Authors: Stephen King
And I had. Hell, I hadn't even
thought about
the leaves in six or eight years.
'You
tell him,' I said.
'You're the one who had your hands on them.'
Phil nodded, sat silent for a few moments, and then began to speak staccato, as if giving a report to a superior officer.
NOW:
Phil
The second lightshow happened midafternoon. Okay? Curt goes into the shed with the rope on when it's over and brings out the gerbil whatchacallit. We see one of the critters is gone. There's some more talk. Some more picture-taking. Sergeant Schoondist says okay, okay, everyone as you were, who's on duty out in the hutch. Brian Cole says 'Me, Sarge.'
'The rest of us go back in the barracks. Okay? And I hear Curtis say to the Sarge, "I'm gonna dissect that thing before it disappears like everything else. Will you help me?" And the Sarge says he will - that night, if Curt wants. Curt says "Why not right now?" and the Sarge says, "Because you got a patrol to finish. Shift-and-a-half. John Q. is depending on you, boy, and lawbreakers tremble at the sound of your engyne." That's the way he talked, sometimes, like a piney-woods preacher. And he never said
engine,
always
engyne.
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'Curt, he don't argue. Knows better. Goes off. Around five o'clock Brian Cole comes in and gets me. Asks will I cover the shed for him while he goes to the can. I say sure. I go out there. Take a look inside. Situation normal, fi'-by. Thermometer's gone up a degree. I go into the hutch. Decide die hutch is too hot, okay? There's an L.L. Bean catalogue on the chair. I go to grab that. Just as I put my fingers on it, I hear this
creak-thump
sound. Only one sound like it, when you unlatch the trunk of your car and it springs up hard. I go rushing out of the hutch. Over to the shed windows. Buick's trunk's open. All this what I thought at first was paper, charred bits of paper, is whooshing up out of the trunk. Spinning around like they were caught in a cyclone. But the dust on the floor wasn't moving. Not at all. The only moving air was coming out of the trunk. And then I saw all the pieces of paper looked pretty much the same and I decided they were leaves. Turned out that was what they were.'
I took my notebook out of my breast pocket. Clicked out the tip of my ballpoint and drew this:
'It looks sort of like a smile,' the kid said.
'Like a goddam
grin,
'I said. 'Only there wasn't just one of them. Was hundreds. Hundreds of black grins swirling and spinning around. Some landed on the Buick's roof. Some dropped back into the trunk. Most of em went on the floor. I ran to get Tony. He came out with the video camera. He was all red in the face and muttering, 'What now, what next, what the hell, what now?' Like that. It was sort of funny, but only later on, okay? Wasn't funny at the time, believe me.
'We looked in the window. Saw the leaves scattered all across the cement floor. There were almost as many as you might have on your lawn after a big October windstorm blows through. Only by then they were curling up at the corners. Made em look a little less like grins and a little more like leaves. Thank God. And they weren't staying black. They were turning whitish-gray right in front of our eyes. And
thinning.
Sandy was there by then. Didn't make it in time for the lightshow, but turned up in time for the leafshow.'
Sandy said, 'Tony called me at home and asked if I could come in that evening around seven. He said that he and Curt were going to do something I might want to be in on. Anyway, I didn't wait for seven. I came in right away. I was curious.'
'It killed the cat,' Ned said, and sounded so much like his pa that I almost shivered. Then he was looking at me. 'Tell the rest.'
'Not much to tell,' I said. 'The leaves were thinning. I might be wrong, but I think we could actually see it happening.'
'You're not wrong,' Sandy said.
'I was excited. Not thinking. Ran around to the side door of the shed. And Tony, man, Tony was on me like white on rice. He grabs me around the neck in a choke-hold. "Hey," I says. "Leggo me, leggo me, police brutality!" And he tells me to save it for my gig at the Comedy Shop over in Statesboro. "This
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is no joke, Phil," he says. "I have good reason to believe I've lost one officer to that goddamned thing. I'm not losing another."
