Equal of the Sun (63 page)

Read Equal of the Sun Online

Authors: Anita Amirrezvani

Tags: #General Fiction

Farrokh, Dr. Kaveh.
Iran at War: 1500–1988.
Oxford: Osprey Publishing, 2011.
Ferdowsi, Abolqasem.
Shahnameh: The Persian Book of Kings.
Translated by Dick Davis. New York: Viking Penguin, 2006.
Gholsorkhi, Shohreh. “Pari Khan Khanum: A Masterful Safavid Princess.”
Iranian Studies
28, nos. 3–4 (Summer/Fall 1995).
Hambly, Gavin R. G., ed.
Women in the Medieval Islamic World
. New York: St. Martin’s Press, 1998.
Hathaway, Jane.
Beshir Agha: Chief Eunuch of the Ottoman Imperial Harem
. London: Oneworld Publications, 2005.
Komaroff, Linda, ed.
Gifts of the Sultan: The Arts of Giving at the Islamic Courts.
Los Angeles: Los Angeles County Museum of Art, 2011; New Haven: Yale University Press, 2011.
Lambton, A. K. S. “Justice in the Medieval Persian Theory of Kingship.”
Studia
Islamica
17 (1962): 91–119.
Losensky, Paul E. “The Palace of Praise and the Melons of Time: Descriptive Patterns in ‘Abdi Shirazi’s Garden of Eden.”
Eurasian Studies
2 (2003).
Marmon, Shaun.
Eunuchs and Sacred Boundaries in Islamic Society
. New York: Oxford University Press, 1995.
Matthee, Rudi. “Prostitutes, Courtesans, and Dancing Girls: Women Entertainers in Safavid Iran.”
Iran and Beyond: Essays in Middle Eastern History in Honor of Nikki R. Keddie
. Edited by Rudi Matthee and Beth Baron. Costa Mesa, CA: Mazda Publishers, 2000.
———.
The Pursuit of Pleasure: Drugs and Stimulants in Iranian History, 1500–1900.
Princeton: Princeton University Press, 2005.
Monshi, Eskandar.
History of Shah ‘Abbas.
Translated by Roger M. Savory. Persian Heritage Series 28. Boulder, CO: Westview Press, 1978.
Mulk, Nizam al-.
The Book of Government or Rules for Kings
. Translated by Hubert Darke. London: Routledge & Kegan Paul, Ltd., 1978.
Peirce, Leslie P.
The Imperial Harem: Women and Sovereignty in the Ottoman Empire
. New York: Oxford University Press, 1993.
Penzer, N. M.
The Harem: Inside the Grand Seraglio of the Turkish Sultans.
Mineola, NY: Dover Publications, 2005.
Roemer, H. R. “The Safavid Period.”
The Timurid and Safavid Periods.
Edited by Peter Jackson and Lawrence Lockhart.
Cambridge History of Iran
6. Cambridge: Cambridge University Press, 1986.
Savory, Roger.
Iran Under the Safavids.
1980. Reprint, Cambridge: Cambridge University Press, 2007.
Szuppe, Maria. “Palais et jardins: le complexe royal des premiers Safavides à Qazvin, milieu XVIeme–debut XVIIeme siècles.”
Res Orientales
VIII (1996).
———. “La participation des femmes de la famille royale à l’exercice du pouvoir en Iran safavide au XVIeme siècle.” Pts. 1 and 2.
Studia Iranica
23, Issue 2 (1994); 1, Issue 24 (1995).
Tsai, Shih-shan Henry.
The Eunuchs in the Ming Dynasty.
New York: State University of New York Press, 1996.
Warner, Arthur George, and Edmond Warner, trans.
The Shahnama of Firdausi.
London: Kegan Paul, Trench, Trübner & Co., Ltd., 1905.
Wilson, Jean D., and Claus Roehrborn. “Long-Term Consequences of Castration in Men: Lessons from the Skoptzy and the Eunuchs of the Chinese and Ottoman Courts.”
The Journal of Clinical Endocrinology & Metabolism
84, no. 12 (December 1999).
Yarshater, Ehsan, ed.
Encyclopaedia Iranica.
Costa Mesa, CA: Mazda Publishers, 1992.
Yinghua, Jia.
The Last Eunuch of China: The Life of Sun Yaoting.
Translated by Sun Haichen. China Intercontinental Press, 2009.
Zarinebaf-Shahr, Fariba. “Economic Activities of Safavid Women in the Shrine-City of Ardabil.”
Iranian Studies
31, no. 2 (Spring 1998).

READING GROUP GUIDE FOR ANITA
AMIRREZVANI’S
EQUAL OF THE SUN

Introduction

I
n sixteenth-century Iran, the princess Pari Khan Khanoom rules alongside her father, Tahmasb Shah. But when the Shah dies without leaving an heir, the court at Qazveen is thrown into upheaval. Amid the squabbling about who will become the next Shah, Pari is faced with a dilemma—how can she ensure that whoever becomes Shah will accept her as an adviser as her father did? Pari’s eunuch and confidante, Javaher— known for his ability to extract information from any source and navigate the tricky hierarchies at the court—comes to her aid. But he has his own agenda: to uncover the identity of the person who accused his own father of treason years before.

