In the Deadlands (29 page)

                                       
Scrape.

They say that they were perfectly preserved. You could even recognize faces.

    
They were mummified

    
like so much irradiated meat.

                                       
Scrape.

They left them there.

Later, when they went back, they were gone.

                                       
Scrape.

                                       
Scrape.

                                       
Scrape.

Just the hard-baked and orange-black floor

and the bright empty sky

and the white staring sun.

                                       
Step...

                                       
Scrape.

i remember,

when i was a kid—before i joined the patrol—we used to have a farm.

It was on the borderlands. On the outermost edge.

It was during one of those times when the deadlands was growing. It had already taken over the eastern part of the farm.

After dinner we used to sit out on the front porch, just me and Pa.

It wasn't a very big porch, but then it wasn't a very big house. It was just an old wooden house.

An unpainted gray house.

It never did seem like home to me anyway,

                                       
just some place we were living,

probably because the deadlands was so close.

    
The wood was dead. i mean,

    
most houses—the wood is alive, you can feel it,

but our house, the wood was different—dead to the touch. The whole house was gray and empty and hollow.

    
The walls were thin,

    
thin gray boards.

i guess the deadlands had already gotten to it by then.

Anyway,

we would sit on the porch and look across into the east field.

The deadlands had already taken it over by then,

and it was dying.

The whole east field was dying.

It was brown and starting to turn black,

                                       
black . . . with streaks of orange.

Already the ground was hard.

The crop was just a few scraggly ears of brown and dying corn, hardly worth the trouble to pick.

Even if we had, we couldn't have sold any of it. Nobody will buy anything grown on a borderlands farm.

It has too much of the taste of the deadlands in it.

So Pa and i would just sit and stare at that worthless brown corn.

The deadlands had ignored our fences. It just crossed them like it didn't matter,

    
like they weren't there at all,

    
and pretty soon they weren't.

    
I'd go out there,

    
and they'd crumble at my touch.

    
The ground

    
where the deadlands had touched it

    
was already different.

    
Not dead. Not yet—

    
Just different,

    
empty.

    
Hardly even dusty.

    
Dry, kind of.

We'd lost this field to the deadlands just like we had lost the others,

and probably just like we would lose all the rest.

Pa and i had tried everything.

We'd tried sprays and manures and colored lights and radiations and sonics and prayers

and curses.

But the deadlands just grew into the east field with never so much as a by-your-leave and there wasn't a thing we could do about it.

i think that's what killed Pa,

the deadlands.

i joined the patrol later.

i remember,

when it used to get dark

and we would sit out on the porch,

we would listen.

we'd listen to the deadlands,

just listen.

We'd sit out there on that gray wooden porch and watch as the eastern edge of the world grew dark.

A hot wind would come up out of the deadlands.

It would carry a sound with it.

It was a soft sound,

                                           
a faint sound,
and
we'd sit and listen to it.

There was something out there

                                           
it had a voice . . .
it sounded like—

                                           
a distant chorus,
a choir

                                                  
singing,
moaning.

. . .it was a mournful sound,

                                           
dark and soft,
very faint

and faraway;

                                           
floating

                                           
just below the horizon,

                                           
the dark,
sharp horizon,

                                           
. . .something was there,

                                                  
softly
keening.

Something is still there.

Something is out there.

                              
waiting.

                              
You can hear it

                                                  
softly
keening to itself.

That's why i don't like the deadlands.

The sound it makes.

Pa used to say that it was voices.

Voices of all the people ever lost in the deadlands.

They're wailing.

They're far away, but they're wailing and you can hear them,

                                                
softly.

They're not crying for help either...

They're calling for you to come join them.

At least, that's what Pa used to say.

Then he'd take another pull on his pipe and stare off into the east.

The sky would slowly

grow deeper,

and darker

and we'd sit there

listening.

Pa and i would sit on the front porch

every evening,

               
just looking at the east field

and listening.

Every evening.

