Authors: Disarmed: The Story of the Venus De Milo
Tags: #Sculpture & Installation, #Art, #European
33.
walking with Furtwängler: Reinach 1996.
34.
story of the tiara: Pasquier 1994.
35.
Reinach’s refusal to defend himself: Metzger, 39.
36.
“I repeat today”: Reinach 1930, 251. The narrative of the debate between Reinach and Fürtwangler is drawn from Reinach 1930, 250–356.
37.
“the style of the Venus” and following quotes: ibid., 259.
38.
“have preserved … the masterpieces”: Furtwängler 1964, viii.
39.
attacks on Furtwängler’s reconstruction of Lemnian Athena: Hartswick, Palagia.
40.
“still a center of eager controversy”: Furtwängler 1964, 367.
41.
“When the statue”: ibid., 368.
42.
“disappearance of the inscription”: ibid., 369.
43.
“Not even the most ignorant”: ibid., 375.
44.
“Therefore he too”: ibid., 368.
45.
“not altogether happy”: ibid., 384.
46.
“at least a man”: ibid., 401.
47.
“lines of the composition”: ibid., 386.
48.
“if the Venus is contemporary”
: Reinach 1930, 288.
49.
“question of the date”: ibid., 290.
50.
“as if she wanted”: ibid., 312.
54.
Furtwängler’s later work: Briggs and Calder.
55.
Furtwängler’s death: Church.
56.
Glozel affair: Renfrew, Pottier.
57.
“looked like a dying eagle”: Samuels, 397.
58.
“saw him lying on a sofa”: Pougy, 242.
59.
“life itself is a burden”: Reinach 1980, 301. 162 “that rather chill giantess”: Grigson, 156.
Much of the discussion of Greek sculpture in this chapter draws on Bruneau.
1.
nature of Greek gods: Thornton 1997, 2000.
2.
“Nature is primal power”: Paglia, 57.
3.
sexuality and women in Greece: Blundell; Thornton 1997, 2000.
4.
history of statues of Aphrodite: Brinkerhoff; Havelock 1981 and 1995.
5.
“Woman, thus fashioned, is reduced”: Salomon, 204.
6.
“I question”: Havelock 1985, 37.
7.
Romans and their conservative taste: Brinkerhoff.
8.
“Beginning in 1893”: Charbonneaux 1951, 8.
9.
role of the gymnasium: Walbank.
10.
Venus in gymnasiums: Corso.
11.
Thespiae inscription mentioning Alexandros: ibid.
12.
“the alignment”: Clarac 1821.
1.
Facial research: Gunturkun.
2.
Magritte quote, other artists, cartoons, ads: Salmon.
3.
“matronly”: Smith, 81.
4.
“mild merits hardly justify”: Robertson, 554.
5.
“placed beside the original”: Smith, 81.
6.
“Authors writing on nude classical sculptures”: Brown, 18.
7.
“planes of her body”: Clark, 138.
Abrantes, Duchesse de.
At the Court of Napoleon
. New York: Doubleday, 1989.
Aicard, Jean.
La Vénus de Milo: Recherches sur l’histoire de la découverte
. Paris: Sandoz et Fischbacher, 1874.
Alaux, Jean-Paul.
La Vénus de Milo et Olivier Voutier
. Paris: Collection du Galion d’Or, 1939.
Angrand, Pierre.
Le comte de Forbin et le Louvre en 1819
. Paris: La Bibliothèque des Arts, 1972.
Antal, Frederick.
Classicism and Romanticism with Other Studies in Art History
. New York: Basic Books, 1966.
Arenas, Amelia. “Broken: The Venus de Milo.”
Arion
, Winter 2002: 35.
Aronson, Theo.
The Golden Bees: The Story of the Bonapartes
. Greenwich, Conn.: New York Graphic Society, 1964.
Arscott, Caroline, and Katie Scott, eds.
Manifestations of Venus: Art and Sexuality
. Manchester: Manchester University Press, 2000.
Augustinos, Olga.
French Odysseys: Greece in French Travel Literature from the Renaissance to the Romantic Era
. Baltimore and London: Johns Hopkins University Press, 1994.
Autin, Jean.
La duchesse d’Abrantes
. Paris: Perrin, 1991.
Babelon, E. Review of Furtwängler’s
Die antiken Gemmen. Journal des Savants
, 1900: 445.
Badolle, Maurice.
L’abbé Jean-Jacques Barthélemy (1716–1795) et l’Hellénisme en France dans la seconde moitié du XVIII
e
siècle
. Paris: Presses Universitaires de France, 1926.
