Flick

Praise for
Golden Boy

Winner of the American Library Association's Alex Award

“Dazzling Debut Novels to Pick Up Now”

—
O, The Oprah Magazine

“Best Books of 2013: Adult Books 4 Teens”

—
School Library Journal

“Top 10 First Novels of 2013”—
Booklist

“Gripping.”

—
Cosmopolitan

“Tarttelin writes sensitively about how an intersex child might cope with the heightened emotions of adolescence.”

—
Entertainment Weekly

“With empathy and imagination, Tarttelin describes an adolescent search for identity made monstrous by Max's uncertainty over that self-identifier most of us take for granted: am I a man or a woman?”

—
Publishers Weekly

“Teens will love kindhearted Max, whose journey through adolescence is a nightmare few will experience.”

—
School Library Journal

“A grippingly innovative take on coming of age, sexuality, and family dynamics.”

—
Autostraddle

“A heartrending and disturbing story that upends culturally-­prescribed notions of sex and gender.”

—
Slice

“An audacious move for a young writer. . . . Explore[s] not simply questions of gender identification—do I like boys or girls—but more broadly the way society responds to ­sexuality.”

—
Toronto Star

“A compelling mix: equal parts society novel, page turner and investigation into contemporary gender notions.”

—
The Globe and Mail
(Toronto)

“Abigail Tarttelin is a fearless writer. She balances a harrowing coming of age with a deeply compassionate portrait of a family in crisis, and the result is sometimes brutal, often tender, and always compelling.”

—Emily St. John Mandel, author of
The Lola Quartet

“A novel that goes beyond the page and reaches into a reader's heart and stays there, never to leave, never to be forgotten. . . . This book simply deserves to be read and treasured.”

—Lorenzo Carcaterra, author of
Sleepers
and ­
Midnight Angels

“At once meditative and swift. . . . Tarttelin writes with a sharp-eyed grace in this fascinating, heartfelt gem of a novel.”

—Dean Bakopoulos, author of
My ­American ­Unhappiness

“Gritty yet humane, startlingly modern yet utterly timeless. . . . Tarttelin has proven herself to be a writer of extra­ordinary empathy and incredible wisdom . . . and she makes it look so easy.”

—Rachel Shukert, author of
Starstruck
and
Everything Is Going to Be Great

“Gripping and beautifully-written . . . a courageous and profound exploration of social and sexual identity.”

—Sahar Delijani, author of ­
Children of the ­Jacaranda Tree

ALSO BY ABIGAIL TARTTELIN

Golden Boy

A Division of Simon & Schuster, Inc.

1230 Avenue of the Americas

New York, NY 10020

This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author's imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

Copyright © 2011 by Abigail Tarttelin

Originally published in 2011 in Great Britain by Beautiful Books.

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Atria Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Atria Paperback edition May 2015

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Manufactured in the United States of America

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Library of Congress Cataloging-in-Publication Data

ISBN 978-1-4767-2487-4

ISBN 978-1-4767-2489-8 (ebook)

This story should be read while playing
We'll Live and Die in These Towns
by the Enemy.

PART I

THE NIGHT BEFORE

“Fuck me.”

Ashley's voice echoes up out of the darkness. I lie stretched out on her single bed while beside me on the floor her bare knees part, close and part again in an attempt to lure me into her frequently visited pants. This is Friday night, always has been. Ash throws her neediness and tits in my face, I remove my revulsion and dick from her reach and our friendship teeters along unchanging, which is kind of sweet when you think about it. But it's also inevitable, considering we've lived in the same crescent in Osford for all my fifteen years, 'til Ash moved to the center of Langrick on her sixteenth two months ago. Langrick's a mile south of Osford by the way. She dreams big, does Ash.

She moans—I'm guessing she thinks it's seductive—and I shudder. Jesus.
If
, and this is purely theoretical, but
if
I did succumb to Ash's few charms, bang her and risk getting pregnant,
Ash wouldn't think twice about keeping it and that's enough to put me right off. 'Cause then our poor bastard child would grow up within the same five-mile radius that we have, and some girl would one day rub up against him and try to tempt him with month-old Jack Daniels–and-fag breath. It's the circle of life. In any case with the amount of lads who've climbed through Ash's “shop door” it must be pretty disease ridden by now. Harsh but probably true. Sex is so political when you're underage. Ash lifts one leg in the air and scratches down it with her bubblegum-pink nails. I look at my dick to check for signs of weakness—no response. Good man.

