Happy Baby (22 page)

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Authors: Stephen Elliott

A few months ago I was hanging in front of the main door with Taro and some of the other guys. Taro was singing theme songs and everybody had to guess the TV show. My father stopped in the street and everybody got quiet and I ran down the steps and got in the car and we drove away. “Your mother’s going to die soon,” he said. He was wearing big-mirrored sunglasses so I saw myself instead of his eyes. It was a really sunny day out even though it was still cold. My dad drove with the top down. “I want you to be ready for it.”

I kept my eyes on the dashboard, which is also white leather like the seats. My father stopped at a stop sign but didn’t move right away. He was waiting for me to say something. I couldn’t tell what the right answer was. I couldn’t say OK. I wanted to ask, How? How was I supposed to be ready? “The doctors say it doesn’t usually progress this fast. They don’t know anything. See if you can find a doctor who can change an alternator.” There was a car behind us, but they didn’t honk. My father turned around and looked at them for a long second anyway. He put the car in park, resting his hand on the door window. I thought he was going to get out of the car. My dad’s not afraid of anybody. Then he put the car back in gear and continued to drive.

My mother hasn’t died yet, but she has gotten worse. She shakes all the time, even when she’s sleeping. Sometimes I have to hold under her arms for her to pee. And she takes a lot of pills, which aren’t supposed to make her better, just help her with the discomfort. My father says she got multiple sclerosis because where she’s from there’s a river named Ouse and a lot of people who lived along that river got multi ple sclerosis. I go through the pictures my father keeps of her on the bookshelf. A picture taken at the McDonald’s near Touhy shows my mother at the front of the line accepting a tray with a small hamburger and fries on it. She looks like someone just told her a joke. It must have been winter because she was wearing a fur hat that covered her ears. My mother, before, was incredibly beautiful. Everybody says so. She was always thin, but in the pictures she is very healthy looking. She never wore much makeup and her skin is clear except for a burst red blood vessel just below her eye. My father says she’s descended from nobility, but my mother told me that wasn’t true. Her father was a mailman. My father met her in England, in a small town near Sheffield. The story is that he was wearing a leather jacket at the time, and my mother had never met an American before. When he got back to the States he started writing her letters. Then he sent her a one-way ticket.

“I should never have married him,” she said to me once after he had been screaming and the dining room table was broken into pieces, wood everywhere, half a table leg next to the couch. The curtains were torn down and there was broken glass on the floor. But she was already paralyzed by then. “I’m going to go into remission,” she said. “Then I’m going to go home. You’ll see.”

I put the bucket back next to my mother. The streetlights have come on outside. I sit at the end of the couch with her and watch
The Price Is Right
with Bob Barker. He wants to know how much a trip to Bermuda is worth. Then he wants to know how much it costs for a box of Tide. Then he asks people to bid on Bermuda, the Tide, and an oil painting of some man sitting by the side of a pool. “The oil painting isn’t worth anything. Two thousand dollars,” I say. Bob Barker pulls a card out of an envelope. “Six thousand six hundred and eighty-three dollars,” he says, and a woman in a thick white sweater jumps up and down, her hands clasped in front of her ample chest. The models in bathing suits are smiling and showing their wrists. “I guess that painting is worth more than I thought it was.” I feel my mother’s toes against my leg. I know I should stay home more. If something happens and I’m not here it’s going to be my fault. I slide closer to her and her feet roll over my legs. I pull the blanket back and take her feet in my hands. I rub them back and forth as fast as I can, like I’m trying to start a fire. She likes it when I do this.

“Theo,” she says, in that quavering way she has. But she doesn’t want anything. She’s just saying my name.

There are three bedrooms in our apartment. My bedroom is a small room just off the kitchen. There used to be wood paneling on the walls but my father covered it with wallpaper that looks like the sky, blue, with white clouds and birds. I love the wallpaper. It makes me feel like I’m outside, even when I’m sleeping.

My bed is next to the window and the rain is coming steadily now, hitting the glass like drumbeats. If I leave the shade up I can see the porch steps and the alley. If I lean my face into the glass I can see the basketball rim on Sammy and Edward’s garage and the yard to the building across the way where the Germans keep a Great Dane. That’s a big mean dog. I see a small orange glow down there. I wonder who’s smoking in the alley in the rain. I have my history book in bed. Tomorrow we have a test on Andrew Jackson.

The back door opens. Then my father’s heavy boots on the kitchen floor. I listen to hear if he is sighing. When my father is in a bad mood he sighs loudly. One time he was sighing so loudly that I opened my window and climbed three stories down the gutter to the street and didn’t come back until the next day. The sound of the boots gets louder across the kitchen and then there is a knock on my door.

“Yes?” I say, as if it could be anybody.

“Come on out.”

I slip out of my bed and pull on a pair of socks. My father sits at the kitchen table with the overhead light on. The light swings like the chain was yanked too hard. I look quickly to the sink to be sure that I’ve washed all the dishes already. There’s a plate there, smeared with tomato sauce. There’s a brown paper bag on the table. It reminds me of the bag full of money my father once invited me to look at.

He’s seated with one arm on the table, another on his leg. He hasn’t been shaving recently and his face is covered with thick grey stubble. My father has a thick face, with large cheeks hanging over his jaw like pouches. He’s mostly bald with the rest of his hair cut short. He always has dark circles under his eyes but he never seems tired. He’s wearing his brown leather jacket. I wonder if it’s the same jacket he met my mother in. My mother is sleeping on the couch now. I used to wheel her into her bedroom. But now she says not to bother. She hasn’t been off the couch in close to a week.

