Eyeless In Gaza (9 page)

Later, when the lights had been put out, he climbed on to the rail at the head of his bed and, looking over the partition into Anthony's cubicle, ‘I s-say,' he whispered, ‘sh-shall we see how the new b-b-b . . . the new sh-ship goes?'

Anthony jumped out of bed and, the night being cold, put on his dressing-gown and slippers; then, noiselessly, stepped on to his chair and from the chair (pushing aside the long baize curtain) to the window-ledge. The curtain swung back behind him, shutting him into the embrasure.

It was a high narrow window, divided by a wooden transom into two parts. The lower and larger part consisted of a pair of sashes; the small upper pane was hinged at the top and opened outwards. When the sashes were closed, the lower of them formed a narrow ledge, half-way up the window. Standing on this ledge, a boy could conveniently get his head and shoulders through the small square opening above. Each window – each pair of windows, rather – was set in a gable,
so that when you leaned out, you found the slope of the tiles coming steeply down on either side, and immediately in front of you, on a level with the transom, the long gutter which carried away the water from the roof.

The gutter! It was Brian who had recognized its potentialities. A sod of turf carried surreptitiously up to bed in a bulging pocket, a few stones – and there was your dam. When it was built, you collected all the water-jugs in the dormitory, hoisted them one by one and poured their contents into the gutter. There would be no washing the next morning; but what of that? A long narrow sea stretched away into the night. A whittled ship would float, and those fifty feet of watery boundlessness invited the imagination. The danger was always rain. If it rained hard, somebody had somehow to sneak up, at whatever risk, and break the dam. Otherwise the gutter would overflow, and an overflow meant awkward investigations and unpleasant punishments.

Perched high between the cold glass and the rough hairy baize of the curtains, Brian and Anthony leaned out of their twin windows into the darkness. A brick mullion was all that separated them; they could speak in whispers.

‘Now then, Horse-Face,' commanded Anthony. ‘Blow!'

And like the allegorical Zephyr in a picture, Horse-Face blew. Under its press of paper sail, the boat went gliding along the narrow water-way.

‘Lovely!' said Anthony ecstatically; and bending down till his cheek was almost touching the water, he looked with one half-shut and deliberately unfocused eye until, miraculously, the approaching toy was transformed into a huge three-master, seen phantom-like in the distance and bearing down on him, silently, through the darkness. A great ship – a ship of the line – one hundred and ten guns – under a cloud of canvas – the North-East Trades blowing steadily – bowling along at ten knots – eight bells just sounding from . . . He stared
violently as the foremast came into contact with his nose. Reality flicked back into place again.

‘It looks just like a real ship,' he said to Brian as he turned the little boat round in the gutter. ‘Put your head down and have a squint. I'll blow.'

Slowly the majestic three-master travelled back again.

‘It's like the Fighting T-t-t- . . . You know that p-picture.'

Anthony nodded; he never liked to admit ignorance.

‘T-temeraire,' the other brought out at last.

‘Yes, yes,' said Anthony, rather impatiently, as though he had known it all the time. Bending down again, he tried to recapture that vision of the huge hundred-and-ten-gunner bowling before the North-East Trades; but without success; the little boat refused to be transfigured. Still, she was a lovely ship. ‘A beauty,' he said out loud.

‘Only she's a b-bit I-lopsided,' said Brian, in modest depreciation of his handiwork.

‘But I rather like that,' Anthony assured him. ‘It makes her look as though she were heeling over with the wind.' Heeling over: – it gave him a peculiar pleasure to pronounce the phrase. He had never uttered it before – only read it in books. Lovely words! And making an excuse to repeat them, ‘Just look!' he said, ‘how she heels over when it blows really hard.'

He blew, and the little ship almost capsized. The hurricane, he said to himself . . . struck her full on the starboard beam . . . carried away the fore top-gallant sails and the spinnakers . . . stove in our only boat . . . heeled till the gunwale touched the water . . . But it was tiring to go on blowing as hard as that. He looked up from the gutter; his eyes travelled over the sky; he listened intently to the silence. The air was extraordinarily still; the night, almost cloudless. And what stars! There was Orion, with his feet tangled in the branches of the oak tree. And Sirius. And all the others whose names he didn't know. Thousands and millions of them.