Topics & Questions for Discussion

1. In the opening pages of
Equal of the Sun,
Javaher notes: “People say that one’s future is inscribed on the forehead at birth—Pari’s forehead announced a future that was rich and storied.” Does Pari fulfill her prophecy? What about Javaher?
2. Why do you think Pari opposes Haydar and supports Isma’il, even though she hasn’t seen Isma’il since she was a girl?
3. How much did you know about Iranian history before reading
Equal of the Sun
? What was the most striking or interesting thing you learned while reading?
4. Balamani calls information a “jewel,” and it is from this proclamation that Javaher derives his name. How does information act as a currency in
Equal of the Sun
? Does Javaher live up to his name?
5. There are many different, competing tribes in Qazveen, including the Ostajlu, the Takkalu, and the Circassians. Javaher himself has both Tajik and Turkic blood. How do these tribal conflicts influence Pari’s attempt at power?
6. What do you think is the significance of the novel’s title,
Equal of the Sun
?
7. Why do you think Javaher agrees to become a eunuch at such a late stage in life? Is it his only option?
8. Excerpts from the epic poem the
Shahnameh
appear before each chapter. How do these passages influence your understanding of the novel? What role does poetry play in Pari and Javaher’s world?
9. Javaher attempts to avenge his father’s death by discovering who ordered him killed. Does he find closure when he uncovers the truth? Discuss your response.

10. How does Javaher feel about Pari? Romantic? Paternal? Worshipful? How do these feelings change and evolve throughout the course of the novel?

11. Javaher says, “God demanded that his leaders rule with justice, but what if they did not? Must we simply endure tyranny?” Do you think Javaher and Pari come to a moral solution when dealing with Isma’il? Why or why not?

12. Pari describes Javaher as a “third sex.” Do you see aspects of both masculinity and femininity in Javaher’s character? What about Pari?

13. Javaher says, “Just because we have gotten rid of a Zahhak doesn’t mean we have to become one.” Are Javaher and Pari ever in danger of using their power too ruthlessly? Do they ever step over the line?

14. Why is Pari so stubborn in her treatment of Mirza Salman and Mohammed after Mohammed is chosen Shah, even when Javaher and Shamkhal warn her against it? What are the ramifications of her actions?

15. From his relationships with his sister, Mahmood, and Massoud Ali, it’s clear that Javaher would have liked to be a father. Do you think he regrets his decision to become a eunuch? How do his feelings change over the course of the novel?

16. Do you think Amirrezvani’s observations about power and gender have resonance today? Discuss.

Enhance Your Book Club

1. Find a copy of the
Shahnameh
at your local library. Anita Amirrezvani recommends translations by Dick Davis and Arthur George and Edmond Warner. Have each member read a passage aloud at your book club meeting. Do any of the passages remind you of scenes from
Equal of the Sun
? Discuss the experience of reading the passages aloud with your book club members.
2. Food plays an important role in the court at Qazveen—especially the sweets offered to guests in the ladies’ chambers. Prepare popular Iranian desserts—like Shol-e-zard (saffron rice pudding) or Paloodeh (sorbet made of vermicelli noodles)—to serve to members at your book club discussion.
3. In the Prologue, Javaher says of Pari: “When I think of her, I remember not only her power, but her passion for verse.” Instruct each book club member to bring in their favorite piece of verse— it can be a famous quote, a sentence from a beloved novel, or a favorite poem. Share with the group and discuss why you choose it. What is it about the sentence structure or word choice that draws you in?
Anita Amirrezvani
is the author of
The Blood of Flowers,
which was longlisted for the Orange Prize, and is a former staff writer and dance critic for the
San Jose Mercury News
and the
Contra Costa Times
. She is currently an adjunct professor at the California College of the Arts in San Francisco.
MEET THE AUTHORS, WATCH VIDEOS AND MORE AT
SimonandSchuster.com
• THE SOURCE FOR READING GROUPS •
JACKET DESIGN BY REX BONOMELLI
JACKET ILLUSTRATION: PERSIAN, 16TH CENTURY, INV. 353–1885,
V&A IMAGES, LONDON/ART RESOURCE, NY
COPYRIGHT © 2012 SIMON & SCHUSTER

ALSO BY ANITA AMIRREZVANI

The Blood of Flowers

We hope you enjoyed reading this Scribner eBook.
Join our mailing list and get updates on new releases, deals, bonus content and other great books from Scribner and Simon & Schuster.
CLICK HERE TO SIGN UP
or visit us online to sign up at
eBookNews.SimonandSchuster.com

Scribner

A Division of Simon & Schuster, Inc.

1230 Avenue of the Americas

New York, NY 10020

www.SimonandSchuster.com

This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Copyright © 2012 by Anita Amirrezvani

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Scribner hardcover edition June 2012

SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work.

The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at
www.simonspeakers.com
.

Designed by Carla Jayne Jones

Other books

Fallen Angel by Charlotte Louise Dolan
Midnight Ruling by E.M. MacCallum
Animal Attraction by Charlene Teglia
The Last Original Wife by Dorothea Benton Frank