Inferno (7 page)

She’s back
.

A moment later, the answering machine blared. “Sienna, eez Danikova! Where you?!”

Langdon winced, knowing what Sienna was about to hear. As the message played, Langdon quickly put away the playbill, neatening the desk. Then he slipped back across the hall into the bathroom, feeling uncomfortable about his glimpse into Sienna’s past.

Ten seconds later, there was a soft knock on the bathroom door.

“I’ll leave your clothes on the doorknob,” Sienna said, her voice ragged with emotion.

“Thank you so much,” Langdon replied.

“When you’re done, please come out to the kitchen,” she added. “There’s something important I need to show you before we call anyone.”

Sienna walked tiredly down the hall to the apartment’s modest bedroom. Retrieving a pair of blue jeans and a sweater from the dresser, she carried them into her bathroom.

Locking her eyes with her own reflection in the mirror, she reached up, grabbed a clutch of her thick blond ponytail, and pulled down hard, sliding the wig from her bald scalp.

A hairless thirty-two-year-old woman stared back at her from the mirror.

Sienna had endured no shortage of challenges in her life, and although she had trained herself to rely on intellect to overcome hardship, her current predicament had shaken her on a deeply emotional level.

She set the wig aside and washed her face and hands. After drying off, she changed her clothes and put the wig back on, straightening it carefully. Self-pity was an impulse Sienna seldom tolerated, but now, as the tears welled up from deep within, she knew she had no choice but to let them come.

And so she did.

She cried for the life she could not control.

She cried for the mentor who had died before her eyes.

She cried for the profound loneliness that filled her heart.

But, above all, she cried for the future … which suddenly felt so uncertain.

Belowdecks on the luxury vessel
The Mendacium
, facilitator Laurence Knowlton sat in his sealed glass cubicle and stared in disbelief at his computer monitor, having just previewed the video their client had left behind.

I’m supposed to upload this to the media tomorrow morning?

In his ten years with the Consortium, Knowlton had performed all kinds of strange tasks that he knew fell somewhere between dishonest and illegal. Working within a moral gray area was commonplace at the Consortium—an organization whose lone ethical high ground was that they would do whatever it took to keep a promise to a client.

We follow through. No questions asked. No matter what
.

The prospect of uploading this video, however, had left Knowlton unsettled. In the past, no matter what bizarre tasks he had performed, he always understood the rationale … grasped the motives … comprehended the desired outcome.

And yet this video was baffling.

Something about it felt different.

Much different.

Sitting back down at his computer, Knowlton restarted the video file, hoping a second viewing might shed more light. He turned up the volume and settled in for the nine-minute show.

As before, the video began with the soft lapping of water in the eerie water-filled cavern where everything was bathed in a numinous red light. Again the camera plunged down through the surface of the illuminated water to view the silt-covered floor of the cavern. And again, Knowlton read the text on the submerged plaque:

That the polished plaque was signed by the Consortium’s client was disquieting. That the date was
tomorrow …
left Knowlton increasingly concerned. It was what followed, however, that had truly set Knowlton on edge.

The camera now panned to the left to reveal a startling object hovering underwater just beside the plaque.

Here, tethered to the floor by a short filament, was an undulating sphere of thin plastic. Delicate and wobbling like an oversize soap bubble, the transparent shape floated like an underwater balloon … inflated not with helium, but with some kind of gelatinous, yellow-brown liquid. The amorphous bag was distended and appeared to be about a foot in diameter, and within its transparent walls, the murky cloud of liquid seemed to swirl slowly, like the eye of a silently growing storm.

Jesus
, Knowlton thought, feeling clammy. The suspended bag looked even more ominous the second time around.

Slowly, the image faded to black.

A new image appeared—the cavern’s damp wall, dancing with the rippling reflections of the illuminated lagoon. On the wall, a shadow appeared … the shadow of a man … standing in the cavern.

But the man’s head was misshapen … badly.

Instead of a nose, the man had a long beak … as if he were half bird.

When he spoke, his voice was muffled … and he spoke with an eerie eloquence … a measured cadence … as if he were the narrator in some kind of classical chorus.

Knowlton sat motionless, barely breathing, as the beaked shadow spoke.

“Have a seat,” Sienna said. “I have some questions for you.”

As Langdon entered the kitchen, he felt much steadier on his feet. He was wearing the neighbor’s Brioni suit, which fit remarkably well. Even the loafers were comfortable, and Langdon made a mental note to switch to Italian footwear when he got home.

If I get home
, he thought.