'I told him I'd wear the rope. I was hot to trot. Can't remember exactly why, but I was. He said he wasn't going back to get the goddam rope. I said
I'd
go back and get the goddam rope. He said, "You can forget the goddam rope, permission denied." So I says, "Just hold my feet, Sarge. I want to get a few of those leaves. There's some not five feet from the door. Not even close to the car. What do you say?"
'"I say you must have lost your friggin mind,
everything in there
is close to the car," he says, but since that wasn't exactly no, I went ahead and opened the door. You could smell it right away. Something like peppermint, only not nice. Some smell underneath it, making the one on top even worse. That cabbagey smell. Made your stomach turn over, but I was almost too excited to notice. I was younger then, okay? I got down on my stomach. Wormed my way in. Sarge has got me by the calves, and when I'm just a little way inside the shed he says, "That's far enough, Phil. If you can grab some, grab away. If you can't, get out."
'There were all kinds that had turned white, and I got about a dozen of those. They were smooth and soft, but in a bad way. Made me think of how tomatoes get when they'vegone rotten under the skin. A little farther away there was a couple that were still black. I stretched out and got hold of em, only the very second I touched em, they turned white like the others. There was this very faint stinging sensation in my fingertips. Got a stronger whiff of peppermint and I heard a sound. Think I did, anyway. A kind of sigh, like the sound a soda can makes when you break the seal on the poptop.
'I started wiggling out, and at first I was doing all right, but then I ... something about the feel of those things in my hands ... all sleek and smooth like they were . . .'
For a few seconds I couldn't go on. It was like I was feeling it all over again. But the kid was looking at me and I knew he wouldn't let it go, not for love or money, so I pushed ahead. Now just wanting to get it over with.
'I panicked. Okay? Started to push backward with my elbows and kick with my feet. Summer. Me in short sleeves. One of my elbows kind of winged out and touched one of the black leaves and it hissed like . . . like I don't know what. Just hissed, you know? And sent up a puff of that peppermint-cabbage stink. Turned white. Like me touching it had given it frostbite and killed it. Thought of that later. Right then I didn't think about anything except getting the righteous fuck out of there. Scuse me, Shirley.'
'Not at all,' Shirley said, and patted my arm. Good girl. Always was. Better in dispatch than Babicki by a country mile - and a whole lot easier on the eyes. I put my hand over hers and gave a little squeeze. Then I went on and it was easier than I thought it would be. Funny how things come back when you talk about them. How they get clearer and clearer as you
go along.
'I looked up at that old Buick. And even though it was in the middle of the shed, had to be twelve feet away from me easy, all at once it seemed a lot closer than that. Big as Mount Everest. Shiny as the side of a diamond. I got the idea that the headlights were eyes and the eyes were looking at me. And I could hear it whispering. Don't look so surprised, kid. We'veall heard it whispering. No idea -what it's saying if it's really saying anything - but sure, I could hear it. Only inside my head, going from the inside out. Like telepathy. Might have been imagination, but I don't think so. All of a sudden it was like I was six again. Scared of the thing under my bed. It meant to take me away, I was sure of it. Take me to wherever it had taken Ennis. So I panicked. I yelled, "Pull me, pull me, hurry up!" and they sure did. The Sarge and some other guy - '
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'The other guy was me,' Sandy said. 'You scared the living crap out of us, Phil. You seemed all right at first, then you started to yell and twist and buck. I sort of expected to see you bleeding somewhere, or turning blue in the face. But all you had was . . . well.' And he made a little gesture at me to go on.
'I had the leaves. What was left of them, anyway. When I freaked out, I must have made fists, okay?
Clenched down on them. And once I was back outside, I realized my hands were all wet. People were yelling
Are you all right
and
What happened in there, Phil?
Me up on my knees, with most of my shirt around my neck and a damn floorburn on my gut from being dragged, and I'm thinking
My hands are
bleeding. That's why they're wet.
