In Cold Blood (10 page)

“We stepped back into the hall, and looked around. All the other doors were closed. We opened one, and that turned out to be a bathroom. Something about it seemed wrong. I decided it was because of the chair—a sort of dining-room chair, that looked out of place in a bathroom. The next door—we all agreed it must be Kenyon’s room. A lot of boy-stuff scattered around. And I recognized Kenyon’s glasses—saw them on a bookshelf beside the bed. But the bed was empty, though it looked as if it had been
slept in. So we walked to the end of the hall, the last door, and there, on her bed, that’s where we found Mrs. Clutter. She’d been tied, too. But differently—with her hands in front of her, so that she looked as though she were praying—and in one hand she was holding,
gripping
, a handkerchief. Or was it Kleenex? The cord around her wrists ran down to her ankles, which were bound together, and then ran on down to the bottom of the bed, where it was tied to the footboard—a very complicated, artful piece of work. Think how long it took to do! And her lying there, scared out of her wits. Well, she was wearing some jewelry, two rings—which is one of the reasons why I’ve always discounted robbery as a motive—and a robe, and a white nightgown, and white socks. Her mouth had been taped with adhesive, but she’d been shot point-blank in the side of the head, and the blast—the impact—had ripped the tape loose. Her eyes were open. Wide open. As though she were still looking at the killer. Because she must have had to watch him do it—aim the gun. Nobody said anything. We were too stunned. I remember the sheriff searched around to see if he could find the discharged cartridge. But whoever had done it was much too smart and cool to have left behind any clues like that.

“Naturally, we were wondering where was Mr. Clutter? And Kenyon? Sheriff said, ‘Let’s try downstairs.’ The first place we tried was the master bedroom—the room where Mr. Clutter slept. The bedcovers were drawn back, and lying there, toward the foot of the bed, was a billfold with a mess of cards spilling out of it, like somebody had shuffled through them hunting something particular—a note, an I.O.U., who knows? The fact that there wasn’t any money in it didn’t signify one way or the other. It was Mr. Clutter’s billfold, and he never did carry cash. Even I knew that, and I’d only been in Holcomb a little more than two months. Another thing I knew was that neither Mr. Clutter nor Kenyon could see a darn without his glasses. And there were Mr. Clutter’s glasses sitting on a bureau. So I figured, wherever they were, they weren’t there of their own accord. We looked all over, and everything was just as it should be—no sign of a struggle, nothing disturbed. Except the office, where the telephone was off the hook,
and the wires cut, same as in the kitchen. Sheriff Robinson, he found some shotguns in a closet, and sniffed them to see if they had been fired recently. Said they hadn’t, and—I never saw a more bewildered man—said, ‘Where the devil can Herb
be?
’ About then we heard footsteps. Coming up the stairs from the basement. ‘Who’s that?’ said the sheriff, like he was ready to shoot. And a voice said, ‘It’s me. Wendle.’ Turned out to be Wendle Meier, the undersheriff. Seems he had come to the house and hadn’t seen us, so he’d gone investigating down in the basement. The sheriff told him—and it was sort of pitiful: ‘Wendle, I don’t know what to make of it. There’s two bodies upstairs.’ ‘Well,’ he said, Wendle did, ‘there’s another one down here.’ So we followed him down to the basement. Or playroom, I guess you’d call it. It wasn’t dark—there were windows that let in plenty of light. Kenyon was over in a corner, lying on a couch. He was gagged with adhesive tape and bound hand and foot, like the mother—the same intricate process of the cord leading from the hands to the feet, and finally tied to an arm of the couch. Somehow he haunts me the most, Kenyon does. I think it’s because he was the most recognizable, the one that looked the most like himself—even though he’d been shot in the face, directly, head-on. He was wearing a T-shirt and blue jeans, and he was barefoot—as though he’d dressed in a hurry, just put on the first thing that came to hand. His head was propped by a couple of pillows, like they’d been stuffed under him to make an easier target.