“Flick? . . . Fuck me. I'm waiting,” she singsongs in that teasing I'm-a-little-schoolgirl-check-out-my-knee-socks-and-pleated-skirt-but-you'll-never-touch-me way she talks to older men. What a bitch. If she didn't have a tight ass and cute tits and if we (meaning our mates) didn't all go to the same nursery school, most of us wouldn't even talk to her, but Ash never reeled me in. She's a slut, but at the same time she's like a child, every weekend crying over some guy who doesn't love her, playing out the same my-daddy-left-me routine over and over again as if she was six years old and it was yesterday. And I'm no pedophile. That said, Ash doesn't have that much to complain about. Her parents still fuck, so the sentiment's there.

“Flick?” More silence. She blows the hair out of her face, a big, bouncy and admittedly beautiful brown Afro, and giggles, and by the sound of her voice I can tell she's grinning in a sleepy, stoned way. “You're totally wasted.”

“Yeah, Ash, I'm completely gone,” I deadpan, getting up off the bed. She lies on the stained shag rug in her diamanté-clasp bra, Scooby Doo T-shirt and black G-string. I have to step over her to get out the door and narrowly miss her hand swiping for my dick.

“Hey, Flick, I'll take your virginity if you like, then you can fuck who you want.”

“Maybe next week, Ash.”

I worm my way around ten conked-out bodies in the living room, pick up a joint, suck it, put it down, jump down the stairs, and I'm out the door of the flat and onto the road. Walking home at night is my favorite part of the whole Friday-at-Ashley's debacle. No longer do I have to talk bollocks or avoid rape. I am free. It is cold and smells fresh and all I can hear are the waves breaking on the sand, a quarter of a mile east.

The walk up to where I live in Osford from Ash's dingy place in Langrick is practically silent but for the sound of the water. It's always like this on this stretch of coast at night, in a part of England dimly visible just beyond the bright lights of seaside tourist spots and lacking the pull of a roller coaster or a Hooters. I skip along like a ponce, hands in pockets, on desolate, isolated, particularly creepy marshland with not a tree in sight, watching out for the only people you ever see out this time: night fishermen and young, horny couples. Langrick is a quiet market town, tattered, the fishing industry gone, and the whole place way past its best, with a haggard and aged population living in pebble-dashed buildings that get progressively shitter the further you get out from the center. On the other hand, it's where our school is, and more importantly where the pubs will turn a blind eye to underage drinking, so our social life exists within Langrick's narrow alleys, its empty car parks and the smell of battered fish.

To the north, Osford is its suburbia, a sprawl of nineties-built semis and terraces with jazzy tiles and “family-friendly” neighborhoods, where all the windows overlook the streets, so nosy old birds and lonely pervs can hawk-eye me and my mates when we're hanging out. Not sure that was the paradise intended by the town planners back in the day. Both towns are almost too tiny for the word, but along with a string of new housing projects and old villages along the North England coast, they make up Clyde County, an area whose jurisdiction has been fought over, passed about and now forgotten and left to rot by successive local governments who didn't want to pay for it—for us. We're not classy and in demand, like London, which is a few hundred miles south. We're sort of grubby and old-fashioned, and tacked on to the top of North Yorkshire.

Clyde's place names all come from a long tradition of Norwegian settlers coming here for land and the fishing opportunities, which is why the names sound like we're in Svalbard and everyone looks Scandinavian. Learnt that one day when I was paying attention in Geography. It doesn't happen often, cause Miss P's tits are epic.

Suddenly there's a dip in the sand dunes next to me, and the salty April air buffers my cheeks and I breathe in, deep and clean, and stop momentarily, halted by the awesome enormity of the landscape and that feeling you get when there aren't houses or lights around and it's just you and nature and it occurs to you that this is forever, that if you lived in forever, this is what it would be like.

I've grown up by the English North Sea, and my proximity to this vast and constant guardian makes me forget at times that life is so transient and ultimately (although this might not be everyone's opinion, it's mine) meaningless. I run towards the whispering waves, I stand on the sands in the dark, the ground sinks beneath my trainers as the water draws back and everything connects for just a second. Otherwise, it's pretty shite.

My name is Flick and these are the images of my disconnected life, my forgettable weeks and unforgettable weekends. I am one of the disaffected youths, a child of the ASBO, the Anti-Social Behavior Order, generation, and we live like we might die every second, while missing all the real things we should be living for (it's true, we know what we lack—why d'you think we're wankered half the time?). These few lines, this poem to postpubescence, details one standout summer in my life when, and I kid you not, I suffered two epiphanies, two real things that I learnt. The first was the name of the (possible) love of my life, the second, about myself—I realized I was a knobend. And what a wonderful thing to learn at the tender age of fifteen. The only other need-to-know detail is that I am so-called Flick, because my life is like the pages of a flick book—a series of fast and frenetic images, delivered in double time, a bit of humor, a dash of tragedy, fairly black and white in its lack of variety—the end ever approaching as the pages run out. Each page a story, each flick a life failing. A life in bright yet entirely similar images. A life ending fast. A life in snapshots. So, for your pleasure, here's a few of them.

