Fall on Your Knees (25 page)

Frances figured Mr MacIsaac was just saying that to be nice. Either that or he’s stupid. Why else does he fail to notice how sticky her fingers get whenever she passes the bin of cinnamon hearts and jellybeans? Frances let Mercedes in on her theory about the true nature of Daddy’s work, but Mercedes just said “silly nonsense”.

James is a bootlegger. When he works, he works at night. He leaves the house around eleven o’clock and locks the girls inside. He lights a lantern in the shed, where his cobbling tools sit gathering dust. Then he leaves the shed too and locks the door. He drives away, leaving the light to burn all night in the window.

He goes to the mouth of a certain stream and meets the dories that row in from the boats anchored offshore on “rum row”. These boats are en route from the British colony of Newfoundland, where liquor is legal, to points down the coast as far as New York City. James carries barrel after barrel and case after case up the middle of the stream to a hiding-place. He returns the next night, loads up his automobile and makes trips from the hiding-place to his secret premises back in the woods. He is starting to feel too old for all this lifting and ferrying, however, and is considering hiring a couple of younger or poorer men. There are plenty of both kinds about these days.

One strike follows another: ’22, ’23, and just this past March of ’25 the miners walked out again. It reminds James of New Waterford’s bad old days before the war. Outside Cape Breton, the twenties are roaring. But the famous postwar boom never hit here. At least not for ordinary people. Things have gone from bad to worse. The politicians and the captains of industry blame it on that mysterious mechanism, “the world economy”. But even James recognizes this as a euphemism for “God-forsaken sons-of-bitches who took everything out of here and never put a thing back”. Many miners’ children walk to school barefoot and eat lard sandwiches soaked in water to give them substance — this during times of full employment. No one knows it yet, but Cape Breton is a dress rehearsal for the Great Depression.

It’s not surprising that bootlegging is tolerated. Who can blame a body for seeking to supplement his income a little? Or for just brewing some consolation to share with friends and family around a fiddle? And that’s what most people do. It’s unusual to find a local who sells homemade ’shine at more than cost. And it’s unusual to find someone who doesn’t have a jug stashed somewhere, if not a vat on the stove. The story goes that Father Nicholson opened Mount Carmel’s rectory door to a stranger who enquired, “Where can a fella get a drop around here, father?” And the priest replied, “Well, my son, you’ve come to the only place in town where you can’t get a drop, although I don’t know, my curate might be selling.” The few serious bootleggers tend to be good fellas — wild but not bad, and certainly not stingy or vindictive. Even the Mounties enjoy the game, no matter how often they’re outwitted, and a mutual respect flourishes. Win some, lose some.

Naturally there is a Women’s Christian Temperance League, but they are a Protestant bevy and New Waterford is a Catholic town. Even in Sydney, where there are more teetotal Protestants, the hotels serve strong drink with only the threat of now and then being charged a token fine for a first violation. A second violation shuts you down, but a proprietor would have to make himself very unpopular in order to have his twentieth violation designated a “second”.

There is no shame in bootlegging. Not the way it is practised by most people. James, however, is a professional. At his shack, in the middle of a secret clearing in the woods, he takes genuine scotch and gin, real rum, and cuts it all with his own lye-quickened concoction that bubbles day and night. He reseals the genuine liquor bottles and turns a handsome profit. It helps that he doesn’t have friends to blab to. Otherwise one thing leads to another and, before you know it, the Mountie who has just turned up at your still to purchase a drop of Christmas cheer is duty-bound, come New Year’s, to burn you down, no hard feelings.

Like the professional he is, James sells only to those most likely to pay: to several wealthy individuals who do their drinking at home and can afford a cut above the usual “recipe” of molasses, yeast and water. And to most of the hotels and blind pigs from Sydney Mines to Glace Bay — where the liquor gets diluted again. He no longer sells to miners because he has grown weary of collecting debts. James has read in the papers about spectacular outbreaks of violence down in the States, where gangs fight for control of their patch and men are shot over bad debts. But in James’s experience, all that’s usually required is a threat to tell the poor bastard’s wife. James is sick of hearing their sob stories. If their children are so hard up, they shouldn’t part with a penny for his poison. And they need look no further than James himself for a good example: he doesn’t touch a drop.

