Friends Like These: My Worldwide Quest to Find My Best Childhood Friends, Knock on Their Doors, and Ask Them to Come Out and Play (30 page)

“Well… what happened?” I asked, desperate for a happy ending, but aware that the reason that stories that involve men shooting
other men in the face never appear on
Storytime
is that they very rarely
feature
a happy ending.

“Oh, nothing probably. It was just a gas gun. It just burns your eyes for a bit. I’ve been shot with one. It’s not too bad.
Why? You thought that was a
real
gun?”

I thought back to when I was a kid.

Yes! Of
course
I’d thought it was a real gun!

“No! Of
course
I didn’t think it was a real gun!”

“You did, didn’t you?”

“Well, a bit, yes.”

And then, as I have done so many times in my life, I found myself very grateful indeed that my friend was not a murderer.

I bought Tarek and the best rapper in Germany a drink to celebrate.

BRD had to go off and meet someone for a bit, and Tarek and I were wandering through Berlin, swapping stories and catching
up. I told him about my address book, and who I’d already met, and about my letters to Andy Clements, and he seemed to love
the idea. He’d done something similar himself, he said, but hadn’t managed to follow up on it too much.

“I’d love to see more of the old gang again,” he said. “People from the old days. I think it’s a natural thing. Like Josh.”

“Josh, yeah…” I said.
What was that rhyme he made me learn again? The one with his address in it?

“Those days were really special,” said Tarek. “They
meant
something. Everyone accepted each other—usually in schools there are dividing lines. But with us, everyone liked each other—rock,
hip-hop, grunge, sports, skaters—whoever you were, if you were cool, you were cool. It’s a pity that sometimes people let
the special days go.”

The streets were packed with football fans, all making their way to the Brandenburg Gate, not one of their faces showing anything
other than happiness, or excitement. It felt like we were at the very center of the world.

“Now, we could go and stand and watch the game with everyone else,” said Tarek. “But a group of friends are meeting up in
a bar round the corner. We could get food, and beer, and maybe even a seat…”

I thought about it. We were in Berlin. On the night of the final. With a chance to feel like a part of history.

“I think,” I said, remembering Ian, “that the World Cup was
made
for being in a pub with your mates…”

“It’s all about friends, man,” said Tarek, and I smiled.

And so we turned around and went to the pub.

“So you went to school with Tarek?” asked a man in a baseball cap, tucking into his pizza.

It was a minute before kick-off and everyone had ordered a Meaty Maxi Meat pizza—an enormous, towering thing packed with a
variety of indistinguishable meats. You might as well have popped a slice of cheese on a farm and been done with it.

“I did!” I said, losing myself in the memories for a second. “Our school was a
special
school.”

“You went to a
special
school?” said the man, wide-eyed, and I had to correct myself.

“Well, no, hang on, the
school
wasn’t a
special
school. It was a school that was
special.
It was just after the Wall came down. I hadn’t seen him until tonight, so I had no idea he was a rapper and had once shot
a man.”

“These things happen,” said another man, just one of six people associated with Hitmen Music to have arrived in the past few
minutes. BRD was laughing in the corner and Tarek had just given someone a complicated handshake. I felt a little out of place—mainly
because I was wearing glasses and didn’t know how to shake hands like that.

The whistle blew and the noise in the pub increased with it. This was it! The
final!

And then, like something out of a film, a slick, new, blacked-out Mercedes with blue neon involved screeched up outside the
pub and two men got out, slamming the doors behind them. One of them was quite large. The other was almost exactly the opposite.

“Axl and Papo are here…” said Chris.

Axl looked a bit like a Hispanic gangster. Papo did not. He was what you might call a rapper of restricted height, and had
kind eyes, a shaved head and a broad smile.

“Danny, this is Papo,” said Tarek, and we shook hands in the only way I knew how.

PAPO!

Small man very big! Papo is not new in the business—he does not rap only since yesterday, he touches with each line! With
the powerful voice of a hurricane he demolishes whole concert halls! The contents of the songs mirror his past, present and
future and he gives us an insight into his own thoughts, blasting our ears with the naked sounds of life! Papo is real and
this is how we experience him!