‘Gosh!' he whispered at last.

‘W-what on earth do you s-suppose they're f-for?' said Brian, after a long silence.

‘What – the stars?'

Brian nodded.

Remembering things his Uncle James had said, ‘They're not
for
anything,' Anthony answered.

‘But they m-must be,' Brian objected.

‘Why?'

‘Because e-everything is for s-something.'

‘I don't believe that.'

‘W-well, th-think of b-b-bees,' said Brian with some difficulty.

Anthony was shaken; they had been having some lessons in botany from old Bumface – making drawings of pistils and things. Bees – yes; they were obviously for something. He wished he could remember exactly what Uncle James had said. The iron somethings of nature. But iron whats?

‘And m-mountains,' Brian was laboriously continuing. ‘It w-wouldn't r-rain properly if there w-weren't any m-mountains.'

‘Well, what do
you
think they're for?' Anthony asked, indicating the stars with an upward movement of the chin.

‘Perhaps there are p-people.'

‘Only on Mars.' Anthony's certainty was dogmatic.

There was a silence. Then, with decision, as though he had at last made up his mind to have it out, at any cost, ‘S-sometimes,' said Brian, ‘I w-wonder wh-whether they aren't really al-live.' He looked anxiously at his companion: was Benger going to laugh? But Anthony, who was looking up at the stars, made no sound or movement of derision; only nodded gravely. Brian's shy defenceless little secret was safe, had received no wound. He felt profoundly grateful; and suddenly it was as though a great wave were mounting,
mounting through his body. He was almost suffocated by that violent uprush of love and (‘Oh, suppose it had been
my
mother!') of excruciating sympathy for poor Benger. His throat contracted; the tears came into his eyes. He would have liked to reach out and touch Benger's hand; only, of course, that sort of thing wasn't done.

Anthony meanwhile was still looking at Sirius. ‘Alive,' he repeated to himself. ‘Alive.' It was like a heart in the sky, pulsing with light. All at once he remembered that young bird he had found last Easter holidays. It was on the ground and couldn't fly. His mother had made fun of him because he didn't want to pick it up. Big animals he liked, but for some reason it gave him the horrors to touch anything small and alive. In the end, making an effort with himself, he had caught the bird. And in his hand the little creature had seemed just a feathered heart, pulsing against his palm and fingers, a fistful of hot and palpitating blood. Up there, above the fringes of the trees, Sirius was just such another heart. Alive. But of course Uncle James would just laugh.

Stung by this imaginary mockery and ashamed of having been betrayed into such childishness, ‘But how can they be alive?' he asked resentfully, turning away from the stars.

Brian winced. ‘Why is he angry?' he wondered. Then, aloud, ‘Well,' he started, ‘if G-god's alive . . .'

‘But my pater doesn't go to church,' Anthony objected.

‘N-no, b-b-but . . .' How little he wanted to argue now!

Anthony couldn't wait. ‘He doesn't believe in that sort of thing.'

‘But it's G-god that c-counts; n-not ch-church.' Oh, if only he hadn't got this horrible stammer! He could explain it all so well; he could say all those things his mother had said. But somehow, at the moment, even the things that she had said were beside the point. The point wasn't saying; the point was caring for people, caring until it hurt.

‘My uncle,' said Anthony, ‘he doesn't even believe in God. I don't either,' he added provocatively.

But Brian did not take up the challenge. ‘I s-say,' he broke out impulsively, ‘I s-say, B-b-b-. . .' The very intensity of his eagerness made him stammer all the worse. ‘B-benger,' he brought out at last. It was an agony to feel the current of his love thus checked and diverted. Held up behind the grotesquely irrelevant impediment to its progress, the stream mounted, seemed to gather force and was at last so strong within him that, forgetting altogether that it wasn't done, Brian suddenly laid his hand on Anthony's arm. The fingers travelled down the sleeve, then closed round the bare wrist; and thereafter, every time his stammer interposed itself between his feeling and its object, his grasp tightened in a spasm almost of desperation.

