Hard-Boiled Wonderland and the End of the World (25 page)

Read Hard-Boiled Wonderland and the End of the World Online

Authors: Haruki Murakami

Tags: #Fiction, #Literary, #Fantasy, #Contemporary, #Magical Realism

I gaze at their hushed forms as the morning sun rises and the shadow of the Wall withdraws, the brilliance melting the snow from the ground. Will the morning sun thaw away even their death? At any moment, will these apparently lifeless forms stand and go about their usual morning routine?

They do not rise. The sun but glistens on their wet fur. My eyes behind black glasses begin to hurt.

Descending the Watchtower, I cross the River and go back to my quarters on the Western Hill. I discover that the morning sun has done harm to my eyes, severely. When I close my eyes, the tears do not stop. I hear each drop fall to my lap. I darken the room and stare for hours at the weirdly shaped patterns that drift and recede in a space of no perspective.

At ten o'clock the Colonel, bringing coffee, knocks on my door and finds me face down on the bed, rubbing my eyes with a cold towel. There is a pain in the back of my head, but at least the tears have subsided.

"What has happened to you?" he asks. "The morning sun is stronger than you think.

Especially on snowy mornings. You knew that a Dreamreader cannot tolerate strong light. Why did you want to go outdoors?"

"I went to see the beasts," I say. "Many died. Eight, nine head. No, more."

"And many more will die with each snowfall."

"Why do they die so easily?" I ask the old officer, removing the towel from my face to look at him.

"They are weak. From the cold and from hunger. It has always been this way."

"Do they never die out?"

The old officer shakes his head. "The creatures have lived here for many millenia, and so will they continue. Many will die over the winter, but in spring the survivors will foal. New life pushes old out of the way. The number of beasts that can live in this Town is limited."

"Why don't they move to another place? There are trees in the Woods. If they went south, they would escape the snow. Why do they need to stay?"

"Why, I cannot tell you," he says. "But the beasts cannot leave. They belong to the Town; they are captured by it. Just as you and I are. By their own instincts, they know this."

"What happens to the bodies?"

"They are burned," replies the Colonel, warming his great parched hands on his coffee cup. "For the next few weeks, that will be the main work of the Gatekeeper. First he cuts off their heads, scrapes out their brains and eyes, then boils them until the skulls are clean. The remains are doused with oil and set on fire."

"Then old dreams are put into those skulls for the Library, is that it?" I ask the Colonel.

"Why?"

The old officer does not answer. All I hear is the creaking of the floorboards as he walks away from me, toward the window.

"You will learn that when you see what old dreams are," he says. "I cannot tell you. You are the Dreamreader. You must find the answer for yourself."

I wipe away the tears with the towel, then open my eyes. The Colonel stands, a blur by the window.

"Many things will become clear for you over the course of the winter," he continues.

"Whether or not you like what you learn, it will all come to pass. The snow will fall, the beasts will die. No one can stop this. In the afternoon, gray smoke will rise from the burning beasts. All winter long, every day. White snow and gray smoke."

 

Bracelets, Ben Johnson, Devil

Beyond the closet opened the same dark inner sanctum as before, but now that I knew about the INKlings, it seemed a deep, chill horror show.

She went down the ladder ahead of me. With the INKling-repel device stuffed in a large pocket of her slicker and her large flashlight slung diagonally across her body, she swiftly descended alone. Then, flashlight thrust in my pocket, I started down the slick rungs of the ladder. It was a bigger drop than I remembered. All the way down, I kept thinking about that young couple in the Skyline, Duran Duran on stereo. Oblivious to everything.

I wished I could have been a little more oblivious. I put myself in the driver's seat, woman sitting next to me, cruising the late night streets to an innocuous pop beat. Did the woman take off her bracelets during sex? Nice if she didn't.

Even if she was naked, those two bracelets needed to be there.

Probably she did take them off. Women tend to remove their jewelry before they shower.

Which meant, therefore, sex before showering. Or getting her to keep her bracelets on.

Now, which was the better option?

