F is for Fugitive (4 page)

“I'm all right for now. Thanks.”

“None for me, hon,” Ori said. “My taste for it passed, but you go ahead and fix some for yourself.”

“I'll put the water on.”

Ann excused herself and left the room. I stood there wishing I could do the same. What I could see of the apartment looked much like the office: gold high-low carpeting, Early American furniture, probably from Montgomery Ward. A painting of Jesus hung on the wall at the foot of the bed. He had his palms open, eyes lifted toward heaven—pained, no doubt, by Ori's home decorating taste. She caught my eye.

“Bailey gave me that pitcher. It's just the kind of boy he was.”

“It's very nice,” I replied, then quizzed her while I could. “How'd he get mixed up in a murder charge?”

“Well, it wasn't his fault. He fell in with bad company. He didn't do good in high school and after he got out, he couldn't find him a job. And then he ran into Tap Granger. I detested that no-account the minute I laid eyes on him, the two of 'em running around till all hours, getting into trouble. Royce was having fits.”

“Bailey was dating Jean Timberlake by then?”

“I guess that's right,” she said, apparently hazy on the details after so much time had passed. “She was a sweet girl, despite what everybody said about that mother of hers.”

The telephone rang and she reached over to the bed table to pick it up. “Motel,” she said. “Unh-hunh, that's right. This month or next? Just a minute, I'll check.” She pulled the reservation book closer, removing a pencil from between the pages. I watched her flip forward into March, peering closely at the print. Her tone, as she conducted business, was completely matter-of-fact. Gone was the suggestion of infirmity that marked her ordinary speech. She licked the pencil point and made a note, discussing king-sized beds versus queen.

I took the opportunity to go in search of Ann. A doorway on the far wall led out into a hallway, with rooms opening off the central corridor in either direction. On the right, there was a staircase, leading to the floor above. I could hear water being run and then the faint tap of the teakettle on the burner in the kitchen to my left. It was hard to get a fix on the overall floor plan and I had to guess the apartment had been patched together from a number of motel rooms with the intervening walls punched out. The resulting town house was spacious, but jerry-built, with the traffic patterns of a maze. I peeked into the room across the hall. Dining room with a bath attached. There was access to the kitchen through what must have been an alcove for hanging clothes. I paused in the doorway. Ann
was setting cups and saucers on an industrial-sized aluminum serving tray.

“Need any help?”

She shook her head. “Look around if you like. Daddy built the place himself when he and Mother first got married.”

“Nice,” I said.

“Well, it's not anymore, but it was perfect for them. Has she given you a key yet? You might want to take your bags up. I think she's putting you in room twenty-two upstairs. It's got an ocean view and a little kitchenette.”

“Thanks. That's great. I'll take my bags up in a bit. I'm hoping to talk to the attorney this afternoon.”

“I think Pop set up an appointment for you at one-forty-five. He'll probably want to tag along if he's feeling up to it. He tends to want to stage-manage. I hope that's all right.”

“Actually, it's not. I'll want to go alone. Your parents seem defensive about Bailey, and I don't want to have to cope with that when I'm trying to get a rundown on the case.”

“Yes. All right. I can see your point. I'll see if I can talk Pop out of it.”

Water began to rumble in the bottom of the kettle. She took teabags from a red-and-white tin canister on the counter. The kitchen itself was old-fashioned. The linoleum was a pale gridwork of squares in beige and green, like an aerial view of hay and alfalfa fields. The gas stove was white with chrome trim, unused burners
concealed by jointed panels that folded back. The sink was shallow, of white porcelain, supported by two stubby legs, the refrigerator small, round-shouldered, and yellowing with age, probably with a freezer compartment the size of a bread box.

The teakettle began to whistle. Ann turned the burner off and poured boiling water in a white teapot. “What do you take?”

“Plain is fine.”

I followed her back into the living room, where Ori was struggling to get out of bed. She'd already swung her feet over the side, her gown hitching up to expose the crinkled white of her thighs.

“Mother, what are you doing?”

“I have to go sit on the pot again, and you were taking so long I didn't think I could wait.”

