Illywhacker (34 page)

Read Illywhacker Online

Authors: Peter Carey

“With feathers, papa.” She pulled the sleeves of her woollen cardigan over her hands and flapped them with impatience and excitement. “An emu.”

I expected a goldfinch or a chook, but I pulled on my trousers and my boots while she danced impatiently around me, stretching her cardigan out of shape.

“Hurry. Hurry.”

I followed her, my laces dangling, mimicking her exaggerated stealth.

Charles came bellowing behind, enraged that he was being abandoned. He did not understand me: I would never have left him behind in any circumstances. I explained this to him. I, after all, knew better than anyone the horrors of being alone at ten years of age. Had I not lived amongst the garbage in the Eastern Markets, living on old cabbage leaves, too frightened to taste the saucer of warm milk the Wongs left for me each night? Charles knew this story. I wished him to know I would never abandon him. I explained it endlessly, but he could not be comforted. He worried that I would forget to pick him up after school. If I was five minutes late I would find him blubbering or running in panic down the street. If I got up in the night he wanted to know what I was doing and on more than one occasion I have had a nocturnal shit interrupted by my son blundering through the dark in search of me. He was my policeman. He would stand beside me shivering while I wiped my arse and only then would he return to bed.

Sonia took her brother’s warty hand to lead him to the emu. She never flinched from the feel of those warts, but ministered to them constantly, gathering milk thistles and carefully squeezing their juices on to the ugly lumps that were always marked with ink from one unhappy well or another.

Sonia’s hand did not comfort Charles. Now he was with us he became surly. He dragged his boots along in the gravelly mud and scratched the leather I had worked so hard to shine for him.

“Where are we going?” (It was his continual cry, here, and on the road where he kicked against the confines of the Dodge.) “Where are we
going?”

“There is an emu,” Sonia said, “with feathers.”

“There ain’t emus.”

“I
think
it’s an emu.” Sonia was always ready to defer to her brother but just the same she parted the blackberry briars stealthily.

There are no crab apples on Crab Apple Creek. There is a tangle of blackberries and a number of giant river blackwoods. We came under the blackwood canopy to a clear bit of land by the bridge on the Castlemaine Road and there, amongst the ash of swaggies’ fires and the dried pats of cattle dung, was an emu.

It was the cleanest thing in that muddy place. Its feathers shone. Its long neck glistened. It also had the most remarkable pair of legs I was ever blessed to cast my eyes on. They were long and shapely and tightly clad in fishnet stockings.

Sonia squeezed my hand and rubbed herself against me with delight. Charles gawped and went bright red. The emu jerked its head towards us and then away. Sonia hugged herself with pleasure. The emu started to shake. It started slowly, a mild vibration that built and built until it was quivering all over. It stamped its feet, one, two, three. It waggled its backside. It bumped and ground. It went into the most astonishing sexual display I have ever witnessed in my life. There was no mistaking its intention and I was embarrassed in front of the children. It set up a display with its backside, getting lower and lower to the ground, then sprang like a dervish and scissored its legs. It hopped on its haunches. It squatted. It showed itself like I have seen red—arsed bool—bools do in spring.

“Egg,” shrieked Sonia, tugging painfully on my wedding ring. “Egg, egg, egg.”

“Shut up,” said Charles.

The egg was black and shining, about eight inches across, an emu egg of course. The emu pecked it. And out of the egg came a little emu, bright blue, rocking back and forth on a metal spring.

“No, Charlie,” Sonia cried.

But it was too late. Charles was running, his head down, his little arms outstretched, his warty hands open, towards the emu. He got a hold of a net—stockinged leg and would not let go.

The emu now unravelled itself. The front of the chest detached itself and revealed itself to be a woman’s head with a feathered hat. The emu’s head and neck dropped so we could see they were not neck and head at all, but an arm with a glove made in the shape of an emu’s head. Another naked arm emerged from somewhere and stroked my son’s bristly head.

“Did you get it?” the emu asked.

I stood as gawp-mouthed as my son had.

“Did you get the photographs,” the emu said, “or didn’t you?”

“Mummy,” Charles said.

“Are you a journalist,” the emu said, “or aren’t you?”

“No,” I said, “my name is Herbert Badgery.”

