Authors: Erica Jong
We had no money to live on, really. My fellowship to graduate school, a small trust fund I couldn’t touch for several years, and a few rapidly falling stocks my parents had given me for my twenty-first birthday. Brian had dropped out of graduate school in a fit of fury with the establishment, but now he found himself having to take a job. Our life changed radically. We came to realize how little married couples see of each other once they crawl into the bourgeois box. Our idyll was over. The long walks, the studying together, the lazy afternoons in bed—all these belonged to a golden age that had passed. Brian now spent his days (and most of his nights) toiling away in a small market-research firm where he sweated over the computers, anxiously awaiting their answers to such earthshaking questions as whether or not women who have had two years of college will buy more detergent than women who have graduated from college. He threw himself into market research with the same manic passion that he had for medieval history or anything else. He had to know everything; he had to work harder than anybody else, including his boss—who sold the business for several million dollars in cash not long after Brian checked into the psycho ward. The whole operation was later shown to be a fraud. But by that time, Brian’s boss was living in an old castle in Switzerland with a new young wife and Brian had been ‘certified.’ For all his brilliance, Brian didn’t know (or didn’t want to know) what a con man his boss was. He often used to sit watching the computers until twelve o’clock at night. Meanwhile I sweated in the stacks of Butler Library writing a ridiculous thesis on dirty words in English poetry (or, as my uptight thesis adviser had titled it: “Sexual Slang in English Poetry of the Mid-eighteenth Century”). Even then I was a pedantic pornographer.
Our marriage went from bad to worse. Brian stopped fucking me. I would beg and plead and ask what was wrong with me. I began to hate myself, to feel ugly, unloved, bodily odoriferous—all the classic symptoms of the unfucked wife; I began to have fantasies of zipless fucks with doormen, derelicts, countermen at the West End Bar, graduate students—even (God help me!) professors. I would sit in my “Prosemi-nar in Eighteenth-Century English Lit.” listening to some creepy graduate student drone on and on about Nahum Tate’s revisions of Shakespeare’s plays, and meanwhile I would imagine myself sucking off each male member (hah) of the class. Sometimes I would imagine myself actually fucking Professor Harrington Stanton, a fiftyish proper Bostonian with a well-connected New England family behind him—a family renowned for politics, poetry, and psychosis. Professor Stanton had a wild laugh and always called James Boswell Bozzy—as if he drank with him nightly at the West End (which, indeed, I suspected him of doing). Somebody once referred to Stanton as “very brilliant but not quite plugged in.” It was apt. Despite being well-connected socially, he flickered on and off between sanity and insanity, never staying in one state long enough for you to know where you stood. How
would
Professor Stanton fuck? He was fascinated with eighteenth-century dirty words. Perhaps he would whisper “coun,” “cullion,” “crack” (for “cunt,” “testicles,” “pussy”) in my ear as we screwed? Perhaps he would turn out to have his family crest tattooed on his foreskin? I would be sitting there chuckling to myself at these fantasies and Professor Stanton would beam at me, thinking I was chuckling at one of his own wisecracks.
But what was the use of these pathetic fantasies? My husband had stopped fucking me. He thought he was working hard enough as it was. I cried myself to sleep every night, or else went into the bathroom to masturbate after he fell asleep. I was twenty-one and a half years old and desperate. In retrospect, it all seems so simple. Why didn’t I find someone else? Why didn’t I have an affair or leave him or insist on some sort of sexual freedom arrangement? But I was a good girl of the fifties. I had grown up finger-fucking to Frank Sinatra’s
In the Wee Small Hours of the Morning.
I had never slept with any man but my husband. I had petted “above the waist” and “below the waist” according to some mysterious unwritten rules of propriety. But an affair with another man seemed so radical that I couldn’t even consider it. Besides, I was sure that Brian’s failure to fuck me was
my
fault, not his. Either I was a nymphomaniac (because I wanted to be fucked more than once a month) or else it was just that I was so unattractive. Or maybe it was Brian’s
age
that was the problem. I had been raised on the various sexual myths of the fifties like:
A. There is no such thing as rape. Nobody can rape a woman unless she consents at the last minute.
(The girls in my high school actually used to repeat this piously to each other. God only knows where we got it. It was the received wisdom, and like robots, we passed it on.)
