Interesting. Particularly so inasmuch as Mainoa's questioner had just been asking about Opal Hill. "Hum. Did you tell the Elder Asshole you didn't think you'd like the dig much?"
Brother Lourai nodded, half hiding a grin. "I thought I'd better since I was in his office. He just glared at Laeroa and told me I have to go there and be your assistant. It will teach me humility, he says."
"Well," Brother Mainoa said with a sigh. "It will teach you something – and me too, no doubt – but I doubt humility will be it."
When Rillibee and Brother Mainoa arrived at the dig, Mainoa lectured upon what was known about the Arbai while the two of them walked through the topless tunnels that had once been streets. To either side the fronts of houses were charmingly carved with stylized vines and fruits and humorous figures of the Arbai themselves, frolicking among the vines.
"These pictures aren't of them when they were here on Grass, then," Rillibee remarked. 'There aren't any vines like that out here."
Mainoa shook his head. "No vines like that out here on the prairie, no. But there are vines with leaves and fruit like that in the swamp forest, twining around the trees, making hammocks and bridges for the birds. Almost everything that's carved on these walls and doors can be found somewhere here on Grass. There's Hippae and hounds and peepers and foxen. There's flick birds and different kinds of trees, carved so detailed you can tell what kind of trees they are, too."
"Where are the trees?" Brother Lourai wanted to know.
"In the swamp forest, boy. And in copses, here and there. I'll show you a little copse not half a mile from here."
"Trees," breathed Brother Lourai.
"There's thousands of pictures of the Arbai themselves on these walls, doing one thing and another," Brother Mainoa went on. "Happy things on the fronts of the houses, ritual things on the doors. We think. At least, on the housefronts they seem to be smiling and on the doors they're not."
"That's a smile?" Brother Lourai said doubtfully, staring at a representation of one toothy face.
"Well, given the kind of fangs they've got, we think so. What the researchers did was, they searched the archives for pictures of all kinds of animals in situations where one could postulate contentment or joy. Then they compared facial expressions. The high mucky-mucks say those are smiles. But the expressions carved on the doors aren't. Those carved on doors are serious creatures doing serious things." Brother Lourai examined an uninjured portion of door. The faces did seem very solemn. Even he could see that. The carving was of a procession of Arbai, bordered as always by the stylized vines. "But there aren't any labels. No words."
"Lots of words in the books, we think, but none that we've ever found connected to a carving, no."
Brother Lourai sighed. It would have been pleasant to study the language of these Arbai, see what they had to think about things, see if it was the same as humans thought about things. There was a noise in the sky, away to the southwest, and his head came up – sniffing as though to smell out the sound the way Joshua always did when he heard something in the woods, like a bear, like a deer – peering into the clouds. "I hear an aircar."
"Them from Opal Hill, I guess," said Brother Mainoa. "I wonder what they wanted to see this place for."
Marjorie, aloft in the car, was wondering the same thing. It was Rigo who had wanted to meet the Green Brothers, Rigo who had felt they might have useful information. Now, however, Rigo had no time to follow up any such idea. These days Rigo had time for nothing but riding.
Marjorie had volunteered to find out if the Brothers knew anything useful, but it was the invaluable Persun Pollut who suggested that if she wanted information she should stay away from the Friary.
"They've got a kind of committee there," he had said, "an office. Acceptable Doctrine, it's called. Everyone on the committee is mostly concerned about what people believe. They're running things, too; don't let them tell you they aren't. Truth doesn't enter in. If they've decided something is doctrine, they'll ignore all evidence to the contrary and lie to your face. You don't want to run afoul of those types, do you? Not if you have questions to ask. No. Better for you to meet some of the more sensible ones. I've met Brother Mainoa, now, when he's come into the port for one thing and another. He's just as down-to-earth as any one of us commons. If there's any health problems among the Brothers, he'll tell you."
"How do I meet Brother Mainoa without involving the – the committee?" Marjorie asked.
"You might just ask to tour the Arbai ruin," Persun suggested. "He's usually there, and nine chances out of ten they'd send Brother Mainoa to guide you in any case. Mostly because the rest of them don't want to be bothered."
