In Green's Jungles (5 page)

When she finished, I asked whether she had changed her mind while she had been speaking. She said she had not, that the boy was clean enough now, and she firmly intended to drown him as soon as I was out of sight, adding that he looked more like his father every day. When I heard that, I knew there was only one thing to do. I got her to give me the child, and promised her that if she would come to the house where I was staying that evening, I'd see to it that she got food for herself and her other children.

It was embarrassing to go back to the house in which I was a guest, and to tell the truth something of a poor relation, with a ragged boy of about three in tow. But I did it, and they were good kind people there and fed him and contrived a little bed for him in the room they had me use. I talked it over with the lady of the house that evening before his mother came, and we agreed that the best thing would be for me to bring him home with me, and try to find a good family here that would take him in. You mustn't think, because there's some trouble between our town and theirs, that they're all bad people around Soldo. So that was what we decided, and when the boy's mother came around she gave her two nice fat geese.

Everyone agreed that he was a very nice little boy, even though he wasn't terribly bright and became rather sickly from the terrible washing he'd had, or because he had been so badly frightened when he thought his mother was going to drown him. He didn't know his name, or if he did he wouldn't tell it; we called him Bricco, because he'd been so black when I brought him there.

His mother was the problem. She came to the back door on the first night, as I said, and got the two geese. The next night she was back wanting something else, and got it, and the next night the same, and the night after that, and the night after that. On the next-to-last night they gave her two turnips, I believe, and on the last night nothing at all.

Then she went to the law and said I'd stolen her child, and the judge sent a couple of troopers to get him back. This judge wasn't the Duko, you understand, just somebody he had appointed to try minor cases.

It ended up, as I ought to have known it would, with the boy and his mother and me in court, and the relatives I was traveling with there too to back me up, and the relatives we'd been staying with on hand as well. I told the judge what had happened, just as I've told you tonight, and the mother said it was all a lie: she and her son had gone out berry picking, and I'd stolen her son the moment she took her eyes off him.

That's what she said at first, anyway. A few sharp questions from the judge showed how matters actually stood, and the woman we'd been staying with testified that she'd never once asked for Bricco back, just for food to take home to her other children.

Then the judge did a very intelligent thing. He put Bricco himself on the little platform next to him, and talked to him for a bit, and asked whether he wanted to go back home with his mother or stay with me. Bricco said he wanted to stay with me, and that ended it.

After that we set off for home right away. We'd had to stay almost a month more than we had meant to because of the trial, and everyone was mad to go. On the first night we slept on the road, as the saying is, but on the second night we put up at an inn, having found a good one that wouldn't charge us too much. Well, you never know. When I woke up the next morning, no Bricco.

I wanted to go back to look for him, I really did, but the others wouldn't hear of it, and I didn't want to go back alone. You know how dangerous the roads are for somebody like me traveling alone. It was obvious what had happened, or anyway we thought it was. He'd gotten homesick and flown. We speculated a little on whether he'd get back there all right, and a couple of the men rode back for an hour or two looking for him. But they didn't find him, and the rest of us decided that he'd probably get home eventually, or stop off if he found someplace better.

"Right here," Fava said, "I want to stop and ask all of you what you think of my story so far. I know the rule is that nobody can interrupt, so we'll call that the end. But there's a little bit more I'll add to it when we've talked about it."

Inclito said, "It shows what a bad time poor people have in Soldo. In sixteen years, this family's lost whatever land it got. It's almost starving. We try not to let that happen here." He looked around at us, challenging us to dispute with him, but no one did.

His mother asked, "This was two years ago? You can't have been more than a child yourself, Fava."

Fava nodded and looked at Mora, inviting her comment; I could not help contrasting the two then, Mora larger already than most men, almost freakish in her blue gown and paint, and Fava half her size, and if not actually beautiful, attractive at least with her piercing eyes and blooming cheeks.

In her heavy, slow voice, Mora said, "I think you acted well throughout it all, Fava. The others won't, I know, but I do."

Smiling, Fava invited me to speak, too. "You're probably the oldest person here, Incanto, and my present host says you're very wise. May we have your opinion now?"

"If I were wise," I told her, "I wouldn't offer any opinion until I'd heard the whole story. Because I am not, I will admit that it interested me. The bit about the trial particularly. It reminded me of a similar case I once heard of, in which a certain woman claimed that a servant girl was her daughter, although the girl herself denied it. Now let us hear the rest."

"As you wish. All this was two years ago, when I was, just as Salica says, much younger. Last year I had a chance to go back to Soldo. I jumped at it as you can imagine, and as soon as I got there I set out to find what had become of Bricco.

"It took me two days to locate the hovel in which the family lived, and as you can imagine I wasn't in the least anxious to be confronted by his mother. I talked to some of the neighborhood children instead and described Bricco to them, saying that he had been the youngest child in the house. Would any of you care to guess what they told me?"

I shook my head; so did Inclito.

"They said that the Vanished People had taken him. That a highborn woman of the Vanished People had taken a fancy to him and stolen him away. That once in a rare while they would see him still, thin and pale and looking as though he was very unhappy. But he would soon vanish like a ghost."

Inclito's mother sighed. "Honestly now, Fava. Is that a true story? You didn't make it up?"

"I don't say that he really appeared to those children," Fava protested. "I said that was what they said. And it was."

Inclito himself grunted, "Sprats tell all sorts of wild tales. Your turn, Mora. Let's hear what you can do."

Mora's History: The Giant's Daughter

T
his will be the shortest story told tonight, and the simplest. It will also be the best, though I don't hope to win, or even wish to. Fava will win, as she usually does, and as she should. I wouldn't have it otherwise.