Then I see this white goo. Looked like the kind of paste the teacher gives you in the first grade. It was all that was left of the leaves.'
I stopped, thought about it.
'And now I'm gonna tell you the truth, okay? It didn't look like paste at all. It was like I had two fistfuls of warm bull-jizz. And the smell was awful. I don't know why. You could say
A little peppermint and
cabbage, what's the big deal?
and you'd be right, but at the same time you'd be wrong. Because really that smell was like nothing on earth. Not that I ever smelled before, anyway.
'I wiped my hands on my pants and went back to the barracks. Went downstairs. Brian Cole is just coming out of the crapper down there. He thought he heard some yelling, wants to know what's going on. I pay him absolutely nomind. Almost knock him over getting into the can, matter of fact. I start washing my hands. I'm still washing away when all at once I think of how I looked with that cummy-white leaf-gunk dripping out of my fists and how it was so warm and soft and somehow
sleek
and how it made strings when I opened up my fingers. And that was it. Thinking of how it made strings between my palms and the tips of my fingers. I upchucked. It wasn't like having your guts send your supper back by Western Union, either. It was like my actual stomach making a personal appearance, coming right up my throat and tipping everything I'd swallowed down lately right back out my mouth. The way my ma used to throw her dirty wash-water over the back porch railing. I don't mean to go on about it, but you need to know. It's another way of trying to understand. It wasn't like puking, it was like dying. Only other time I had anything like that was my first road fatality. I get there and the first thing I see is a loaf of Wonder Bread on the yellow line of the old Statler Pike and the next thing I see is the top half of a kid. A little boy with blond hair. Next thing I see is there's a fly on the kid's tongue. Washing its legs. That set me off. I thought I was going to puke myself to death.'
'It happened to me, too,' Huddie said. 'Nothing to be ashamed of.'
'Not ashamed,' I said. 'Trying to make him see, is all. Okay?' I took in a deep breath, smelling the sweet air, and then it hit me that the kid's father was also a road kill. I gave the kid a smile. 'Oh well, thank God for small favors - the commode was right next to the basin, and I didn't get hardly any on my shoes or the floor.'
'And in the end,' Sandy said, 'the leaves came to nothing. And I mean that literally. They melted like the witch in
The Wizard of Oz.
You could see traces of them in Shed B for awhile, but after a week there was nothing but some little stains on the concrete. Yellowish, very pale.'
'Yeah, and for the next couple of months I turned into one of those compulsive hand-washers,' I said.
'There were days when I couldn't bring myself to touch food. If my wife packed me sandwiches, I picked em up with a napkin and ate them that way, dropping the last piece out of the napkin and into my mouth so I never had to touch any of it with my fingers. If I was by myself in my cruiser, I was apt to eat with my gloves on. And I kept thinking I'd get sick just the same. What I kept imagining was that gum disease
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where all your teeth fall out. But I got over it.' I looked at Ned and waited until he met my eyes. 'I got over it, son.'
He met my eyes, but there was nothing in them. It was funny. Like they were painted on, or something. Okay?
NOW:
Sandy
Ned was looking at Phil. The boy's face was calm enough, but I sensed rejection in his gaze, arid I think Phil sensed it, too. He sighed, folded his arms across his chest, and looked down as if to say he was done talking, his testimony was finished.
Ned turned to me. 'What happened that night? When you dissected the bat?'
He kept calling it a bat and it
hadn't
been a bat. That was just a word I'd used, what Curtis would have called a nail to hang my hat on. And all at once I was mad at him. More than mad - pissed like a bear. And I was also angry at myself for feeling that way, for daring to feel that way. You see, mostly what I was angry at was the kid raising his head. Raising his eyes to mine. Asking his questions. Making his foolish assumptions, one of which happened to be that when I said bat I meant bat, and not some unspeakable indescribable thing that crept out of a crack in the floor of the universe and then died. But mostly it was him raising his head and his eyes. I know that doesn't exactly make me out to be the prince of the world, but I'm not going to lie about it.