Heart Like Mine (41 page)

To my mother, Claudia Weisz, who first encouraged me to put pen to page—thank you. (Who knew I could turn being a drama queen into a profession?) For hugs, cuddles, and never failing to make me laugh, thanks to my children—Scarlett and Miles, and to my bonus daughter, Anna.

And finally, to my best friend, my husband, and my partner in crime . . . thank you, Stephan, for building this life with me and gently cradling a heart like mine.

heart like mine

AMY HATVANY

A Readers Club Guide

1. Consider the two epigraphs that Hatvany opens the novel with. How do they frame the novel? How do you interpret the title,
Heart Like Mine
, in relation to these two quotations?

2. On the surface, Kelli and Grace are very different characters. What do they share? How do their upbringings shape the kinds of women they become?

3. 
Heart Like Mine
is narrated by the three women in Victor’s life—but we never hear from him directly. As a group, discuss your impressions of Victor. How does each narrator present a different side of him?

4. While family dynamics are at the heart of this novel, friendships are also integral to these characters’ lives. Discuss the role of female friendship. What do Kelli, Grace, and Ava each get from a friend that they can’t get from a significant other or a family member? How do you experience this in your own life?

5. How are mothers and fathers portrayed differently in the novel? What do you think the author is saying about the significance of each parental figure in a child’s life?

6. Shortly after Kelli dies, Grace admits, “
However much I loved Victor and worried for Max and Ava, I wasn’t sure I could go through this without losing myself completely”
(
page 147
). Could you empathize with her in this moment? Did you agree with her when she later concluded,
“It didn’t matter whether I felt ready or not”
?

7. Discuss the ways that Max expresses his grief over losing his mom. How do they differ from the ways that Ava shows her sadness? What methods does each child use to try to cope with Kelli’s death?

8. A pivotal moment in the novel occurs on
page 87
, when Victor asks Grace to leave the room before he tells Max and Ava that their mother died. Did you think this was the right thing for him to do for his children? Why or why not?

9. Consider Grace’s coworker’s comment about how having children changes you:
“But you really don’t know what love is until you’re a mother. You can’t understand it until you’ve had a baby yourself, but it’s the most intense feeling in the world”
(
page 109
). Do you agree with this? Do you think Grace comes to share this belief?

10. On
page 67
, Ava thinks,
“I also thought it was weird that Mama was always telling me how pretty I was, but then practically in the next breath, she insisted being smart was more important.”
Based on what you learned about Kelli’s past over the course of the novel, how can you explain this apparent contradiction?

11. How does Ava’s relationship with her father change after Kelli’s death? What did you think about her comment on
page 295
that
“I didn’t want him to think I was like Mama. I wanted him to believe I was stronger than that”
?

12. Ava recalls her parents fighting about how much Victor was working at the restaurant. Did you side with either Kelli or Victor while you were reading these scenes?

13. Do you believe that maternal instincts are innate, or do you think that they are acquired? What do you think the novel is saying about the ways that mothering is either a learned skill or a natural ability?

1. Amy Hatvany is the author of three other novels:
Best Kept Secret, Outside the Lines
, and
The Language of Sisters
. Consider reading one of these titles as a group, and then compare and contrast the ways that Hatvany represents family in each book.

2. Choose one of the novel’s narrators, and pick a scene that you think captures their unique perspective. Now, attempt to rewrite the scene—this time, from a different character’s point of view.

3. Some of Ava’s favorite memories of Kelli involve cooking, and preparing a favorite recipe is one of the ways that Ava and Grace begin to bond. For your next meeting, have every member bring in a recipe that has significance to them and tell the story behind it. You might even make copies of each recipe so that every member leaves with a collection of new recipes to try.

Read on for a look at Amy Hatvany’s newest novel

safe with me

Coming from Atria Books in 2014

The first thing Hannah hears is Emily’s soul-piercing scream. Next, the grinding screech of brakes and the sharp crunch as metals collide. The sounds twirl toward her in slow motion—still-frame, auditory blips. But then, in an instant, they stitch together into an image. Into a truth that steals her breath.

Oh, holy god.

She shoves back from her desk and races down the stairway, stumbling out the door and into the yard. With a wild-eyed gaze she sees it: the car she heard—a red convertible Mustang, top down, the engine still running. In front of it lies her daughter’s purple, glittering ten-speed. The handlebars are twisted and broken, the black tires torn right off the wheels. Someone screams and it takes a moment for Hannah to realize that it is her. The sound slices up through her throat like a spinning blade as she runs over to Emily, whose small body was flung from the crash. Her twelve-year-old daughter is splayed upon the blacktop, arms and legs turned at strange angles from her torso. Blood trickles down her forehead from an injury on her scalp. Her mouth is open, her eyes closed.

She wasn’t wearing her helmet. Oh god oh god oh god.

“Call 911!” Hannah shrieks. “Somebody, please,
call them
!” She is vaguely aware that her neighbors have rushed from their houses, too.

“I didn’t
see
her!” a woman cries. She is standing next to the car, hands clutching the sides of her blond head. “She shot out from the driveway! I didn’t have time to stop!” The woman is hysterical, sobbing, but Hannah doesn’t care. She drops down next to Emily, scraping her knuckles raw as she lifts her daughter from the rough pavement, gathering her child to her chest the way she did when Emily was still a baby, their hearts pressed together in sweet, synchronized beats.

“Mama’s here,” Hannah says, her mouth against her daughter’s dark, damp hair. “Don’t you worry. Mama’s right here.” Emily is limp, unmoving.

A small gathering of people create a protective circle around them both. It is a hot, sunny Saturday in late July. A day for barbeques and picnics, for Popsicles and campfires and s’mores.
This can’t be happening. It can’t be. She’s all I have. Nothing else matters. Just her.