All this helps to keep James well and truly hated. Why? Because I’m not disappearing down the same drain they are. Because I have the guts and the sense to support my family.

Not only does James’s work keep meat on the table when most people are lucky to get porridge, and good clothes on his children’s backs when many go about in made-over flour sacks — the hours allow him to devote himself to what matters: Lily.

James has stopped counting his books; there are too many. Mercedes and Frances have dipped into all the crates and he encourages them. But for his own part, he barely has time to glance at the newspaper before supper, and daytime is reserved for teaching Lily.

They do a different letter of the
Encyclopaedia Britannica
each day for two hours. James assigns passages for Lily to memorize and he quizzes her as to comprehension. She writes miniature essays on butterflys, boxcars, Bulgaria and Big Berthas. Lily loves to learn, but most of all she loves Daddy. After book-learning, James takes Lily for drives in the automobile. Sometimes they stay away all night; like the time they went to St Ann’s and saw the home of Angus McAskill, the Cape Breton Giant. Lily saw a picture of the big man holding Tom Thumb on the palm of his hand. She was awed by the tender bond between giant and midget — glad they had each other.

James has got permission to keep Lily out of school. She is crippled. It makes sense that she would be delicate. Everyone assumes she is — everyone but Frances. James doesn’t entirely approve of the closeness that has developed between Lily and Frances, but he can’t deny Lily anything. He just tries to keep track of them. Always at the back of his mind is the episode in the creek the night Lily was born and he caught Frances trying to drown her. Only James knows whom Lily has to thank for her withered leg, because surely Frances was too young to remember. Just as she was too young to remember the second infant….

Now and then at dawn, on his way home from a night’s work, James stops at the cemetery and visits Kathleen. He doesn’t leave flowers. What’s the point? He may pull a weed if it obscures her name. Her headstone is dignified and free of second-rate sentiment. It says simply, “Beloved Daughter”. James does not tend Materia’s grave because someone else does that. “Call’d from the cares of this world.” Someone also leaves flowers, he doesn’t know who. James stands as still as the stones, looks out at the water and feels how small the world has become. Europe is in front of him. Home is behind him. And at his feet….

At this hour there is always a mist about a mile out. James is a Catholic but he cannot believe in life hereafter. Not for himself, anyway. Sometimes, though, when he looks out at the fog on the water, he feels comforted.

Little Women

Mercedes is in love. He is tall — at least she thinks so — dark, that’s for sure, and handsome, no question. His eyes burn into her very soul and seem to say, I need so much, so badly, for a good woman to love me and tame me. He wears a turban. He is most often to be found in his lavish striped tent, or galloping across the sands on a white Arabian charger. He is Rudolph Valentino. Mercedes does not know whether to hate Pola Negri with all her heart, or to pray for her since she has been entrusted with Mercedes’ one true love. She prays for Valentino every night. She has never heard his voice, but somehow she has married his silent image to the rich baritone of Tita Ruffo, whose every recording she possesses.

“Rudy probably has a horrible plugged-nose voice and a lisp,” says Frances, mercilessly. “He’s probably a midget in real life.” How did Frances guess her secret, anyway? Mercedes has been so careful not to betray her heart, but Frances is uncanny; tying a tea towel around her face as a veil, batting her eyelashes and swooning in an all-purpose exotic accent: “‘Someday you weel beat me with those str-r-rong hands. I should like to know what it fee-eels like.’”

Mercedes has told only Helen Frye, who is in love too, with Douglas Fairbanks. Mercedes indulges Helen’s schoolgirl crush but can’t sympathize; Fairbanks is somehow smug and self-sufficient. Valentino is haplessly fierce and hopelessly needy. Helen once said he was coarse — there almost went the friendship. But they made up the next day and took turns describing their future married life with their respective paramours.

Whenever Mercedes has had a particularly lovely time with Helen, she feels a bit guilty. It pains her that Frances doesn’t seem to have any friends. Unless you can call those dirty sniggering boys at school “friends”. Frances skulks off with them behind the boonies at recess sometimes. Mercedes knows they probably smoke and spit and swear. It’s dreadful. And then, who knows what Frances does when she disappears from school altogether? Mercedes does her best, but it’s difficult keeping Frances out of trouble. For example, Frances always seems to have the latest issue of that lurid rag
Weird Tales
, by H.P. Lovecraft. Daddy does not permit trash in the house and Mercedes is constantly hiding Frances’s contraband under her pillow, or simply doing her the favour of tossing it into the furnace.

