Guilty Thing (79 page)

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Authors: Frances Wilson

and De Quincey's ‘Lake Reminiscences', 
here

De Quincey's letters to, 
here
,
here
,
here
,
here
,
here
,
here
,
here

and De Quincey's list of important poets, 
here

and De Quincey's marriage, 
here
,
here

and De Quincey's murder essays, 
here
,
here
,
here

and De Quincey's ‘Postscript', 
here

and De Quincey's ‘Rhetoric' essay, 
here

and De Quincey's ‘Sketch of Professor Wilson', 
here

and De Quincey's
Suspiria de Profundis
, 
here

and
doppelgänger
s, 
here

and Dove Cottage, 
here
,
here
,
here
,
here

eschews opium, 
here

Everton literary circle and, 
here

and fatherhood, 
here

and French Revolution, 
here
,
here
,
here

and friendship, 
here
,
here

Hazlitt's portrait of, 
here

his illegitimate child (Caroline), 
here
,
here
,
here
,
here

letters to De Quincey, 
here
,
here
,
here

literary style, 
here
,
here

marriage, 
here
,
here
,
here

meanness, 
here

meets Coleridge, 
here
,
here
,
here

penmanship, 
here
,
here

and Poe's ‘William Wilson', 
here

and poetry of the sky, 
here

and Quincey family's visit, 
here

relationship with Coleridge, 
here
,
here
,
here
,
here
,
here
,
here

relationship with his sister, 
here
,
here
,
here

Robinson's portrait of, 
here

Scottish tour, 
here
,
here
,
here
,
here

shyness, 
here

and Southey, 
here
,
here

and Spencer Perceval murder, 
here

and spots of time, 
here

‘theory of picturesque beauty', 
here

his theory of poetry, 
here
,
here

and Thomas's death, 
here

his vision of the solitary poet, 
here

and Welsh landscape, 
here

Wordsworth, William, WORKS

‘The Affliction of Margaret', 
here

‘The Convict', 
here

The Excursion
, 
here
,
here
,
here
,
here
,
here

‘Expostulation and Reply', 
here

Guide to the Lakes
, 
here
,
here

‘Home at Grasmere', 
here
,
here

‘The Idiot Boy', 
here
,
here
,
here

‘Intimations of Immortality', 
here

‘Lucy' poems, 
here
,
here
,
here

‘Nuns Fret Not', 
here

‘Nutting', 
here
,
here

Poems, in Two Volumes
, 
here
,
here
,
here

The Prelude
, 
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here

‘The Recluse', 
here
,
here
,
here
,
here

‘Resolution and Independence', 
here

‘Ruth', 
here
,
here
,
here
,
here
,
here

‘Surprised by Joy', 
here

‘The Tables Turned', 
here
,
here

‘There is a change – and I am poor', 
here

‘The Thorn', 
here

‘Tintern Abbey', 
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here

‘To a Butterfly', 
here

‘To H C, six years old', 
here

‘We Are Seven', 
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here
,
here

‘The White Doe of Rylstone', 
here
see also Lyrical Ballads

Wordsworth, William (‘Willie'), 
here
,
here

Wren, Christopher, 
here

Wright, James, 
here
,
here
,
here
,
here

Wrington, 
here
,
here
,
here
,
here

Wyatt, James, 
here

Wye, River, 
here
,
here

York, Duke of, 
here

Youille, Thomas, 
here
,
here

A NOTE ON THE AUTHOR

Frances Wilson is a critic, journalist and the author of four works of non-fiction,
Literary Seductions
,
The Courtesan's Revenge
,
The Ballad of Dorothy Wordsworth
, which won the Rose Mary Crawshay Prize in 2009, and
How to Survive the
Titanic
,
or The Sinking of J. Bruce Ismay
, winner of the Elizabeth Longford Prize for historical biography in 2012. She lives in London with her daughter.

BY THE SAME AUTHOR

Literary Seductions

The Courtesan's Revenge

The Ballad of Dorothy Wordsworth

How to Survive the
Titanic
Or, The Sinking of J. Bruce Ismay

Bloomsbury Publishing

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www.bloomsbury.com

BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc

First published in Great Britain 2016

© Frances Wilson, 2016

Maps by Liane Payne

Frances Wilson has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the Author of this work.

Every reasonable effort has been made to trace copyright holders of material reproduced in this book, but if any have been inadvertently overlooked the publishers would be glad to hear from them.

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers.

No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library.

ISBN: HB: 978-1-4088-3977-5

       ePub: 978-1-4088-3976-8

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