“Then the sheriff said, ‘Where’s this go to?’ Meaning another door there in the basement. Sheriff led the way, but inside you couldn’t see your hand until Mr. Ewalt found the light switch. It was a furnace room, and very warm. Around here, people just install a gas furnace and pump the gas smack out of the ground. Doesn’t cost them a nickel—that’s why all the houses are overheated. Well, I took one look at Mr. Clutter, and it was hard to look again. I knew plain shooting couldn’t account for that much blood. And I wasn’t wrong. He’d been shot, all right, the same as Kenyon—with the gun held right in front of his face. But probably he was dead before he was shot. Or, anyway, dying. Because
his throat had been cut, too. He was wearing striped pajamas—nothing else. His mouth was taped; the tape had been wound plumb around his head. His ankles were tied together, but not his hands—or, rather, he’d managed, God knows how, maybe in rage or pain, to break the cord binding his hands. He was sprawled in front of the furnace. On a big cardboard box that looked as though it had been laid there specially. A mattress box. Sheriff said, ‘Look here, Wendle.’ What he was pointing at was a bloodstained footprint. On the mattress box. A half-sole footprint with circles—two holes in the center like a pair of eyes. Then one of us—Mr. Ewalt? I don’t recall—pointed out something else. A thing I can’t get out of my mind. There was a steampipe overhead, and knotted to it, dangling from it, was a piece of cord—the kind of cord the killer had used. Obviously, at some point Mr. Clutter had been tied there, strung up by his hands, and then cut down. But why? To torture him? I don’t guess we’ll ever know. Ever know who did it, or why, or what went on in that house that night.

“After a bit, the house began to fill up. Ambulances arrived, and the coroner, and the Methodist minister, a police photographer, state troopers, fellows from the radio and the newspaper. Oh, a bunch. Most of them had been called out of church, and acted as though they were still there. Very quiet. Whispery. It was like nobody could believe it. A state trooper asked me did I have any official business there, and said if not, then I’d better leave. Outside, on the lawn, I saw the undersheriff talking to a man—Alfred Stoecklein, the hired man. Seems Stoecklein lived not a hundred yards from the Clutter house, with nothing between his place and theirs except a barn. But he was saying as to how he hadn’t heard a sound—said, ‘I didn’t know a thing about it till five minutes ago, when one of my kids come running in and told us the sheriff was here. The Missis and me, we didn’t sleep two hours last night, was up and down the whole time, on account of we got a sick baby. But the only thing we heard, about ten-thirty, quarter to eleven, I heard a car drive away, and I made the remark to Missis, “There goes Bob Rupp.” ’ I started walking home, and on the way, about halfway down the lane, I saw Kenyon’s old collie,
and that dog was scared. Stood there with its tail between its legs, didn’t bark or move. And seeing the dog—somehow that made me
feel
again. I’d been too dazed, too numb, to feel the full viciousness of it. The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people
I
knew—
murdered
. You had to believe it, because it was really true.”

EIGHT NON-STOP PASSENGER TRAINS hurry through Holcomb every twenty-four hours. Of these, two pick up and deposit mail—an operation that, as the person in charge of it fervently explains, has its tricky side. “Yessir, you’ve got to keep on your toes. Them trains come through here, sometimes they’re going a hundred miles an hour. The breeze alone, why, it’s enough to knock you down. And when those mail sacks come flying out—sakes alive! It’s like playing tackle on a football team: Wham!
Wham!
WHAM! Not that I’m complaining, mind you. It’s honest work,
government
work, and it keeps me young.” Holcomb’s mail messenger, Mrs. Sadie Truitt—or Mother Truitt, as the townspeople call her—does seem younger than her years, which amount to seventy-five. A stocky, weathered widow who wears babushka bandannas and cowboy boots (“Most comfortable things you can put on your feet, soft as a loon feather”), Mother Truitt is the oldest native-born Holcombite. “Time was wasn’t anybody here wasn’t my kin. Them days, we called this place Sherlock. Then along came this stranger. By the name Holcomb. A
hog
raiser, he was. Made money, and decided the town ought to be called after him. Soon as it was, what did he do? Sold out. Moved to California. Not us. I was born here, my children was born here. And! Here! We! Are!” One of her children is Mrs. Myrtle Clare, who happens to be the local postmistress. “Only, don’t go thinking that’s how I got this position with the
government. Myrt didn’t even want me to have it. But it’s a job you
bid
for. Goes to whoever puts in the lowest bid. And I always do—so low a caterpillar could peek over it. Ha-ha! That sure does rile the boys. Lots of boys would like to be mail messenger,
yessir
. But I don’t know how much they’d like it when the snow’s high as old Mr. Primo Carnera, and the wind’s blowing blue-hard, and those sacks come sailing—Ugh! Wham!”

In Mother Truitt’s profession, Sunday is a workday like any other. On November 15, while she was waiting for the westbound ten-thirty-two, she was astonished to see two ambulances cross the railroad tracks and turn toward the Clutter property. The incident provoked her into doing what she had never done before—abandon her duties. Let the mail fall where it may, this was news that Myrt must hear at once.