“Why didn't you call? You know you're not supposed to get up without help. Honestly!” Ann set the tray down on a wooden serving cart and moved over to the bed to give her mother a hand. Ori descended ponderously, her wide knees trembling visibly as they took her weight. The two proceeded awkwardly into the other room.

“Why don't I go ahead and get my things out of the car?”

“Do that,” she called. “We won't be long.”

The breeze off the ocean was chilly, but the sun was out. I shaded my eyes for a moment, peering at the town, where pedestrian traffic was picking up as the noon hour approached. Two young mothers crossed
the street at a languid pace, pushing strollers, while a dog pranced along behind them with a Frisbee in his mouth. This was not the tourist season, and the beach was sparsely populated. Empty playground equipment was rooted in the sand. The only sounds were the constant shushing of the surf and the high, thin whine of a small plane overhead.

I retrieved my duffel and the typewriter, bumping my way back into the office. By the time I reached the living room, Ann was helping Ori into bed again. I paused, waiting for them to notice me.

“I need my lunch,” Ori was saying querulously to Ann.

“Fine, Mother. Let's go ahead and do a test. We should have done it hours ago, anyway.”

“I don't want to fool with it! I don't feel that good.”

I could see Ann curbing her temper at the tone her mother used. She closed her eyes. “You're under a lot of stress,” she said evenly. “Dr. Ortego wants you to be very careful till he sees you next.”

“He didn't tell
me
that.”

“That's because you didn't talk to him.”

“Well, I don't like Mexicans.”

“He's not Mexican. He's Spanish.”

“I still can't understand a word he says. Why can't I have a real doctor who speaks English?”

“I'll be right with you, Kinsey,” Ann murmured, catching sight of me. “Let me just get Mother settled first.”

“I can take my bags up if you tell me where they go.”

There was a brief territorial dispute as the two of them argued about which room to put me in. In the meantime, Ann was taking out cotton balls, alcohol, and some sort of testing strip sealed in a paper packet. I looked on with discomfort, an unwilling witness as she swabbed her mother's fingertip and pierced it with a lancet. I could feel myself going nearly cross-eyed with distaste. I moved over to the bookcase, feigning interest in the titles on the shelves. Lots of inspirational reading and condensed versions of Leon Uris books. I pulled out a volume at random and leafed through, blocking out the scene behind me.

I waited a decent interval, tucked the book away, and then turned back casually. Ann had apparently read the test results from the digital display on a meter by the bed and was filling a syringe from a small vial of pale, milky liquid I presumed was insulin. I busied myself with a glass paperweight—a Nativity scene in a swirling cloud of snow. Baby Jesus was no bigger than a paper clip. God, I'm a sissy when it comes to shots.

From the rustling sounds behind me, I surmised they were done. Ann broke the needle off the disposable syringe and tossed it in the trash. She tidied up the bed table and then we moved out to the desk so she could give me my room key. Ori was already calling out a request.

 

 

 

 

 

By one-thirty, I had driven the twelve miles to San Luis Obispo and I was circling through the downtown area, trying to orient myself and get a feel for the place. The commercial buildings are two to four stories high and immaculately maintained. This is clearly a museum town, with Spanish and Victorian structures restored and adapted to current use. The storefronts are painted in handsome dark shades, many with awnings arching over the windows. The establishments seem to be divided just about equally between trendy clothing stores and trendy restaurants. Carrotwood trees border most avenues, with strings of tiny Italian lights woven into branches bursting with green. Any businesses not catering directly to the tourists seem geared to the tastes of the Cal Poly students in evidence everywhere.

Bailey Fowler's new attorney was a man named Jack Clemson, with an address on Mill, a block from the
courthouse. I pulled into a parking space and locked my car. The office was located in a small, brown frame cottage with a pointed gable in the roof and a narrow wooden porch enclosed by trellises. A white picket fence surrounded the property, with a tangle of geraniums crowding in among the pales. Judging from the lettered sign affixed to the gate, Jack Clemson was the sole tenant.