“Mummy,” said Charles.

“I have waited here all morning,” the emu said. “I have waited here for the dills to arrive. God damn them. What do you need to get written up in their silly rag?” She stamped her foot. “I gave them a map. I told them I would be here and I walked here, two miles. They wanted me to do it in town but they don’t understand publicity. I need all this,” she gestured at the blackwoods, blackberries, the cow dung, the dead winter grass, “for atmosphere. It’s not so much trouble for them to come. They have motor cars. Look at my shoes. Look at them. How in the hell do I get a break? Mervyn Sullivan has stolen my act. The police won’t make him take down my picture. What do they expect me to do: starve? Bendigo is a lousy town. I should have gone up to Ararat. Where is the boy’s mother?”

She squatted down beside Charles and wiped his nose with a little square of newspaper she had tucked away in her feathers. “You should look after children,” she said sternly. “They are the hope of the future. Just because you are unemployed it doesn’t mean your children should have no hope.”

“My shoes hurt,” Charles said.

“I am employed,” I said.

“Bully for you,” she said. “Buy your boy boots then.”

I am giving a bad impression of Leah, but she has only herself to blame, for she was not at her best beneath the Castlemaine Road that day, nor I guess would she have been at her best when she asked the police to force Mervyn Sullivan to remove her picture from his sideshow. She was not one of life’s diplomats at the best of times, but she could never control herself in the presence of a policeman.

She had an austere face, and you would hardly call it pretty. It was a flinty sort of face, with a small mouth, grey eyes and a little parrot’s beak of a nose which I later came to admire although at the time I was not well disposed towards parrots or anything that reminded me of them. She had short dark wavy hair, olive skin, a slight smudge on her upper lip, and a long graceful neck. Her ears stuck out. The emu dance, which she had learned direct from its inventor, certainly made the most of her best features.

If I had known she was carrying snakes, I doubt whether I would have let her come to our camp. However, once Charles had decided she was his mother he had no intention of being parted from her again. He picked up her two suitcases and no one could persuade him to let anyone else share the load. He struggled along on his two sturdy bandy legs, jutting his jaw, more like a midget than a child.

Sonia led the way through the blackberries, holding aside brambles for her brother. Leah followed her luggage. I followed her.

She did not walk like a dancer at all. You would not think it the same person. She held her head high on her long neck and locked off her upper body into a rigid unit while her long legs perambulated independently beneath her.

“My name is Leah,” Leah said. “And I am a married woman.”

6

Bedevilled by vanity, troubled by falling hair, I had my skull shaved quite bald in 1926, a fashion I maintained for twenty-one years. And although I was much given to romancing about the sexual attractiveness of a man’s bald head there had been no practical proof of the theory. Nor, with the advent of Leah Goldstein, is there going to be any change. So there is no use—as you watch me roll up a log to the camp fire for her, as my children squeeze on either side of her like bookends—no use at all in you skipping pages, racing ahead, hoping for a bit of hanky-panky. Leah was not only a married woman, but one with a firm sense of right and wrong and, having modestly discarded her feathers, she armoured herself against misunderstanding with a severe black dress, long woollen socks, and a blue-dyed greatcoat of the type dispensed to the unemployed.

The three of them sat in the firelight watching me prepare a meal, a dish known as Bungaree Trout which is made by slicing large potatoes, dipping them in batter, and frying them. If you eat it in daylight your eyes will tell you that you are eating fish, but if you eat it in the dark there is no fooling yourself: you’re a poor man eating spuds.

We, the Badgery family, were in the habit of keeping ourselves to ourselves, and I cooked the potatoes in a mingy sort of spirit. If the dancer had once expressed a desire to leave I would not have
argued with her. But she stayed and when it was teatime I had no choice but to feed her.

I piled the trout high on a tin plate and invited her to tuck in. The loud noises coming from her stomach had given me fair warning of her appetite.

“So tell me,” Leah said, when she was half way through her third trout, “what sort of business are you in?”

“Mining,” I said.