Their next-door neighbor, Mr. Blake, drops down next to Hannah and slips his strong arm around her. “The ambulance is coming,” he says. “Maybe you shouldn’t move her.”

Hannah ignores him. “She’s going to be okay,” she murmurs. “She
has
to be.” She clutches Emily tighter.

After a few minutes that feel more like hours, like decades, a siren whines in the distance, growing louder as it draws close. It isn’t fast enough. Mr. Blake places two of his gnarled fingers on Emily’s throat and Hannah’s first instinct is to yank her away, to protect her daughter from any more possible harm, but then she realizes what he’s trying to do.

“She has a pulse,” he says. “It’s weak, but it’s there.”

Hannah nods, her lips pressed together so hard she can’t feel them. She can’t feel anything. The inside of her skull is a beehive someone just kicked. She can’t form a thought. There is only the buzzing . . . the one word in her head, one incantation, one prayer.

She closes her eyes and whispers the word
please
.

*  *  *

Hannah waits. She sits in the emergency room, gripping the edge of her chair, her arms stiff and straight, her body rocking forward and back in small, measured movements. The space bustles with a state of urgency: nurses in brightly patterned smocks and sensible white shoes jog down the hallways; an aide rushes past with an empty gurney. The air, thick with antiseptic and sweat, tickles the back of Hannah’s throat; she’s afraid she might vomit. Patients cry out, phones ring, doctors are paged
stat
to the OR—sound effects like fishhooks in her skin.

She throws a quick glance at the people in the seats around her. A man with deeply lined skin and a thatch of white hair sits alone, holding a straw hat in his lap, tearing at its brim with shaking fingers. One of his legs bounces in a staccato rhythm; his plaid shorts expose thickly veined, knobby knees. For some reason this feels obscene to Hannah, almost as bad as if he had flashed her. Across the room, a couple holds each others’ hands. Tears run down the woman’s pale cheeks and she gives Hannah a look filled with palpable, aching empathy. Hannah bobs her head once, holding the woman’s gaze for a moment, but then drops her eyes to the cold, glossy floor. It’s too much for her, this kind of agony laid bare. Too raw and bloody. Too real.

The doctors are attempting to save Emily’s life. They hurried her into surgery just moments after the medics rushed her inside the hospital. “She’s AB-negative,” one of them shouted. The rarest of blood types, Hannah made sure they knew, one she didn’t share with her daughter. In a hazy fog, she signed all the forms the nurses put in front of her, giving the doctors permission to do their work.

“Please,” Hannah had said to the doctor hovering over Emily before they wheeled her away. “Help her.” Emily’s hair stood out like a swath of dark ink against the white sheet beneath her. Her
skin was pasty except for the blackening blood on her face. She still hadn’t moved.

“We’ll do everything we can,” the doctor said, giving her arm a quick squeeze before whisking her only child through gray double doors.

Now, two hours later, a nurse approaches Hannah in the waiting room. “Can I get you anything?” she asks. “Do you need to call anyone?”

Hannah shakes her head. Not yet. She’ll phone her parents once she knows more about Emily’s condition. When she can tell them their granddaughter will be okay. Mr. Blake had offered to come with her as she climbed into the back of the ambulance, but she told him no.

Thirteen years ago, at thirty-one, Hannah signed up for motherhood knowing full well she’d be on her own. She wanted a child so much that she was no longer willing to wait for the right man to come along, given the odds of finding someone who, unlike Devin, her fiancé for two years in her late twenties,
didn’t
screw around behind her back.

Instead, she opted for a sure thing: sperm donor #4873, a twenty-three-year-old premed student with dark hair and a family history vacant of serious illness. “Look at me,” she joked to her best friend and business partner, Sophie. “I’m a cougar.” Nine months after the procedure, Hannah held a red-faced, squalling baby Emily in her arms.

As she waits, Hannah’s thoughts wander to all of those early nights she and Emily spent together—nights when Emily wouldn’t sleep, when the only thing that brought her baby comfort was pacing the house for hours at a time.

“You are the reason I’m here,” Hannah whispered into Emily’s tiny, seashell-shaped ear. “You’re my angel . . . my sweet, perfect girl.” Emily gazed back at her with round-as-poker-chips blue eyes, and Hannah couldn’t help but believe that, even as an infant,
her daughter understood her, that the love she felt for Emily was a language only the two of them could speak.

She had support, of course. Sophie took over the bulk of the salon’s administrative work for a couple of years right after Emily was born, and Hannah worked solely as a stylist. Jill, the nanny she hired when Emily was four months old, cared for her daughter while Hannah expertly cut and colored her clients’ hair. While her parents were in Boise, too far away from to be of much immediate help, they flew in to Seattle at least once a year, and Hannah took Emily to their farm for almost every major holiday. There was nothing sweeter than seeing Emily at two years old chasing after the chickens that had free range of her parents’ front yard, nothing that filled Hannah’s heart more than her almost-teenage daughter still climbing up into Grandpa’s lap for a cuddle.

They’d visited the farm just a few weeks ago over the Fourth of July weekend, enjoying an enormous meal of her mother’s crispy fried chicken and creamy dill potato salad, in which the celery
absolutely
counted as a serving of vegetables, her father insisted as he scraped the bowl clean. Emily was basking in her grandparents’ attention, relishing her role as their only grandchild, but also missing her Uncle Isaac. “Why didn’t he come?” she asked as she stood on the edge of the wraparound porch, tilting her dark head and placing a splayed hand on her jutted-out hip. “He’s supposed to light the fireworks.”