I convinced Ange to let me go and get some water from the infirmary's big cooler -- "My butt's getting numb" -- and took the chance to survey the human wreckage. It was terrible, and I thought I knew what had caused it.
When I got back to Ange, I handed her my water bottle and watched her drink, then said, "Ange, if I told you something crazy, would you listen?"
She rolled her eyes. "Marcus Yallow, you've been telling me crazy things since the night I met you. Have I ever not listened?"
She had a point. "Sorry," I said. I leaned in close to her. "Back at the temple burn, do you remember a woman walking around with a camera, right in front?"
She shrugged. "Not really. Maybe?"
I swallowed. What I was about to say sounded crazy in my head, and it was going to sound crazier out in the air, and it was just for starters. "It was Carrie Johnstone," I said.
Ange looked puzzled for a moment, like she was trying to place the name.
"Wait,
Carrie Johnstone?
The
Carrie Johnstone?"
I nodded. "I got a couple of good looks at her. I'm sure." I didn't sound sure. "I'm pretty sure."
"So she's a burner now? That's weird."
"I don't think she's a burner, Ange. I think she was here to kidnap Masha and Zeb."
"Uh-huh," Ange said. "Marcus --"
"Dammit," I said, "you
said you'd listen
!"
She shut her mouth, opened it, shut it. "I did. Sorry. Go on."
So I told her about what I'd seen, Zeb and Masha and the goons, and my stupid, half-baked attempt to catch them as they'd marched into the night.
"So what are you saying?"
"What do you
think
I'm saying, Ange?"
"It sounds like you think that Johnstone and her pals kidnapped Masha and Zeb."
I didn't say anything. Of
course
that's what I was thinking, but that was just for starters. I had another idea, one that was even more crazy-sounding. I wanted to know --
had
to know -- whether it would occur to Ange, too, or whether I'd just had my brains rattled when I face-planted into the gypsum flats of Black Rock Desert.
"What?" she said. Then she opened her eyes a little wider. "You think that Johnstone blew up Octotank to -- what, to cover her getaway?"
I closed my eyes. I couldn't bear to look at Ange, because she was staring at me like I was nuts.
"Look at it this way: they've been driving fire-breathing art cars around the desert for decades now, without a single major mishap. The first time one goes boom, it happens
just
as Carrie Johnstone, a war criminal with a history of ruthless disregard for human life, is in the middle of kidnapping a rogue agent who has been trafficking in giant troves of secret documents. The timing of the explosion is perfect, and a hundred percent of the attention on the playa is occupied for the next several hours. Meanwhile, they could get away in a million ways -- hell, they could just stroll over to the trash fence and hop over it and leg it out over the mountains, or jump into a waiting car. The Black Rock Rangers will all be scrambling to help the wounded, not patrolling with night-scopes for people trying to sneak in without a ticket."
"Yeah," Ange said. "I suppose." She squeezed my hand again. "Or: people have been driving home-made flamethrowermobiles around the desert for decades, and it was only a matter of time until one blew up. And you saw someone, in the dark, do something that looked like a kidnapping, but at a distance, and right before you had your head knocked around and broke your nose, after a week's worth of sleep deprivation, recreational chemical use, and caffeine abuse." She said it calmly and evenly, and kept hold of my hand as I struggled to go.
"Marcus," she said, grabbing my chin and forcing me to look into her eyes. I winced as she put pressure on the sutures in my lip, but she didn't loosen her grip. "
Marcus
, I know what you've been through. I went through it too, some of it, at least. I know that improbable things happen sometimes. I was there when Masha gave you her key. You have the right to believe what you believe."
"But," I said. I could hear there was a
but
coming.
"Occam's Razor," she said.