Anyway, I'm in bed with her,
with
her bracelets. Her face is a blank, so I darken the lights. Off go her silky undergarments. The bracelets are all she has on. They glint slightly, a pleasant muffled clinking on the sheets. I have a hard-on.

Which, halfway down the ladder, is what I noticed. Just great. Why now? Why didn't I get an erection when I needed one? And why was I getting so excited over two lousy bracelets? Especially under this slicker, with the wcgld about to end.

She was shining her light around when I reached bottom. "There are INKlings about. Listen," she said. "Those sounds."

"Sounds?"

"Fins flapping. Listen carefully. You can feel them."

I strained, but didn't detect anything of the kind.

"Once you know what to listen for, you can even detect their voices. It's not really speech; it's closer to sound waves. They're like bats. Humans can only hear a portion of their vocal range."

"So then how did the Semiotecs make contact with them? If they couldn't communicate verbally?"

"A translation device isn't so hard to make. Grandfather could have, easy. But he decided not to."

"Why not?"

"Because he didn't want to talk to them. They're disgusting creatures and they speak a disgusting language. Whatever they eat or drink has got to be almost putrified."

"They don't consume anything fresh?"

"No. If they catch you, they immerse you in water for days. When your body starts to rot, they eat it."

Lovely. I was ready to turn back, but we forged on. She knew every step of the way and scampered ahead. When I trained my light on her from behind, her gold earrings flashed.

"Tell me, do you take off your earrings when you take a shower?" I spoke up.

"I leave them on," she slowed down to answer. "Only my earrings. Sexy?"

"I guess." Why did I have to go and bring up the subject?

"What else do you think is sexy? I'm not very experienced, as I said. Nobody teaches you these things."

"Nobody will. It's something you have to find out for yourself," I said.

I made a conscious effort to sweep all images of sex from my head.

"Umm," I changed the subject, "you say this device of yours emits ultrasonic waves that put off the INKlings?"

"As long as the device is sending out signals, they won't come within fifteen meters of us. So you should try to stay close to me. Otherwise, they'll nab you and pickle you for a snack. In your condition, your stomach would be the first thing to rot. And their teeth and claws are razor sharp."

I scooted up right behind her.

"Does your stomach wound still hurt?" she asked.

"Only when I move," I replied. "But thanks to the painkillers, it's not so bad."

"If we find Grandfather, he'll be able to remove the pain."

"Your grandfather? How's he going to help?"

"Simple. He's done it for me lots of times. Like when I have a terrible headache, he uses an impulse to cancel out my awareness of pain. Really, though, pain is an important signal from the body, so you shouldn't do it too much. In this case, it's an emergency. I'm sure he'll help."

"Thanks," I said.

"Don't thank me. Thank Grandfather. If we find him," she reminded.

Panning her powerful light left and right, she continued upstream along the subterranean river. Moisture seeped out from between the rocks, running in rivulets past our feet.

Slimy layers of moss coated wherever this groundwater trickled through. The moss appeared unnaturally green, inexplicable for these depths beyond the reach of photosynthesis.

"Say, do you suppose the INKlings know we're walking around down here now?"

"Of course, they do," she said, without emotion. "This is their world. They're all around, watching us. I've been hearing noises the whole time we've been down here."

I swung my flashlight beam to the side, but all I saw were rocks and moss.

"They're in the cracks and boreholes, where the light doesn't reach," she said. "Or else they're creeping up on us from behind."

"How many minutes has it been since you switched on the device?" I asked.

"Ten minutes," she said, looking at her watch. "Ten minutes, twelve seconds. Another five minutes to the waterfall. We're doing fine."

Exactly five minutes later we arrived at the waterfall. Again the roar of the waterfall had been selectively suppressed; apparently the sound-removal equipment was still functioning.

"Odd," she remarked, ducking under the noiseless cascade. "This sound removal means the laboratory wasn't broken into. If the INKlings had attacked, they would have torn the whole place apart. They hate this laboratory."

Sure enough, the laboratory door was still locked. She inserted the electronic key; the door swung open. The labo-ratory interior was dark and cold and smelled of coffee. She anxiously shut the door behind us, tested the lock, and only then switched on the lights.