The people of Holcomb speak of their post office as “the Federal Building,” which seems rather too substantial a title to confer on a drafty and dusty shed. The ceiling leaks, the floor boards wobble, the mailboxes won’t shut, the light bulbs are broken, the clock has stopped. “Yes, it’s a disgrace,” agrees the caustic, somewhat original, and entirely imposing lady who presides over this litter. “But the stamps work, don’t they? Anyhow, what do I care? Back here in
my
part is real cozy. I’ve got my rocker, and a nice wood stove, and a coffee pot, and plenty to read.”

Mrs. Clare is a famous figure in Finney County. Her celebrity derives not from her present occupation but a previous one—dance-hall hostess, an incarnation not indicated by her appearance. She is a gaunt, trouser-wearing, woolen-shirted, cowboy-booted, ginger-colored, gingery-tempered woman of unrevealed age (“That’s for me to know, and you to guess”) but promptly revealed opinions, most of which are announced in a voice of rooster-crow altitude and penetration. Until 1955 she and her late husband operated the Holcomb Dance Pavilion, an enterprise that owing to its uniqueness in the area, attracted from a hundred miles around a fast-drinking, fancy-stepping clientele, whose behavior, in turn, attracted the interest of the sheriff now and then. “We had some tough times, all right,” says Mrs. Clare, reminiscing. “Some of those bowlegged country boys, you give ’em a little
hooch and they’re like redskins—want to scalp everything in sight. Course, we only sold setups, never the hard stuff itself. Wouldn’t have, even if it was legal. My husband, Homer Clare, he didn’t hold with it; neither did I. One day Homer Clare—he passed on seven months and twelve days ago today, after a five-hour operation out in Oregon—he said to me, ‘Myrt, we’ve lived all our lives in hell, now we’re going to die in heaven.’ The next day we closed the dance hall. I’ve never regretted it. Oh, along at first I missed being a night owl—the tunes, the jollity. But now that Homer’s gone, I’m just glad to do my work here at the Federal Building. Sit a spell. Drink a cup of coffee.”

In fact, on that Sunday morning Mrs. Clare had just poured herself a cup of coffee from a freshly brewed pot when Mother Truitt returned.

“Myrt!” she said, but could say no more until she had caught her breath. “Myrt, there’s two ambulances gone to the Clutters’.”

Her daughter said, “Where’s the ten-thirty-two?”

“Ambulances. Gone to the Clutters’—”

“Well, what about it? It’s only Bonnie. Having one of her spells. Where’s the ten-thirty-two?”

Mother Truitt subsided; as usual, Myrt knew the answer, was enjoying the last word. Then a thought occurred to her. “But Myrt, if it’s only Bonnie, why would there be
two
ambulances?”

A sensible question, as Mrs. Clare, an admirer of logic, though a curious interpreter of it, was driven to admit. She said she would telephone Mrs. Helm. “Mabel will know,” she said.

The conversation with Mrs. Helm lasted several minutes, and was most distressing to Mother Truitt, who could hear nothing of it except the noncommittal monosyllabic responses of her daughter. Worse, when the daughter hung up, she did not quench the old woman’s curiosity; instead, she placidly drank her coffee, went to her desk, and began to postmark a pile of letters.

“Myrt,” Mother Truitt said. “For heaven’s sake. What did Mabel
say?”

“I’m not surprised,” Mrs. Clare said. “When you think how Herb Clutter spent his whole life in a hurry, rushing in here to get his mail with never a minute to say good-morning-and-thank-you-dog,
rushing around like a chicken with its head off—joining clubs, running everything, getting jobs maybe other people wanted. And now look—it’s all caught up with him. Well, he won’t be rushing
any
more.”

“Why, Myrt? Why won’t he?”

Mrs. Clare raised her voice. “BECAUSE HE’S DEAD. And Bonnie, too. And Nancy. And the boy. Somebody shot them.”

“Myrt—don’t say things like that. Who shot them?”

Without a pause in her postmarking activities, Mrs. Clare replied, “The man in the airplane. The one Herb sued for crashing into his fruit trees. If it wasn’t him, maybe it was you. Or somebody across the street. All the neighbors are rattlesnakes. Varmints looking for a chance to slam the door in your face. It’s the same the whole world over. You know that.”

“I don’t,” said Mother Truitt, who put her hands over her ears. “I don’t know any such thing.”