Firespark (12 page)

The crowd is hushed. Gorbals smiles across at Mara, hiding in the shadows at the back of the crowd. “The land of Mara was our home.”

Tears spring to Mara's eyes. Their faith in her is such a weighty and precious thing.

“Fairy tales and nonsense.” Ruby's brisk voice breaks the moment.

The elderly woman, Merien, speaks up. “There's often hidden treasure tucked away in the corners of a fairy tale,” she says. “I enjoyed your story,” she tells Gorbals. “I hope it comes true.”

She is a woman in the mold of her own Granny Mary,
Mara senses. Maybe that kindred spirit is what draws her to Merien.

“
I see a beautiful city and a brilliant people rising from this abyss
,” Gorbals announces to the back of Ruby's head.

Mara smiles. The words are from
A Tale of Two Cities
.

The iceberg blitz begins to thin at last and now the ship splices through ice floes with a crunch and hiss. When Mara returns to the control cabin, Rowan is gray, exhausted, beyond the help of Irn-Bru.

She makes a bed from some blankets, on the floor, and makes him lie down to rest.

“Yell if you need me,” he mutters, asleep in seconds, but Mara is glad just to have him there. Rowan grounds her. His familiar presence reminds her of a time when life was happy and simple and ordinary. She can hardly remember how that felt.

When sun breaks across the ocean, Mara begins to relax. Now she can see ahead clearly. But what she sees makes her heart stop. Beyond the glittering patchwork of ice floes is a dark and terrible thing.

Mara runs out onto the deck. The deep shadow of a wave stretches all across the horizon. It is massive, as dark as the icebergs were luminous. And deadlier by far. It's possible to outwit a sea of icebergs, but even the biggest ship is at the mercy of a tidal wave. Mara knows all about the giant wave that hit Wing and swept away whole villages, in the Century of Storm when Granny Mary was young.

Anything is possible, she tries to tell herself. She thought there was no way through New Mungo's vast city wall, yet there was. There seemed to be no way into the sky city, yet there was. Escaping the New World seemed
impossible, yet they did. Leaving Fox behind seemed the most impossible thing of all, yet she did that too. But this deadly shadow of a wave stretching across the northern horizon has risen like a wall against the future and she can't see a way through.

During those mad games of pinball, Mara learned it was best to ride right into the most ferocious waves. You held steady and steered straight ahead, up and over the wave. It was the only way. But a wave as vast as this?

In a corner of the deck, Merien has doled out scraps of breakfast among a group of urchins. Mara can hear her softly chanting
one, two, three
to the urchins, teaching them to count out the food. Mara cries out something wordless, and Merien looks over. Terror is buzzing inside her head and Mara can't hear Merien's reply. In a moment, the older woman is at her side and Mara sees her own stricken look reflected in Merien's face. Mara stutters, can't find her voice. She points to the wave and shoves the telescope into Merien's hands.

Merien takes the telescope and peers through it for a long moment. She lowers it, her eyes still on the horizon, and puts the telescope back into Mara's shaking hands.

“Look again now, look hard. That's no wave, my dear.” There's a glint in Merien's shrewd eyes; a puckish smile on her mouth. “It's land.”

The eastern sky is mother-of-pearl, the inside of a mussel shell.

Sun is prizing open the night. It steals across the ocean and nips the jostling topsails of Pomperoy. The city has traveled leagues of sea under darkness, the thunder of the masts and skysails and the shouts of the gypsea sailors making an invisible, ghostly rabble in the dense ocean night.

Tuck has clung to the gondola all night long, chilled to numbness, willing the rope that attaches him to the
Waverley
not to snap. There was nothing else to do. By a sliver of moonlight, they tried again and again to haul him on board, but the wind was too hard, the sea too rough. Tuck would have smashed like a piece of driftwood off the side of the ship. When cloud swallowed up the moon, the gypseas couldn't see him anymore; the glow of their lanterns couldn't reach him, so all he could do was hang on as the gondola whacked and crashed through the froth of the
Waverley
's wake.

