From the Dust Returned (12 page)

"No, me!" the boys contradicted. "Me, me!"

"God!" roared Uncle Einar. He leaped up with a deafening kettledrum of wings. "Children! Children, I love you, I love you!"

"What? What's wrong?" The children backed off.

"Nothing!" chanted Einar, flexing his wings to their greatest propulsion and plundering. Whoom! they whammed together like cymbals and the children fell flat in the backwash! "I have it, I
have
it! I'm free again, free! Fire in the flue! Feather on the wind! Brunilla!" He called to the house. She stuck her head out. "I'm free!" he cried, flushed and tall. "Listen! I don't need the night! I can fly by day, now! I don't need the night! I'll fly
every
day and
any
day of the year from now on, and nobody'll know, and nobody'll shoot me down, and, and—but, God, I waste time! Look!"

And as the shocked members of his family watched he seized the cotton tail from one of the kites, tied it to his belt, grabbed the twine ball and gripped one end between his teeth, gave the other end to his children, and up, up into the air he flew, away into the wind!

And across the meadows and over the farms his daughter and sons ran, feeding out string into the daylit sky, shrieking and stumbling, and Brunilla stood out on the farm porch and waved and laughed to know that from now on her family would run and fly in joy.

The children pell-melled to the far Kite Hill and stood, the three of them, holding the ball of twine in their eager, proud fingers, each tugging, directing, pulling.

The children from town came running with
their
small kites to let up on the wind, and they saw the great green kite dipping and hovering in the sky and they exclaimed:

"Oh, oh, what a kite! Oh, oh! I wish I had a kite like that! Oh, what a kite! Where'd you get it!?"

"Our father made it!" cried the honorable daughter and the two fine sons, and gave an exultant pull on the twine and the humming, thundering kite in the sky flew and soared and wrote a great and magical exclamation mark across a cloud!

The list was long, the need was manifest.

Manifestations of need took many shapes and forms. Some were solid flesh, some were evanescent ambiences which grew on the air, some partook of the clouds, some the wind, some merely the night, but all needed a place to hide, a place to be stashed, whether in wine cellars or attics or formed in stone statues on the marble porch of the House. And among these were mere whispers. You had to listen closely to hear the needs. And the whispers said: "Lie low. Be still. Speak and rise not. Give no ear to the cannons' cries and shouts. For what they shout is doom and death—with no ghosts manifest and spirits given heart. They say not yes to us, the grand army of the fearsome resurrected, but no, the terrible no, which makes the bat drop wingless and the wolf lie crippled and all coffins riven with ice and nailed with Eternity's frost from which no Family breath can suspire to roam the weather in vapors and mist.

"Stay, oh, stay in the great House, sleep with telltale hearts which drum the timbered floor. Stay, oh, stay, all silence be. Hide. Wait. Wait."

"I was the bastard child of the hinges at the great wall of Thebes," it said. "By what do I mean bastard or, for that matter, hinges? A vast door in a wall at Thebes, yes?"

All at the table nodded, impatiently.
Yes.

"Quickly then," said the mist within a vapor inside the merest sneeze of shadow, "when the wall was built and the double gate chiseled from vast timbers, the first hinge in the world was invented on which to hang the gates so they could be opened with ease. And they were opened often to let the worshippers in to worship Isis or Osirus or Bubastis or Ra. But the high priests had not as yet magicked themselves into tricks, had not as yet sensed that the gods must have voices, or at least incense so that as the smoke arose one could configure the spirals and whiffs and read symbols or air and space. The incense came later. They did not know, but voices were needed. I was that voice."

"Ah?" the Family leaned forward. "So?"

"They had invented the hinge made of solid bronze, an eternity of metal, but had not invented the lubricant to make the hinge gape quietly. So when the great Theban doors were opened, I was born. Very small at first, my voice, a squeak, a squeal, but soon, the vibrant declaration of the gods. Hidden, a secret declaration, unseen, Ra and Bubastis spoke through me. The holy worshippers, riven, now paid as much attention to my syllables, my perambulating squeals and grindings as they did to the golden masks and harvest-blanching fists!"

"I never thought of that." Timothy looked up in gentle surprise.

"Think," said the voice from the Theban hinges three thousand years lost in time.

"Continue," said all.

"And seeing," said the voice, "that the worshippers tilted their heads to catch my pronunciamentos, garbed in mystery and waiting for interpretation, instead of oiling the bronze hasps, a lector was appointed, a high priest who translated my merest creak and murmur as a hint from Osiris, an inclination from Bubastis, an approbation from the Sun Himself."

The presence paused and gave several examples of the creak and slur of the hinge binding itself. This was music.

"Once born, I never died. Almost but no. While oils glistened the gates and doors of the world, there was always one door, one hinge, where I lodged for a night, a year, or a mortal lifetime. So I have made it across continents, with my own linguistics, my own treasures of knowledge, and rest here among you, representative of all the openings and closures of a vast world. Put not butter, nor grease, nor bacon-rind upon my resting places."

A gentle laughter, in which all joined.

"How shall we write you down?" asked Timothy.

"As a tribesman of the Talkers with no wind, no need of air. The self-sufficient speakers of the night at noon."

"Say that again."

"The small voice that asks of the dead who arrive for admission at the gate of paradise: 'In your life, did you know enthusiasm?' If the answer is yes you enter the sky. If no, you fall to burn in the pit."