Occam's Razor: the rule that says that when you're confronted with a lot of explanations for a given phenomenon, the least complicated one is the one that is most likely to be right. Maybe your parents won't let you into the locked drawer in their bedroom because they're secret spies and they don't want you finding their cyanide capsules and blowdart rigs. Or maybe that's just where they keep their (eww) sex toys. Given that you know that your parents have had sex at least once, and given that (in San Francisco, at least) odds are good they've bought the odd dildo or two over the years, the super-spy hypothesis has to be shuffled to the bottom of the pile. Or, to put it another way, "Extraordinary claims require extraordinary evidence."
"I like Occam's Razor," I said. "It's a useful thinking tool. But it's not a
law
. Sometimes, the unlikely happens. It's happened to both of us. I saw what I saw, and I saw it just a few days after I saw Masha, who
is
mixed up in all kinds of espionage stuff, and who was acting paranoid as hell. Maybe she had a good reason for that."
"Yeah. And maybe all that stuff primed you to interpret anything that happened in the days that followed in dramatic and scary ways." She let go of me and looked away at the crowds of people. "Marcus, if you think you know what happened, you know what you should do. Masha
told
you what to do."
If you ever hear that I've gone down, or Zeb's gone down, release it. Shout it from the mountaintops.
You know what? I hadn't even thought of that. I'd been so fixated on rescuing Masha, or proving I wasn't losing my mind, I'd totally forgotten that I was her insurance policy, that she'd fully expected that she might "go down" and that she'd entrusted me with her personal countermeasure.
Now that I thought of it, I found that the idea terrified me.
"I don't know what's in her insurance file," I said, "but I've got an idea that if we were to make it public, it'd make some very powerful people
very
angry at us." I flashed on how I'd felt when Johnstone had been standing right over me, that paralyzing horror that started somewhere at the bottom of my spine and froze me to the spot. I believed that Johnstone had kidnapped Masha to keep the contents of that file a secret. What would she do to me if
I
released it?
Worse: what would she do if Masha told her
I
had the insurance file?
"Oh, crap," I said. "Oh, Ange, what'll we do?"
We both agreed that we didn't have to do
anything
that night. I was injured, we were in the middle of the playa without functional laptops, and, to be honest, we were both scared witless about the insurance file and what might happen if we were to go public with it. I still had the USB stick with me -- I'd kept it in my utility belt, in its little secure zip-up money-belt section. I kept compulsively checking it until Ange made me stop. After a few hours, we decided that I didn't have a concussion and snuck away before anyone could disagree with us. We caught a few precious hours' sleep in the tent, holding tight to each another, before the alarm on Ange's cheap, rugged plastic watch went off, weep-weep-weep, and we got up to break camp and start Exodus.
We'd slept in our clothes -- it got cold at night in the desert, even with our sleeping bags zipped together for shared warmth -- and when we got outside the tent and stood, I saw that my burnoose and the front of my T-shirt were crusted with dried blood from my broken nose and swollen lip. My nose and lip felt like they'd ballooned to elephantine proportions in the night, though when I brushed the dust off a nearby car's side mirror and checked my reflection, I saw that they were merely double their normal size. I looked like I'd been run over by a tank, one of my eyes blackened, my mouth distorted in a weird, pouty sneer, my taped-up nose misshapen and bulbous.
"Groagh," I said, and my lip split again and began to seep blood. My face
hurt
. They'd given me some Tylenol 3s at the infirmary and I took two of them, washing them down with cold-brew, undiluted straight from the mason jar, then kept on swigging at the bean juice. I needed energy if I was going to help Ange break down our camp and lug our gear across Black Rock City to the camp where the guy who was giving us our ride had been staying.
Ange said, "You just sit down, Marcus, I got this."
I shook my head and said, "Nogh," a painful syllable that made my face bleed some more.
"Forget it, sit down."
I shook my head again.
"God, you're stubborn," she said. "Fine, kill yourself. Don't come running to me when you're dead."
I waved at her and handed her the cold-brew jar. She made a face. "There's blood in that one." I looked at the rim and saw it was smeared with red from my lip. I dug another jar out of the ice chest and passed it to her. She went to work on it. "Got to drink plenty of water, too," she said. "Remember, this stuff is a diuretic."
