By twelve-fifteen Spade Jones, Lieutenant Jones of Homicide, showed up and from there on things slipped into a smooth routine. He knew me well, having helped me work up some of the book I did for the Chief, and he grabbed onto me at once for some of the background. By twelve-thirty he was reasonably sure that none of the customers could have done it. "I won't say one of them
didn't
do it, Eddie my boy—anybody could have done it who knew the exact second to slip upstairs, grab the knife, and slide it into her ribs. But the chances are against any of them knowing just when and how to do it."
"Anybody inside or outside," I corrected.
"So?"
"There's a fire exit at the foot of the stairs."
"You think I haven't noticed that?" He turned away and gave Hannegan instructions to let anybody go who could give satisfactory identification with a local address. The others would have to go downtown to have closer ties as material witnesses put on them by the night court. Perhaps some would land in the tank for further investigation, but in any case—clear 'em out!
The photographers were busy upstairs and so were the fingerprint boys. The Assistant Medical Examiner showed up, followed by reporters. A few minutes later, after the house was cleared, Hazel came downstairs and joined me. Neither of us said anything, but I patted her on the back. When they carried down the basket stretcher a little later, with a blanket-wrapped shape in it, I put my arm around her while she buried her eyes in my shoulders.
Spade talked to us one at a time. Jack was not talking. "It ain't smart to talk without a lawyer," was all Spade could get out of him. I thought to myself that it would be better to talk to Spade now than to be sweated and maybe massaged a little under the lights. My testimony would clear him even though it would show that there was a spat between him and Estelle. Spade would not frame a man. He was an honest cop, as cops go. I've known honest cops. Two, I think.
Spade took my story, then he took Hazel's, and called me back. "Eddie my boy," he said, "help me dig into this thing. As I understand it, this girl Hazel should have had the twelve o'clock show."
"That's right."
He studied one of the Joy Club's programs. "Hazel says she went upstairs to undress for the show about eleven-fifty-five."
"Exactly that time."
"Yeah. She was with you, wasn't she? She says she went up and that Estelle followed her in with a song-and-dance that the boss said to swap the two shows around."
"I wouldn't know about that."
"Naturally not. She says she beefed a little but gave in and came on downstairs, where she joined you. Correct?"
"Correct."
"Mmmm . . . By the way, your remark about the fire door might lead to something. Hazel put me onto a boy friend for Estelle. Trumpeter in that rat race across the street. He could have ducked across and stabbed her. Wouldn't take long. Trumpet players can't be pushing wind all the time; they'd lose their lip."
"How would he know when to do it? It was supposed to be Hazel's show."
"Mmmm . . . Well, maybe he did know. Swapping shows sounds like Estelle had made a date, and that sounds like a man. In which case he'd know about it. One of the boys is looking into it. Now about the way these shows worked—do you suppose you could show me how they were staged? Hannegan tried it but all he got was a shock."
"I'll try it," I said, getting up. "It's nothing very fancy. Did you ask Jack about Hazel's statement that Estelle had permission from him to swap the shows?"
"That's the one thing he cracked on. He states flatly that he didn't know that the shows were swapped. He says he expected to see Hazel in the Mirror."
The controls looked complicated but weren't. I showed Jones the rheostat and told him it enabled Jack to turn either set of lights down slowly while the other set went up. I found a bypass switch back of the rheostat which accounted for the present condition—all lights burning brightly, house and stage. There was a blackout switch and there was a switch that cut the hand microphone and the turntable in through the juke box. Near the latter was the buzzer—a small black case with two binding posts—which the girls used to signal Jack. Centered on the under side of the bar was a hundred-and-fifty watt bulb hooked in on its own line separate from the rheostat. Except for the line to this light all the wires from all the equipment disappeared into a steel conduit underneath the bar. It was this light which had dazzled me during the eleven o'clock show. It seemed excessive; a peanut bulb would have been more appropriate. Apparently Jack liked lots of light.
