‘How much did you know about the book he hid here?’
‘Nothing at all. He rang me one day and asked if he could bring something down. He wouldn’t even tell me what it was over the phone.’
‘How long ago was that?’
Paxton shrugged.
‘Six or seven weeks,’ he said. ‘All he told me was that the book was important to him and to some other people.’
‘He didn’t say which people?’ Donna interjected.
‘No. He just asked if he could hide it in the museum. I agreed. He said he’d pick it up in a month or so. Then, of course . . .’ He allowed the sentence to trail off.
‘Did you see the book? Do you know where he hid it?’
‘I haven’t got a clue. It could be anywhere in the museum.’ He paused for a moment, looking almost apologetically at Donna. ‘Would it be rude of me to ask who he was hiding it from?’
‘I’m not completely sure,’ Donna told him, ‘but I need to find it.’
She felt it unneccessary to mention some of the incidents that had taken place over the last few days, least of all the confrontation at the cottage the previous night. She merely told him that the book bore a crest, an embossed crest of a hawk. It was very old, too, she said.
‘I know that’s vague,’ she said, ‘but it’s all I know.’
‘I’d like to help you look if I can,’ Paxton volunteered.
Donna smiled.
‘That’s very kind of you. Thank you.’
Paxton slid open a drawer in his desk and took out what looked like a floor-by-floor plan of the three-storey building. He laid the diagram out on the desk-top, weighting each corner down with a pile of papers.
‘The museum is divided into galleries,’ he said, jabbing the plan. ‘It makes it sound grand, doesn’t it? Museum.’ He chuckled. ‘My grandfather thought that wax museums should be places of learning, too. Three-dimensional temples of knowledge, he used to call them.’
Donna and Julie were more interested in the layout of the building than in Paxton’s nostalgic musings.
‘Is this the ground floor?’ Donna asked, prodding one part of the map.
‘No, that’s the basement. It’s where we keep our Chamber of Horrors. No waxworks is complete without one. It’s always the most popular area, too. It brings out the morbid streak in all of us, I’m afraid.’
‘And you’ve no idea where Chris could have hidden the book?’ Donna repeated.
‘None at all.’
‘We’ll have more chance of finding it if we search separately,’ Donna suggested. ‘Julie and I will start on the top floor, then work our way down.’
‘I’ll meet you on the second floor. If we miss each other we’ll meet back in this office in three hours.’
‘Miss each other? Is that likely?’ Julie wanted to know.
‘There are two sets of stairs into and out of every gallery,’ Paxton explained, ‘So that if we get too many visitors it doesn’t get too congested as people move around. It’s quite possible we could pass each other and not even realize it. It’s dark in the galleries, too, apart from the lights on the figures.’
Julie felt her heart beating faster.
‘If one of us finds the Grimoire, we call out to let the others know, then bring it back here to this office,’ Donna suggested.
Paxton nodded.
He left the office first, waiting for the two women to follow him out before closing the door again.
There was a flight of stairs directly to their right.
‘Follow the stairs straight up to the third floor,’ he said. ‘I’ll go that way.’ He nodded in the direction of an archway. Through it, Donna could see the first of many wax tableaux showing famous film stars. The atmosphere was thick and gloomy. She hugged her handbag tightly to her sides, comforted by the thought of the Pathfinder inside.
Two or three feet away, standing by the entrance to the waxworks, were the figures of Laurel and Hardy. In the darkness they seemed not the amusing and loveable clowns they were meant to be but somehow menacing. Their glass eyes regarded the group blindly. Julie again felt a shiver run up her spine. She glanced up the stairs; the top of the flight almost disappeared into the dimness.
‘Back here in three hours,’ said Donna, her voice sounding loud in the unyielding silence. ‘Unless one of us finds the book.’
Paxton nodded.
They set off.
The hunt began.
Seventy-Four
Marilyn Monroe gave him no clues. John Wayne offered no help. Neither did Marlon Brando or any other member of the Corleone family.
Paxton stood in the middle of the tableau entitled:
THE GODFATHER
and moved between the figures of James Caan, Al Pacino and Marlon Brando, all of them identified by name plates at their feet.
In the display the Godfather’s desk had a number of books on it; the waxworks owner reached for them one by one. They were encyclopaedias or dictionaries with the dust jackets removed. Not wax but real books.
The figure of Robert Duvall was holding a briefcase; he glanced inside but found nothing but a sheet of blank paper. He moved on, past Indiana Jones and Rambo until he came to a display of THE EXORCIST.
It featured a bedroom and figures of Max Von Sydow, Jason Miller and Linda Blair in her possessed incarnation. The waxwork of Von Sydow held what was supposed to be a Bible but Paxton wondered if Ward might have substituted the Grimoire for the Holy Book. After all, he had no idea how big it was. He stepped in amongst the figures, moving around the bed until he reached the kneeling wax effigy.
The book it held was indeed a Bible.
Paxton moved on.