Balzac, Honoré de.
Cousin Bette
. Trans. Marion Ayton Crawford. Middlesex: Penguin Books, 1984.
Bann, Stephen. “Romanticism in France.” In
Romanticism in National Context
, edited by Roy Porter and Mikuláš Teich. Cambridge: Cambridge University Press, 1988.
Barthélemy-Saint-Hilaire, Jules.
M. Victor Cousin: Sa vie et sa correspondance
. Paris: Hachette et Cie., 1895.
Bazant, Jan. “The Case of the Talkative Connoisseur.”
Eirene
29 (1993): 84.
Barzun, Jacques.
A Jacques Barzun Reader
. New York: HarperCollins, 2002.
Beard, Mary, and John Henderson.
Classical Art from Greece to Rome
. Oxford: Oxford University Press, 2001.
Belting, Hans. “Le musée et la conception du chef-d’oeuvre.” Trans. Edouard Pommier. In
Histoire de l’histoire de l’art
, vol. 1. Paris: Klincksieck, 1995.
Benoît, François.
L’art français sous la Révolution et l’Empire
. Geneva: Slatkine-Megariotis Reprints, 1975.
Bent, James Theodore.
Aegean Islands: The Cyclades, or Life among the Insular Greeks
. 1884. Revised edition edited and enlarged by A. N. Oikonomides. Chicago: Argonaut, 1964.
Bergson, Henri.
The Creative Mind
. Trans. Mabelle L. Andison. New York: Philosophical Library, 1946.
Bertier de Sauvigny, G. de.
La Restauration
. Paris: Flammarion, 1955.
Besnier, Maurice. “La Vénus de Milo et Dumont d’Urville.”
Revue des Etudes Anciennes
, 1908: 207.
Bieber, Margarete.
The Sculpture of the Hellenistic Age
. New York: Columbia University Press, 1961.
Bikelas, D. “Le philhellénisme en France.”
Revue d’Histoire Diplomatique
5 (1891): 346–65.
Biocca, Dario, ed.
A Matter of Passion
. Berkeley: University of California Press, 1989.
Birnbaum, Pierre.
The Jews of the Republic
. Trans. Jane Marie Todd. Stanford: Stanford University Press, 1996.
Blount, Sir Henry.
A Voyage into the Levant
. Reprint of 1636 edition published by Crooke. London: 1977.
Blundell, Sue.
Women in Ancient Greece
. London: British Museum Press, 1995.
Boardman, John.
Greek Sculpture: The Late Classical Period
. London: Thames and Hudson, 1995.
———.
Greek Art
. London: Thames and Hudson, 1996.
Bois, Joseph. “Une anecdote sur Clarac.”
Revue Archéologique
, 1910: 169.
Boutroux, Emile. “La philosophie de Félix Ravaisson.”
Revue de Métaphysique et de Morale
, 1900.
Bracken, C. P.
Antiquities Acquired: The Spoliation of Greece
. London: David and Charles, 1975.
Bradford, Ernle.
The Companion Guide to the Greek Islands
. New York: Harper and Row, 1963.
Bremen, Riet van.
The Limits of Participation
. Amsterdam: J. C. Gieben, 1996.
Bresc, Geneviève.
Mémoires du Louvre
. Paris: Découvertes Gallimard, 1989.
Briggs, Ward W., and William M. Calder III, eds.
Classical Scholarship: A Biographical Encyclopedia
. New York: Garland Publishing, 1990.
Brinkerhoff, Dericksen Morgan.
Hellenistic Statues of Aphrodite
. New York: Garland Publishing, 1978.
Broglie, duc de.
Souvenirs 1785–1870
. Paris: Calmann-Lévy, 1886.
Brookner, Anita.
Jacques-Louis David
. New York: Harper and Row, 1980.
Brooks, John I., III.
The Eclectic Legacy: Academic Philosophy and the Human Sciences in Nineteenth-Century France
. Newark: University of Delaware Press, 1998.
Brown, Shelby. “ ‘Ways of Seeing’ Women in Antiquity.” In
Naked Truths
, ed. Ann Olga Koloski-Ostrow and Claire L. Lyons. London: Routledge, 1997.
Brown, Wallace Cable. “English Travel Books and Minor Poetry about the Near East, 1775–1825.”
Philological Quarterly
16, no. 3 (July 1937): 249–71.
Bruneau, Philippe. “Greek Art.” In
Sculpture from Antiquity to the Present Day
, ed. Georges Duby. Cologne: Taschen, 1996.