I was quite surprised that Papo was involved in the destruction of whole concert halls. He seemed a remarkably polite and
quiet man, content to sup on his beer and chat.

“So you’ve been finding people you used to know?” he said.

“Yup. It’s been great. In fact, I was supposed to meet a guy called Peter Gibson today but couldn’t because I was coming here.
He’s an architect. But I’ve also so far found a Fijian chief whose villagers ate a vicar, a bloke who runs a carvery and who’s
solved time travel, and, of course, a rapper.”

“That’s pretty good,” said Papo. “You’d think they’d all work in computers or some shit.”

He meant “something” there, he wasn’t implying all my friends would
actually
work in some shit, like IT farmhands.

“Yeah, it’s been great.”

“But you’re just meeting people from your address book?”

“Well, they all earned their places in it, in one way or another, I guess. I mean, I’d like to meet loads of others, too,
but where do you start? At least like this there’s a system.”

“But what about other people? Seems a pity you can’t see them just ’cos they’re not in your book…”

Papo was right. It seemed wrong to deny the millions of other people I have met in my lifetime the plea sure of a reintroduction.
Instantly I thought of Grisha, the Russian kid who’d lived downstairs from me. And Josh! Even Tarek had mentioned Josh. But
what could I do?

There was a rising cheer as Italy took the ball and attacked the French goal mouth. I wondered whether Ian was part of the
same cheer back home, or Chris, or Pete, or Cameron. I thought about what else over the years we’d been a part of without
thinking about it. Those moments in time or history when all focus is on one thing. Where had they been when the Wall came
down? When Diana died? Where were they on 9/11? The world seems a lot smaller on days like that. No matter
where
someone is, you feel united somehow.

I looked around and saw another complicated handshake getting under way, and wondered whether there was something I could
do to feel more like I belonged. I had an idea.

“Papo,” I said. “I was wondering. What could my hip-hop name be?”

“What do you mean?” asked Papo.

“Well, you’re called Papo. Tarek is called Potna Pot. Chris is BRD.
He’s
called Axl.”

Papo had a think.

“Danny… Dan… D…” he said.

“Danny Dandy?” I said, in disbelief.

“No, no, I’m just thinking…”

“Because Danny Dandy would be a
rubbish
hip-hop name,” I said. “I mean, I don’t want to tell you your own business…”

“No, you can’t be called Danny Dandy,” said Papo. “But how about…”

He looked at his beer.

“D-man?” he said. “Like Demon.”

“Demon!” I said, delighted.

“Yeah! Demon!” said Papo, and we slapped our hands together like they do in films, and then shook on it.

“Hey, Danny, you want another beer?” asked Tarek, sitting back down again.

“Yes, I do, and it’s ‘Demon,’” I said, before, inexplicably, “bitch.”

Papo laughed, and I attempted a complicated handshake.

I had definitely found my place in life, and it was among the German hip-hop community.

Tarek looked at me like I was odd.

Two hours later and Berlin had exploded into a celebration of the green, white and orange of Italy. Suddenly there were people
on mopeds every where. Fireworks. Hugs in the street. Taxis screeched by with happy faces pressed up against the windows,
Italian flags trailing behind them. Tarek and I watched with a satisfied detachment.

“Okay!” he said. “So I guess that’s the World Cup done. You wanna see our studios?”

“The crib!” I said, trying desperately to remember other phrases I’d heard on MTV. “Let’s mosey on over to your crib!”

“Mosey on over?” asked Tarek.

It must have been country night on MTV.

Axl, Tarek, Papo, BRD and I squeezed into the Merc. I sat in the middle of the back seat, between Papo and BRD, who shifted
about uncomfortably. Axl cranked up the stereo and rolled down the windows, and there we were, looking like a proper hip-hop
crew, cruising through the streets of Berlin, waving at girls, nodding in time with the beats, looking supercool. Well,
they
did. To be absolutely honest, I looked like the studio accountant. Or one of those nerdy lawyers you see in films getting
mixed up in Mafia capers. But I was enjoying myself.