I explained the controls to Spade, then gave him a dry run. First I switched the rheostat back to "House" and threw off the bypass switch, leaving the room brightly lighted and the Magic Mirror dark. "The time is five minutes of twelve. Hazel leaves me to go upstairs. I shift around to the bar stool just opposite where I am now standing. At midnight Jack comes up and asks me if I've heard the buzzer. I say 'No.' He fiddles around a bit, clearing away glasses and the like. Then come two beeps on the buzzer. He picks up the microphone but he doesn't announce the show for a few seconds—he's just noticed Hannegan and Feinstein. Hannegan gives him the high sign and he goes ahead." Then I picked up the mike myself and spoke into it:
"We now present the Magic Mirror!"
I put down the mike and flipped on the turntable switch. The same platter was on and the juke box started playing
Valse Triste.
Hazel looked up at me sharply, from where she had been resting her head on her arms a few tables away. She looked horrified, as if the reconstruction were too much for her stomach.
I turned the rheostat slowly from "House" to "Stage." The room darkened and the stage lit up. "That's all there was to it," I said. "Hazel sat down beside me just as Jack announced the show. As the lights came on she screamed."
Spade scratched his chin. "You say Joy was standing in front of you when the buzzer signal came from upstairs?"
"Positive."
"You gave him a motive—the war he was having with Estelle. But you've given him an alibi too."
"That's right. Either Estelle punched that buzzer herself, then lay down and stabbed herself, or she was murdered and the murderer punched it to cover up, then ducked out while everybody had their eyes on the Mirror. Either way I had Jack Joy in sight."
"It's an alibi all right," he conceded. "Unless you were in cahoots with him," he said hopefully.
"Prove it," I answered, grinning. "Not with him. I think he's a jerk."
"We're all jerks, more or less, Eddie my boy. Let's look around upstairs."
I switched the bypass on, leaving both stage and house lighted, and followed him. I pointed out the buzzer to him, after searching for it myself. A conduit came up through the floor and ended in a junction box on the wall, from which cords ran to the flood lights. The button was on the junction box. I wondered why it was not on the "altar," then saw that the altar was a movable prop. Apparently the girls punched the button, then fell quickly into their poses. Spade tried the button meditatively, then wiped print powder off on his trousers. "I can't hear it," he said.
"Naturally not. This stage is almost a soundproof booth."
He had seen the egg timer but I had not told him until then about seeing the last of the sand run out. He pursed his lips. "You're sure?"
"Call it hallucination.
I
think I saw it. I'll testify to it."
He sat down on the altar, avoiding the blood stain, and said nothing for quite a long time. Finally he said, "Eddie my boy—"
"Yes?"
"You've not only given Jack Joy an alibi, you've damn near made it impossible for anyone to have done it."
"I know it. Could it have been suicide?"
"Could be. Could be. From the mechanics angle but not from the psychological angle. Would she have started that egg timer for her own suicide? Another thing. Take a look at that blood. Taste it."
"Huh?"
"Don't throw up. Smell it then."
I did, very gingerly. Then I smelled it again. Two smells. Tomato. Blood. Blood and tomato catsup. I thought I could detect differences in appearance as well. "You see, son? If she's going to have blood on her chest she won't bother with catsup. Aside from that and the timer it's a perfect, dramatic, female-style suicide. But it won't wash. It's murder, Eddie."
Feinstein stuck his head in. "Lieutenant—"
"What is it?"
"That musician punk. He had a date with her all right."
"Oh, he did, eh?"
"But he's clear. The band was on the air at midnight, in a number that features him in a trumpet solo."
"Damn! Get out of here."
"That ain't all. I called the Assistant Medical Examiner, like you said. The motive you suggested won't go—she not only wasn't expecting; she hadn't ever been had.
Virgo intacta,
" he added in passable high school Latin.
"Feinstein, you'll be wanting to be a sergeant next," Spade answered placidly, "using big words like that. Get out."
"Okay, Lieutenant." I was more than a little surprised at the news. I would have picked Estelle as a case of round heels. Evidently she was a tease in more ways than one.
Spade sat a while longer, then said, "When it's light in here, it's dark out there; when it's light out there, it's dark in here."
"That's right. Ordinarily, that is. Right now we've got both sides lighted with the bypass."
"Ordinarily is what I mean. Light, dark; dark, light. Eddie my boy—"
"Yes?"
