George R.R. Martin - [Wild Cards 18]

THE RETURN OF WILD CARDS

Originally begun in 1987, long before George R. R. Martin became a household name among fantasy readers (“The American Tolkien”—
Time
magazine), the Wild Cards series earned a reputation among connoisseurs for its smart reimagining of the superhero idea. Now, with
Inside Straight,
the Wild Cards continuity jumps forward to a new era.…

INSIDE STRAIGHT

A Wild Cards Mosaic Novel

Edited by George R. R. Martin,
with the assistance of Melinda M. Snodgrass—

—and written by

Daniel Abraham

Melinda M. Snodgrass

Carrie Vaughn

Michael Cassutt

Caroline Spector

John Jos. Miller

George R. R. Martin

Ian Tregillis

S. L. Farrell

The
Wild Cards
Series

Wild Cards

Aces High

Jokers Wild

Aces Abroad

Down and Dirty

Ace in the Hole

Dead Man’s Hand

One-Eyed Jacks

Jokertown Shuffle

Double Solitaire

Dealer’s Choice

Turn of the Cards

Card Sharks

Marked Cards

Black Trump

Deuces Down

Death Draws Five

Edited by
George R. R. Martin

Assisted by
Melinda M. Snodgrass

And written by
Daniel Abraham | Melinda M. Snodgrass
Carrie Vaughn | Michael Cassutt
Caroline Spector | John Jos. Miller
George R. R. Martin | Ian Tregillis
S. L. Farrell

A TOM DOHERTY ASSOCIATES BOOK
NEW YORK

NOTE: If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the authors nor the publisher have received any payment for this “stripped book.”

This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the authors’ imagination or are used fictitiously.

INSIDE STRAIGHT

Copyright © 2008 by George R. R. Martin and The Wild Cards Trust

Excerpt from “Coulda, Woulda, Shoulda” copyright © 2008 by Caroline Spector

Excerpt from
Busted Flush
copyright © by George R. R. Martin.

All rights reserved.

Edited by Patrick Nielsen Hayden

A Tor Book
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010

www.tor-forge.com

Tor
®
is a registered trademark of Tom Doherty Associates, LLC.

ISBN-13: 978-0-7653-5712-0
ISBN-10: 0-7653-5712-7

First Edition: January 2008
First Mass Market Edition: November 2008

Printed in the United States of America

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Copyright Acknowledgments

“Jonathan Hive” copyright © 2008 by Daniel Abraham.

“Dark of the Moon/Star Power/Blood on the Sun” copyright © 2008 by Lumina Enterprises, LLC.

“Chosen Ones” copyright © 2008 by Carrie Vaughn.

“Looking for Jetboy” copyright © 2008 by St. Croix Productions, Inc.

“Metagames” copyright © 2008 by Caroline Spector.

“Wakes the Lion” copyright © 2008 by John Jos. Miller.

“Crusader” copyright © 2008 by George R. R. Martin.

“The Tin Man’s Lament” copyright © 2008 by Ian Tregillis.

“Incidental Music for Heroes” copyright © 2008 by Stephen Leigh.

To Kay McCauley, ace agent,
who always deals us
winning hands

DANIEL ABRAHAM

Jonathan Hive

1: Who the fuck was Jetboy?
Posted Today 1:04 am
HISTORY, JETBOY | REFLECTIVE | “THESE ARE THE FABLES” —THE NEW PORNOGRAPHERS

Who the fuck was Jetboy?

My grandfather tried to tell me when I was too young. I didn’t get it. A flying ace, he said, from before there was the wild card. I could never get my head around that. How could you have any ace—much less one who flew—before there was the wild card? And that all happened back during the Great Depression, which was right before Napoleon who took over after Rome fell. My grandfather hadn’t kissed a girl yet when Jetboy died. That was forever ago.

My sense of history has gotten a little more nuanced since then. I know there was a Middle Ages, for instance. I understand that women existed before Christina Ricci, though I’m still not entirely sure why they bothered. I’ve read all the underground R. Crumb comics about the Sleeper. My dad told me stories about the Great and Powerful Turtle. My fifth grade babysitter—who smoked pot and sometimes forgot to wear her bra—told me lurid tales about Fortunato, the pimp ace who got his powers from sex. I saw Tarantino recycle all the tropes of Wild Card Chic, trying like a lifeguard on amphetamines to breathe new life into them.