“Hey, put something of
yours
on the stereo,” I said. “Something from Hitmen Music!”

Axl laughed, found something, and hit Play.

Immediately, the bass in the car started earning its money…

Boof… boof boof…

And then a familiar voice…

Potna Pot!

Who’s Potna Pot?

Potna Pot!

Bitch! Who’s Potna Pot?

It was Chunk from
The Goonies
!

“Potna Pot?” I said, delighted. “That’s
you!
”

Tarek nodded, happily. I was excited!

“Bitch, that’s
you!
” I said.

“Yeah… you should maybe not say ‘bitch’ so much,” said Tarek, quite calmly.

Maybe I was
over
-excited.

But this was
brilliant.
It was like sitting in a car with someone while listening to their theme tune. And
everybody
should have a theme tune.

Catch me in the club, rubbadubbin’ in some bubbly!

Potna Pot!

“It’s very powerful,” I said. “And it’s not often you hear the word ‘rubbadubbin’.’”

The boys considered this, and all agreed I was correct.

We pulled up and stopped on a typical German street, maybe ten minutes away from where we’d been. I could just make out bakeries
and a small supermarket on the corner, as we made our way through the darkness and into a courtyard, towards an arched doorway.
I suddenly felt inexplicably tough. This was the lure of the gang. Now, Tarek and his pals were in no way a gang. They were
a group of genuinely warm, polite and happy young men. But they
were
a crew. They were pals, together, in a tough city, working away at making their dream come true. And it
was
working.

“Every cent we make,” Tarek said, “goes straight back into the business. We work fifteen-hour days. We’re not interested in
becoming famous. We do this just because we love it and it feels important. It’s documenting lives.”

I loved Tarek’s attitude. And I believed what he was telling me. Too many people are driven by fame. Tarek had tasted it as
a kid, thought it was okay, but knew it wasn’t important. What was important, it seemed, was who was around you. What you
were doing. How you were. Tarek loves his family, loves his mates, loves his work. Tarek had it all worked out.

Axl found the key and let us into the world of Hitmen Music. Up ahead were studios, a lounge, a kind of green room and various
offices for various office duties. There were huge speakers everywhere, plenty of soundproofing and, of course, the Hitmen
Music logo—an Uzi in front of a treble clef. On the table in front I noticed two half-full bottles of Jack Daniel’s, various
ashtrays, dozens of beer cans and no less than six packets of Rizlas. Hip-hop, ironically, is very rock and roll.

“Check this,” said Papo, flicking a switch.

The lights were low, and immediately the room was filled with the voice of BRD, who looked on, proudly. It was his new single.
“WER???”…

WER???

“WER???” is full of clean punch lines, of which one does not have the feeling to have heard them for 1000th time!

Authentic text which do not need to show—with a raised finger—that one is a Berliner! BRD is proud but does not glorify anything.
The more one hears him, the more facets will be opened!

BRD with his impressive career as a Hip-Hop-Artist and his versatility as a musician, producer and songwriter, proves with
each song again his creative potential. One can wait with great anticipation for further hits from his pen!

We all stood about and nodded our heads.

I looked around and I felt like I’d made a bunch of new friends. BRD, Papo, Axl and, of course, Tarek. They’d welcomed me
in, treated me so nicely, named me “Demon,” made me one of the crew. I was touched.

I listened to a few more tracks, and Papo played me a short video of BRD in a dark and dingy Berlin basement club. The crowd
were loving it as he rapped, loudly, confidently, fully in control, all of it in German.

My pocket suddenly buzzed. A text.

Hey baby. Haven’t heard from you. All okay?

Aw. Lizzie. In all the excitement of arriving in Berlin, rediscovering old haunts and finding Tarek, I’d forgotten to tell
her I’d landed safely. I wrote back.

It’s great! I’m with Tarek! He’s a hardcore German rapper!

Moments later, Lizzie’s reply arrived.

What?? Are you okay?? Jesus, come home safely!

I’d thought that was a bit of an overreaction and shook my head at the prejudice that the hip-hop community must have to deal
with on a daily basis, but then I looked at my “Sent messages” and realized I’d written “rapper” with one “p.”