Fade Away (1996) (33 page)

Krinsky pressed a button and the tape froze.

'The woman who just entered the picture. On the right. Heading south, which would be away from the scene.'

Myron saw a blurry image. He couldn't see a face or even gather much about her height. She wore high heels and a long overcoat with a frilly neck.

Hard to tell much about her weight either. The hair however was familiar.

He kept his tone neutral. 'Yeah, I see her.'

'Look at her right hand,' he said.

Myron did. There was something dark and long in it. I can't make it out.'

'We got it blown up. Krinsky.'

Krinsky handed Myron two large black and white photographs. The woman's head was enlarged in the first one, but you still couldn't see any facial features. In the second picture, the long, dark object in her hand was clearer.

'We think it's a plastic garbage bag wrapped around something,'

Dimonte said. 'Kind of an odd shape, wouldn't you say?'

Myron looked at the photo and nodded. 'You figure it's covering up a baseball bat.'

'Don't you?'

'Yeah,' Myron said.

'We found plastic garbage bags just like that one in Gorman's kitchen.'

'And probably half the kitchens in New York City,' Myron added.

'True enough. Now look at the date and time on the screen.'

On the top left-hand side of the screen, a digital clock read 02:12:32 a.m.

The date was early Sunday morning. Just hours after Liz Gorman had been at the Swiss Chalet bar with Greg Downing.

'Did the camera get her coming the other way?' Myron asked.

'Yeah, but it's not too clear. Krinsky.'

Krinsky hit the rewind button. Several seconds later, he stopped and the picture came back on. The time now read 01:41:12. A little more than thirty minutes earlier.

'Coming now,' Dimonte said.

The image almost flew past. Myron only recognized the woman by the long overcoat with the frilly neck. This time, she was carrying nothing in her hand. Myron said, 'Let me see the other part again. All the way through.'

Dimonte nodded at Krinsky. Krinsky found it and hit play. While Myron still couldn't see the woman's face, her walk was another matter. And a person's walk could be fairly distinctive. Myron felt his heart crawl up into his throat.

Dimonte was studying him through squinting eyes. 'You recognize her, Bolitar?'

Myron shook his head. 'No,' he lied.

Esperanza liked to make lists.

With the Raven Brigade file in front of her, she jotted down the three most important factors in chronological order:

1. The Raven Brigade robs a bank in Tucson.

2. Within days, at least one of the Ravens (Liz Gorman) was in Manhattan.

3. Soon after, Liz Gorman made contact with a high-profile professional basketball player.

It didn't flow.

She opened the file and briefly scanned the 'brigade's' history. In 1975 the Ravens had kidnapped Hunt Flootworth, the twenty-two-year-old son of publishing giant Cooper Flootworth. Hunt had been a classmate at San Francisco State of several of the Ravens, including both Cole Whiteman and Liz Gorman. The famous Cooper Flootworth, never one to sit around idly and let others handle his affairs, hired mercenaries to rescue his son. During their raid, young Hunt was shot at point-blank range in the head by one of the Ravens. No one knew which one. Of all the brigade members at the scene four managed to escape.

Big Cyndi skipped into the office. The vibrations rolled Esperanza's pens off the desk.

'Sorry,' Cyndi said.

'It's okay.'

'Timmy called me,' Cyndi said. 'We're going out Friday night.'

Esperanza made a face. 'His name is Timmy?'

'Yeah,' Cyndi said. 'Isn't that sweet?'

'Adorable.'

'I'll be in the conference room,' Cyndi said.

Esperanza turned back to the file. She flipped ahead to the Tucson bank heist - the group's first in more than five years. The robbery took place as the bank was closing. The feds believed one of the security guards was in on it, but so far they had nothing more than the guard's left-leaning background.

About $15,000 in cash was taken, but the robbers took the time to blow the safe-deposit boxes. Risky. The feds theorized that the Ravens had somehow found out that drug money was stored there. The bank cameras showed two people dressed head to toe in black with black ski masks. No fingerprints or hairs or fibers. Nada.

Esperanza read through the file again, but nothing new exploded from the pages. She tried to imagine what the past twenty years had been like for the surviving Ravens, constantly on the run, never sleeping in the same place very long, leaving and reentering the country, relying on old sympathizers you were never sure you could completely trust. She grabbed her piece of paper and made some more notes: Liz Gorman-- > Bank Robbery-- > Blackmail Okay, she thought, follow the arrows. Liz Gorman and the Ravens needed funds, so they robbed the bank. That worked out. It explained the first arrow. That was a gimme anyway. The real problem was that second connection: Bank Robbery-- > Blackmail.

Simply put, what about the bank robbery had led her to the East Coast and her scheme to blackmail Greg Downing? She tried to write down possibilities.

She looked up. It was possible, she surmised. He needed the money for gambling debts. He might do something illegal. But this hypothesis still did not answer the biggest question in all this: how did they meet? How did Liz Gorman and Greg Downing hook up in the first place?

That, she felt, was the key.

She wrote a number two. And waited.

What other link could there be?

Nothing came to mind so she decided to try it from the opposite end.

Start with the blackmail and go back. In order to blackmail Downing, Liz Gorman had to have stumbled across something incriminating. When?

Esperanza drew another arrow:

Bank Robbery < -- > Blackmail Esperanza felt something like a tiny pinprick. The bank robbery. Something they found at the bank robbery led to the blackmail scheme.

She quickly shuffled through the file, but she already knew that it wasn't there. She picked up the phone and dialed. When the man answered, she said, 'Do you have a list of the people who were renting safe-deposit boxes?'

'Somewhere, I guess,' he replied. 'Why, you need it?'

'Yes.'

