Homicide (87 page)

Read Homicide Online

Authors: David Simon

And without the dying declaration, they have weak circumstance and little more. Having been through the murder mill once before, Waddell shows no interest in the interrogation process, nor does a subsequent search warrant produce the murder weapon.

Garvey, of course, has no choice but to charge the murder. For one thing, he knows that Warren Waddell murdered Carlton Robinson. For another, he owes it to himself to close the case in this Perfect Year. But even as Waddell is trundled off to city jail for pretrial detention, the detective knows that this is one case for the lawyers to salvage.

Frustrated by the initial reaction from the state’s attorney’s office, Garvey asks Don Giblin, his golfing buddy in the violent crimes unit, to
shop around for a veteran prosecutor. Garvey has seen enough of the trial division to know that half the ASAs in the office will look at a file like this and immediately pronounce the legal problem insurmountable. As with the Lena Lucas murder, he needs a fighter.

“Get me a good one, Don,” he tells Giblin over the telephone. “That’s all I’m asking.”

Deck the halls with boughs of holly
,

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

Throw that stiff up on the dolly
,

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

Talk to us and if you’re willing
,

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

Tell us who did all this killing
,

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

Tell us how you want forgiveness
,

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

You don’t know we’ve got a witness
,

Fa-
la-
la-
la-
la-
la-
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la
,

Talk to us, you’ve nothing to lose
,

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

Why is blood upon your gym shoes?

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

Want to make a good impression?

Fa-
la-
la-
la-
la-
la-
la-
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la!

Make yourself a fast confession
,

Fa-
la-
la-
la-
la-
la-
la-
la-
la!

—Homicide unit Christmas song

F
RIDAY
, D
ECEMBER 2

Mostly for his own amusement, Donald Waltemeyer watches Mark Cohen watching the hole get deeper. The process—such as it is—consists of two distinct stages and Cohen’s disposition changes noticeably between the two. The first four feet with the backhoe are quick and painless, and Cohen barely squirms; the next eighteen inches require hand shovels, and Walte
meyer sees the lawyer’s face crease with something more than expectation.

Pale and wire-thin, with spectacles and curly blond locks, Cohen looks like an innocent straight man standing next to the side of beef that is Waltemeyer, a professorial, three-piece Hardy propped up beside a muscular, working-class Laurel. Cohen is a good man, among the best of the city prosecutors, and Waltemeyer can’t think of a better trial attorney for the sprawling colossus that began as the Geraldine Parrish murder-for-hire case. But Cohen is a lawyer, not a cop, and as the shovels work deeper into clay, he begins to look less and less comfortable. Mercifully, Waltemeyer gives him his out.

“Kinda cold out here,” the detective says.

“Sure is,” agrees Cohen, his collar turned up to the winter wind. “I’m going back to the car awhile.”

“You want the keys for the heater?”

“No, I’ll be okay.”

Waltemeyer watches Cohen negotiate his way across the muddy field, made worse by an inch or two of recently melted snow. The lawyer steps lightly in his L. L. Bean duck boots, both hands hiking up the seams of his slacks an extra couple of inches. Waltemeyer knows the cold isn’t the only thing the man is feeling: The stench—faint but foul in the frigid air—was there from about four feet down. Cohen couldn’t help but get a whiff of it.

At the sound of something solid, the detective turns back toward the hole, taking a step forward to peer down over the edge. “What was that?”

“That’s the top,” says the cemetery manager. “You got the top of the box right there.”

The two men in the hole concentrated their shovels on the edges of the wood, trying to free the top of the casket from the surrounding dirt. But at the first real stress, the pressed wood cracks and collapses.

“Just pull that shit up,” says the manager. “Don’t even mess with it.”

“Not much of a casket,” says Waltemeyer.

“I’m telling you,” agrees the manager, a gravel-voiced, pear-shaped man. “She buried the man cheap as she could.”

I’ll bet she did, thinks Waltemeyer. Miss Geraldine wasn’t about to be spending hard-won money on funerals, what with all the dearly departed she had to contend with. Even now, from inside the city jail, Geraldine Parrish was fighting hard to remain the sole heir of the Reverend Rayfield Gilliard’s money and property, with a civil suit by the reverend’s family still to be decided by a circuit court judge.

