In the Land of Time (30 page)

“The cancerous cities spread over the grass, they clatter in their lairs continually, they glitter about us blemishing the night.

“The woods are gone, O Pan, the woods, the woods. And thou art far, O Pan, and far away.”

I was standing by night between two railway embankments on the edge of a Midland city. On one of them I saw the trains go by, once in every two minutes, and on the other, the trains went by twice in every five.

Quite close were the glaring factories, and the sky above them wore the fearful look that it wears in dreams of fever.

The flowers were right in the stride of that advancing city, and thence I heard them sending up their cry. And then I heard, beating musically up wind, the voice of Pan reproving them from Arcady—“Be patient a little, these things are not for long.”

I saw a workman fall with his scaffolding right from the summit of some vast hotel. And as he came down I saw him holding a knife and trying to cut his name on the scaffolding. He had time to try and do this for he must have had nearly three hundred feet to fall. And I could think of nothing but his folly in doing this futile thing, for not only would the man be unrecognizably dead in three seconds, but the very pole on which he tried to scratch whatever of his name he had time for was certain to be burnt in a few weeks for firewood.

Then I went home for I had work to do. And all that evening I thought of the man's folly, till the thought hindered me from serious work.

And late that night while I was still at work, the ghost of the workman floated through my wall and stood before me laughing.

I heard no sound until after I spoke to it; but I could see the grey diaphanous form standing before me shuddering with laughter.

I spoke at last and asked what it was laughing at, and then the ghost spoke. It said: “I'm a-laughin' at you sittin' and workin' there.”

“And why,” I said, “do you laugh at serious work?”

“Why, yer bloomin' life 'ull go by like a wind,” he said, “and yer 'ole silly civilization 'ull be tidied up in a few centuries.”

Then he fell to laughing again and this time audibly; and, laughing still, faded back through the wall again and into the eternity from which he had come.

Charon
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leaned forward and rowed. All things were one with his weariness.

It was not with him a matter of years or of centuries, but of wide floods of time, and an old heaviness and a pain in the arms that had become for him part of the scheme that the gods had made and was of a piece with Eternity.

If the gods had even sent him a contrary wind it would have divided all time in his memory into two equal slabs.

So grey were all things always where he was that if any radiance lingered a moment among the dead, on the face of such a queen perhaps as Cleopatra, his eyes could not have perceived it.

It was strange that the dead nowadays were coming in such numbers. They were coming in thousands where they used to come in fifties. It was neither Charon's duty nor his wont to ponder in his grey soul why these things might be. Charon leaned forward and rowed.

Then no one came for a while. It was not usual for the gods to send no one down from Earth for such a space. But the gods knew best.

Then one man came alone. And the little shade sat shivering on a lonely bench and the great boat pushed off. Only one passenger; the gods knew best. And great and weary Charon rowed on and on beside the little, silent, shivering ghost.

And the sound of the river was like a mighty sigh that Grief in the beginning had sighed among her sisters, and that could not die like the echoes of human sorrow failing on earthly hills, but was as old as time and the pain in Charon's arms.

Then the boat from the slow, grey river loomed up to the coast of Dis
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and the little, silent shade still shivering stepped ashore, and Charon turned the boat to go wearily back to the world. Then the little shadow spoke, that had been a man.

“I am the last,” he said.

No one had ever made Charon smile before, no one before had ever made him weep.

 

 

When Camorak reigned at Arn, and the world was fairer, he gave a festival to all the Weald to commemorate the splendour of his youth.

They say that his house at Arn was huge and high, and its ceiling painted blue; and when evening fell men would climb up by ladders and light the scores of candles hanging from slender chains. And they say, too, that sometimes a cloud would come, and pour in through the top of one of the oriel windows, and it would come over the edge of the stonework as the sea-mist comes over a sheer cliff's shaven lip where an old wind has blown for ever and ever (he has swept away thousands of leaves and thousands of centuries, they are all one to him, he owes no allegiance to Time). And the cloud would re-shape itself in the hall's lofty vault and drift on through it slowly, and out to the sky again through another window. And from its shape the knights in Camorak's hall would prophesy the battles and sieges of the next season of war. They say of the hall of Camorak at Arn that there hath been none like it in any land, and foretell that there will be never.

Hither had come in the folk of the Weald from sheepfold and from forest, revolving slow thoughts of food, and shelter, and love, and they sat down wondering in that famous hall; and therein also were seated the men of Arn, the town that clustered round the King's high house, and was all roofed with the red, maternal earth.

If old songs may be trusted, it was a marvellous hall.

Many who sat there could only have seen it distantly before, a clear shape in the landscape, but smaller than a hill. Now they beheld along the wall the weapons of Camorak's men, of which already the lute-players made songs, and tales were told at evening in the byres. There they descried the shield of Camorak that had gone to and fro across so many battles, and the sharp but dinted edges of his sword; there were the weapons of Gadriol the Leal,
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and Norn, and Athoric of the Sleety Sword, Heriel the Wild, Yarold, and Thanga of Esk, their arms hung evenly all round the hall, low where a man could reach them; and in the place of honour in the midst, between the arms of Camorak and of Gadriol the Leal, hung the harp of Arleon. And of all the weapons hanging on those walls none were more calamitous to Camorak's foes than was the harp of Arleon. For to a man that goes up against a strong place on foot, pleasant indeed is the twang and jolt of some fearful engine of war that his fellow-warriors are working behind him, from which huge rocks go sighing over his head and plunge among his foes; and pleasant to a warrior in the wavering fight are the swift commands of his King, and a joy to him are his comrades' distant cheers exulting suddenly at a turn of the war. All this and more was the harp to Camorak's men; for not only would it cheer his warriors on, but many a time would Arleon of the Harp strike wild amazement into opposing hosts by some rapturous prophecy suddenly shouted out while his hand swept over the roaring strings. Moreover, no war was ever declared till Camorak and his men had listened long to the harp, and were elate with the music and mad against peace. Once Arleon, for the sake of a rhyme, had made war upon Estabonn; and an evil king was overthrown, and honour and glory won; from such queer motives does good sometimes accrue.