I climbed the wooden porch steps and moved into the entrance hall now furnished as a reception area. A grandfather clock on the wall to my left gave the only sense of life, the brass pendulum snick-snacking back and forth mechanically. The former parlor on the right was lined with old-fashioned, glass-fronted oak bookcases. There was an oak desk with a typing ell, a swivel chair, a Xerox machine, but no secretary in sight. The screen on the computer monitor was blank, the surface of the desk neatly stacked with legal briefs and brown accordion files tied with string. Across the hall, the door to the matching parlor was shut. One of the buttons on the telephone was lighted and I could smell fresh cigarette smoke drifting out from somewhere in the back. Otherwise, the office seemed deserted.

I took a seat in an old church pew with a slot for hymnals underneath the bench. It was filled now with alumni journals from Columbia University Law School, which I leafed through idly. Presently, I heard footsteps and Clemson appeared.

“Miss Millhone? Jack Clemson. Nice to meet you.
You'll have to pardon the reception. My secretary's out sick and the temp's still off at lunch. Come on back.”

We shook hands and I followed him. He was maybe fifty-five and heavyset, one of those men who'd probably been considered portly since birth. He was short and squat, wide-shouldered and balding. His features were babified: sparse eyebrows and a soft, undefined nose with red dents along the bridge. A pair of tortoiseshell reading glasses were shoved up on his head, and strands of hair were standing straight up on end. His shirt collar was unbuttoned and his tie was loose. Apparently he hadn't had time to shave, and he scratched at his chin experimentally as if to gauge the morning's growth. His suit was tobacco brown, impeccably tailored, but wrinkled across the seat.

His office occupied the entire rear half of the building, and had French doors that opened out onto a sunny deck. Both of the dark green leather chairs intended for clients were piled high with legal briefs. Clemson scooped up an armload of books and files and set them on the floor, motioning for me to take a seat while he went around to the far side of the desk. He caught a glimpse of himself in the mirror hanging on the wall to his left, and his hand returned involuntarily to the stubble on his chin. He sat down and pulled a portable electric razor from his desk drawer. He flicked it on and began to slide it around his face with a practiced hand, mowing a clean path across his upper lip. The shaver buzzed like a distant airplane.

“I got a court date in thirty minutes. Sorry I can't spare you any more time this afternoon.”

“That's all right,” I said. “When does Bailey get in?”

“He's probably here by now. Deputy drove down this morning to bring him back. I made arrangements for you to see him at three-fifteen. It's not regular visiting hours, but Quintana said it's okay. It's his case. He was rookie of the year back then.”

“What about the arraignment?”

“Eight-thirty tomorrow morning. If you're interested, you can come here first and walk over with me. That'll give us a chance to compare notes.”

“I'd like that.”

Clemson made a note on his desk calendar. “Will you be going back over to the Ocean Street this afternoon?”

“Sure.”

He tucked the electric shaver away and closed the desk drawer. He reached for some papers, which he folded and slipped into an envelope, scrawling Royce's name across the front. “Tell Royce this is ready for his signature,” he said.

I tucked the envelope in my handbag.

“How much of the background on this have you been told?”

“Not much.”

He lit a cigarette, coughing into his fist. He shook his head, apparently annoyed by the state of his lungs. “I had a long talk this morning with Clifford Lehto, the PD who handled Fowler's case. He's retired now.
Nice man. Bought a vineyard about sixty miles north of here. Says he's growing Chardonnay and Pinot Noir grapes. I wouldn't mind doing that myself one of these days. Anyway, he went through his old files for me and pulled the case notes.”

“What's the story on that? Why'd the DA make a deal?”

Clemson gestured dismissively. “It was all circumstantial evidence. George De Witt was the district attorney. You ever run into him? Probably not. It would have been way before your time. He's a Superior Court judge now. I avoid him like the plague.”

“I've heard of him. He's got political aspirations, doesn't he?”

“For all the good it's gonna do. He's into the sauce and it's the kiss of death. You never know which way he's gonna go on a case. He's not unfair, but he's inconsistent. Which is too bad. George was a hotdogger. Very flashy guy. He hated to bargain a high-publicity case, but he wasn't a fool. From what I hear, the Timberlake murder looked passable on the surface, but they were short of hard evidence. Fowler was known around town as a punk for years. His old man had thrown him out—”