It was true that the laboratory was basically a repeat of the upheaval in the office above: papers everywhere, furniture overturned, cups and plates smashed, the carpet an abstract expressionist composition of what must have been a bucket of coffee grounds. But there was a pattern to the destruction. The demolition crew had clearly distinguished between what was and was not to be destroyed. The former had been shown no mercy, but the computer, telecommunications console, sound-removal equipment, and electric generator were untouched.

The next room was like that as well. A hopeless mess, but the destruction was carefully calculated. The shelves of skulls had been left perfectly intact, instruments necessary for experimental calibrations set aside with care. Less critical, inexpensive equipment and replaceable research materials had been dashed to pieces.

The girl went to the safe to check its contents. The safe door wasn't locked. She scooped out two handfuls of white ash.

"The emergency auto-incinerator did its stuff," she said. "They didn't get any papers."

"Who do you think did it?" I asked.

"Humans, first of all. The Semiotecs or whoever may have had INKling help to get in here, but only they came inside. They even locked the door to keep the INKlings from finishing the job."

"Doesn't look like they took anything valuable."

"No."

"But they did get your grandfather, the most valuable property of all," I said. "That leaves me stuck with whatever he planted inside me. Now I'm really screwed."

"Not so fast," said the chubby girl. "Grandfather wasn't abducted at all. There's a secret escape route from here. I'm sure he got away, using the other INKling-repel device."

"How can you be so sure?"

"Grandfather's not the type to let himself get caught. If he heard someone breaking in, he'd get himself out of here."

"So he's safe above ground?"

"Above ground, no," she corrected. "The escape route is like a maze. At the very fastest, it'd take five hours to get through, and the INKling-repel device only lasts thirty minutes. He's still in the maze."

"Or else he's been caught by the INKlings."

"I don't think so. Grandfather prepared an extra-safe shelter for himself, exactly for times like these. It's the one place underground no INKling will go near. I bet he's there, waiting for us to show up."

"Where is that?"

"Grandfather explained the way once, but there should be a shorthand map in the notebook. It shows all the danger points to look out for."

"What kind of danger points?"

"The kind that you're probably better off not knowing. You seem to get nervous when you hear too much."

"Sure, kid." I didn't want to argue. "How long does it take to reach that shelter?"

"About a half hour to the approach. And from there, another hour or hour and a half to Grandfather. Once we make the approach we'll be okay; it's the first half hour that's the problem. Unless we really hurry, the INKling-repel device's battery will run out."

"What happens if our porta-pack dies midway?"

"Wish us luck. We'd have to keep swinging our flashlights like crazy."

"Then we'd better get moving," I said. "The INKlings wouldn't waste any time telling the Semiotecs we're here. They'll be back any minute."

She peeled off her rain gear and got into the GI jacket and jogging shoes I'd packed.

Meanwhile I stripped off my slicker and pulled on my nylon windbreaker. Then I traded my sneakers for rain boots and shouldered the knapsack again. My watch read almost twelve-thirty.

The girl went to the closet in the far room and threw the hangers onto the floor. As she rotated the clothes rod, there was the sound of gears turning, and a square panel in the lower right closet wall creaked open. In blew cold, moldy air.

"Your grandfather must be some kind of cabinet fetishist," I remarked.

"No way," she defended. "A fetishist's someone who's got a fixation on one thing only. Of course, Grandfather's good at cabinetry. He's good at everything. Genius doesn't specialize; genius is reason in itself."

"Forget genius. It doesn't do much for innocent bystanders. Especially if everyone's going to want a piece of the action. That's why this whole mess happened in the first place. Genius or fool, you don't live in the world alone. You can hide underground or you can build a wall around yourself, but somebody's going to come along and screw up the works. Your grandfather is no exception. Thanks to him, I got my gut slashed, and now the world's going to end."

"Once we find Grandfather, it'll be all right," she said, drawing near to plant a little peck by my ear. "You can't go back now."

The girl kept her eye on the INKling-repel device while it recharged. Then, when it was done, she took the lead and I followed, same as before. Once through the hole, she cranked a handle to seal the opening. With each crank, the patch of light grew smaller and smaller, becoming a slit, then disappearing.

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