"Are you sweet on that Hazel girl?"
"I'm leaning that way," I admitted.
"Then keep an eye on her. The murderer was in here for just a few seconds—the egg timer and the buzzer prove that. He wasn't any of the few people who knew about the swap in the shows—not since the trumpet-playing boy friend got knocked out of the running. And it was dark. He murdered the wrong party, Eddie my boy. There's another murder coming up."
"Hazel," I said slowly.
"Yes, Hazel."
Spade Jones shooed us all home, me, Hazel, the two waiters, the other barman, and Jack Joy. I think he was tempted to hold Jack simply because he wouldn't talk but he compromised by telling him that if he stuck his head outside his hotel, he would find a nice policeman ready to take him down to a nice cell. He tipped me a wink and put a finger on his lips as he said good night to me.
But I didn't keep quiet. Hazel let me take her home readily enough. When I saw that she lived alone in a single apartment in a building without a doorman, I decided it called for an all night vigil and some explaining.
She stepped into the kitchenette and mixed me a drink. "One drink and out you go, Ed," she called to me. "You've been very sweet and I want to see you again and thank you, but tonight this girl goes to bed. I'm whipped."
"I'm staying all night," I announced firmly.
She came out with a drink in her hand and looked at me, both annoyed and a little puzzled. "Ed," she said, "aren't you working just a bit too fast? I didn't think you were that clumsy."
"Calm yourself, beautiful," I told her. "It's not necessarily a proposition. I'm going to watch over you. Somebody is trying to kill you."
She dropped the drink.
I helped her clean it up and explained the situation. "Somebody stabbed a girl in a dark room," I finished. "That somebody thought it was you. He knows better by now and he will be looking for a chance to finish the job. What you and I have got to figure out is:
Who wants to kill you?
"
She sat down and started to manhandle a handkerchief. "Nobody wants to kill me, Eddie. It was Estelle."
"No, it wasn't."
"But it couldn't have been me. I
know.
"
"What do you know?"
"I— Oh, it's impossible. Stay all night if you want to. You can sleep on the couch." She got up and pulled the bed down out of the wall, went in the bath, closed the door, and splashed around for a while. "That bath is too small to dress and undress in," she stated flatly. "Anyhow I sleep raw. If you want to get undressed you won't scare me."
"Thanks," I said. "I'll take my coat and tie and shoes off."
"Suit yourself." Her voice was a little bit smothered as she was already wiggling her dress over her head.
She wore pants, whether Estelle ever did or not—a plain, white knit that looked clean and neat. She did not wear a brassiere and did not need to. The conception I had gotten of her figure in the Magic Mirror was entirely justified. She was simply the most magnificently beautiful thing I had ever seen in my life. In street clothes she was a beautiful, well-built woman; in her skin—wars have started over less.
I was beginning to doubt my ability to stay on the couch. I must have showed it, for she snorted, "Wipe the drool off your chin!" and stepped out of her pants.
" 'Scuse, please," I answered and started unlacing my shoes. She stepped over and switched off the light, then went over to the one big window and raised the shade. It was closed but, with the light out, you could see outside easily. "Stand back from that window," I said. "You're too good a target."
"Huh? Oh, very well." She backed up a few steps but continued to stare thoughtfully out the window. I stared thoughtfully at her. There was a big neon sign across the street and the colored lights, pouring in the window, covered her from head to foot with a rosy liquid glow. She looked like something out of a dream of fairyland.
Presently I wasn't thinking how she looked; I was thinking about another room, where a girl had lain murdered, with the lights of a night club shining through a pane of glass, shining through like this neon.
My thoughts rearranged themselves rapidly and very painfully. I added them up a second time and still got the same answer. I did not like the answer. I was glad, damn glad, she was bare naked, with no way to conceal a gun, or a knife, or any other sort of deadly weapon. "Hazel," I said softly.
She turned to me. "Yes, Eddie?"
"I've just had a new idea . . . why should anyone want to kill you?"
"You said that before. There isn't any reason."
"I know. You're right; there isn't any. But put it this way—
why should you want to kill Estelle?
"