Deep sigh. 'All right, I'll start looking. But tell Myron he owes me for this.

Owes me big.'

When Emily opened the door, Myron said, 'Are you alone?'

'Why, yes,' she replied with a coy smile. 'What do you have in mind?'

He shoved past her. Emily stumbled back, her mouth an open circle of surprise. He headed straight for the foyer closet and opened it.

'What the hell are you doing?'

Myron did not bother answering. His hands pushed hangers left and right in a frenzy. It didn't take long. He pulled the long overcoat with the frilly neck into view. 'Next time you commit a murder,' he said, 'dispose of the clothes you wore.'

She took two steps back, her hand fluttering toward her mouth. 'Get out,' she hissed.

'I'm giving you one chance to tell the truth.'

'I don't care what you're giving. Get the fuck out of my house.'

He held up the coat. 'You think I'm the only one who knows? The police have a videotape of you at the murder scene. You were wearing this coat.'

Her body slackened. Her face looked like she'd been on the receiving end of a palm strike to the solar plexus.

Myron lowered the coat to his side. 'You planted the murder weapon at your old house,' he said. Tou smeared blood in the basement.' He turned and half-pounced into the living room. The pile of tabloids was still there.

He pointed at it. 'You kept searching the papers for the story. When you read about the body being found, you made an anonymous call to the police.'

He glanced back at Emily. Her eyes were unfocused and glazed.

'I kept wondering about the playroom,' Myron said. 'Why, I kept asking myself, would Greg go down there of all places after the murder? But of course that was the point. He wouldn't. The blood could remain undetected for weeks if need be.'

Emily made two fists at her sides. She shook her head, finally finding her voice. 'You don't understand.'

'Then tell me.'

'He wanted my kids.'

'So you framed him for murder.'

'No.'

'This isn't the time to lie, Emily.'

'I'm not lying, Myron. I didn't frame him.'

'You planted the weapon--

'Yes,' she interrupted, 'you're right about all that. But I didn't frame him.' Her eyes closed and reopened, almost like she was doing a minimeditation. 'You can't frame somebody for something they did.'

Myron stiffened. Emily stared at him stone faced. Her hands were still tightened into small balls. 'Are you saying Greg killed her?'

'Of course.' She moved toward him, taking her time, using the seconds the way a boxer uses an eight count after a surprise left hook. She took the coat from his hands. 'Should I really destroy it, or can I trust you?'

'I think you better explain first.'

'How about some coffee?'

'No,' Myron said.

'I need some. Come on. We'll talk in the kitchen.'

She kept her head high and walked the same walk Myron had watched on the tape. He followed her into a bright white kitchen. The kitchen gleamed in tiled splendor. Most people probably thought the decor was to die for; Myron thought it resembled a urinal at a fancy restaurant.

Emily took out one of those new coffee presses people were using. 'You sure you won't have some? It's Starbucks. Kona Hawaiian blend.'

Myron shook his head. Emily had regained her senses now. She was back in control; he'd let her stay there. A person in control talks more and thinks less.

'I'm trying to figure out where to begin,' she said, adding hot water to the press. The rich aroma immediately filled the air. If this was a coffee commercial, one of them would be saying 'Ahhhh' right about now. 'And don't tell me to begin at the beginning or I'll scream.'

Myron held up his hands to show he would do no such thing.

Emily pushed a little on the plunger, met resistance, pushed again. 'She came up to me one day in the supermarket of all places,' she said. 'Out of the blue. I'm reaching for some frozen bagels, and this woman tells me she has uncovered something that could destroy my husband. She tells me that if I don't pay up, she's going to call the papers.'

'What did you say?'

'I asked her if she'd need a quarter for the phone.' Emily chuckled, stopped pressing, stood upright. 'I figured it was a joke. I told her to go ahead and destroy the bastard. She just nodded and said she'd be in touch.'

'That was it?'

'Yep.'

'When was this?'

I don't know. Two, three weeks ago.'

'So when did you hear from her next?'

Emily opened a cabinet and took out a coffee mug. The mug had a picture of some cartoon character. The words world's greatest mom were emblazoned on the side. 'I'm making enough for two,' she said.

'No thank you.'

'You sure?'

'Yes,' Myron said. 'What happened next?'

She bent down and peered into the coffee press like it was a crystal ball. 'A few days after this, Greg did something to me . . .' She stopped. Her tone was different now, the words coming slower and with more care. 'It's like I told you last time you were here. He did something awful. The details aren't important.'

Myron nodded but said nothing. No reason to raise the videotape now and knock her off her stride. Facilitate her - that was the key.

'So when she came back and told me Greg was willing to pay big for her silence, I told her I'd pay more to make her talk. She told me it would cost a lot. I told her I didn't care how much. I tried to appeal to her as a woman. I went so far as to tell her about my situation, how Greg was trying to take my kids away from me. She seemed to sympathize, but she also made it clear that she couldn't afford to be philanthropic. If I wanted the information, I'd have to pay up.'

'Did she tell you how much?'

'One hundred thousand dollars.'

Myron held back a whistle. Serious double dipping. Liz Gorman's strategy was probably to keep collecting from both of them, bleeding them both for as long as she thought it was safe. Or maybe she was hitting hard and fast because she knew she would have to go underground again. Either way, it made sense from Liz Gorman's perspective to collect from all interested parties - Greg, Clip, and Emily. Take money for silence. Take money to sing. Blackmailers have the loyalty of election-year politicians.

'Do you know what she had on Greg?' he asked.

Emily shook her head. 'She wouldn't tell me.'

'But you were prepared to pay her a hundred grand?'

'Yes.'

'Even though you didn't know what it was for?'