Flights of Angels (Exit Unicorns Series)

Flights of Angels

Cindy Brandner

Starry Night Press

Also by Cindy Brandner

Exit Unicorns

Mermaid in a Bowl of Tears

Copyright ©2012 Cindy Brandner

All Rights Reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, or stored in a retrieval system without the prior written consent of the author is an infringement of the copyright law.

Cover design by Stevie Blaue

This is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.

Published in Canada by

Starry Night Press

First Edition

Rev. 02/29/2012

This one is for my own angels:
Devon, Zoë and Larkin.

Acknowledgments

A book this chock-a-block with history and changes of geography requires the help and expertise of many people.

Thanks goes to the following:

All the people who allowed me the generous use of their names—Elaine Pontious for allowing me to use the birth name of her Czarina and for the small crate of books on Russian history, Lucy Murphy for allowing her own name to be used for Casey and Pat’s grandmother, Richard Xu for the loan of his surname and Sallie Blumenauer for allowing me to name Jamie’s childhood friend after her.

Paul Cowan in Belfast for answering all my questions, no matter how trivial. Also for the generous sharing of his own history.

Merci beaucoup to Isabelle Mulligan for vetting the Paris chapters and making certain my French is correct.

My team of good fairies that helped to whip this manuscript into a book: Tracy Goode, Denise Ferrari, Fran Bach and Lee Ramsey, thanks to each of you for your endless patience, discerning eyes and willingness to work through my tangled sentences and missing punctuation. Marcia Krol Petersen, Sandy Meidlinger and Lois Flanagan for being the first and last sets of eyes to read it before publication.

Stevie Blaue for the beautiful cover.

The ladies of Shamrocks and Stones, for being such a large part of my on-line life and my traveling life as well.

And last, but never least, to my husband Patrick, for all his hard work and faith which helps to bring these books into the world.

Prologue

We begin over a great sea, the western ocean on the rim of the world
. Only stars light our way, for it is still night, though our travels will take us toward dawn. This is an ocean of great storm-tossed waters and strange, still latitudes, where things disappear, never to be seen again. At its surface, it is a bowl of tears—of loss and new hope and of families left behind. Below the surface it is a place of mystery as unfathomed as the very universe. A place that is as much home to such as we as the waning of the moon or the whispering heart of the forest.

For we are children born of sea foam and moon shadow, more dark than light and older than Time itself. We knew Leviathan before he had a name. We roamed the seas and the skies, the forests and the places of the earth as well as the places below it. We have been called by many names: angel, demon, faerie, spirit, ghost, to name a very few, but we are the unnamed and can only be summoned with wisdom and grace, and, once in a great while, by pure need.

But the sea, despite its allure, is not our destination. For we seek land, a land of myth and madness, of poets and politicians, rebels and raconteurs, of blood and brotherhood. A land unlike any other, half legend, half truth, wholly and terribly beautiful.

We fly through the night until a thin line forms on the distant horizon and we feel the relief of homecoming after such a very long voyage over the faceless, undulating ocean. And so we arrive at the edge of a country of limestone cliffs, soft-faced with moss and nesting gulls. In we fly across a patchwork quilt of a thousand shades of green and low stone walls with sheep dotting the dawn’s landscape. But do not let this enchantment fool you, for this is a land that has known much pain, whose fields are watered well and deep with blood. This is an old land, and our people have lived here long, some saying we were the small dark ones that dwelt in the trees before the coming of the Celts—but we are older even than they. We knew this land before man, before God, before light.

Now we wheel North, which in this land is spelled with a capital ‘N’, defined by political lines rather than geographical. Here lie the cities of industry with musical names like Londonderry, Ballymena, Magherafelt, Newtownabbey and last—the city of our concern—Belfast, meaning ‘sandy fort at the river’s mouth’. A fitting name, for it is a city built on red clay, with politics girded in ropes of sand and lives that dissipate as quickly through the hourglass of time and chance.

On a hill apart, wooded and enchanted, a house sparkles against the first rays of sunlight. A house that looks as though mead-maddened cluricaunes were involved in its conception and building, for the back half bears no resemblance to the front, and surely that birdcage of glass and curling iron must owe something to the little folk. A house of wealth and taste, nevertheless, and no doubt, should we venture inside, we would find inhabitants of both imagination and discernment.