When I drew my ace, I thought it was the coolest thing ever. I wasn’t Jonathan Tipton-Clarke. I was Jonathan motherfuckin’
Hive
. I was hot shit. I was the kid who really could sting like a bee. Let me assure all
of you out there that nothing but nothing stops bullies picking on you like being able to turn into your equivalent mass of small wasplike stinging insects; it shuts those rat bastards
down.
I figured I didn’t need to go to school or worry about how a swarm of wasps was going to pay for an apartment. I was sixteen and an ace. I was God.

Maybe that was why Grandpa always wanted to talk about Jetboy. Jetboy, who didn’t have any powers. Jet-boy, who tried to stop the wild card from coming into the world and failed.

Jetboy (I thought, through all my youth and adolescence and most of my adulthood to date) was a great big loser who died half a century ago. But here’s the thing: He was a hero to my grandfather, and my grandfather was not a stupid man.

When Grandpa started junior high, there were no aces in the world. When he started high school, there were. He was alive when the virus hit. He read about the 90 percent that drew the black queen. He heard rumors of the first jokers back when people still hid them away like they’d just crawled out of a David Lynch flick. And he saw the first aces. Golden Boy. The Envoy.

How can I imagine that change? How do I, or anyone in my generation, put my mind back to think what it would have been like in a world without jokers, much less a jokers’ rights movement? A world where we didn’t think that aliens existed? Where phones had actual dials, and no one locked their car doors?

It’s hard—it’s always been hard—to look back at that kind of simplicity and ignorance and not sneer. We know better now. We know
more.
We were raised on President Barnett. We saw pictures from the Rox war. We always knew that if we happened to be around
when two aces started fighting each other, they might bring the building down, or cut us down with laser eye beams, or turn us to stone without even meaning to; we could die at any time, in any way, and there was no way to protect against it. You couldn’t expect us to get choked up over a guy who fell off a blimp before our parents were born.

Most people my age think of history as being divided into two essential halves: before the Internet and after. But there was a shift before that, and maybe there have always been shifts, back through history. Maybe every generation has seen the world change forever, and we don’t know only because we weren’t there.

Ace or not, I grew up. I went to college. I got a degree and trust fund that I’m rapidly spending down. I write a few magazine articles, and I’m working on a novel. I’m an ace, and that’s great. But I’m a journalist, too—or will be when I catch a break. Being able to turn into wasps won’t help me meet deadlines or pick the right words or forgive a cent of my electric bill. So, maybe what Grandpa was trying to tell me sunk in after all. Or maybe I missed his point and made up one of my own.

Here’s the best I’ve got, folks:

Jetboy was the end of a world. He was the last man to die before the wild card came, and his age died with him. He is a symbol whose meaning I will never understand, except in the way I’ve come to understand King Arthur, JFK, and all the other beautiful losers of history. He will never mean to me what he did to my grandfather, and not because I’m more sophisticated or smarter or more jaded. It’s just that the world’s moved on.

To me, Jetboy’s a reminder that there have always been people—a few—who fought for things that mattered. And (cue the violins, kids) that maybe being a
hero isn’t just about whether you win. Maybe it’s also about whether you die memorably.

How’s that for a Hallmark moment?

2 COMMENTS | POST COMMENT

Dark of the Moon
Melinda M. Snodgrass

SOMEWHERE OFF TO HER
right gunfire erupted.

Anywhere else in the world people would flee that sound, but here in Baghdad it was just one theme in the symphony of celebration. The sharp chattering of a machine gun set a high-pitched counterpoint to the deep bass booms of rockets. A shower of golden sparks hung in the night sky, and edged the needle-like spires of minarets like a benediction. The sparks seemed to fall in slow motion. The light from the fireworks briefly lit the faces of the crowd. Men whirled and danced. Tears glinted on their cheeks, and their mouths stretched wide as they chanted for their Caliph.

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