Now, someone is shouting down at him though it's hard to hear through the blast and roar of the ocean.
Tuck wipes spray from his eyes and sees a wind-leathered gypsea face peering down at him from the side of the ship. He yells back as loud as he can, and the old man cries out in surprise.

“Great Skua, it's Jack Culpy's lad! Hang on down there, we'll have you on board in a finflick.”

The old graybeard with long wisps of silver hair streaming out of his windwrap looks like a hundred other gypseas. But something in his salt-rasped voice strikes a memory. It's Charlie, an old bridge-master mate of his da. Tuck last saw him the night of Da's sea burial.

A knobbly knot of rope strikes him on the forehead. Tuck grabs it, close to sobbing with relief as he's hauled up through bales of wind and spray onto the
Waverley
.

Charlie grabs Tuck in wiry arms and sets him on his feet, but Tuck reels and crashes onto the floor.

“Easy, lad, easy. Take time to find your boat legs again.”

Charlie steers him across the deck, under the masts, and past the fat funnels that once upon a time pumped steam, and takes him below deck.

It's a long time since Tuck has seen such a homely place. Pendicle's home-boat was spick and span, the wooden decks and walls all scrubbed and polished, cushions plumped and porthole curtains neatly tied; it was sheer luxury compared to his sparse shack on
The Grimby Gray
. But the bridgers live in the cosy clutter that Tuck's family enjoyed when Da was alive. The bunks overflow with feather-filled quilts; hanging racks are crammed with pots and pans, drying fish, and wet windwraps; huge baskets spill with sea spoils and bridging tools. It's such a comfortable mess it gives Tuck a homesick feeling that he can't understand because it's not his old shack he's homesick for, it's this ramshackle place he's never set eyes on till
now, that reminds him of his real home-boat, the one the Salters took.

Tuck is made to sit down and drink a steamy bowl of oyster broth. The bridger women fuss over him, and the minute he yawns he's snuggled into a feather quilt that's as cozy as a warm cloud. Tuck falls into a doze, half-listening to the bridger women's chatter.

“Time we got the wind back in our sails,” an old bridger granny grunts, puffing clouds of pungent smoke from a seaweed pipe. “We'd grown stagnant as algae stuck to that rig.”

“Mother, all those years of bridgework, lost—”

“I just hope we're not off on some wild gull chase across the ocean,” says a woman who has just burst in from the upper deck, bringing an icy chill of sea blast with her.

“We've got the bridges all packed up. We can bridge up again any old place we like.” The bridger granny puffs happily then pulls her pipe from her mouth and points to her feet with its stem. “Water, Joss!”

Joss groans and grabs a mop and bucket and hurries over to the small puddle of water that's seeped up through the floor at the bridger granny's feet.

“This leaky old boat's not sea-hardy enough for a wild gull chase,” Joss grumbles as she slops the sodden mop into the bucket. “We'll all drown.”

Through half-shut eyes, Tuck watches the newly arrived bridger woman loosen her windwrap from around her head, and a mane of hair the color of sea foam spills out. It's Charlie's wife, Cath. “I'd rather be a clump of sea algae, slick with oil,” she declares, “than fall off the edge of the world in a storm or circle the world forevermore. What do we do when our oil tanks run out and we're a
hundred leagues from the rig? Has the Steer Master thought of that?”

“It's not the only rig in the ocean,” puffs the bridger granny. “We'll find another.” She points the stem of her pipe to the floor beside the stove. “Water!”

Joss drags the mop and bucket over to the stove, spitting curses.

“Plenty of rigs, Gran, but most are pumped dry of oil,” Cath retorts.

“It's not the Steer Master,” says a young woman with a toddler on her hip, stirring a huge pot on the stove. “He's aged back into dribbling babyhood. It's The Pomp who's steering us. He's taken his chance to make sure the masts are set
his
way. He'll tie himself in wind-knots over this, wait and see. Where will it all end up? It's no good saying war and piracy's in our blood. I've never killed a soul, and neither have any of you. Neither have most of our men.”