B. There are two kinds of orgasm: vaginal and clitoral. One is “mature” (i.e. good). The other is “immature” (i.e. evil). One is “normal” (i.e. good). The other is “neurotic” (i.e. evil).
This pseudohip, pseudopsychological moral code was more Calvinistic than Calvinism.
C. Men reach their sexual peak at sixteen and decline thereafter. …
Brian was twenty-four. No doubt he was over the hill. Eight years over the hill. If he only fucked me once a month at twenty-four—imagine how little he’d fuck me at thirty-four! It was terrifying to contemplate.
Maybe even the sex wouldn’t have mattered if it hadn’t been an indication of all the other things wrong with our marriage. We never saw each other. He stayed in the office until seven, eight, nine, ten, eleven, twelve at night. I kept house and moldered away in the library over my eighteenth-century sexual slang. The ideal bourgeois marriage. Husband and wife have no time left to spend together. Marriage took away our one reason for getting married.
Things went on like this for several months. I got increasingly depressed. I found it harder and harder to get out of bed in the morning. I was usually comatose until noon. I started cutting nearly all my classes, except the holy of holies: the Proseminar. Graduate school seemed ridiculous to me. I had gone to graduate school because I loved literature, but in graduate school you were not supposed to study literature. You were supposed to study criticism. Some professor wrote a book “proving” that
Tom Jones
was really a Marxist parable. Some other professor wrote a book “proving” that
Tom Jones
was really a Christian parable. Some other professor wrote a book “proving” that
Tom Jones
was really a parable of the Industrial Revolution. You were supposed to keep all the names of the professors and all the theories straight so that you could pass exams on them. Nobody seemed to give a shit about your reading
Tom Jones
as long as you could reel off the names of the various theories and who invented them. All the books of criticism had names like
The Rhetoric of Laughter
or
The Comic Determinants of Henry Fielding’s Fiction
or
Aesthetic Implications in the Dialectic of Satire.
Fielding would have been rolling over in his grave. My response was to sleep through as much of it as possible.
The fact was that I was always a compulsive A-student and tests were easy for me, but in graduate school the bullshit was so high you simply couldn’t overlook it. So I slept through it I slept through the comprehensive exams in May. I slept instead of working on my thesis. On the rare occasions when I made it to class, I sat there scribbling poems in my notebooks. One day I worked up the guts to pour out my troubles to Professor Stanton.
“I don’t think I want to be a professor,” I said, trembling in my purple suede boots. It was sacrilege. My Woodrow Wilson Fellowship committed me to college teaching. It was almost like abjuring God, country, and flag.
“But you’re such an excellent student, Mrs. Stollerman, what else could you do?”
(What else indeed? What else might there be in life but
Aesthetic Implications in the Dialectic of Satire
?
“Well, er, I think I want to write.” I said it as apologetically as if it were: “I think I want to kill my mother.”
Professor Stanton looked troubled. “Oh that,” he said, vexed. Students were probably always coming to him with futile ambitions like wanting to write.
“You see, Professor Stanton, I started studying eighteenth-century English literature because I love satire, but I think I want to write satire not criticize it. Criticism doesn’t seem very satisfying somehow.”
“Satisfying!” he exploded.
I gulped.
“What makes you think graduate school is supposed to be satisfying? Literature is
work,
not fun,” he said.
“Yes,” I said meekly.
“You come to graduate school because you love to read, because you love literature—well, literature is
hard work!
It’s not a game!” Professor Stanton seemed to have found his true subject.
“Yes, but if you’ll excuse me Professor Stanton, it does seem that all this criticism is out of keeping with the spirit of Fielding or Pope or Swift. I mean I always imagine them lying there in their graves and laughing at us all. This is just the sort of thing they’d find
funny.
