Everything You Ever Wanted to Know About Zombies (35 page)

Their behavior is disturbing and creepy, to be sure, but the Aghori have no connection to the living zombie of contemporary popular culture, much less the undead modern zombie. And they’re not even remotely connected to the Haitian voodoo
zombie. However, some scholars incorrectly assign the term
zombie
to this sect and its followers.

Varying interpretations and beliefs about the modern zombie are to be expected and can often advance the level of respect and understanding that zombies receive. But there is another category of zombie scholarship that is not driven by honest and intelligent differences of opinion but rather by pure laziness. The authors of such works don’t bother to learn much about zombies, familiarize themselves with existing zombie research, or even confirm their facts. Indeed, some don’t even bother to watch the films or read the books they discuss and reference. Misinformation of this kind only increases widespread confusion about the origins and defining characteristics of the modern zombie and shows a complete lack of respect for the subgenre as a whole and for its creator, George A. Romero.

I feel compelled to include some of the most egregious factual errors I’ve spotted in the published works of zombie critics and scholars. Ultimately, it was the sloppy scholarship seen in the examples below that drove me to write this book and still make me want to stick a fork in my eye every time I come across them. This chapter isn’t an extensive catalog of errors, as there are dozens more that I chose not to include because they might be explained away as oversights, typos, or simply honest mistakes.

To be clear, my intention isn’t to make anyone look like an idiot, even if they’re making grossly idiotic claims. So I’ve removed the authors’ names and publication titles to protect the guilty.

Here is a selected tour of the wrong and ridiculous in recent zombie works of nonfiction:

Quote #1:

The Romero zombie has a fiendish desire for fresh human flesh, in particular warm blood and brains, and will stop at nothing in pursuit of them.

Correction:

Zombies have never eaten brains, said “brains,” or shown any interest in brains in any of George Romero’s movies. The only zombies in film that eat brains appear in the
Return of the Living Dead
series, which is not part of the Romero franchise. And warm blood? Where did that come from? There are no zombies in any of Romero’s films that demonstrate a particular interest in blood, warm or cold. Sadly, this statement was written by a widely published zombie expert who is apparently unfamiliar with Romero’s work.

Quote #2:

One of the most entertaining ways of doing this [depicting zombies eating brains] is to show the zombie slicing the top off the victim’s head, putting its hands inside it, and eating the still-warm brains.

Correction:

I’ve never seen, read, or heard of this scenario in any zombie movie, book, or game ever produced. When has a zombie sliced off the top of a person’s head and reached in with its hands? What would the zombie use to slice a human skull? And this quote is from a zombie book that bills itself as a “complete guide.”

Quote #3:

Moreover, the Romero zombie feels no pain, and therefore will not suffer in the least when set alight. Thus it is unclear how to kill the Romero zombie.

Correction:

Romero made it very clear in his first film, 1968’s
Night of the Living Dead
, and in every movie he has made since, that zombies are killed by destroying
the brain. Furthermore, the zombies in
Night
are clearly afraid of being set on fire. They back away from flames as survivors set furniture alight to keep them at bay. It makes me wonder if the “zombie expert” who authored these lines has ever seen a zombie movie.

Quote #4:

Mary Shelley’s novel
, Frankenstein,
published in 1818, told the tale of a monster who was created from a reanimated corpse, much like a zombie.

Correction:

The monster in Mary Shelley’s novel is created by a misguided scientist, Dr. Victor Frankenstein, who gets the bright idea to sew together body parts taken from many different dead people, not a single corpse. Ever wonder why the monster has stitches all over its body? By contrast, zombies are the remains of a single person reanimated by a biological infection. There’s a fundamental difference. You’d think this wouldn’t have escaped the notice of a published university scholar with several advanced degrees.

Quote #5:

When Johnny senses Barbara’s growing anxiety, he reverts to the same puerile behavior, mischievously invoking Boris Karloff, lisp intact, and uttering
Night
’s signature line, “They’re coming to get you, Barbara.”

Correction:

It’s Barbra, not Barbara. You might chalk this up to a simple typo, but in a book entirely focused on one movie,
Night of the Living Dead
, is it asking too much that they spell the female lead’s name correctly? It is misspelled not once or twice but throughout the entire text. The author also
credits John Russo as the sole screenwriter of
Night
, when the film was actually cowritten by Russo and George Romero, based on a Romero short story.

Quote #6:

In 2007, Damon Lemay’s
Zombie Town
achieved some acclaim when he portrayed a town of dead people, resurrected and motivated by a mysterious parasite.

Correction:

Some acclaim? Really? I can’t find a single film critic who has ever mentioned this movie, let alone given it acclaim. The one review I did hunt down is from an obscure Australian blog stating that
Zombie Town
doesn’t have a single shred of originality in it. What’s worse, given the dozens of popular, influential, or acclaimed zombie movies in existence,
Zombie Town
is one of only three movies not made by George Romero listed in this book entirely about zombies!