I'll start from where I left off. So I'm back from the waves, salt crusted on the hem of my jeans, and I'm walking along the promenade, taking in the sea air, and thinking that, while I'm always the first to disregard Ash's subtle suggestions (and blatant pleas), there is one point she brings up that other people seem to constantly need addressing: so yes, I am, in fact, a virgin and no, it doesn't bother me. I have a perfectly good right hand (and left for that matter) and if the Hits channel is on, and there's maybe that Rihanna video playing, Farmer Palmer and his five lovely daughters are all I need for a good time, thank you very much. Ash just thinks if she mocks me enough about my pure and innocent ways, in her opinion a pain in the arse for any fifteen-year-old, I'll want to sleep with her. The logic is flawed because what I lack in experience I make up for in charisma, and while other lads might freak I really couldn't give a shit what she thinks. I'm laid-back about it. I'd just like to lose it with some dignity. Maybe that sounds a little gay but I personally think I've been ruined by Disney like the rest of my generation. Even Ash, tallying lads like she used to collect My Little Pony, thinks one day her prince will come. I guess I'm just waiting for something different. Just as I arrive on the outskirts of Osford, A shout interrupts my eloquent reverie.

“FLICK!” A yelp sounding excitedly from a parked black Peugeot 306. Some chav twat no doubt. “FLICK! All right?”

I peer closer and a bony head on a scrawny chicken-leg-like neck sticks out of the side window. I laugh, happy to see him, as he beams at me. “All right, our Gav?”

Gav smiles back, a big gappy grin like a kid in a toyshop. Gavin “like the actor” Culkin lives on my estate in a semi identical to ours, but his mam's been replaced by some blond tart with a fag permanently attached to her face and they don't know where the original's skipped off to. Possibly Ness-on-Sea, the neighbor told our mam, but that's another coastal town not ten miles south of us, so how they don't know where she is beats me.

“Yeah, I'm great, man, how're you? You look good, you been working out haven't you, y'little bastard? Right big muscles, you'll be able to take me in a year!”

“Yeah,” I say dubiously. Gav's a skinny runt, addicted to pot and poppers and on and off smack. “You'd better watch it.”

He grins wider.

“Get in, are you going home? Get in, mate, I'll drive ya!” Troy and Fez, local hardheads and acquaintances of Gav's, come out the kebab house and we all climb in. In terms of personality, Gav shouts the loudest, but Fez is the undisputed leader of their gang. They're all older than me by at least six or seven years, and Gav is the only one I've actually talked to before, but it's a small part of the world and the reputation of a man like Fez precedes him.

You know those kids who are fucking nuts? Like five years old, bruised knees, maybe even a little cute to look at, but psychotic, running around at school ramming the girls' dollhouse with their skull, eating sand and punching anyone bigger than them to show them who's boss? That was Fez. Except he grew up, started in on whatever drugs were going around, got kicked out of school for stabbing a teacher with a compass and now he doesn't do much but hang about smoking, dealing, collecting Jobseeker's Allowance from Social Services and starting fights. So unless I'm feeling like being bottled over the head and picking shards of glass from my hairdo, I generally steer clear of him. Still, tonight he seems pretty out of it, so I'm feeling a little cocky. I grin at Troy as he gets in the car, nodding at Fez, who sits beside me.

“Not lookin' too good, is he?”

He knows better than to grin back.

Troy is Fez's sidekick, quiet, a bit moody and built like a brick shithouse. He's the muscle, but he doesn't start on someone unless Fez gives the say-so, as if he's just punching people for a lack of anyone better to hang out with.

Troy holds the wheel of the car and drives while Gav's shaky hands skillfully roll a joint and Fez swigs from a bottle of Bud, while waving a wrap of doner meat haphazardly in his left hand so it drips grease onto my lap. I glance at him to see if this is intentional and his narrow blue eyes glare back with a confrontational, stoned, mean look. Poor bastard hasn't got a clue.

“Hey, Flick, did you go to Nikki's on Tuesday?”

“Yeah, yeah I did,” I say to Gav, still on the receiving end of Fez's stoned stare-out. I start to sense it's some sort of competition and if I blink or look away first Fez will be the bigger man. I do anyway. “Everyone was there, even Pie went.”