Bulfinch, Thomas.
The Age of Fable or Beauties of Mythology
. Ed. J. Loughran Scott. Philadelphia: David McKay, 1898.
Burnett, Andrew Hammond. “The Novels of Jean Aicard (to 1909).” Unpublished Master’s thesis, Stanford University, 1935.
Butler, E. M.
The Tyranny of Greece over Germany
. Boston: Beacon Press, 1958.
Canat, René.
La Renaissance de la Grèce Antique (1820–1850)
. Paris: Librairie Hachette et Cie., 1911.
Carré, Jean-Marie.
Voyageurs et ecrivains français en Egypte
. Paris: Le Caire, 1932.
Carus, Paul.
Venus: An Archeological Study of Woman
. Chicago: Open Court, 1916.
Ceram, C. W., ed.
The World of Archaeology: The Pioneers Tell Their Own Story
. London: Thames and Hudson, 1966.
Chaffanjon, Arnaud.
Napoléon et l’Univers Impérial
. Paris: SERG, 1969.
Chaffiol-Debillemont, F.
Petite suite excentrique
. Paris: Mercure de France, 1952.
Chalon, Jean.
Liane de Pougy: Courtisane, princesse et sainte
. Paris: Flammarion, 1994.
Charbonneaux, Jean. “La Vénus de Milo et Mithridate le Grand.”
La Revue des Arts 1
(1951): 8.
———. “Le geste de la Vénus de Milo.”
La Revue des Arts
6, no. 2 (1956): 105.
Charbonneaux, Jean, et al.
Hellenistic Art 330–50
B.C.
Trans. Peter Green. London: Thames and Hudson, 1973.
Chateaubriand, vicomte de.
Memoirs
. New York: G. P. Putnam’s Sons, 1902.
Chatelain, Jean.
Dominique Vivant Denon et le Louvre de Napoléon
. Paris: Perrin, 1999.
Chaudonneret, Marie-Claude.
L’état et les artistes (1815–1833)
. Paris: Flammarion, 1999.
Christiansen, Rupert.
Romantic Affinities: Portraits from an Age 1780–1830
. London: Bodley Head, 1988.
Church, J. E., Jr. “Adolf Furtwängler.”
University of Nevada Studies
, 1908–11: 61.
Clarac, Charles-Othon-Frédéric-Jean-Baptiste, comte de.
Sur la statue antique de Vénus Victrix decouverte dans l’ile de Milo, avec un dessin de Debay fils
. Paris, 1821.
———.
Description historique et graphique du Louvre et des Tuileries
. Paris:
Imprimerie Impériale, 1853.
Clark, Kenneth.
The Nude
. Garden City, N.Y.: Doubleday Anchor Books, 1959.
Clarke, M. L.
Greek Studies in England 1700–1830
. Cambridge: The University Press, 1945.
Cole, Robert.
A Traveller’s History of Paris
. New York: Interlink, 1994.
Constant, Benjamin.
Lettres à Madame Récamier (1807–1830)
. Paris: Librairie C. Klincksieck, 1977.
Constantine, David.
Early Greek Travellers and the Hellenic Ideal
. Cambridge: Cambridge University Press, 1984.
Corso, Antonio. “A Short Note about the Aphrodite of Melos.”
Xenia Antiqua
4 (1995): 27.
Coward, D. A. “Attitudes to Homosexuality in Eighteenth-century France.”
Journal of European Studies
, December 1980: 231.
Cuzin, Jean-Pierre, et al.
D’après l’antique
. Catalog for an exhibition at the Louvre, 2000.
Dakin, Douglas.
The Unification of Greece 1770–1923
. New York: St. Martin’s Press, 1972.
Delacroix, Eugène.
Journal
. Trans. Walter Pach. New York: Friede Publishers, 1937.
Delecluze, E. J.
Souvenirs de soixante années
. Paris: Michel Levy Frères, 1862.
———.
Louis David: Son école et son temps
. Paris: Macula, 1883.
———.
Journal de Delecluze 1824–1828
. Paris: Editions Bernard Grasset, 1948.
de Lorris, Andrea.
Enlèvement de Vénus
. Paris: La Bibliothèque, 1994.
Demand, Nancy.
Birth, Death, and Motherhood in Classical Greece
. Baltimore: Johns Hopkins University Press, 1994.
Denon, Vivant.
Point de lendemain
. Paris: Gallimard, 1995.
Doussault, C.
La Vénus de Milo: Documents inédits
. Paris: Paul Ollendorff, 1877.