Above the shields and the harps all round the hall were the painted figures of heroes of fabulous famous songs. Too trivial, because too easily surpassed by Camorak's men, seemed all the victories that the earth had known; neither was any trophy displayed of Camorak's seventy battles, for these were as nothing to his warriors or him compared with those things that their youth had dreamed and which they mightily purposed yet to do.

Above the painted pictures there was darkness, for evening was closing in, and the candles swinging on their slender chain were not yet lit in the roof; it was as though a piece of the night had been builded in to the edifice like a huge natural rock that juts into a house. And there sat all the warriors of Arn and the Weald-folk wondering at them; and none were more than thirty, and all were skilled in war. And Camorak sat at the head of all, exulting in his youth.

We must wrestle with Time for some seven decades, and he is a weak and puny antagonist in the first three bouts.

Now there was present at this feast a diviner, one who knew the schemes of Fate, and he sat among the people of the Weald and had no place of honour, for Camorak and his men had no fear of Fate. And when the meat was eaten and the bones cast aside, the king rose up from his chair, and having drunken wine, and being in the glory of his youth and with all his knights about him, called to the diviner, saying, “Prophesy.”

And the diviner rose up, stroking his grey beard, and spake guardedly—“There are certain events,” he said, “upon the ways of Fate that are veiled even from a diviner's eyes, and many more are clear to us that were better veiled from all; much I know that is better unforetold, and some things that I may not foretell on pain of centuries of punishment. But this I know and foretell—that you will never come to Carcassonne.”

Instantly there was a buzz of talk telling of Carcassonne—some had heard of it in speech or song, some had read of it, and some had dreamed of it. And the king sent Arleon of the Harp down from his right hand to mingle with the Weald-folk to hear aught that any told of Carcassonne. But the warriors told of the places they had won to—many a hard-held fortress, many a far-off land, and swore that they would come to Carcassonne.

And in a while came Arleon back to the king's right hand, and raised his harp and chanted and told of Carcassonne. Far away it was, and far and far away, a city of gleaming ramparts rising one over other, and marble terraces behind the ramparts, and fountains shimmering on the terraces. To Carcassonne the elf-kings with their fairies had first retreated from men, and had built it on an evening late in May by blowing their elfin horns. Carcassonne! Carcassonne!

Travellers had seen it sometimes like a clear dream, with the sun glittering on its citadel upon a far-off hill-top, and then the clouds had come or a sudden mist; no one had seen it long or come quite close to it; though once there were some men that came very near, and the smoke from the houses blew into their faces, a sudden gust—no more, and these declared that some one was burning cedarwood there. Men had dreamed that there is a witch there, walking alone through the cold courts and corridors of marmorean palaces, fearfully beautiful still for all her fourscore centuries, singing the second oldest song, which was taught her by the sea, shedding tears for loneliness from eyes that would madden armies, yet will she not call her dragons home—Carcassonne is terribly guarded. Sometimes she swims in a marble bath through whose deeps a river tumbles, or lies all morning on the edge of it to dry slowly in the sun, and watches the heaving river trouble the deeps of the bath. It flows through the caverns of earth for further than she knows, and coming to light in the witch's hath goes down through the earth again to its own peculiar sea.

In autumn sometimes it comes down black with snow that spring has molten in unimagined mountains, or withered blooms of mountain shrubs go beautifully by.

When there is blood in the bath she knows there is war in the mountains; and yet she knows not where those mountains are.

When she sings the fountains dance up from the dark earth, when she combs her hair they say there are storms at sea, when she is angry the wolves grow brave and all come down to the byres, when she is sad the sea is sad, and both are sad for ever. Carcassonne! Carcassonne!

This city is the fairest of the wonders of Morning; the sun shouts when he beholdeth it; for Carcassonne Evening weepeth when Evening passeth away.

And Arleon told how many goodly perils were round about the city, and how the way was unknown, and it was a knightly venture. Then all the warriors stood up and sang of the splendour of the venture. And Camorak swore by the gods that had builded Arn, and by the honour of his warriors that, alive or dead, he would come to Carcassonne.

But the diviner rose and passed out of the hall, brushing the crumbs from him with his hands and smoothing his robe as he went.

Then Camorak said, “There are many things to be planned, and counsels to be taken, and provender to be gathered. Upon what day shall we start?” And all the warriors answering shouted, “Now.” And Camorak smiled thereat, for he had but tried them. Down then from the walls they took their weapons, Sikorix, Kelleron, Aslof, Wole of the Axe; Huhenoth, Peace-breaker; Wolwuf, Father of War; Tarion, Lurth of the War-cry and many another. Little then dreamed the spiders that sat in that ringing hall of the unmolested leisure they were soon to enjoy.

When they were armed they all formed up and marched out of the hall, and Arleon strode before them singing of Carcassonne.

But the folk of the Weald arose and went back well-fed to their byres. They had no need of wars or of rare perils. They were ever at war with hunger. A long drought or hard winter were to them pitched battles; if the wolves entered a sheep-fold it was like the loss of a fortress, a thunder-storm on the harvest was like an ambuscade. Well-fed, they went back slowly to their byres, being at truce with hunger: and the night filled with stars.

And black against the starry sky appeared the round helms of the warriors as they passed the tops of the ridges, but in the valleys they sparkled now and then as the starlight flashed on steel.