You see what has happened: how the lies that once smoked like dreams have diminished to such an extent that by 1931 they are ignoble snivelling things, excuses more than lies, the sort of lies my son told when he was caught stealing at State School Number 1204. They sent him home with notes about it. They strapped his hands; they caned his backside; they hit his warty knuckles with wooden rulers. This did no good at all. He rubbed peppercorns on his palms to stop the pain. He rubbed gum resin on his knuckles to ward off the sting. He put handkerchiefs in his pants to cushion the blows. In Castlemaine he stole an American dollar from the parson’s son and claimed he had found it in the gutter. In the gutter! I understood his interest in money, but it was subsistence lying and it has no lasting value no matter how you look at it. And I, with this cock-and-bull story about mining, was no better. I lied to this strange woman (this trout-wolfer) because I was unemployed and could not bring myself to admit it. I did it to ward off the look I had seen in those Ford agents, whose sugary glaze of compassion did nothing to prevent—in fact intensified—my sense of failure.

Likewise, when I was forced to line up with the unemployed at Bungaree at spud—digging time, in Mildura when the grapes were on, at Kaniva and Shepparton for the soft-fruit season, I held myself aloof from my fellows. I, having shone my boots and ironed my shirt, was not one of them. When some stirrers up at Bungaree tried to organize a strike against the spud farmers who were paying only sixpence a bag, I was called a scab. There were plenty of us, don’t worry, and it was us scabs who brought in the spuds for those celebrated spud cockies at Bungaree.

“What sort of mining?” my guest inquired politely, while my Son, unseen by anyone, jiggled a little piece of wire inside the lock of her battered brown suitcase. (If you look at him now, pressing his body against the dancer while he undertakes his inquiry, you will be certain he will grow up to be a thief. He has
all the qualities, the most important of which is sheer persistence.)

“Gold-mining,” I said.

The dancer snorted. An extraordinary sound. The shape of her body, the elegance of her legs, the broomstick spine, the tidy contours of her flinty face, gave no indication that such an untidy explosion could emerge from her. Sonia was entranced. She liked odd things and I could see the noise attracted her. She came and sat beside me and squeezed my hand secretly. A joy to Sonia was nothing if it could not be communicated.

“It is gold,” the dancer said sternly, reaching for a fourth Bungaree trout, frowning, and then deciding against it, “that is the curse of this country.” She wiped her mouth with a little square of torn newspaper, a gesture that smacked of both fastidiousness and complacency. “It is what is wrong with it, has always been wrong with it, and once you look at what gold has done, you can go back and look at the attitude towards land ownership and find it is exactly the same.”

I had no idea what she was talking about, but I was offended just the same. I took the last slice of trout, broke it in half and gave it to my children.

“It is gold,” Leah said, “that has led ordinary working men and women into terrible delusion; it has made them think that they can be the exception to ordinary working men and women all through history; it has made them think that all they need is luck. They have been blinded by gold. They have imagined that all they need to do is drive their pick into the right spot in the ground and they will be another Hannan—they’ll be bosses themselves. It has corrupted them. It has been the same with land. Men who spent their lives suffering from the ruling classes went out and stole land from its real owners. Hey, presto, I’m a boss. There has been no history here,” she said. “The country has woken like a baby and had to discover everything for itself and only now are people learning what the ruling class has done to us, that we have been lied to and deceived about some Working Man’s Paradise and we need more than luck to have freedom. So if you are still, in 1931, looking for gold to solve your problems, I must say you are barking up the wrong tree.”

“I did not ask you to share my tucker,” I said, “to hear you insult me in front of my children.”

“It’s not personal,” she said. It may have been a trick of the light but I imagined I saw her eyes flood with tears. “Why do people always take it personally? I try to have an intelligent conversation,
but there is no tradition of intellectual discussion here. When a subject is discussed the women simper and say they have no ideas and the men want to settle it with a fight. I am not attacking you personally, Mr Badgery.” Her voice was half strangled. “I am attempting to analyse the history of this country and point out why the working classes have always acted as if they’re going to be bosses tomorrow. I’m trying to point out why we’re in this mess. But if you want to take it personally, that’s your right. You can give me my marching orders now, and I’ll go.”

Other books

Charades by Ann Logan
Gayle Buck by The Hidden Heart
The Warhol Incident by G.K. Parks
Ascent of the Aliomenti by Alex Albrinck
Maxwell's Smile by Hauf, Michele
Romantic Screenplays 101 by Sally J. Walker