She was right. I alternated two swigs of water for every swig of cold-brew at regular intervals over the next forty-five minutes, as I crammed, jammed, piled and mashed our stuff into our bags. The biggest item to pack, by far, was Secret Project X-1 and all its assorted bits and pieces.
When I joined Noisebridge, I hadn't really known what I wanted to do. All I knew was that these maker-types had set up a hackerspace in the Mission, filled it with lathes and laser-cutters and workbenches and drill presses, and that anyone could join and use the gear to make, well, anything. I'd hung around for a month or two, dropping by after classes to just sit on the sofa and see what people were up to, bringing along my laptop and school-books and studying in between watching as my fellow Noisebridgers invented every mad and amazing thing under the sun.
Noisebridge was a fantastic place. It had its own
space program
. Seriously. Almost every month, they launched homebrew weather-balloons crammed with cameras and instrument packages to heights of seventy thousand feet and more and retrieved them. There were people hacking robots, cars, clocks, pet doors, toys, and rollerblades -- not to mention video-game consoles, server hardware, autonomous flying drones, and so on and so on.
And
they had
3D printers
, devices that could produce actual physical objects on demand, based on 3D files they made or downloaded from the net. Most of these had started off life as MakerBots, an amazing and popular open source 3D printer kit that you assembled yourself. MakerBots printed in plastic, using spools of cheap plastic wire, and the results were pretty amazing, especially considering that the kits cost less than a thousand dollars, and you could make one for less if you scrounged around for the parts in surplus catalogs and the prodigious bins of spare electronics at Noisebridge.
Being open source, MakerBots were a hacker's paradise, and people all over the world had modified their printers to do extraordinary and amazing things. The big excitement when I joined Noisebridge was a successful conversion to laser-based powder printing, which involved using an apparatus to spread a thin layer of plastic powder on the printing surface, then melting it into specific forms with a laser, then adding another layer of powder and melting it again with the laser, over and over, until you'd built up the whole solid shape.
Powder-based printers cost a
lot
more than MakerBots -- like $500,000 or more -- and they were all locked up in a complicated set of patents that meant that only a few companies could make and sell them. But patents didn't stop
people
from modding their MakerBots to do powder, and once they started, it became the most popular form of MakerBot modding in the world. Naturally it was: the objects that came out of a powder printer were much smoother and more detailed than the stuff that came out of a plastic wire printer, and with a powerful enough laser, you could use metallic powders and produce precisely made objects in stainless steel, brass, silver -- whatever you wanted.
But what interested me wasn't printing in steel: it was printing in
sand
. There were lots of people around the world who were experimenting with alternatives to plastic or metal powder as a printing medium, because, well, anything you could melt with a laser could be fed into a printer. You could print the most wonderful stuff with sugar or make brittle, tragically short-lived stuff out of the whey powder they sold in bulk for body-building. But like I say,
sand
was the stuff that caught my imagination. When you melt sand, you get
glass
, and a beautiful, streaky kind of glass it was, and every day brought more amazing sculptures and jewelry and action figures and, well,
everything
made of melted sand. As a printing material, sand was as cheap as it got, cheaper even than whey powder.
But there wasn't any sand on the playa. What we had instead was
dust
. Gypsum dust, the stuff that they make drywall out of. In other words, stuff that you could (theoretically) make some wicked structures out of.
That was
my
plan, anyway. I made my own MakerBot, downloading the plans from their site, lasercutting the balsa wood, building the Arduino-based controller, scrounging parts when I could, buying them when I absolutely couldn't find them, but only through surplus stores. In the end, it cost me less than $200, and took me about two months, and it worked
beautifully
. As soon as I got it working, I promptly broke it (of course) and tried to get it running as a powder printer. That was a
lot
more complicated, and the powerful laser it required cost as much as the rest of the printer. But I got it working, too.