We'd sit that way for a long time,

till long after the sun had slipped down behind us

               
and it became too dark to see.

After a while,

i'd get up from where i sat on the steps and i'd kiss Pa good night.

His face was rough and stubbly with whiskers. That's what I remember about him. His face was rough and stubbly.

Then i'd go upstairs and go to bed.

i'd slip into a thin cotton nightshirt and then between the dry dusty sheets and i'd try to sleep.

i'd lay there feeling very thin and very cold . . . and very naked and alone.

That's when the deadland would moan its loudest.

i remember,

lying in bed,

trying to sleep on a night

and the wailing would come out of the deadlands like all the souls in Hell.

That's how Pa would describe it.

Like all the souls in Hell.

                                               
Far off loud
and insistent,

                                               
a soft and empty

                                                                      
calling
sound,

                                               
waiting,
below the horizon.

After a while Pa would come up to bed.

We only had the one bed.

Pa would sleep on his side and i'd sleep on my side. Actually, it was Ma's side, but

Ma hadn't used it in a long time.

Ma followed a calf out into the deadlands one day.

Leastways, that's what Pa said when i asked.

i was too small to remember and Pa never told me any more than that.

Anyway,

after a while Pa would come up to bed.

i wouldn't say anything.

He always tried to be quiet because he thought i was asleep,

and i'd always try to be quiet because. . .

well, just because.

i guess i didn't want him to think i was scared.

Once, though...

it was a long time ago...

once,

               
when the deadlands was particularly loud,

Pa got into bed...

               
(and the bedsprings creaked)

i was shivering

and i guess whimpering a little bit too.

Pa put his arms about me and drew me close.

               
He held me that way for a long time.

               
A long long time.

               
Like he was protecting.

i could feel the warmth of his strong old hands about me

i felt...funny...

like...

like...

like for once, i was a part of Pa.

               
i am.

               
i am a part of Pa.

And something else,

               
i'm a part of Ma too.

i guess that was why he held onto me for such a long time.

Because i'm a part of Ma too, and i was all he had left of her.

               
After a while he pulled away from me,

               
moved over to his own side of the bed.

i fell asleep with the deadlands ringing in my ears.

The whole house would moan with it...

Like Pa said,

Like all the souls in Hell.

               
If there is a Hell.

If there is a Hell, i'm not afraid of it.

Not after growing up with the deadlands.

Not after growing up with the gnawing fear that one night while i would be lying in bed asleep and helpless, the deadlands might just decide to grow a little bit and take over the house and everything in it,

and then the next time the deadlands wailed,

it would be wailing with my voice too.

The deadlands is growing you know.

Oh,
they
won't admit it.
They
say that it's only pulsing.

You know,

sometimes it gets bigger,

sometimes it gets smaller.

i don't believe it.

Neither does anybody else who lives on the borderlands.

Maybe it does get smaller,

but then when it gets bigger again,

               
it gets a whole lot bigger.

Already, it's taken over where our farm used to be.

The house isn't there any more,

but i know where it was,

and it's not there any more.

They
tell me that I'm wrong.

They
say that that's not where the farm was.

               
The farm was farther north,

               
and it's still there.

But
they're
scared.

They don't want to admit that one night the house just

disappeared.

Melted away.

Nothing left.

No house.

No fences.

No fields.

Nothing.

Just the deadlands a little closer than before.

                                       
Step...

                                       
Scrape.

Deeper now in the deadlands,

following the ruts.

The corrugations here are so even one can follow them for miles.

That's how we know where we are in the deadlands. We can't use a compass.

Compasses don't work in the deadlands.

it's like they're dead. . .

lost all their magnetism,

               
or something.

So,

we use the ruts as a guide.

If we pick a starting point on the borderlands edge

and then follow one of the grooves in the deadlands floor,

we can almost always be sure that we are somewhere in the deadlands along that certain line.

If we start somewhere else and follow another rut, then we know that we are somewhere along that line.