"The more questions I ask, the longer your answers get."

" 'The Theban Voice.' Write that."

Timothy wrote.

"How do you spell 'Theban'?" he said.

Mademoiselle Angelina Marguerite was perhaps strange, to some grotesque, to many a nightmare, but most certainly a puzzle of inverted life.

Timothy did not know that she even existed until many months after that grand, happily remembered Homecoming.

For she lived, or existed, or in the final analysis
hid
in the shadowed acreage behind the great tree where stood markers with names and dates peculiar to the Family. Dates from when the Spanish Armada broke on the Irish coast and its women, to birth boys with dark, and girls with darker, hair. The names recalled the glad times of the Inquisition or the Crusades—children who rode happily into Muslim graves. Some stones, larger than others, celebrated the suffering of witches in a Massachusetts town. All of the markers had sunk in place as the House took boarders from other centuries. What lay beneath the stones was known only to a small rodent and a smaller arachnid.

But it was the name Angelina Marguerite that took Timothy's breath. It spelled softly on the tongue. It was a relish of beauty.

"How long ago did she die?" Timothy asked.

"Ask rather," said Father, "how soon will she be
born
."

"But she
was
born a long time ago," said Timothy. "I can't make out the date. Surely—"

"Surely," said the tall, gaunt, pale man at the head of the dinner table, who got taller and gaunter and paler by the hour, "surely if I can trust my ears and ganglion, she will be
truly
born in a fortnight."

"How
much
is a fortnight?" asked Timothy.

Father sighed. "Look it up. She will not stay beneath her stone."

"You mean—?"

"Stand watch. When the grave marker trembles and the ground stirs, you will at last see Angelina Marguerite."

"Will she be as beautiful as her name?"

"Gods, yes. I would hate to wait while an old crone got younger and younger, taking years to melt her back to beauty. If we are fortunate, she'll be a Castilian rose. Angelina Marguerite waits. Go see if she's awake.
Now
!"

Timothy ran, one tiny friend on his cheek, another in his blouse, a third following.

"Oh, Arach, Mouse, Anuba," he said, hurrying through the old dark House, "what does Father
mean
?"

"Quiet." The eight legs rustled in his ear.

"Listen," said an echo from his blouse.

"Stand aside," said the cat. "Let me lead!"

And arriving at the grave with the pale stone, as smooth as a maiden's cheek, Timothy knelt and put that ear with its invisible weaver against the cool marble, so both might hear.

Timothy shut his eyes.

At first: stone silence.

And again, nothing.

He was about to leap up in confusion when the tickling in his ear said:
Wait.

And deep under he heard what he thought was the single beat of a buried heart.

The soil under his knees pulsed three times swiftly.

Timothy fell back.

"Father told the truth!"

"Yes," said the whisper in his ear. "Yes," echoed the fur-ball thing in his blouse.

Anuba purred.

Yes!

He did not return to the pale gravestone, for it was so terrible and mysterious that he cried, not knowing why.

"Oh, that poor lady."

"Not poor, my dear," said his mother.

"But she's
dead
!"

"But not for long. Patience."

Still he could not visit, but sent his messengers to listen and come back.

The heartbeats increased. The ground shook with nervous tremors. A tapestry wove itself in his ear. His blouse pocket squirmed. Anuba ran in circles.

The time is near.

And then half through a long night with a storm freshly departed, a lightning bolt stabbed the graveyard to invigorate a celebration—

And Angelina Marguerite was born.

At three in the morning, the soul's midnight, Timothy looked out his window to see a procession of candles lighting the path to the tree and that one special stone.

Glancing up, candelabra in hand, Father gestured. Panicked or not, Timothy must attend.

He arrived to find the Family around the grave, their candles burning.

Father handed Timothy a small implement.

"Some spades bury, some reveal. Be the first to shovel earth."

Timothy dropped the spade.

"Pick it up," said Father. "Move!"

Timothy stuck the spade into the mound. A trip-hammering of heartbeat sounded. The gravestone cracked.

"Good!" And Father dug. The others followed until at last the most beautiful golden case he had ever seen, with a Royal Castilian insignia on its lid, came into sight, to be laid out under the tree to much laughter.

"How can they
laugh
?" cried Timothy.

"Dear child," said his mother. "It is a triumph over death. Everything turned upside down. She is not buried, but
unburied,
a grand reason for joy. Fetch wine!"

He brought two bottles to be poured in a dozen glasses that were lifted as a dozen voices murmured, "Oh, come forth, Angelina Marguerite, as a maiden, girl, baby, and thence to the womb and the eternity before Time!"

Then the box was opened.

And beneath the bright lid was a layer of—

"Onions?!" Timothy exclaimed.

And indeed, like a freshet of grass from the Nile banks, the onions were there, spring-green and lush and savory on the air.

And beneath the onions—

"Bread!" said Timothy.

Sixteen small loaves baked within the hour, with golden crusts like the lip of the box, and a smell of yeast and the warm oven that was the box.

"Bread and onions," said the oldest near-uncle in his Egyptian cerements, leaning to point into the garden box. "I planted these onions and bread. For the long journey not down the Nile to oblivion but up the Nile to the source, the Family, and then the time of the seed, the pomegranate with a thousand buds, one ripe each month, surrounded by encirclements of life, millions crying to be born. And
so … 
?"