His expression was strained and haggard, the opposite of his words. By contrast to the trial, when often he looked young with fear, now his face was older than I had ever seen it.
‘I don’t deny that I’ve made mistakes. I gave too much opportunity for jealousy. It’s natural they should be jealous, of course. But I shan’t leave so many loopholes this time. I didn’t make enough concessions. Perhaps I oughtn’t to have confined myself to a few people. That was bound to make my enemies hate me more. Whatever I do, it won’t have the same completeness this has had for me. But we’ve got to accept that this is finished. I’m willing to make some concessions now. The main thing is, I shall be keeping on. Everyone would like me to live as they do – shut up in their blasted homes. I’m not going to give them the satisfaction.’
He had not said a word about the substance of the case; he seemed to have dismissed the transactions and charges from his mind.
After a time, feeling he had spoken himself out, I asked about Daphne. As he replied, his voice was quieter.
‘I hope she’ll marry me,’ he said. He smiled in a friendly, almost bantering way. ‘It’s a pity I didn’t find her when you found Sheila.’ (He didn’t know it, he hadn’t guessed it, but that night, as we talked, I was thinking how I could break my marriage.) ‘I didn’t expect to find everything I wanted in one person then, did I? Still, I ought to have married someone by now, I ought to have made myself.’
‘As a result of this trouble–’
George broke out again: ‘They’ve tried to insinuate that everything I’ve done was because I was sex-crazy. They’ve tried to explain away the best years of my life – by saying I spent them doing nothing but plot to get a few minutes of pleasure. I ought to have known they would do it. I trusted them too much. It’s senseless letting your faith in goodness run away with you. It would have been easy to shape things differently. I shall profit by it now. Marriage with Daphne will leave me free. As it was, I shan’t blame myself. It was bad luck things went the way they did. It wasn’t my fault – but when they did, well, they were all round me, I’m not a celibate, my taste is pretty wide. And so I gave them the chance to destroy everything I’d spent all these years in building.’
He paused, then said, in a flat voice, with all the bitterness gone: ‘That’s why, you see, I’ve got to show them that it hasn’t affected me. I’ve got to show them for certain that I’m keeping on.’
I could not help but feel that he meant something different and more tormenting. It was himself in whose sight he needed to be seen unchanged. In his heart a voice was saying: ‘You can’t devote yourself again. You never have. Your enemies are right. You’ve deceived yourself all this time. And now you know it, you can’t begin deceiving yourself again.’
There were to be times – I felt at this moment – when he would want to give up struggling against that voice. There were to be times, darker than now, when he would have to see himself and ask what was to become of him. Yet, in those dark moments, would he – as he was now – be drawing a new strength from his own self-searching, even from his own self-distrust?
After his last remark, both he and I were still eager for what life would bring him. He could still warm himself and everyone round him with his own hope.
[1]
This seems to have been quite baseless.
[2]
There was no previous reference in the diary to this ‘difficulty’.
Series in broad chronological ‘story’ order (see Synopses below for ‘Series order’)
Dates given refer to first publication dates
These titles can be read as a series, or randomly as stand-alone novels
1. | Time of Hope | | 1949 |
2. | George Passant | (Originally entitled ‘Strangers & Brothers’) | 1940 |
3. | The Conscience of the Rich | | 1958 |
4. | The Light and the Dark | | 1947 |
5. | The Masters | | 1951 |
6. | The New Men | | 1954 |
7. | Homecomings | | 1956 |
8. | The Affair | | 1960 |
9. | Corridors of Power | | 1964 |
10. | The Sleep of Reason | | 1968 |
11. | Last Things | | 1970 |
Published by House of Stratus
A. Strangers and Brothers Series (series order) |
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These titles can be read as a series, or randomly as stand-alone novels |
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George Passant In the first of the Strangers and Brothers series Lewis Eliot tells the story of George Passant, a Midland solicitor’s managing clerk and idealist who tries to bring freedom to a group of people in the years 1925 to 1933. |
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The Light & The Dark The Light and the Dark is the second in the Strangers and Brothers series. The story is set in Cambridge, but the plot also moves to Monte Carlo, Berlin and Switzerland. Lewis Eliot narrates the career of a childhood friend. Roy Calvert is a brilliant but controversial linguist who is about to be elected to a fellowship. |
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Time of Hope The third in the Strangers and Brothers series (although the first in chronological order) and tells the story of Lewis Eliot’s early life. As a child he is faced with his father’s bankruptcy. As a young man, he finds his career at the Bar hindered by a neurotic wife. Separation from her is impossible however. |
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The Masters The fourth in the Strangers and Brothers series begins with the dying Master of a Cambridge college. His imminent demise causes intense rivalry and jealousy amongst the other fellows. Former friends become enemies as the election looms. |
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The New Men It is the onset of World War II in the fifth in the Strangers and Brothers series. A group of Cambridge scientists are working on atomic fission. But there are consequences for the men who are affected by it. Hiroshima also causes mixed personal reactions. |
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Homecomings Homecomings is the sixth in the Strangers and Brothers series and sequel to Time of Hope. This complete story in its own right follows Lewis Eliot’s life through World War II. After his first wife’s death his work at the Ministry assumes a larger role. It is not until his second marriage that Eliot is able to commit himself emotionally. |
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The Conscience of the Rich Seventh in the Strangers and Brothers series, this is a novel of conflict exploring the world of the great Anglo-Jewish banking families between the two World Wars. Charles March is heir to one of these families and is beginning to make a name for himself at the Bar. When he wishes to change his way of life and do something useful he is forced into a quarrel with his father, his family and his religion. |