Headhunters
Authors: Jo Nesbo
Part Five: Last Interview One Month Later
Roger Brown has it all: Norway’s most successful headhunter, he is married to a beautiful gallery owner and owns a magnificent house. But he’s also a highly accomplished art thief.
At a gallery opening, his wife introduces him to Clas Greve. Not only is Greve the perfect candidate for a position that Brown is recruiting for; he is also in possession of ‘The Calydonian Boar Hunt’ by Rubens, one of the most sought-after paintings in modern art history.
Roger sees his chance to become financially independent, and starts planning his biggest theft ever. But soon, he runs into trouble – and this time it’s not his financial problems that are threatening to crush him...
Jo Nesbo is a musician, songwriter, economist and author. His first crime novel was published in Norway in 1997 and was an instant hit, winning the Glass Key Award for best Nordic crime novel (an accolade shared with Peter Høeg, Henning Mankell and Stieg Larsson). His bestselling Harry Hole novels are a global phenomenon.
The Redbreast
Nemesis
The Devil’s Star
The Redeemer
The Snowman
The Leopard
FROM THE NORWEGIAN
BY
Don Bartlett
A COLLISION BETWEEN
two vehicles is basic physics. It all comes down to chance, but chance phenomena can be explained by the equation Energy x Time = Mass x difference in Velocity. Add values to the chance variables and you have a story that is simple, true and remorseless. It tells you, for example, what happens when a fully loaded juggernaut weighing 25 tonnes and travelling at a speed of 80 kph hits a saloon car weighing 1,800 kilos and moving at the same speed. Based on chance with respect to point of impact, construction of bodywork and the angle of the two bodies relative to one another, a multitude of variants to this story are possible, but they share two common features: they are tragedies. And it is the saloon car which is in trouble.
It is strangely quiet; I can hear the wind rushing through the trees and the river shifting its water. My arm is numb and I am hanging upside down, trapped between flesh and steel. Above me, blood and petrol drip from the floor. Beneath me, on the chessboard ceiling, I can see a pair of nail scissors, a severed arm, two dead men and an open overnight bag. The white queen is broken, I am a killer and no one is breathing inside the car. Not even me. That is why I will die soon. Close my eyes and give up. Giving up is
wonderful
. I don’t want to wait any longer now. Hence the hurry to tell this story, this variant, this story about the angle of the bodies relative to one another.
CANDIDATE
THE CANDIDATE WAS
terrified.
He was kitted out in Gunnar Øye attire: grey Ermenegildo Zegna suit, hand-sewn Borelli shirt and burgundy tie with sperm-cell pattern, I guessed Cerrutti 1881. However, I was certain about the shoes: hand-sewn Ferragamo. I once had a pair myself.
The papers in front of me revealed that the candidate came armed with excellent credentials from NHH – the Norwegian School of Economics and Business Administration, in Bergen – a spell in Stortinget for the Conservative Party and a four-year success story as the MD of a medium-sized manufacturing company.
Nevertheless, Jeremias Lander was terrified. His upper lip glistened with sweat.
He raised the glass of water my secretary had placed on the low table between us.
‘I’d like …’ I said with a smile. Not the open, unconditional smile that invites a complete stranger to come in from the cold, not the
frivolous
one. But the courteous, semi-warm smile that, according to the literature, signals the interviewer’s professionalism, objectivity and analytical approach. Indeed, it is this lack of emotional commitment that causes the candidate to trust his interviewer’s integrity. And as a result the candidate will in turn – according to the aforementioned literature – provide more sober, objective
information
, as he has been made to feel that any pretence would be seen through, any exaggeration exposed and ploys punished. I don’t put on this smile because of the literature, though. I don’t give a damn about the literature; it is chock-a-block with various degrees of authoritative bullshit, and the only thing I need is Inbau, Reid and Buckley’s nine-step interrogation model. No, I put on this smile because I really
am
professional, objective and analytical. I am a headhunter. It is not that difficult, but I am king of the heap.
‘I’d like,’ I repeated, ‘I’d like you to tell me a little about your life, outside of work, that is.’
