, in her boyfriend’s hometown, with no job then and no money and me painting houses and her six months pregnant and summer getting hotter and hotter, and it made me half panicked to think of her being unhappy, maybe, and me being the cause of her feeling disappointed that her life wasn’t going as well as she’d always hoped and that I was a big part of the reason that the plans we’d talked about at the kitchen table all those nights weren’t working out, instead of being the reason they all came true.

O
NE
A
UGUST NIGHT WHEN
Susan was six months pregnant with Kate, she couldn’t sleep and so we went outside to see what it was like and it was clear and beautiful and there was
a cooling wind flowing up in the trees and there were fireflies in the meadows and we took each other’s hand and started to walk together.

“Susan,” I said after a while, “I can’t wait to meet our kid.” I touched her stomach through her maternity blouse. “Who are you in there?” I asked. “I’m your dad,” I said. “Me and your mom can’t wait to meet you and see who you are and find out about what you’re like.” Susan took my hand from her stomach and kissed it.

“Whoever it is, she’s going to make us better people, isn’t she?” Susan said. We never checked the gender of the baby. Susan knew it was a girl from the moment she learned she was pregnant.

“She is, Sue.” I started to try to say something to her about how I was sorry I wasn’t as good a husband as she deserved, or as good a partner, or as successful or ambitious. “Susie, you know, I’m sorry, sorry that—”

“Don’t, Charlie,” she said. “It’s funny and sad, and a little scary. But it’s okay, too.” She stopped walking. We stood where one of Enon’s oldest roads splits in two, one branch turning toward the center of the village, the other leading to the section called Egypt. Four small neat, old houses, each with a small barn, faced the intersection. A single streetlight stood at the divergence and moths and other insects swarmed around it. Susan took both my hands in hers. She leaned toward me and kissed me.

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