‘I'm so t-terribly s-sorry about your m-mother,' he went on. ‘I d-didn't w-want to s-say it be-before. N-not in f-front of the o-others. You know, I was th-th-th-. . .' He gripped on Anthony's wrist more tightly; it was as though he were trying to supplement his strangled words by the direct eloquence of touch, were trying to persuade the other of the continued existence of the stream within him, of its force, unabated in spite of the temporary checking of the current. He began the sentence again and acquired sufficient momentum to take him past the barrier. ‘I was th-thinking just n-now,' he said, ‘it m-might have been
my
mother. Oh, B-b-beavis, it m-must be too awful!'

Anthony had looked at him, in the first moment of surprise, with an expression of suspicion, almost of fear on his face. But as the other stammered on, this first hardening of resistance melted away, and now, without feeling ashamed of what he was doing, he began to cry.

Balanced precariously in the tall embrasure of the windows, the two children stood there for a long time in silence. The
cheeks of both of them were cold with tears; but on Anthony's wrist the grip of that consoling hand was obstinately violent, like a drowning man's.

Suddenly, with a thin rattling of withered leaves, a gust of wind came swelling up out of the darkness. The little three-master started, as though it had been woken out of sleep, and noiselessly, with an air of purposeful haste, began to glide, stern-foremost, along the gutter.

The servants had gone to bed; all the house was still. Slowly, in the dark, John Beavis left his study and climbed past the mezzanine landing, past the drawing-room, stair after stair, towards the second floor. Outside, in the empty street, the sound of hoofs approached and again receded. The silence closed in once more – the silence of his solitude, the silence (he shuddered) of her grave.

He stood still, listening for long seconds to the beating of his heart; then, with decision, mounted the last two stairs, crossed the dark landing and, opened the door, turned on the light. His image confronted him, staring palely from the dressing-table mirror. The silver brushes were in their usual place, the little trays and pincushions, the row of cut-glass bottles. He looked away. One corner of the broad pink quilt was turned back; he saw the two pillows lying cheek by cheek, and above them, on the wall, that photogravure of the Sistine Madonna they had bought together, in the shop near the British Museum. Turning, he saw himself again, at full length, funereally black, in the glass of the wardrobe. The wardrobe . . . He stepped across the room and turned the key in the lock. The heavy glass door swung open of its own accord, and suddenly he was breathing the very air of her presence, that faint scent of orris-root, quickened secretly, as it were, by some sharper, warmer perfume. Grey, white, green, shell-pink, black – dress after dress. It was as though
she had died ten times and ten times been hung there, limp, gruesomely headless, but haloed still, ironically, with the sweet, breathing symbol of her life. He stretched out his hand and touched the smooth silk, the cloth, the muslin, the velvet; all those various textures. Stirred, the hanging folds gave out their perfume more strongly; he shut his eyes and inhaled her real presence. But what was left of her had been burnt, and the ashes were at the bottom of that pit in Lollingdon churchyard.

‘Stay for me there,' John Beavis whispered articulately in the silence.

His throat contracted painfully; the tears welled out between his closed eyelids. Shutting the wardrobe door, he turned away and began to undress.

He was conscious, suddenly, of an overwhelming fatigue. It cost him an immense effort to wash. When he got into bed, he fell asleep almost at once.

Towards the morning, when the light of the new day and the noises from the street had begun to break through the enveloping layers of his inner darkness, John Beavis dreamed that he was walking along the corridor that led to his lecture-room at King's College. No, not walking: running. For the corridor had become immensely long and there was some terribly urgent reason for getting to the end of it quickly, for being there in time. In time for what? He did not know; but as he ran, he felt a sickening apprehension mounting, as it were, and expanding and growing every moment more intense within him. And when at last he opened the door of the lecture-room, it wasn't the lecture-room at all, but their bedroom at home, with Maisie lying there, panting for breath, her face flushed with fever, dark with the horrible approach of asphyxiation, and across it, like two weals, bluish and livid, the parted lips. The sight was so dreadful that he started broad awake. Daylight shone pale between the curtains; the quilt showed pink; there was a gleam in the wardrobe mirror; outside, the
milkman was calling, ‘Mu-ilk, Mui-uilk!' as he went his rounds. Everything was reassuringly familiar, in its right place. It had been no more than a bad dream. Then, turning his head, John Beavis saw that the other half of the broad bed was empty.