As for the good reverend himself, he is somewhere under this
godforsaken mud slope, this potter’s field just below the city’s southern edge. Mount Zion, they called it. A consecrated cemetery; hallowed ground.

Bullshit, thinks Waltemeyer. The place is a small stretch of barren wetness running down off Hollins Ferry Road, owned and operated by one of the larger inner-city funeral homes, a volume business that can still scratch profit from even the cheapest burials. To the south is a low-income housing project, to the north, the Lansdowne Senior High School. At the top of the hill, near the cemetery entrance, is a convenience store; at the bottom, a polluted creek. Two hundred and fifty dollars gets the customer a plain pressed-wood box and a six-foot sliver of mud. If the body is unclaimed, if the state of Maryland has to serve as the sponsor, the price drops to a mere $200. Hell, thinks Waltemeyer, Mount Zion doesn’t even look like a cemetery—only a few headstones mark what had to be the graves of thousands.

No, Geraldine hadn’t exactly gone all out for her last husband, but then again, she had two more like him living with her over on Kennedy Street. The Black Widow’s last conquest got a cheap coffin, no vault and no headstone. Still, the cemetery manager seemed to have no problem finding the spot a half an hour ago, walking across the barren plain with an air of practiced certainty.

“Right here,” he said.

Row 78, grave 17.

“You sure it’s him?” asked Waltemeyer.

“It oughta be,” said the manager, surprised at the question. “Once you put ’em down there, they supposed to stay put.”

If, in fact, the grave held the remains of the right Reverend Rayfield Gilliard, age seventy-eight, then the doctors on Penn Street could still do something with this case. Even with a body that had been in the ground for ten months, an adulterant could still be detectable. Twenty prescription Valium, ground into a last meal of tunafish—yes indeed, Smialek told Waltemeyer as they agreed to get the exhumation order, if that’s what we’re looking for, that’s what we’ll find.

Still, the Reverend Gilliard had been in the ground since February and Waltemeyer has to wonder what’s even left down there. The cemetery manager said the winter burials would freeze in the ground, then decomp slower than those buried in warmer weather. It made some sense to the detective, but who even thinks about such things? Not Waltemeyer if he can help it. However much he enjoyed watching Mark Cohen squirm, he had to admit a private truth: This bothered him.

You find a body in the street and it’s a murder. You sketch him, take his picture, check his pockets, roll him over. In that instant and for a few hours afterward, he’s all yours, so much so that after a couple of years you don’t think about it anymore. But once he’s in the ground, once a preacher says some words and the dirt is on top of him, it’s just different. Never mind that this is nothing more than a muddy field, never mind that the exhumation is a necessary investigative act—for Waltemeyer, it’s still hard to believe that he has any right messing with a body in its final repose.

Naturally, his colleagues reacted to such doubts with all the warm sincerity for which Baltimore cops are known and admired. All the way through roll call this morning they had piled it on: Christ, Waltemeyer, what the fuck kind of asshole are you? We don’t have enough murders to deal with in this fucking town, you got to go prancing around the goddamn cemeteries like Bela fucking Lugosi, digging up skeletons?

And Waltemeyer knew they had a point: In terms of criminal culpability, the exhumation seemed a bit redundant. They had Geraldine and her contract killer, Edwin, on three homicides and the repeated attempts on Dollie Brown. They had Geraldine and another triggerman charged with a fourth murder in the death of Albert Robinson, the old drunk from New Jersey found by the Clifton Park railbed back in ’86. Waltemeyer had driven Corey Belt and Mark Cohen up to Bergen County for a few days to interview witnesses and nail down that charge. Four murders, five murders—at what point does another charge no longer matter?

Watching the gravediggers pry at the broken pieces of the casket top, Waltemeyer wonders whether it’s worth it. Miss Geraldine will be going to prison in any case, and what happens today certainly isn’t going to give Gilliard’s family any peace of mind. On the other hand, the detective has to concede that, like the doctors on Penn Street, he, too, is a little curious.

Tossing the curled, rotting wood out of the hole, the gravediggers stand against the edges of the box. Waltemeyer leans over and looks down.

“Well?” says the manager.

Waltemeyer looks at the photograph of Gilliard, then down at the coffin. The dead man looks pretty good, considering the circumstances.

“He’s a little small,” says the detective. “The photo looks like a bigger man.”

“They thin out when they in the ground,” says the manager, impatient. “You know the motherfuckers don’t stay too fat down there.”