Sienna was transformed—a natural beauty—having changed into formfitting jeans and a cream-colored sweater, both of which complemented her lithe figure. Her hair was still pulled back in a ponytail, and without the authoritative air of medical scrubs, she seemed more vulnerable somehow. Langdon noticed her eyes were red, as if she had been crying, and an overwhelming guilt again gripped him.

“Sienna, I’m so sorry. I heard the phone message. I don’t know what to say.”

“Thanks,” she replied. “But we need to focus on
you
at the moment. Please sit down.”

Her tone was firmer now, conjuring memories of the articles Langdon had just read about her intellect and precocious childhood.

“I need you to think,” Sienna said, motioning for him to sit. “Can you remember how we got to this apartment?”

Langdon wasn’t sure how it was relevant. “In a taxi,” he said, sitting down at the table. “Someone was shooting at us.”

“Shooting at
you
, Professor. Let’s be clear on that.”

“Yes. Sorry.”

“And do you remember any gunshots while you were in the cab?”

Odd question
. “Yes, two of them. One hit the side mirror, and the other broke the rear window.”

“Good, now close your eyes.”

Langdon realized she was testing his memory. He closed his eyes.

“What am I wearing?”

Langdon could see her perfectly. “Black flats, blue jeans, and a cream
V-neck sweater. Your hair is blond, shoulder length, pulled back. Your eyes are brown.”

Langdon opened his eyes and studied her, pleased to see his eidetic memory was functioning normally.

“Good. Your visual cognitive imprinting is excellent, which confirms your amnesia is fully retrograde, and you have no permanent damage to the memory-making process. Have you recalled anything new from the last few days?”

“No, unfortunately. I did have another wave of visions while you were gone, though.”

Langdon told her about the recurrence of his hallucination of the veiled woman, the throngs of dead people, and the writhing, half-buried legs marked with the letter
R
. Then he told her about the strange, beaked mask hovering in the sky.

“ ‘I am death’?” Sienna asked, looking troubled.

“That’s what it said, yes.”

“Okay … I guess that beats ‘I am Vishnu, destroyer of worlds.’ ”

The young woman had just quoted Robert Oppenheimer at the moment he tested the first atomic bomb.

“And this beak-nosed … green-eyed mask?” Sienna said, looking puzzled. “Do you have any idea why your mind might have conjured that image?”

“No idea at all, but that style of mask was quite common in the Middle Ages.” Langdon paused. “It’s called a plague mask.”

Sienna looked strangely unnerved. “A plague mask?”

Langdon quickly explained that in his world of symbols, the unique shape of the long-beaked mask was nearly synonymous with the Black Death—the deadly plague that swept through Europe in the 1300s, killing off a third of the population in some regions. Most believed the “black” in Black Death was a reference to the darkening of the victims’ flesh through gangrene and subepidermal hemorrhages, but in fact the word
black
was a reference to the profound emotional dread that the pandemic spread through the population.

“That long-beaked mask,” Langdon said, “was worn by medieval plague doctors to keep the pestilence far from their nostrils while treating the infected. Nowadays, you only see them worn as costumes during Venice Carnevale—an eerie reminder of a grim period in Italy’s history.”

“And you’re certain you saw one of these masks in your visions?” Sienna asked, her voice now tremulous. “A mask of a medieval plague doctor?”

Langdon nodded.
A beaked mask is hard to mistake
.

Sienna was knitting her brow in a way that gave Langdon the sense she was trying to figure out how best to give him some bad news. “And the woman kept telling you to ‘seek and find’?”

“Yes. Just as before. But the problem is, I have no idea what I’m supposed to seek.”

Sienna let out a long slow breath, her expression grave. “I think I may know. And what’s more … I think you may have already found it.”

Langdon stared. “What are you talking about?!”

“Robert, last night when you arrived at the hospital, you were carrying something unusual in your jacket pocket. Do you recall what it was?”

Langdon shook his head.

“You were carrying an object … a rather startling object. I found it by chance when we were cleaning you up.” She motioned to Langdon’s bloody Harris Tweed, which was laid out flat on the table. “It’s still in the pocket, if you’d like to have a look.”

Uncertain, Langdon eyed his jacket.
At least that explains why she went back for my jacket
. He grabbed his bloodstained coat and searched all the pockets, one by one. Nothing. He did it again. Finally, he turned to her with a shrug. “There’s nothing here.”

“How about the secret pocket?”

“What? My jacket doesn’t have a secret pocket.”

“No?” She looked puzzled. “Then is this jacket … someone else’s?”