Duchêne, Hervé. “Un Athénien: Salomon Reinach.”
Bulletin de Correspondance Hellénique
, 1996: 273.
———, ed.
Notre Ecole Normale
. Paris: Les Belles Lettres, 1994.
Duliere, André.
Visages namurois (1693–1970)
. Namur, Belgium: Les Presses de l’Avenir, 1974.
Durrell, Lawrence.
The Greek Islands
. New York: Viking Press, 1978.
Edwards, Paul, ed.
The Encyclopedia of Philosophy
. New York: Macmillan and Free Press, 1972.
Eisner, Robert.
Travelers to an Antique Land: The History and Literature of Travel to Greece
. Ann Arbor: University of Michigan Press, 1991.
Emeric-David, T. B.
Histoire de la sculpture antique
. Paris: Charpentier, 1853.
Engelhardt, Dietrich Von. “Romanticism in Germany.” In
Romanticism in National Context
, edited by Roy Parker and Mikuláš Teich. Cambridge: Cambridge University Press, 1988.
Estève, Edmond.
Byron et le Romantisme français
. Paris: Boivin, 1929.
Etienne, Roland, and Françoise Etienne.
The Search for Ancient Greece
. Trans. Anthony Zielonka. New York: Harry N. Abrams, 1992.
Facaros, Dana.
Greek Island Hopping
. London: Sphere Books, 1979.
Faxon, Alicia. “Cézanne’s Sources for ‘Les Grandes Baigneuses.’ ”
Art Bulletin
, June 1983: 320.
Fontaine, Pierre-François-Léonard.
Journal 1799–1853.
Paris: Société de l’Histoire de l’Art Français, 1987.
Forbin, comte de.
Voyage dans le Levant en 1817 et 1818
. Paris: Imprimerie Royal, 1819.
Fouché, Maurice.
Percier et Fontaine
. Paris: Henri Laurens, 1904.
Friedrich, Paul.
The Meaning of Aphrodite
. Chicago: University of Chicago Press, 1978.
Fuller, Peter.
Art and Psychoanalysis
. N.p.: Writers and Readers, 1980.
Furtwängler, Adolf. Review of Ravaisson’s
La Vénus de Milo. Berliner Philologische Wochenschrift
, August 26, 1893: 1107.
———.
Masterpieces of Greek Sculpture
. Trans. Eugenie Sellers Strong.
Chicago: Argonaut, 1964.
Gaehtgens, Thomas W. “Le Musée Napoléon et son influence sur l’histoire de l’art.” In
Histoire de l’histoire de l’art
. vol. 2. Paris: Klincksieck, 1995.
Galard, Jean, ed.
Visiteurs du Louvre
. Paris: Réunion des Musées Nationaux, 1993.
Gautier, Théophile.
Paris Besieged
. Trans. F. C. de Sumichrast. N.p.: Jenson Society, 1905.
Goethe, Johann Wolfgang von.
Essays on Art and Literature
. Ed. John Gearey. Trans. Ellen von Nardroff and Ernest H. von Nardroff. New York: Suhrkamp Publishers, 1986.
Gombrich, E. H.
The Story of Art
. London: Phaidon, 1997.
Goncourt, Edmond de, and Jules de Goncourt.
Journal 1862–1865
. Paris: Ernst Flammarion, 1935.
Gould, Cecil.
Trophy of Conquest: The Musée Napoléon and the Creation of the Louvre
. London: Faber and Faber, 1965.
Graves, Robert.
The Greek Myths
. London: Penguin, 1992.
Green, Peter.
Classical Bearings
. London: Thames and Hudson, 1989.
Grigson, Geoffrey.
The Goddess of Love
. London: Constable, 1976.
Grimm, Herman Friedrich.
Essays
. Nuremberg: Glock und Lutz, 1964.
Guillon, Jacques.
Dumont d’Urville 1790–1842
. Paris: Editions France-Empire, 1986.
Guirand, F. “Aicard.”
Larousse Mensuel
no. 180 (February 1922): 26.
Gunturkun, Onur. “The Venus of Milo and the Dawn of Facial Asymmetry Research.”
Brain and Cognition
, July 1991: 147.
Hadas, Moses.
Hellenistic Culture
. New York: W. W. Norton & Co., 1972.
Haddad, George.
Aspects of Social Life in Antioch in the Hellenistic-Roman Period
. New York: Hafner, 1949.
Hamiaux, Marianne.
Les sculptures grecques
, vol. 2. Paris: Réunion des Musées Nationaux, 1998.