But even this is not our true concern, nor is it entirely where the story shall occur. For that we travel south to a soft dell of ferns and bracken and trees in which nestles a wee, recently whitewashed farmhouse from another century. Indeed this shaded hollow looks as though it might disappear into the mists, only to re-emerge every one hundred years or so. But the people that dwell within are real enough, to be sure.

We cross the wall, wooded and vined over with brambles and old roses, damp and misted on this mid-winter morning. Early as it is, we can see someone move inside the house, and the scent of peat smoke and hot tea curls out in invitation. We accept gladly for it’s very cold this morning. It is a bit of a walk down into this hollow that, come spring, will be filled with flowers, for their seeds can be sensed sleeping beneath the chilled earth. We spy a tiny door set high near a much larger one. This one is painted red so that we might not miss it, and even has a small step for us to rest our weary wings, and a mat of moss to wipe our feet. And so, badger bristle boots well cleaned, we enter.

The kitchen is snug and cozy, a fire in the hearth and the homely sound of an Aga with a kettle boiling atop it. The floors bask in the fire’s heat and the scent of the tea, darkly fragrant and redolent of hills far, far away. Deep windowsills laden with green things greet the morning light as it pulls itself up and over the horizon. We stop for a sniff of the green: lavender, lemon verbena, thyme and rosemary. Above one window hangs a St. Brigid’s cross made of silvered reeds. Ah yes, this is a house that knows how to show the welcome of the door to the small folk.

And now, perhaps it is time to look at the inhabitants of this home. Some are two-legged and some are four. In the kitchen is a dog, a great grey woolly beast, watching a man pour out the tea and listening with a sympathetic ear to his morning chatter, while keeping a keen eye out for possible crumbs falling to the floor.

The man himself arrests our eye, as he would in any room in any country, for he is a young man, large and well-made, broad-shouldered and darkly bearded, with black curls and a certain twinkle in his eye that tells us he is not entirely immune to the lure of the fairy world himself. And so it is that we must be extra careful not to be seen nor sensed. But we linger a little still, because it is very pleasant here with the fire and tea and toasting bread and the dog and the first sounds of morning.

But we feel the lure of the stairs just beyond the bookcase, for we are very curious folk and must needs know what and who are in every nook and cranny of a household. The stairway crooks back on itself like a twisted old elf, and this only makes it the more imperative that we travel up, up, up, past a window with eight sides—a most fortunate number that—and so all views from this window will be happy ones. It is only five more steps now to the top floor, still dark under its tightly thatched roof. ‘Tis clear the inhabitants of this house understand the importance of the old ways.

In the first room, there is a woman asleep, one arm under her head, the other tucked around her belly in a gesture as old as the world itself. The first rays of morning catch the edge of her jaw line and we see that she is lovely in the way that humans sometimes are, a way that has nothing to do with what they call fads or epochs. She is well matched to the man downstairs, for he is fire and earth and she is water and air. We auld ones can tell such things at a glance, or merely by scent.

She stretches and opens her eyes, looking directly through the air at us. For a second we fear she has seen us, for she has mermaid eyes and a water soul, and both these qualities are notorious for catching glimpses of that which is not meant to be seen by man. But then she sits up, rather awkwardly for a woman with such grace in her lines, and we see there is nothing to fear. For at present her gaze is all inward, which is as it should be, for she is with child and absorbed fully by the tiny creature she harbors in the amniotic sea of her womb.

Ah babies, there is little about the human world we love more than those smelly, howling little creatures. For they do still see us but have not the words to reveal us. They communicate in the ancient way, through air and ether, with laughter and tears. If one can catch a bubble of their laughter out of the air, it can be made into a cloak that will warm one forever and never wear out.

We hear the quick tread of the man on the stairs, followed by the soft pad of the dog’s paws, if indeed something the size of a small pony can rightly be called ‘dog’.

The man enters with two mugs of tea and the woman smiles at him, tilting her face up for a kiss. He hands her the tea and kisses her tenderly, bending to greet the inhabitant of her stomach with morning salutations and soft words of sweet foolishness, and so we know this is a child of love, much wanted. The woman strokes the man’s head and looks at him with her heart there in her eyes. He straightens up and leans toward her for a goodbye kiss, but she gives him a look from under her lashes and runs her hand up his thigh in a gesture that makes us smile knowingly, for this too is as old as the ages and not limited to the ways of man. He makes a mild protest, something about being late for work and then succumbs, as he knew he would from the moment she touched him. This love is both as fragile and strong as the tides of the sea and the movement of the planet. It is a thing of sacrament, and so we turn away, for there are things even we are not meant to observe.