Tuck sits up.

“Maybe,” says Cath, “but you go up on deck and look at them all. They're like sharks on the trail of blood.”

“Are we at war?” Tuck asks, but the women are too busy clattering and chattering to bother with him.

“You know what this is really all about?” Cath points a finger in the air. “It's nothing to do with avenging the dead or salvaging our pride. We need more boats, that's what. It's as cut and dried as salt cod. The whole of Pomperoy's all crammed up tight with nowhere left to spread out. Driftwood's as precious as stardust, and there's been no passing boats in ages, except those toxic ghost ships. The Pomp is after that big white ship and I'll bet he thinks there'll be more boats wherever it's headed. Can't you imagine the glint in those cold fish eyes of his when he saw such a ship?”

The other bridger women nod and mutter.

“
That's
what this is all about,” Cath declares. “
The Discovery
is old and druxy and The Pomp wants the
Arkiel
for the launch of his Steer Mastership.”

“That's on the horizon soon enough,” says a small, stout bridger woman who is slitting open a pile of oysters that's almost as big as herself. “The old Steer Master's sun's setting fast by the looks of him.”

“We should've slept on our anger,” sighs Cath. “We should've stayed our masts awhile, not set sail in a temper. The Man only knows where it'll all end up.”

“What kind of gypsea talk is that?” The bridger granny spits a mouthful of seaweed ash onto the stove and it hisses.

“Mother!”

“Cath's right,” says the woman with the baby on her hip, her face flushed and fearful. “Some of us want our babes to grow up safe and sound. Some of us liked being bridged up and anchored to the rig. Some of us don't want to ravage and rampage across the ocean like a scavenging flock of Great Skuas.”

“When fear flocks around your head, don't let it nest in your hair,” the bridger granny grunts. Her eye lands on Tuck's face. “What's Jack Culpy doing skulking down here with the women?”

“It's Tuck, mother, Jack's
son
. Jack's been dead awhile.”

The bridger granny looks befuddled for a moment. “Whoever he is, he should be up on deck, not cozied up down here like an old woman. Water, Joss, water!”

Joss heaves the bucket yet again and clatters it down, looking as if she'd like to stuff the mop head in the bridger granny's mouth.

“You stay where you are, Tuck,” says Cath, with a
friendly wink. “You can help out once you're rested and had a bit of looking after. Haven't had much of that, have you, for a while?”

The dig is at Ma. Tuck is surprised by a pang of anger on his ma's behalf, though he's thought and said much worse to her face, himself.

These are his own people, they've made that clear, and they won't cast him out, especially not if they're headed into a pirate war. There's nowhere to cast him
to
, anyway, except ocean. Bridgers are like one big family, though since Da died he hasn't so much as looked their way. They never forgot him though. Who else left sacks of fish and seaweed outside the shack door after Da died? Who tried to get their boat back from the Salter thugs? The bridgers offered him and Ma bunks on bridger boats but Ma's fierce pride, then her drinking, stuck them in the barge shack. Still, when Ma was ill with grief over little Beth, it was the bridger women who'd come and sit with her, every day, for weeks on end, while Tuck wandered the city all night and crashed out in his bunk all day.

His da always said there's something in the nature of bridgers that makes them want to mend every broken wire they spot. The bridgers saved Pomperoy, forging bonds between gypseas as they bridged up the boats.

It was the bridgers, claimed Da, that made Pomperoy a great city. They rescued it from itself. They'd linked up a thousand bridges, even as rival pirate gangs threatened to smash every last boat into flotsam. On the day the great Middle Bridges were raised, there came a lull. Gypseas stopped fighting each other and came to see the great sight. The bridgers had engineered a miracle, said Da, and every gypsea seemed to take a deep breath that day as they looked at the wonder of the five radiating bridges that
now secured them to the rig. Pomperoy saw the great city it could become and the fighting stopped.