Quote #7:

This [a virus] has killed almost 90 percent of the world’s population, only to resurrect them as flesh-eating zombies who can only travel at night or in the shadows.

Correction:

Where do I start with this one? A professional film critic is talking about the Will Smith blockbuster
I Am Legend
, correctly noting that the creatures can’t stand sunlight. But she doesn’t connect the painfully obvious dots that this is a defining characteristic of vampires, not zombies. I can only assume she hasn’t read Richard Matheson’s original vampire novel, also titled
I Am Legend
, on which the film is based.

Quote #8:

Although the remake [of
Dawn of the Dead]
had mixed critical reviews, it was a commercial success and remains one of the top-grossing American horror films.

Correction:

Zack Snyder’s remake of
Dawn of the Dead
is not one of the top-grossing American horror films. It wasn’t even one of the top-three-grossing horror movies the year it was released (2004). It claimed fourth place at best, behind
The Grudge, Saw
, and another zombie movie,
Resident Evil: Apocalypse.
What’s more, it wasn’t even the top-grossing horror remake to hit theaters within six months of its release. That honor went to
The Texas Chainsaw Massacre.

Quote #9:

[In
Night of the Living Dead]
a number of teenagers are trapped in a remote and abandoned farmhouse by a group of these mobile corpses who are hungry for their flesh.

Correction:

There are no teenagers in
Night of the Living Dead.
The two leads, Ben and Barbra, are thirty-two and twenty-three, respectively. The next two most prominent characters trapped in the farmhouse are a married couple in their forties. Even their daughter, the young girl who famously turns into a zombie in the film, is just eleven. This hogwash comes from a two-hundred-plus-page book with
Zombies
in the title that has just three pages devoted to anything related to the modern zombie. And still its facts are all wrong.

Now that I’ve had my say on the wrong and ridiculous, I ask that you keep a skeptical eye open and check out the
validity of what you read on zombies. Junk gets published every day. Just because something is in print doesn’t mean it’s accurate, remotely factual, or even worth the paper it’s printed on.

And if you’re going to write about zombies, please take the time to confirm your claims. Resist the urge to make sloppy comparisons or sweeping generalizations. And at the very least, watch the films and read the books you’re writing about. Seriously, people.

38: FINAL THOUGHTS

I
f you take just one thing from this book, I hope it’s a belief that the modern zombie has earned the right to be recognized and clearly defined.

Filled with pure aggression, limited in its biological makeup, and driven by an infection that threatens to swallow the whole of the human race, Romero’s flesh eater is fundamentally the same creature today as it was when it first appeared in
Night of the Living Dead
in 1968. It also continues to prove remarkably relevant through the changing decades.

The modern zombie evolved from vampires, not from the soulless voodoo slaves that share their name. But unlike vampires, the walking dead don’t carry with them the baggage of Old World superstitions and myths. They aren’t supernatural, superhuman, superstrong, or particularly super at anything. Just the opposite. Zombies are grossly natural in their rotting flesh, imperfect brains, and limited physical abilities. They don’t pretend to be anything more or less than what they are.

But what they are is the end of the world.

MORE QUESTIONS THAN ANSWERS

All zombie research is theoretical. We can never know exactly what the coming pandemic will look like until the teeming un-dead horde is finally at our doorsteps.

You may think that day will never come, and you could be right. But as Daniel Drezner, professor of international politics at Tufts University, argues, even if the chance of a zombie pandemic is a fraction of 1 percent, it represents such a profound and devastating threat to modern civilization that the only responsible course of action is intense research and preparation.
75
Because once the dead rise, the days of study and conjecture are over.

Gone will be reasoned debate and hard scientific study. Gone will be global lines of communication and easy access to information. Gone will be the support structures that allow us to engage easily in serious scientific, social, and historic investigation. When the dead rise, it’s run-and-scream time.

Therefore, mankind’s research goal must be to develop solid working theories that foster as complete an understanding as possible of the dangers we face before it’s too late.

ALL SURVIVAL IS LOCAL

The steps it takes to survive the aftermath of a large-scale zombie outbreak are much the same as those needed to survive any prolonged catastrophic natural or man-made disaster.

Our basic human requirements remain constant, and attention to those requirements means the difference between life and death. In survivalist circles, this simple and well-established principle is known as the Rule of Three, which
holds that in a worst-case scenario, a person can live only so long without certain essentials.

In three minutes, you’re dead without air.

In three hours, you’re dead without shelter.

In three days, you’re dead without water.

In three weeks, you’re dead without food.

If you live in a mild climate, you may think you don’t need immediate protection from the elements, but you will always need protection from roaming zombies and the other deadly threats outlined in the previous chapters.

Most importantly, don’t get lost in fantasies of video-game action or big-screen gore. No weapons compound is waiting for you to claim its stash. No armored car is gassed up and ready to lead you out of town. There is no pause in a real zombie outbreak. No reset button when the undead overrun your defenses. No extra lives when you reach your destination, only to be shot in the back by a panicked friend or stranger.

When the dead walk, one mistake is one too many.

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