We return to the kitchen, where the heart of the home is found. Beyond the green things where we settle is a field wherein we scent the stirring roots of fairy soap, an entire wooded field of it—what humans call bluebells—such a plebeian name for an ethereal flower. On the edge of the field, we can hear the murmur of water and know this is indeed a right place, for water guards the boundaries between worlds, between dreams and dimensions, between man and that which is not man. Water opens the doors to the unseen. The woods too are important to us, for they guard and protect, but they also hide when hiding is needed. We sigh, for this is a good place to rest and rest we must, for even among our kind, we are ancient and feel the ache of bone and the pain of flesh, when the moon is dark and the tides run hard toward the horizon.

Altogether, it must be said, this seems as fine a place as an auld one might hope to find, to settle in for a while and observe and see what stories shall be woven before our eyes. Perhaps you will stay, for having come this far, you too must be tired and in need of rest. Here, come, there are wee chairs amongst the lavender. Let us sit and be still and see and listen…

Part One
…An Earlier Heaven
Ireland – January 1973

Chapter One
January 1973
Man of Peace

Casey Riordan was stuck in a terrible traffic jam
and was going to be late for work. Which was to say that there was a flock of sheep lazing about the road as if they hadn’t wool to grow nor a notion of moving in their wee addled heads, and he couldn’t get around them no matter how much he honked the horn at them.

It was his own bloody fault he was late, and that did nothing to improve his mood. It was his wife’s fault, come down to it. The woman needn’t have pulled him back into the bed when all he was doing was delivering a cup of morning tea to her. He grinned despite the damned sheep still woolgathering in the roadway, for it was hardly a thing about which a man could rightly complain. Once Pamela had gotten over her initial nausea and exhaustion with this pregnancy, her hormones seemed to have gone wild and he swore he found himself horizontal more than vertical whilst home these days. Not that he was complaining at all, at all. In fact, he was half tempted to keep the woman pregnant for the next twenty years or so.

The sheep finally ambled off the road, blatting all the way, sounding purely indignant about having to move.

Casey drove as fast as the narrow lanes allowed, arriving at work some ten minutes behind schedule, his shirt half untucked and a rather wild look in his eyes. Pat was there ahead of him, already busy with a pile of blueprints.

“Yer late,” his brother said and put a cup of tea on the desk in front of him.

“I know,” Casey replied gruffly, hoping to hell Pat wouldn’t ask what had him running behind every morning of late. To judge from the man’s quirked eyebrow though, he had a fair idea. Well, it was likely, Casey thought, that he looked like a man fair depraved these days.

“Bring me up to snuff, will ye?” he said, unrolling a set of blueprints for a holiday cottage for a wealthy American. He had to give the plans one last look over and make a few minor corrections before shipping them off.

Pat sat on the other side of the desk and said, “We’re near to finished the renovations on the Finherty place. The windows were delivered this mornin’ an’ we’re waitin’ on the rock for that retainin’ wall. We’ve still to hear back about the bid we put in for the village center in Whitecross. But no matter that, we’ve got two more projects lined up before we can get to it anyway.” Pat drank his tea down in three long swallows and stood, impatient to get on with the work at hand. Casey rarely managed to have more than a few words with him, and often their conversations consisted of just this, work talk.

“Pamela wants to know if ye’ll come round for dinner sometime this week,” Casey said, not looking at his brother, knowing all too well what the answer would be.

“Ye’ll thank her for me, but I think—no—not just yet. Now, if ye’ll excuse me, I’ve got to get on to Pete Simons about that load of schist he was meant to deliver yesterday.”

Casey watched his brother go out the door, hard hat in hand. Pat had proved invaluable in the start-up of the company. No one worked harder or longer hours, not even himself. It worried him, though, for Pat seemed to have replaced any sort of life with working until he dropped with exhaustion. He understood why, but wished he could find a way to help his brother return to the land of the living. Pat seemed neither angry, nor sad, but rather as if he had turned to some form of stone, stone that moved with a great and restless energy, terrible in its burning. Yet, he was well aware there was little he could do, Pat had to find his own way through his grief, and certainly there were worse ways to mourn your wife than by burying yourself in work. He was grateful the boy hadn’t hit the bottle. Frankly, he could not imagine what he himself would do should something happen to Pamela. He shrugged the thought away as though a cold hand had touched the nape of his neck. It was best not to think such thoughts, lest a man draw the reality into his life.