"I might ask to see the ruins at that," she admitted, deciding after a moment's consideration that it made good sense to do so, as well as offering a chance at amusement. There had been little amusement for any of them thus far on Grass.
Hungry for some family affection and fun, she packed an enormous lunch and asked the children if they would like to see the ruins. Tony said yes. Stella said no, she was tired, though what she had to be tired of, Marjorie couldn't imagine. Though she believed she was aware of every emotion the girl felt, Marjorie had no notion that Stella spent each night riding endlessly across the simulated prairies of Grass, creeping down the stairs to ride the Hippae machine every night while the rest of the family was asleep, retreating to her bedroom only when dawn came. Stella had told no less than the truth when she said she was tired. Only the resilience of youth helped her give the appearance of normalcy.
So Tony and Marjorie had determined to make a party of it. At the last minute, however, Father Sandoval had asked if he and Father James could go along, and so there were four of them in the over-ornamented aircar piloted by Tony with reasonable proficiency, considering he had flown the thing only a dozen times. As they approached the ruin, a misty rain began to fall, fading all the colors of the landscape into indistinct grays. When they landed they were met by two of the green-clad Brothers, an old fat one with interested eyes and a young skinny one with a tight cap of brown, curly hair, and a sad, drawn expression. When the old one saw Father Sandoval, he blinked as though he recognized – what? A colleague? An age-mate? Someone who might be expected to be sympathetic? Or antagonistic?
"Religious?" asked Brother Mainoa. "Are you, sir, a religious?" He reached a hand toward the priest's collar, turning it into a palm-up gesture of supplication. "You and the other gentleman?"
Father bent his thin shoulders and cocked his head, nodding, as though to ask why this minion of Sanctity should care, perhaps slightly offended.
"We are Old Catholics," Father acknowledged. "This is Father James. I am Father Sandoval."
"Look at them, Brother Lourai!" demanded Brother Mainoa. "Old Catholics. Now there are ones who chose their life. Not like us." He winked at the older priest, cocking his head to a similar angle. "Brother Lourai and I, we were given, Father. Given to celibacy. Given to silence. Given to boredom. We had nothing at all to say about it. And when we couldn't tolerate what we were given to, why, then we were sent here, for punishment."
"I had heard something of that," admitted Father Sandoval, not unsympathetically. "His Excellency the ambassador told me something of the kind."
"I ask you to keep it in mind, Father. As we progress. With your tour … " He bobbed his head, chuckled, then turned and led them away. The rain had stopped. All around them the velvet turf was jeweled with droplets. Mainoa's feet made dark tracks across the gemmed surface.
Father Sandoval looked questioningly at Marjorie. She shrugged. Who knew what the old man meant? He seemed to be amused by the idea of digging up an Arbai city as punishment, though she might have misunderstood. Only Father Sandoval had been introduced by name, but perhaps it didn't matter. Perhaps the guides already knew who she was, who Tony was. As for them, the old one was Mainoa, no doubt, and he had called the other one Brother Lourai. Enough to begin with. She gestured the priest forward and followed him, Tony trailing behind her, his head swiveling as he tried to see everything at once.
The ruin was set in an area of violet grass, like soft fur upon the soil. Dug into this were sprawling trenches reached by a flight of stairs made out of ebon stems, the stout bundles staked into position, their tops flat, their stems rubbing together beneath the weight of feet to make a sound like a reprimand.
"Take off your shoes," they seemed to say. "This is death's ground. Show respect."
It was as though the visitors heard the words. Almost, Tony knelt to take off his shoes, feeling his knees bend, coming to himself with a start, shamefaced. Father Sandoval crossed himself with an expression of alert surprise and anger. Father James reached out as though to catch himself from falling. Marjorie looked bemused, wondering. She had heard voices!
Brother Mainoa looked at them and chuckled. "You heard that? I hear it, too, and so does Brother Lourai here. Elder Brother Fuasoi doesn't hear it, or says he doesn't. You're angry, Father? Thinking somebody's playing tricks? I cut those grass bundles myself, Father Sandoval. No trickery to it. I just walked out into the prairie until I found a stand of grass thick enough, then I cut them and bundled them and put them down there with strips across the top to hold them flat. And I hear voices when people step on them, and you hear things when you step on them, but others don't. Keep that in mind, Fathers, ma'am, young sir."
