They passed out of the dining-room, and Colonel Capadose, who went among the first, was separated from Lyon; but a minute later, before they reached the drawing-room, he joined him again. Ashmore tells me who you are. Of course I have often heard of youI'm very glad to make your acquaintance; my wife used to know you.
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I'm glad she remembers me. I recognised her at dinner and I was afraid she didn't.
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Ah, I daresay she was ashamed, said the Colonel, with indulgent humour.
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Ashamed of me? Lyon replied, in the same key.
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Wasn't there something about a picture? Yes; you painted her portrait.
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Many times, said the artist; and she may very well have been ashamed of what I made of her.
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Well, I wasn't, my dear sir; it was the sight of that picture, which you were so good as to present to her, that made me first fall in love with her.
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Do you mean that one with the childrencutting bread and butter?
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Bread and butter? Bless me, novine leaves and a leopard skina kind of Bacchante.
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Ah, yes, said Lyon; I remember. It was the first decent portrait I painted. I should be curious to see it to-day.
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Don't ask her to show it to youshe'll be mortified! the Colonel exclaimed.
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We parted with itin the most disinterested manner, he laughed. An old friend of my wife'sher family had known him intimately when they lived in Germanytook the most extraordinary fancy to it: the Grand Duck of Silberstadt-Schreckenstein, don't you know? He came out to Bombay while we were there and he spotted your picture (you know he's one of the greatest collectors in Europe), and made such eyes at it that, upon my wordit happened to be his birthdayshe told him he might have it, to get rid of him. He was perfectly enchantedbut we miss the picture.
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It is very good of you, Lyon said. If it's in a great collectiona work of my incompetent youthI am infinitely honoured.
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