‘Is there any?’ His laughter was a tone and a half higher than it should have been. On top of that, when you deliver a so-called ‘dry’ joke at a job interview it is unwise both to laugh at it yourself and to watch your interlocutor to see whether it has hit home.
‘I would certainly hope so,’ I said, and his laughter morphed into a clearing of the throat. ‘I believe the management of this enterprise attaches great importance to their new chief executive leading a balanced life. They’re seeking someone who will stay with them for a number of years, a long-distance-runner type who knows how to pace himself. Not someone who is burnt out after four years.’
Jeremias Lander nodded while swallowing another mouthful of water.
He was approximately fourteen centimetres taller than me and three years older. Thirty-eight then. A bit young for the job. And he knew; that was why he had dyed the hair around his temples an almost imperceptible grey. I had seen this before. I had seen everything before. I had seen applicants afflicted with sweaty palms arrive with chalk in their right-hand jacket pocket so as to give me the driest and whitest handshake imaginable. Lander’s throat
issued
an involuntary clucking sound. I noted down on the interview feedback sheet:
Motivated. Solution-orientated
.
‘I see you live in Oslo,’ I said.
He nodded. ‘Skøyen.’
‘And married to …’ I flicked through his papers, assuming the irritated expression that makes candidates think I am expecting them to take the initiative.
‘Camilla. We’ve been married for ten years. Two children. School age.’
‘And how would you characterise your marriage?’ I asked without looking up. I gave him two drawn-out seconds and continued before he had collected himself enough to answer. ‘Do you think you will still be married in six years’ time after spending two-thirds of your waking life at work?’
I peered up. The confusion on his face was as expected. I had been inconsistent. Balanced life. Need for Commitment. That didn’t add up. Four seconds passed before he answered. Which is at least one too many. ‘I would certainly hope so,’ he said.
Secure, practised smile. But not practised enough. Not for me. He had used my own words against me, and I would have registered that as a plus if there had been some intentional irony. In this case, unfortunately, it had merely been the unconscious aping of words used by someone considered superior in status.
Poor self-image
, I jotted down. And he ‘hoped’, he didn’t know, didn’t give voice to anything visionary, was not a crystal-ball reader, didn’t show that he was up to speed with the minimum requirement of every manager: that they must appear to be clairvoyant.
Not an improviser. Not a chaos-pilot
.
‘Does she work?’
‘Yes. In a solicitor’s office in the city centre.’
‘Nine to four every day?’
‘Yes.’
‘And who stays at home if either of the children is ill?’
‘She does. But fortunately it’s very rare for Niclas and Anders to—’
‘So you don’t have a home help or anyone at home during the day?’
He hesitated in the way that candidates do when they are unsure which answer puts them in the best light. All the same, they lie disappointingly seldom. Jeremias Lander shook his head.
‘You look like you keep yourself fit, Lander.’
‘Yes, I train regularly.’
No hesitation this time. Everyone knows that businesses want top executives who won’t fall victim to a heart attack at the first hurdle.
‘Running and cross-country skiing perhaps?’
‘Right. The whole family loves the outdoor life. And we have a mountain cabin on Norefjell.’
‘Uh-huh. Dog, too?’
He shook his head.
‘No? Allergic to them?’
Energetic shaking of the head. I wrote:
Lacks sense of humour
?
Then I leaned back in the chair and steepled my fingertips. An exaggerated, arrogant gesture, of course. What can I say? That’s the way I am. ‘How much would you say your reputation was worth, Lander? And how have you insured it?’
He furrowed his already sweaty brow as he struggled to give the matter some thought. Two seconds later, resigned, he said: ‘What do you mean?’
I sighed as if it ought to be obvious. Cast my eyes around the room as if searching for a pedagogical allegory I had not used before. And, as always, found it on the wall.
‘Are you interested in art, Lander?’
‘A bit. My wife is, at any rate.’
‘Mine, too. Can you see the picture I have over there?’ I pointed to
Sara Gets Undressed
, painted in vinyl, over two metres in height, a woman in a green skirt with her arms crossed, about to pull a red sweater over her head. ‘A present from my wife. The artist’s name is Julian Opie and the picture’s worth a quarter of a million kroner. Do you possess any art in that price range?’