“Get two bowls and two spoons,” my father says. I climb on the counter and grab two bowls and two spoons from the cabinet. Next to the bowls are ten cans of unopened Chef Boyardee. My father takes a small gun out of his pocket and places it on the table behind the bag. I sit down across from him. He reaches into the bag and pulls out a pint of vanilla ice cream. He balls up the bag and throws it toward the garbage but misses and the bag rolls near the refrigerator. “Pick that up later, OK?”

“OK.”

He digs a spoon into the carton and dumps a big scoop of ice cream into a bowl and pushes the bowl toward me. Then he takes some for himself.

“How was your day? You taking care of yourself?”

“It was OK. I played with Edward and Sammy and then I hung out with Taro for a while.”

“Oh yeah, Taro. The chink. Tell him your old man says hi.”

“I will.”

We eat the ice cream together quietly, my father drumming his large fingers on the table and the refrigerator buzzing. I can see the moon in the hatch window above the sink. The kitchen is very yellow. The floor and the refrigerator are both yellow. There’s the door to the back porch, which is blue. But the white walls only reflect the floor and the refrigerator.

When the ice cream is almost done my father and I tip the bowls to our mouths and drink all of the stuff that has melted and place our bowls back down on the table together. He takes my bowl from me and places it inside his bowl and then the two spoons inside the top bowl together. He turns the gun on the table so it is pointing at me then places his hand over the gun, completely covering it. Then he puts the gun back in his pocket. He looks me up and down and bites on the inside of his mouth.

“How’s everything at school?”

“It’s good. We all wrote a report on black leaders. Then we put it together in a black leader book. I wrote about Jesse Jackson.”

My father nods and smiles. “I could tell you a couple of things about your pal Jesse Jackson.” He leans forward and rubs my head. Then leans back and looks at me. I lean back too; we both place an elbow on the table. “So everything’s good? Nobody’s giving you a hard time?”

“Nobody gives me a hard time.”

“What a night for it to start raining. They’re teaching Jesse Jackson in schools now. Times sure have changed. You need some money or something? Here, take ten dollars.” My father pulls out a large wad of bills from his pocket. He likes to have a lot of cash on him. If he gets arrested he wants to be able to make bail. He peels through the bills, like he’s considering giving me more, and then pulls a ten-dollar bill off the bottom of the stack, hands it to me. He puts the roll of money back in his pocket. “Everything’s good?” he asks me again. He looks a little suspicious this time. I wonder if he’s going to ask for the ten dollars back.

“Yeah,” I tell him. I fold the ten-dollar bill in half and put it in my pocket. My father’s eyes widen and close. He raises his hand and I flinch. He squeezes the skin on his forehead and I think he’s going to cry.

Somewhere on my block a car’s motor is still running. He’s going back outside again. He reaches across the table and rubs his hands beneath my nose, squeezing whatever he got into a fist, then wipes his hand on his jeans.

“You’re a handsome guy,” he says. “Anybody ever tell you that?”

I don’t answer but I feel the heat in my face. He pushes against the table, his chair leg scraping the floor. He stands, patting his pockets, making sure he has everything. I stand with him, gathering the dishes.

“Alright,” he says, latching a ring full of keys to a clip on his belt. “You’re Daddy’s boy. Don’t worry about anything else.”

His arms encircle me, pulling me into him, surrounding me with the hard dark creases of his jacket and his smell, which is thick, like metal and oil. He stands still. I’m with him, holding the empty bowls. When a horn punctures the quiet apartment, my father’s fingers grip my ribs. He hasn’t left yet. He’s still here.

ACKNOWLEDGMENTS
 

I’d like to first thank Tamara Guirado for encouraging me to write about sex; as ridiculous as that sounds, it’s true. I owe a tremendous debt to the Truman Capote Foundation for funding the fellowship at Stanford that allowed me to write this book.

Tom Kealey and Thomas McNeely gave many thoughtful readings and provided incredible insight. They are the two greatest readers in the world and I’m keeping them forever. Elizabeth Tallent, John L’Heureux, David MacDonald and Tobias Wolff have been my mentors for the past two years and I’ve profited from their wisdom. I would have written this from an asylum if not for Gay Pierce, my surrogate grandmother and therapist, who never told me to go away, even when she had work to do.

I would also like to thank David Poindexter, who let me know that I could write whatever I wanted and he would publish it as long as it was good; Dave Eggers for making this a better book with his incredibly skillful editing; Eli Horowitz, Suzanne Kleid, Gideon Lewis-Kraus, Tommy Thornhill, and the rest of the crew at McSweeney’s and 826 Valencia. Finally, I’d like to thank Chris Cooney, Andrew Miller, Christine Fox, Chris Donahue, Eric Jenson, Wendy McKennon, Abigail Martin, Karina Arambula, Alice Poon, Julie Brannegan, Jeremiah Johnson, Jon Berry, and Ben Peterson, because good friends matter more than anything else.

ABOUT THE AUTHOR
 

Stephen Elliott was a Ward of the Court in Chicago from the ages of thirteen to eighteen. He lives in San Francisco and lectures at Stanford University. This is his fourth novel.

www.stephenelliott.com

 

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