When Mercedes feels the prick of sisterly conscience, she invites Frances to tag along with her and Helen. Helen always purses her lips at the sight of Frances and Mercedes can’t blame her. The last time they made a threesome, it was to see Douglas Fairbanks again, in
The Thief of Baghdad
, at the Bijou. Frances was terribly provoking, speaking aloud all the lines in the script the second before they came on the screen, but worst of all, she scandalized Helen with “Okay watch, here comes the part where he gets flogged ’n he escapes from the palace and you can see his pecker right through his pants.”

Frances is a moving-picture fan too but she has different idols. Lillian Gish. Lillian Gish. Lillian Gish. Her hair is perfect, her eyes are perfect, her little mouth is perfect. She is so small and so brave. She can be bent, but never broken. Men are brutes, and if they are not, they are big galoots or else chivalrous princes who arrive too late. When Frances plays hookey, she can be found down at the shore, maybe chatting with the lobstermen — or, if she has the price of admission, slouched with her legs dangling over the seat in front of her in the ecstatic darkness of the Empire or the Bijou, taking in the matinée.

Having no funds of her own, Frances frequently manages to talk Mercedes out of a dime from the housekeeping money, then pilfers half as much again when Mercedes isn’t looking. If Frances takes Lily along of a Saturday, then Lily pays out of her allowance. Otherwise Frances just helps herself from Lily’s stash that she leaves right out in the open on top of the dresser they share. Frances only takes what she needs — “a mere bagatelle” — and she knows Lillian Gish would do the same. They have so much in common: forced to live in poverty; to stoop to shameful stratagems and desperate measures just in order to survive. And they both know what it’s like to live “way down east”.

For her part, Lily has been slain by Mary Pickford. She cries through
Pollyanna
every time. Frances tries to broaden Lily’s horizons: “Look Lily, don’t you see that once she turned into a cripple she got boring and sucky?”

“No.”

“That’s ’cause you’re a suck.”

“I am not!”

They’ll be walking home down Plummer Avenue sharing a fizzy Havelock Iron Brew that Lily has kindly sprung for.

“Just like in
What Katy Did
, she’s a holy terror till she breaks her back, then she’s a sooky baby just like you.”

“I am not a sooky baby, Frances.”

“Oh yeah? Prove it.”

Then Lily may take a poke at Frances, who laughs, holds Lily’s head just beyond arm’s length and watches her swing. And when Lily is exhausted, “Lily. Say bastard.”

Lily hesitates. Frances taunts, “See, I told you — baby.”

“Bastard!”

Frances looks around, “Jeez, Lily, not so loud.”

And Lily whispers, “Bastard.”

“Say horse’s arse.”

“Horse’s arse.”

“Say Lily Piper is a horse’s arse.”

“Frances Piper is a stupid bum-ass.”

“Lily.” Frances stops in her tracks. “You have really hurt my feelings this time.”

Lily’s eyes fill up. “I’m sorry, Frances.”

Then Frances smirks and says, “Suck.”

While Frances can tolerate Lily’s idiotic crush on America’s Sweetheart, she has no patience with The Sheik because ever since Mercedes fell in love with Valentino she’s been no fun. She won’t play any more, just patrols the house and makes the meals and acts like she’s lost a cucumber sideways up a woman’s most precious possession. Or works on her other obsession: the family tree. A dry diagram covered mostly with names of dead Scottish people. Frances knows that Mercedes has started her period. Maybe that explains it. Mrs Luvovitz came over one afternoon in January and locked herself in the bathroom with Mercedes for over an hour. Then Mercedes emerged with a kindly yet superior smile on her face, because Mrs Luvovitz had told her the wonderful news that she was a woman now. “And soon, Frances,” Mercedes simpered, “the same miraculous thing will happen to you.”

In the good old days, however, all three sisters used to play together. Lily was their doll, they could do anything with her. Until she started to scream. Then they’d let her be an active participant. She was great to play with because she would get so caught up.