It wasn’t just the silence Julie found overwhelming, it was the claustrophobic atmosphere of the place. The solitude and the almost palpable darkness combined to create the feeling that they’d been drapped in a blanket. The carpeting of the floors served to enhance the illusion; they could not even hear their own footsteps as they moved around.
Julie walked quickly, keeping within two or three feet of Donna. Even so, her sister was a barely glimpsed shadow most of the time.
They passed through an archway into a display of great sporting figures. The waxworks were arranged in groups beyond a rope, which was supposed to separate them from their admirers. In a mock-up of a boxing ring stood Henry Cooper, Mohammed Ali and Mike Tyson. At the edge of the ring Joe Louis and Rocky Marciano glared glassily at her. Julie found herself drawn almost hypnotically to the blank stares. She could see herself reflected in the glass orbs, a distorted image.
Ahead, Donna was standing beside Pelé and George Best. Kenny Dalglish and Eusebio looked on impassively. Johan Cruyff, one foot perched on a football, regarded her with the same emotionless expression as the rest.
Further along there was a model of Sir Francis Chichester; on what was supposed to be the deck of his yacht lay a number of books. Donna climbed into the exhibit and began inspecting them. She found to her annoyance that they were all books about sailing.
She pressed on.
Julie followed, her passage unnoticed by Lester Piggot and Willie Carson.
A flight of three steps led up into another gallery, this one depicting great artists.
They moved on.
Sean Connery, George Lazenby, Roger Moore and Timothy Dalton stood around Paxton as he searched through the drawers of M’s desk, but the James Bond tableau was no help to him either.
So many places to look. So many places Ward could have hidden the book.
As he walked among the figures Paxton wondered what could be so important about this missing book. What could be so vital to send him and two women trekking around the place?
Opposite him a display showed Gene Kelly, Fred Astaire and Ginger Rogers all dancing together, watched by a group of admiring figures. One of the figures was of a child; at its feet were a set of school books. He strode across to it, climbing into the little set-up. The child was Shirley Temple and the books were spilling from her satchel. He began sorting through them.
Danny Kaye, Liza Minnelli and Judy Garland looked on blankly as he sifted through the books. Again he found nothing.
The hand grabbed his hair.
So surprised by the movement he felt as if his vocal cords had frozen, Paxton hardly moved as his head was yanked hard backwards.
The knife flashed in the spotlight, glinting viciously before the razor-sharp blade was drawn across his throat.
Blood erupted from the wound that opened like a grinning mouth, spewing crimson over the lifeless figures.
Peter Farrell held tightly to Paxton’s hair, careful to avoid the jetting blood. He heard the soft hiss as the waxwork owner’s sphincter muscle collapsed. Then he allowed the body to drop to the floor, watching it twitch for a second before stepping back into the shadows from which he’d emerged. He pulled a two-way radio from his pocket and flicked it on.
‘I’m on the ground floor,’ he whispered into the machine. ‘Paxton’s dead. Split up and find the other two.’ He paused a moment, still looking down at the body, the head in the centre of a spreading pool of blood. ‘Keep them alive until I get there,’ he added as an afterthought.
He put the two-way back in his pocket and slipped away, swallowed by the gloom.
Behind him, Paxton’s body lay amongst the frozen dancers and entertainers smiling down blankly as if welcoming him.
Blood from the hideous wound washed over the title plate of the tableau, which proclaimed happily:
GOTTA DANCE.
Seventy-Five
Second floor.
The top storey had yielded nothing. Outside, the rain which had been falling when they entered the building seemed to have eased. Night had invaded the heavens, closing around the waxworks like a black fist as impenetrable as the umbra that seemed to fill every inch of the museum. The exhibits were small islands of light within a sea of shadows.
Donna paused at the bottom of the flight of steps and looked to her right and left.
To her right was a gallery featuring GREAT EVENTS IN WORLD HISTORY; to her left, THE ENTERTAINMENT WORLD.
‘Do you want to check one side and I’ll check the other?’ she asked Julie.
‘No. I’m staying with you,’ the younger woman said, horrified at the thought of being alone in one of these darkened rooms. Donna gripped her hand briefly to reassure her, but the gesture did little to ease Julie’s fear. Donna, too, felt the hairs on the back of her neck rise as they moved into the right-hand gallery.
A mock-up of the front benches of the House of Commons displayed a dozen of the country’s most important politicians. Behind them were older, more famous ones. Gladstone, Disraeli and Lloyd George all stood in judgement, silent and unmoving as the two women passed by.
The next exhibit showed Napoleon’s final trip to St Helena. He was in a cabin on board the ship with several figures standing around him.
There were books on the desk at which the effigy of the Emperor sat.
Donna wasted no time checking them out.
Julie, meantime, took a couple of paces across the gallery towards a group of world leaders, past and present, gathered around a desk.
She shivered as she felt so many sightless eyes boring into her.
A board creaked beneath her feet and she sucked in a startled breath.
Adolf Hitler stood, arms folded, beside Benito Mussolini. Stalin and Trotsky stood to their left.
Julie could see bookshelves behind them.