I mean I read Pope or Swift or Fielding and it makes me want to write. It starts my mind going on poems. The criticism seems sort of silly to me. I’m sorry to say this, but it does.”
“Who made
you
the guardian of the spirit of Pope? Or Swift? Or Fielding?”
“No one.”
“Then what the hell are you complaining about?”
“I’m not complaining. I just think I may have made a mistake. I think I really want to write.”
“Mrs. Stollerman, you’ll have plenty of time to write
after
you get you Ph.D. under your belt. And then you’ll always have something to fall back on just in case you’re not Emily Dickinson.”
“I suppose you’re right,” I said, and went home to sleep.
Brian woke me up with a bang in June. I’m not exactly sure when the onset of it was, but sometime in mid-June, I noticed that he had become more manic than usual. He had stopped sleeping entirely. He wanted me to sit up all night with him and discuss heaven and hell. Not that this was so unusual for Brian. He’s always been extraordinarily interested in heaven and hell. But now he began talking about the Second Coming quite a lot and he talked about it in a new way.
What if (he asked) Christ came back to earth as an obscure market research executive?
What if nobody believed Him
again?
What if He tried to prove his identity by walking across the water on Central Park Lake? Would CBS Evening News cover the occurrence? Would it be billed as a human interest story?
I laughed. Brian laughed too. It was only an idea for a science fiction novel, he said. It was only a joke.
In the days that followed, the jokes multiplied.
What if he were Zeus and I were Hera? What if he were Dante and I Beatrice? What if there were two of each of us— matter and antimatter, three-dimensional and no-dimensional? What if the people on the subway were really communicating with him telepathically and asking him to save them? What if Christ came back and liberated all the animals in the Central Park Zoo? What if the yaks followed Him down Fifth Avenue and birds sat and sang on His shoulders? Would people believe who He was
then?
What if He blessed the computers and instead of spewing out printed sheets about which housewives buy the most detergent, they suddenly started spewing out loaves and fishes? What if the world was really controlled by a gigantic computer and nobody knew it except Brian? What if this computer ran on human blood? What if, as Sartre said, we were all in hell right now? What if we were all controlled by complex machines which were controlled by other complex machines which were controlled by other complex machines? What if we had no freedom at all? What if man could only assert his freedom by dying on the cross? What if you walked across the streets of New York against red lights with your eyes closed for a whole week and you weren’t even grazed by a car? Did that prove you were God? What if every book you opened at random had the letters
GOD
somewhere in every paragraph? Wasn’t that proof positive?
Night after night the questions continued. Brian repeated them at me like a catechism. What if? What if? What if? Listen to me. Don’t fall asleep! Listen to me! The world is ending and you’re going to sleep through it! Listen to me!
In his frenzy to have a constant audience he even slapped my cheek once or twice to awaken me. Dazed and bleary-eyed, I listened. And listened. And listened. After the fifth night, it was no longer possible to doubt that Brian had no plans for science fiction. He himself was the Second Coming. The recognition was slow to dawn. When it did, I wasn’t actually sure he
wasn’t
God. But, according to his logic, if he was Jesus, then I was the Holy Ghost. And bleary-eyed as I was, I knew
that
was crazy.
On Friday, Brian’s boss left town for the weekend and delegated him to close an important deal with the makers of an oven-cleaning product called Miracle Foam. Brian was supposed to meet with the Miracle Foam people in the computer center on Saturday, but he never made it there. The Miracle Foam people waited. Then they called me. Then they called me again. Brian did not come. I phoned everyone I could think of and finally just sat at home chewing my nails and knowing something dreadful was going to happen.
At five o’clock Brian called to read me a “poem” he claimed to have written while walking across Central Park Lake. It went:
If Miracle Foam is only a bubble. Why does it cause us so damned much trouble? If we don’t act soon the world will be rubble All for the sake of a silly bubble.
“How do you like it, honey?” he asked, all naiveté.