No, thinks Waltemeyer. I guess they don’t.

It’s hell trying to lift the bottom of the box out of the mud, and after
ten minutes, the gravediggers give up, deferring instead to the ME’s attendants, who simply lift the remains up and out using a plastic tarp.

“Way to go, Waltemeyer,” the attendant says as he climbs from the grave, covered in mud. “You just went to the top of my list.”

The body claimed, Waltemeyer and the gravediggers begin the slow, muddy trek back to the dirt road that divides Mount Zion. Stepping carefully toward the Cavalier, the detective watches the attendants load the black van, then looks through the car windshield at Mark Cohen. The prosecutor is looking down, seemingly preoccupied.

“You see him?” he asks Cohen in the car.

Cohen barely looks up, his face buried deep inside his briefcase, his hands working through the files inside.

“Mark, did you see him?”

“Yeah,” says Cohen. “I saw him.”

“Pretty ghoulish, huh?” says Waltemeyer. “I feel like I’m in a horror movie or something.”

“Let’s get downtown,” says Cohen. “I’ve got to get back to the office.”

Oh yeah, thinks Waltemeyer. He saw him.

The detective chooses to skip the actual autopsy, but it goes without a hitch—the cutters gathering tissue and organ samples for the toxicology, then checking the remains for any other overt signs of trauma. A perfectly straightforward piece of medical work, the examination could be a case study for the forensic pathology tests. At least it seems that way until an attendant is sewing up the chest cavity and notices the hospital identification bracelet on the cadaver’s wrist. The ink is faded, but the name, clearly legible, is not Rayfield Gilliard.

Twenty minutes later, the telephone in the homicide unit bleats. A detective answers and then yells into the coffee room: “Waltemeyer, medical examiner on line one.”

Sitting at Dave Brown’s desk, Waltemeyer picks up the receiver and leans forward. After a second or two, his hand goes to his head and his fingers pinch the skin at the bridge of his nose.

“You’re not kidding me, are you?” He leans back in the chair and stares up at the yellowing ceiling tile. His face is contorted, comical in its cartoon-like approximation of woe. He pulls a pencil from Brown’s desk and begins writing on the back of a pawn shop card, sounding each word as he writes: “Hospitalbracelet … Eugene … Dale … black, male …”

Great.

“No one noticed it until after the autopsy?” asks the detective.

Just great.

Waltemeyer hangs up the phone and gives himself half a minute before punching the intercom button on the phone extension.

“Captain?”

“Yes,” says the voice on the phone.

“This is Waltemeyer, sir,” says the detective, still holding the bridge of his nose. “Captain, are you sitting down?”

“Why?”

“Captain, I got goods news and bad news.”

“Good news first.”

“The autopsy went well.”

“And the bad news?”

“We dug up the wrong guy.”

“You’re not serious.”

“Oh, I’m serious.”

“Jesus.”

Eugene Dale. Some poor soul who had the misfortune to be chucked into the same potter’s field at about the same time as the Reverend Gilliard. Now he’s down on a gurney on Penn Street, looking a little worse for the day’s events. Not much in this world can truly upset a homicide detective, but for Waltemeyer, disturbing the slumber of the innocent dead comes damn close. Waltemeyer wonders whether this Dale has relatives. And that name: Why does it sound familiar?

“You got the wrong guy?” asks a detective from Stanton’s shift, working overtime on a court appearance. “Who’d you get?”

“Some poor bastard named Eugene Dale.”

“Eugene Dale?”

“Yeah.”

“D-A-L-E?”

Waltemeyer nods.

The other detective points at the board and the last couple of names under Rodger Nolan’s section. “That’s the same name as Edgerton’s suspect.”

“Who?”

“Eugene Dale.”

“Who is?” asks Waltemeyer, still confused.

“The guy that Edgerton locked up for killing the little girl,” says the detective. “He’s got the same name as the guy you just dug up.”

Waltemeyer looks at the board. “Eugene Dale,” he says, reading the black ink. “I’ll be damned.”

“Where’s Edgerton now?” asks the other detective.

“Off today,” says Waltemeyer, absorbed in thought. What the hell does it matter who they dug up? It isn’t Rayfield Gilliard; they know that much. Waltemeyer listens impassively as the other detective gets Edgerton on the phone and then runs through the preamble.

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