The shallow flight of stairs led to a street paved in stone. Where had the builders found stone among these interminable prairies? And yet stone it was, glistening in the fall of light rain, still polished after buried centuries. The stone was interrupted at intervals by curbs and pediments surrounding open spaces in the pave.
"There were trees here." Brother Mainoa gestured upward. They looked up, feeling the shadow of moving branches, hearing the rustle of leaves. Marjorie's eyes widened. There were no trees. Only the empty plots. And yet she had seen, heard the sounds of foliage, the movement of leaves …
"What kind?" she asked. "Of trees, what kind?" The young, skinny brother answered, eagerly telling her what Mainoa had told him. "A tree found only in the swamp forest, ma'am. Some of the wood was still here when the town was uncovered. Preserved, it was. They examined the remains, and they weren't a kind of tree that grows out here. A fruit tree, they think it was."
Fronting on the narrow street were carved housefronts and wooden doors, the doors carved, so Brother Mainoa instructed them, with scenes of religious life among the Arbai.
"Religious?" Father Sandoval asked. He was too well schooled to sneer, but his doubt was manifest – Brother Mainoa shrugged. They were scenes definitely mysterious, possibly mystical. What were they doing in those carvings? How could one be sure? What meant these figures offering tiny boxes or cubes to one another, these figures in procession? What meant these kneeling creatures, seeming to watch a grass peeper with expressions of awe upon their faces? The unknown artist had carved the peeper as though it was almost spherical and bracketed it with two hounds, noses pointed upward, surrounding the design with vines and leaves as all the designs were surrounded with vines and leaves. Personally, Brother Mainoa thought the carvings were religious. He smiled at Father Sandoval, daring him to disagree.
Father Sandoval smiled in return, keeping his opinion to himself. Father James looked from face to face, fretfully.
On another door two Hippae were back to back, kicking clods of earth at one another. Or perhaps at the strange structure between them. Was it a sculpture? Or a machine? Beside them the Arbai stood, solemnly watching. What did it mean? And how could one tell what details might have been lost when the doors were broken?
For they were broken. Splintered. Fragmented and crushed inward upon their hinges. Inside the excavated rooms – simple rooms, floored in the same stone as the streets, walled with what Brother Mainoa said was polymerized earth, with wide windows which had once looked out onto the prairies – inside those rooms were bones, hides, scales, mummified forms of people who had lived here once. Arbai. Near enough human-shaped to evoke human responses when humans saw their agony.
There were mouths open as though screaming. Empty eye sockets gazing upon horror. Here an arm and there the body, the remaining three-fingered, double-thumbed hand reaching toward the detached limb as though to reclaim it, possess it, at least to die whole – a denial of whatever horrible thing was happening.
Young ones, or at least small ones, torn in half, with adults clutching what remained to their breasts. Elsewhere, time had disintegrated the bodies and there were only piles of bones and piles of the glossy scales which had covered their hides. Everywhere the same, down every street, in every house.
Marjorie shut her eyes, hearing voices the next street over. A slippery language, full of sibilants, but punctuated with very human-sounding laughter.
"Are there other friars here?" she asked. "Digging? Working?"
"None today." Brother Mainoa smiled, regarding her curiously. "What you hear is what you hear? The sounds of this city, perhaps? Or is it only the wind? How many times I have asked myself that question. 'Mainoa,' I say. 'Is it only the wind?' Or is it the sound of these people, Lady Westriding?" So he had already known her name.
Tony said, "I get the feeling that this place is … well, intentionally strange. For this world, I mean."
Brother Mainoa gave him an approving look. "So I have felt, young sir. Intentionally made, by these poor creatures, a little like their own home place, perhaps?"
"There are many strange things about Grass," Marjorie agreed, looking away from a screaming face. "Dr. Bergrem, in the town, has written about some things that make the planet unique. There is something our cells use, some long name I forget, which exists in a unique form here on Grass. She's been studying it."