Once when the whorl was young, which was not very long ago at all, there was a certain snug and quiet town that was different from the others around it only in that it belonged to the best of giants. This giant lived in a big white castle outside the town he owned, and seldom troubled the townsfolk. The truth is that though he was very large and very strong, and rather homely, he was so kind and generous and wise and good and brave that the townsfolk could not have asked for a better owner. Nor could they have governed themselves half so well as he governed them.

You would have thought that they would be happy with this arrangement, and to give them their due most of them were. But many others were not.

"What right has he got to be bigger than we are?" they asked each other.

"What right has he got to make us look like fools by his wisdom?"

"What right has he got to be richer?" they said.

And, "He's so cheerful he makes me sick. What right has he got to smile and whistle when things are at their worst?"

"If I were as rich as he is, I'd be cheerful, too, and brave," they told each other when he couldn't hear them, and never considered that the giant had been wise and cheerful and brave when he had nothing but his daughter.

This daughter was large and strong just as he was, which meant that she was much too big to be pretty. She was also, I'm sorry to say, much too young to be wise. She went to the academy in the town with the town girls, but she stood out among them like a cow in a hen-yard. The town girls made fun of her, until one day she knocked down half her class. After that there were two parties at the academy, just as you often see in the corpo. In one was the giant's daughter. In the other was everyone else in the academy, even the teachers.

That went on for a year, until a new girl came, a new girl who was prettier than the prettiest girl in the whole academy and smarter than the smartest. Everyone in the whole place wanted to be her best friend. How surprised they were when she chose the giant's daughter! And how angry!

After that there were still two parties in the academy, and the second was still much, much bigger than the first. But the first had the girl who won every game and contest that had to do with running or jumping, and also the girl who shone the brightest in arithmetic and composition and every other subject. Then many of the other girls tried to join it. Some were let in halfway, but after a few days it was made clear to them that they were not really members at all.

Some of you may not think that was a happy ending, but if you don't you've never been in a place like that academy, where everybody who looked at the giant's daughter wore a frown.

"That was a very good story," Fava told Mora. "I'll vote for it, and I think you might win."

Mora shook her head.

"The giant won't say anything," Inclito told his daughter. "He's got troubles of his own, and maybe he hasn't paid enough attention to the troubles others have. Just the same, I'd like to hear what our guest has to say. Incanto?"

Thinking of my own account of Patera Silk's career in Viron, I said, "I believe that the best stories are those that are true, and those that the teller feels most deeply. Thus yours was one of the best I have heard, Mora."

Nodding sagely, Inclito turned to his mother. "You want to go next? Or me?"

"You," she told him.

Inclito's Witness: The Sentry and His Brother

T
his was ten years ago, when we fought Heleno. I had a hundred men in that, and in my hundred were two brothers. The names were Volto and Mano, and they hated each other. When I found out how much I tried to keep them apart, but with only a hundred you can only separate two men so much.

Volto was tall and skinny, with a ugly, sour face. Not ugly like me, this is the face Pas gave me. Ugly because he's got ugly thoughts. He was one of them that it's more work to get them to work than the work that they do is, but he was a good fighter.

The young one, Mano, he's like day instead of night. Always happy, works hard, everybody likes him, and he's brave, too. A brave young man. Just the same it makes no difference. He hates Volto as much as Volto hates him. Once he tells me that when he was a little sprat Volto would beat him every time the mother and father got busy someplace else, and three, four times Volto about kills him.

We beat Heleno and for a while we stayed in their town trying to take back all they stole. There's a curfew, none of the people can go outside after dark, and I got troopers all over to keep them in, on every corner, almost, one man. Then it is like with my daughter, I think too much about my own troubles. Mano is on a corner and somebody is sick, so my sergeant has Volto take his place. He's got to take Mano's corner at the end of Mano's watch.

There's a shot and everybody comes running to see what the trouble is, and Volto's dead, too far gone to talk when I got to him. Everybody thinks Mano waits until he comes to take his place, and then he shoots him. Everybody but me thinks that. They don't blame Mano much, but it's murder just the same.

They bring in a new officer that doesn't know either of them to be the judge, a major. Now I would say it's fair, but then I thought the other way. I go to see Mano where we got him locked up, and I say, "Why did you do this thing? They're going to hang you. What can I tell them?"

It takes a long time to get the story out.

"He wanted to kill me," Mano says, "and he told me he was going to do it so our whole family would pretend afterward that I'd never been alive. `No stone for your grave' is what he said. I'll never forget that. I thought it was just more lying, more bluff. Lying was something you had to expect if you were going to talk to Volto, just like you got to know that a horse doesn't ever forget a thing that hurt it if you're going to train horses. With Volto it was that he'd rather lie than tell the truth. If he didn't have to, he'd lie anyway. It made him feel like he was smarter than you."

"He was going to shoot you?" I said. "You had to shoot first?"

He wouldn't answer, just shook his head.

"I'll tell this major that's going to be the judge," I say. "Everybody likes you, everybody knows you're a good trooper. They're talking to him already. He's heard about you and your brother, too. He says he hasn't, but he's bound to have heard something. This town we got down here, it's too small for that. Everybody hears something."

"No," Mano says.

"Sure," I tell him. "You're tired, you just want to get back to your cantonment and go to sleep. The new man comes, and it's him. You see his face, his eyes. He's raising his slug gun to shoot you, so you shoot him."

"No," Mano says. "It would be a lie. The gods would know, Captain, and the judge would, too."

I go away, and my sergeant comes to me. He's looked at their guns, Volto's has been fired, there's still a empty in the chamber, and he can smell the powder smoke. Mano's wasn't fired. He says, "Do I tell the major?" and I tell him he's got to, because what if it comes out later?

Then I go back to Mano like before and I say, "Why did you change the guns? It looks so bad."